iBet uBet web content aggregator. Adding the entire web to your favor.
Link to original content: https://www.scribd.com/document/342450854
TOSCANINI, by Harvey Sachs: Supplementary Chapters
CONDUCTOR
Names of operas performed in their entirety are given in boldface, mainly in their original
languages, although all of the operas conducted by Toscanini in Italy and South America were
sung in Italian, except as otherwise indicated. Operas performed in other countries were sung in
their original languages. Names of principal cast members are given in parentheses: the womens
names are followed, after a semicolon, by the mens names. A slash between names indicates
singers alternating or being replaced in the same role. A number following the cast list indicates
how many performances were given of an opera within a given season; no number means that
1884
1886
30 June, Rio de Janeiro, Imperial Theatro Dom Pedro II, Compagnia Claudio Rossi
1
Verdi: Aida (N. Boulichoff, M. Mei Figner; T. Bertini/N. Figner, P. Lhrie, G. Roveri)
Roveri)
Lhrie, G. Roveri)
2
Gomes: Salvator Rosa (N. Boulichoff, I. Meyer; C. Callioni, P. Lhrie, G. Roveri)
Gounod: Intermezzo from La Colombe; Celega: Gavotte for strings; Taubert: Pizzicato
for strings; Haydn: Serenade for strings (from String Quartet Op. 3 No. 5, actually
1887
C. Lopez)
R. Darval)
3
1888
V. Salmasi)
Verdi: La forza del destino (I. Riccetti, T. Carotini; V. Ghilardini, E. Sivori, G. Fari, L.
Rossato) 22
Arimondi) 9
Rossato, G. Rubele)
4
1889
Verdi: La forza del destino (C. Calvi, T. Ivner; E. Salto, L. Lenzini, V. Calvi, L.
Rossato)
(part of a benefit concert) Foroni: Overture in C minor; Gregh (arr. by ?) Les Bergers
Watteau
5
Donizetti: La Favorite (A. Magi Trapani; G. Ugolini, E. Carnili, C. Jorio)
Bolzoni: Minuet; Theme and Variations for string quartet. Guido Rocchi: Gavotte
(during Toscaninis serata donore) Rocchi: Gavotte; Lully: Minuet for strings
Melossi, F. Casanovas) 22
1890
6
Bellini: I Capuleti e i Montecchi (J. Huguet, G. Pasqua; A. Zonghi, D. Campins, L.
Visconti) 3
1891
Castagnoli) 2
Flegna) 14
1892
7
25 February, same venue
At the first performance, two other pieces by Catalani were played: Dejanice: Prelude
Navarrini) 17
Arimondi) 7
Modesti) 4
8
Verdi: La forza del destino (M. Pizzigalli, I. Monti Baldini; F. Tamagno, A. Modesti, A.
Felici, A. Lanzoni) 4
1893
E. Villelmi) 17
Foroni: Overture in C minor; Bolzoni: Minuet for strings; Gillet: Loin du Bal
Rossato) 10
Rossato) 4
9
15 April, same venue
1894
Sabellico) 14
: Epodo
10
Verdi: Falstaff (E. De Marzi, C. Vicini, E. Borlinetto, A. Belloni; C. Cartica/M. Sigaldi,
Sabellico) 11
Rossi) 7
1895
Rossi)
Modesti)
11
Lamico Fritz (I. Del Torre, A. Kitzu; F. Giraud, A. Pini Corsi)
Arimondi)
Verdi: La forza del destino (A. Agresti, E. Borlinetto; C. Cartica, A. Modesti, V. Blasi,
G. Rossi)
Arimondi)
Modesti, V. Arimondi)
Verdi: La forza del destino (R. Caligaris, E. Ceresoli Salvatori; C. Cartica, A. Modesti,
A. , V. Arimondi)
12
Franchetti: Cristoforo Colombo (I. Del Torre, E. Ceresoli Salvatori; C. Cartica, G.
Verdi: Falstaff (E. De Marzi, C. Vicini, E. Ceresoli Salvatori, C. Pini Corsi; F. Giraud,
Blanchart, G. Rossi)
13
Verdi: Falstaff (A. Cruz, C. Ferrani, E. Borlinetto, C. Pini Corsi; R. Longone, A. , V.
Bellatti, L. Lucenti) 5
1896
Mazzara) 23
Brahms: Tragic Overture; Wagner: Entrance of the Gods into Valhalla from
Das Rheingold
Haydn: Symphony No. 101 (Clock); Tchaikovsky: Suite from The Nutcracker;
14
Beethoven: Symphony No. 1; Grieg: Holberg Suite; Brahms: Tragic Overture; Wagner:
as on 26 April
Haydn: as on 26 April; Trucco: Piccola Suite in B-flat; Ponchielli: Funeral March from
Mazzara) 12
Peirani, V. Bellatti) 4
15
Puccini: La Bohme (C. Ferrani, C. Pasini; G. Apostolu, T. Wilmant, A. Cerratelli, M.
Mazzara) 12
Bernis, V. Arimondi) 20
from Symphony No. 7; Wagner: Liebestod from Tristan und Isolde; Chabrier:
Overture to Gwendoline
1897
DArrigo) 14
16
Boito: Mefistofele (E. Corsi, A. Kitzu; E. Gorga/G. Moretti, V. Arimondi) 14
Arimondi) 6
Raff: First section of Symphony No. 5; Beethoven: Violin Concerto (E. Ysae, soloist);
Beethoven: Symphony No. 8; Smetana: Overture to The Bartered Bride; Corelli: Andante
and Gigue for strings; Saint-Sans: Danse macabre; Dvok: Carnival Overture
Schumann: Symphony No. 2; Goldmark: In the Garden from the Rustic Wedding
Tchaikovsky: Symphony No. 6; Haydn: Adagio con variazioni from String Quartet Op.
Overture to The Bartered Bride; Bach: Pastorale from the Christmas Oratorio;
17
Weber: Overture to Der Freischtz; Schumann: Adagio from Symphony No. 2;
Wotans Farewell and Magic Fire Music from Die Walkre, Siegfrieds
Arimondi)
Weber: [Overture to Der Freischtz?]; Grieg: [Peer Gynt Suite No. 1?]; Wagner: [?]
to The Bartered Bride; Bolzoni: Scherzo for strings; Goldmark: excerpt (In the
Garden?) from Rustic Wedding Symphony; Grieg: Peer Gynt Suite; Wagner:
Arimondi) 24
18
Puccini: Manon Lescaut (C. Ferrani; F. Giraud, F. Corradetti/E. DAlbore, V. Arimondi)
10
At one of the last Bohme performances Toscanini also conducted: Wagner: Forest
the opera Isora di Provenza; Cowen: Second and third movements from
to The Bartered Bride; Wagner: Good Friday Spell from Parsifal, Siegfrieds
1898
Scarneo) 11
19
Boito: Mefistofele (F. Labia; P. Zeni, A. Lanzoni) 7
Wagner: Die Walkre (A. Adini, F. Labia, G. Zeppilli Villani; E. Marchi, A. Gnaccarini,
A. Lanzoni) 9
Dvok: New World Symphony; Grieg: Holberg Suite; Verdi: Overture to I vespri
siciliani
Mendelssohn: Ruy Blas Overture; Cherubini: Scherzo from String Quartet No. 1 in E-
flat; Ernst: Fantaisie brillante on Rossinis Otello, for violin and orchestra (with P.
in C minor
20
Wagner: Overture to Die Feen, Overture to Rienzi, Overture to Der Fliegende Hollnder,
Prelude to Act I of Lohengrin, Liebestod from Tristan und Isolde, Prelude to Die
Tannhuser
THE FOLLOWING CONCERTS ALL TOOK PLACE AT THE GRANDE SALONE DEI
EXPOSITION OF 1898
1 May
8 May
Verdi: Overture to La forza del destino; Dvok: Symphonic Variations Op. 78; Wagner:
12 May
Murmurs from Siegfried; Raff: The Beautiful Miller-Girl from the String
15 May
21
Bolzoni: Theme and Variations for strings; Saint-Sans: Danse macabre;
19 May
22 May
Wagner: Magic Fire Music from Die Walkre; Foroni: Overture in C minor
26 May
Beethoven: Symphony No. 6; NP Verdi: Stabat Mater, Laudi alla Vergine, Te Deum
28 May
Svendsen: Symphony No. 4; Verdi: Stabat Mater, Laudi alla Vergine, Te Deum from the
30 May
the Concerto for strings, harp, and organ, Op. 4 No. 6; Verdi: as on 26 May
2 June
Weber: Overture to Euryanthe; Dvok: Symphonic Variation Op. 78; Catalani: A Sera
for string quartet; Cherubini: Scherzo from the String Quartet in E-flat;
5 June
22
Fuchs: Overture, Des Meeres und des liebes Wellen; Grieg: Peer Gynt Suite No. 2;
9 June
Beethoven: Symphony No. 3; Massenet: Under the Linden Trees and The Last Sleep
12 June
Rossini: Overture to La gazza ladra; Bizet: LArlsienne Suite No. 1; Smetana: Overture
Rhapsody No. 2
16 June
Schubert: Unfinished Symphony; Liszt: Les Prludes; Grieg: Peer Gynt Suite No. 2;
21 June
Abendlied Op. 85 No. 12; Mendelssohn: Canzonetta from the String Quartet in E-
flat, Op. 44 No. 3; Goldmark: Prelude to Act II of Die Knigin von Saba; Brahms:
23 June
Bolzoni: Suite drammatica; Weber (arr. Berlioz): Invitation to the Dance; Massenet:
26 June
23
Beethoven: Symphony No. 1; Saint-Sans: Rverie du soir from the Suite algrienne;
Sinigaglia: Scherzo for string quartet; Wagner: Entrance of the Gods into
1 July
Foroni: Overture in A; Massenet: Suite, Les Erinnys; Wagner (arr. Mancinelli): Suite
4 July
Colombo; Haydn: Adagio from the String Quartet in C, Op. 76; Sinigaglia:
Danse macabre; Wagner (arr. Mancinelli): The Ships Arrival from Tristan und
Isolde
7 July
Haydn: Symphony No. 101 Clock; Lassen: Festival Overture; Ferraria: Adagio and
fantastique; Wagner: Entrance of the Gods into Valhalla from Das Rheingold
11 July
of Marion Delorme; Mancinelli: Fuga degli amanti from the Suite, Scene
14 July
Saint-Sans: Symphony No. 3; Mancinelli: Fuga degli amanti from the Suite, Scene
Veneziane; Grieg: First Meeting from Two Melodies for String Orchestra Op.
24
53 and Presto al saltarello from String Quartet Op. 27; Wagner: Ride of the
28 August
Prelude to Hnsel und Gretel; Mancinelli: Barcarolle from the Intermezzi for the
drama Cleopatra; Grieg: Presto al saltarello from String Quartet Op. 27; Berlioz:
1 September
3 September
miniature from The Nutcracker; Goldmark: Prelude to Act II of Die Knigin von
Saba
7 September
10 September
25
Cherubini: Overture to Medea; Bruch: Violin Concerto in G minor (E. Polo); Cowen:
15 September
18 September
22 September
25 September
Dvok: New World Symphony; Wagner: Prelude to Lohengrin; Berlioz: Queen Mab
29 September
Mozart: Overture to The Magic Flute; Martucci: Piano Concerto in B-flat minor (G.
2 October
26
Weber: Overture to Der Freischtz; Brahms: Symphony No. 4; Wagner: Magic Fire
Music from Die Walkre; Royal March; Berlioz: Dance of the Sylphs and
6 October
Stanford: Irish Symphony in F minor; Wagner: Liebestod from Tristan und Isolde;
10 October
Tua); Wagner: Entrance of the Gods into Valhalla from Das Rheingold;
13 October
Cherubini: Overture to Medea; Brahms: Symphony No. 2; Wagner: Forest Murmurs from
LImprovisateur, La Fte)
16 October
the Symphony in D minor; Grieg: Presto al saltarello from String Quartet Op. 27;
17 October
Verdi: Overture to I vespri siciliani; Verdi: Trio from I Lombardi (F. Tamagno, M.
27
20 October
Beethoven: Coriolan Overture; Orefice: Suite from Sinfonia del Bosco; Tchaikovsky: 2nd
movement from Symphony No. 6; Wagner: Ride of the Valkyries from Die
Walkre
23 October
Saint-Sans: Symphony No. 3; Berlioz: Queen Mab from Romo et Juliette; Franck:
25 October
27 October
Paisiello: Overture to Nina; Sgambati: Piano Concerto in G minor (G. Sgambati); Celega:
28 October
Garden from Parsifal, Magic Fire Music from Die Walkre, Prelude to Die
Meistersinger
31 October
28
Cherubini: Overture to Faniska; Martucci: Symphony No. 1; Mancinelli: Fuga degli
amanti from Scene veneziane; Sinigaglia: Hora mystica for string quartet, and
Scherzo from String Quartet Op. 8; Catalani: Dance of the Water-Nymphs from
---------------------------------------------------------------------
1899
F. Navarrini) 3
29
16 April, same venue
Verdi: Stabat Mater, Laudi alla Vergine, Te Deum from the Four Sacred Pieces;
Zonchi)
Par: Overture to Sargino; Martucci: Piano Concerto in B-flat minor (G. Martucci);
Brahms: Symphony No. 2; Berlioz: March to the Scaffold from Symphonie fantastique;
Brahms: Symphony No. 2; Beethoven: Overture No. 3 to Leonore; Wagner: Love scenes
30
Verdi: Otello (E. Carelli; F. Tamagno, D. Menotti/T. Wilmant) 7
1900
Arcangeli, O. Luppi) 7
Beethoven: Symphony No. 6; Smetana: Overture to The Bartered Bride; Franchetti: Nella
String Quartet Op. 11; Grieg: Lento and Presto al saltarello from String Quartet
Op. 27; Wagner: Klingsors Magic Garden from Parsifal, Entrance of the
Humperdinck: Prelude to Hnsel und Gretel; Dvok: New World Symphony; Berlioz:
31
from Loreley; Mancinelli: Fuga degli amanti from Scene veneziane; Wagner:
Meistersinger
the Water-Nymphs from Loreley; Mancinelli: Fuga degli amanti from Scene
Beethoven: Symphony No. 6; Smetana: Overture to The Bartered Bride; Franchetti: Nella
from Loreley; Grieg: Lento and Presto al saltarello from String Quartet Op. 27;
Wagner: Siegfrieds Rhine Journey and Siegfrieds Death and Funeral Music
Dvok: New World Symphony; Smetana: Overture to The Bartered Bride; Franchetti:
Nella Foresta Nera; Berlioz: Queen Mab from Romo et Juliette; Wagner:
Meistersinger
Beethoven: Symphony No. 6; Mancinelli: Fuga degli amanti from Scene veneziane;
Franchetti: Nella Foresta Nera, symphonic impression; Grieg: Lento and Presto al
32
saltarello from String Quartet Op. 27; Wagner: Prelude to Die Meistersinger,
Overture to Tannhuser
Beethoven: Symphony No. 6; Smetana: Overture to The Bartered Bride; Franchetti: Nella
Foresta Nera; Mancinelli: Fuga degli amanti from Scene veneziane; Grieg:
Lento and Presto al saltarello from String Quartet Op. 27; Wagner: Klingsors
Magic Garden from Parsifal, Entrance of the Gods into Valhalla from Das
Berlioz: Queen Mab from Romo et Juliette; Catalani: Dance of the Water-
?; Franchetti: Nella Foresta Nera, symphonic impression; Berlioz: Queen Mab from
of the Gods into Valhalla from Das Rheingold; Smetana: Overture to The
33
6 May, Verona, Teatro Filarmonico (with Scala orchestra)
Fuga degli amanti from Scene veneziane; Tchaikovsky: Andante cantabile from
String Quartet Op. 11; Wagner: Klingsors Magic Garden from Parsifal,
cantabile from String Quartet Op. 11; Grieg: Lento and Presto al saltarello from
String Quartet Op. 27; Wagner: Prelude to Die Meistersinger; Rossini: Overture
to William Tell
Mozart: Overture to The Magic Flute; Beethoven: Symphony No. 6; Catalani: Prelude to
Presto al saltarello from String Quartet Op. 27; Wagner: Siegfrieds Death and
34
Funeral Music from Gtterdmmerung, Entrance of the Gods into Valhalla
drammatico for Violin and Orchestra (V. Ranzato); Montemezzi: excerpts from
Luppi) 10
Wagner: Tristan und Isolde (A. Pinto, E. Ghibaudo; G. Borgatti, A. Magini Coletti, M.
Gaudio/O. Luppi) 14
1901
35
WP Mascagni: Le Maschere (L. Brambilla, E. Carelli; E. Caruso, O. Gennari, A.
Overture to Nabucco (played twice); Chorus, O Signore, dal tetto natio, from I
Lombardi (twice); Quartet from Act IV of Rigoletto (twice); Prelude to Act III of
destino; Finale of Act II (Il santo nome di Dio Signore) of La forza del destino
Goldmark: Die Knigin von Saba (A. Pinto, M. De Macchi; G. Borgatti, A. Magini
Coletti, O. Luppi) 5
Carbonetti) 11
Verdi: Overture to La forza del destino; Prelude to La traviata, Act III; Overture to I
vespri siciliani; Va, pensiero from Nabucco (given twice) (with La Scalas
36
Boito: Mefistofele (E. Carelli, A. Pinto; E. Caruso, F. Chaliapin) 11
Segurola) 4
Goldmark: Die Knigin von Saba (A. Pinto, M. dArneiro; E. Caruso, E. Giraldoni, A.
de Segurola) 3
Ercolani) 7
37
Verdi: Otello (A. Pinto; M. Mariacher, M. Sammarco) 1
Puma, A. de Segurola) 3
(Concert to mark the first anniversary of the assassination of King Umberto I of Italy)
Inflammatus (H. Darcle) from Stabat Mater; Verdi: Lacrymosa from the
NP Wagner: Tristan und Isolde (A. Pinto, A. Degli Abbati; G. Borgatti, E. Giraldoni, A.
de Segurola) 5
Giraldoni, R. Ercolani) 3
38
16 November, Milan, Santa Maria della Pace
Wagner: Die Walkre (A. Pinto, F. Labia, B. Lavin; M. Roussel, A. Magini Coletti, C.
Nicolay) 8
1902
14
39
2 April, same venue
Coletti, A. Dad) 3
Beethoven: Overture to Egmont, Symphony No. 9 (see previous entry), Overture No. 3 to
Leonore
O. Luppi/L. Muoz)
40
1903
Luppi, O. Carozzi) 7
Luppi) 6
Mariacher, O. Carozzi) 9
19 March, Milan, Casa di Riposo per Musicisti (Casa Verdi) (with members of Scala orchestra)
Verdi: Prelude to Act I of La traviata, Ave Maria and Laudi alla Vergine from the
Wagner: Prelude and Act III (unstaged) of Parsifal (B. Silvestri; G. Borgatti, G. Rossi, A.
Scandiani) 2
41
Puccini: Tosca (M. Mei Figner; E. Caruso, E. Giraldoni) 2
Giraldoni, V. Arimondi) 2
Giacomello) 3
Wigley) 4
42
12 July, same venue
Wigley) 1
43
Mascagni: Iris (M. Farneti; E. Caruso, P. Giacomello, R. Ercolani) 1
1904
Mozart: Overture to Le Nozze di Figaro; Beethoven: Violin Concerto (A. Serato); Dukas:
und Isolde
44
Glazounov: Symphony No. 6; Dukas: The Sorcerers Apprentice; Sibelius: The Swan of
Brahms: Symphony No. 2; Bolzoni: Capriccio sinfonico; Sibelius: The Swan of Tuonela;
Didur) 3
R. Ercolani) 3
45
23 June, same venue
Ercolani) 6
Ercolani) 3
Didur) 1
46
Donizetti: Linda di Chamounix (R. Storchio, A. Parsi Pettinella; P. Schiavazzi, M.
1905
Wagner: Prelude and Liebestod from Tristan und Isolde; Berlioz: Queen Mab from
Symphony No. 3
47
Wagner: Siegfried Idyll; Wagner: Forest Murmurs from Siegfried; Sibelius: The Swan
Brahms: Symphony No. 4; Bossi: Suite, Op. 126; Debussy: Prlude laprs-midi dun
Par: Overture to Ero e Leandro; Donizetti: Overture to Don Pasquale; Mozart: Violin
Concerto No. ? (A. Serato); Busi: Elegia funebre; Golinelli: Scherzo from a
Overture to William Tell; Donizetti and Rossini: opera excerpts (G. Russ and A.
Bonci)
Siegfried; Bossi: Suite, Op. 126; Donizetti: Overture to Don Pasquale; Rossini:
Overture to William Tell; Weber and Verdi: opera excerpts (G. Russ)
23 and 25 April, Milan, Conservatorio Giuseppe Verdi (with members of La Scala orchestra)
Beethoven: Symphony No. 3; Debussy: Prlude laprs-midi dun faune; Sibelius: The
48
11 May, Turin, Teatro Vittorio Emanuele
Borodin: Symphony No. 2; Bossi: Suite, Op. 126; Svendsen: Norwegian Rhapsody No. 4,
and Allegro con brio in G); Elgar: Enigma Variations; Wagner: Prelude and
Martucci: Symphony No. 2; Smetana: The Moldau; Handel: Largo from Serse; Wagner:
Quercia, L. Contini) 9
Humperdinck: Hnsel und Gretel (E. Bel Sorel, Si Eigherson, E. Bruno; F. Federici) 3
Federici) 2
49
26 December, Turin, Teatro Regio
Quercia, L. Contini) 14
1906
Contini) 13
Brahms: Symphony No. 2; Elgar: Introduction and Allegro; Strauss: Don Juan; Dukas:
50
Beethoven: Symphony No. 3; Bolzoni: Capriccio sinfonico; Raff: Dreaming and
the Steppes of Central Asia; Wagner: Prelude and Liebestod from Tristan und
Isolde
Beethoven: Symphony No. 3; Sibelius: En Saga; Raff: Dreaming and Dance of the
Brahms: Symphony No. 2; Raff: Dreaming and Dance of the Dryads from
Debussy: Prlude laprs-midi dun faune; Wagner: Prelude and Liebestod from
Beethoven: Symphony No. 3; Elgar: Introduction and Allegro; Strauss: Don Juan;
51
25 March, Trieste, Politeama Rossetti (with Turin orchestra)
Brahms: Symphony No. 2; Debussy: Prlude laprs-midi dun faune; Borodin: In the
Steppes of Central Asia; Sibelius: En Saga; Raff: Dreaming and Dance of the
Beethoven: Symphony No. 3; Strauss: Don Juan; Elgar: Introduction and Allegro;
Wagner: Siegfried Idyll; Wagner: Prelude and Liebestod from Tristan und Isolde
Beethoven: Symphony No. 3; Elgar: Introduction and Allegro; Strauss: Don Juan;
Program?
Program?
52
Donizetti: Don Pasquale (R. Storchio; G. Anselmi, G. De Luca, R. Ercolani) 2
Stracciari, C. Walter)
Didur, C. Walter) 2
Walter)
Ercolani) 3
53
24 July, same venue
A. Didur)
Walter) 2
A. Didur) 1
54
Puccini: Tosca (S. Kruszelnicka; E. Garbin, R. Stracciari) 1
Ercolani) 1
Concert of operatic and symphonic pieces; program not known (R. Storchio, S.
1907
55
Ponchielli: La Gioconda (E. Burzio, E. Petri, E. Bruno; G. Zenatello, P. Arnato/G. De
Luca, N. De Angelis) 11
Angelis) 10
Nuages and Ftes from Trois Nocturnes; Strauss: Don Juan; Foroni: Overture
in C
56
Wagner: Gtterdmmerung (F. Litvinne, L. Garibaldi; F. Giraud, G. Bellantoni, C.
Thos, J. Nivette) 12
1908
De Angelis) 8
Rebonato, N. De Angelis) 1
Cirino) 7
57
Mozart: Symphony No. 35 (Haffner); Strauss: Ein Heldenleben; Sinigaglia: Le baruffe
VENUE OR ELSEWHERE.]
performance was probably conducted by Francesco Spetrino but may have been
conducted by Toscanini.)]
Not) 6
58
Wagner: Gtterdmmerung (O. Fremstad/J. Gadski, R. Fornia; E. Schmedes/A.
Rains) 5
Grassi, P. Amato) 7
1909
59
Puccini: Madama Butterfly (E. Destinn; E. Caruso, A. Scotti) 1
Campanari, G. Rossi) 1
Campanari, A. Didur) 3
Verdi: Aida (Act II, Part 2) (E. Destinn, L. Homer; R. Martin, P. Amato, A. Hinckley) 1
60
Verdi Aida (E. Destinn/M. Rappold, L. Homer/M. Flahaut; G. Zenatello/R. Martin, P.
Amato, A. Didur) 2
O. Goritz, A. Hinckley) 1
Suite Antar; Handel: Largo for oboe and strings; Handel: Minuet for strings:
Semiramide
Haydn: Symphony No. 101 (Clock), Debussy: La Mer; Ravel: Rhapsodie Espagnole;
Semiramide
61
Rossini: Overture to Il Signor Bruschino; Beethoven: Symphony No. 6; Martucci:
Martucci: Symphony No. 1, Notturno, Novelletta, Canzone dei ricordi (S. Kruszelnicka),
Danza (Tarantella)
de Segurola) 6
Wagner: Tristan und Isolde (J. Gadski/L. Nordica, L. Homer; K. Burrian, P. Amato, R.
Blass) 5
de Segurola) 1
62
3 December, New York, Metropolitan Opera House
Verdi Aida (J. Gadski/E. Destinn, L. Homer/M. Flahaut; E. Caruso/L. Slezak/R. Martin,
1910
Wagner: Tristan und Isolde (O. Fremstad, L. Homer; K. Burrian, P. Amato, R. Blass) 1
Wagner: Tristan und Isolde (O. Fremstad, F. Wickham; K. Burrian, P. Amato, R. Blass)
de Segurola) 1
63
16 February, New York, Metropolitan Opera House
Ponchielli: La Gioconda (Act III, Part 2) (J. Noria, A. Meitschik; E. Caruso, P. Amato, A.
de Segurola) 1
de Segurola) 1
Goritz, R. Blass) 2
Goritz, R. Blass) 1
64
4 April, Chicago, Auditorium
Segurola) 2
Goritz, R. Blass) 1
CHORUS, AND SETS FROM THE METROPOLITAN OPERA COMPANY BUT WITH THE
ORCHESTRE LAMOUREUX.]
65
25 May, same venue
Campanari, G. Rossi) 3
Wagner: Tristan und Isolde (Act II) (O. Fremstad, L. Homer; K. Burrian, P. Ananian, A.
Hinckley) 1
Segurola) 2
66
23 November, same venue
Amato, A. de Segurola) 5
1911
Wagner: Tristan und Isolde (O. Fremstad/J. Gadski, L. Homer; K. Burrian, W. Soomer,
A. Hinckley) 4
67
1 February, same venue
de Segurola) 1
68
20 April, Cleveland, Public Hall?
de Segurola) 1
Giardini, B. Challis) 8
69
Bach (arr. Mahler): Suite in B minor; Beethoven: Symphony No. 1; Brahms: Haydn
Variations; Wagner: Prelude and Liebestod from Tristan und Isolde; Strauss: Till
Eulenspiegel
Beethoven: Symphony No. 6; Gluck: Minuetto lento, Siciliana, and Ciaccona from
Armide; Martucci: Novelletta and Tarantella; Wagner: Good Friday Spell from
Brahms: Symphony No. 2; Handel: Largo from Serse and Minuet for strings; Dukas: The
Beethoven: Symphony No. 6; Debussy: La Mer; Handel: Largo from Serse and Minuet
for strings; Wagner: Prelude and Liebestod from Tristan und Isolde
70
17 November, same venue
de Segurola) 1
Amato) 5
71
1912
Wagner: Tristan und Isolde (L. Weidt, M. Matzenauer/L. Garibaldi; E. Ferrari Fontana,
P. Amato, N. De Angelis) 7
Angelis) 5
72
Boito: Mefistofele (L. Bori/C. Gagliardi/C. Bau Bonaplata, L. Weidt; R. Grassi, N. De
Angelis) 6
Pieralli) 5
73
25 July, same venue
Verdi: Falstaff (C. Bau Bonaplata, L. Bori, L. Garibaldi, F. Perini; R. Grassi, P. Amato,
E. Badini, V. Bettoni) 6
Bettoni, N. De Angelis) 5
Boito: Mefistofele (Prologue) (N. De Angelis); Verdi: Falstaff (Act II) (C. Bonaplata
Angelis) 1
Siegfried, Good Friday Spell from Parsifal, Siegfrieds Death and Funeral
Music from Gtterdmmerung, Prelude and Liebestod from Tristan und Isolde
5; Debussy: La Mer; Wagner: Good Friday Spell from Parsifal, Prelude and
74
Gluck: Orfeo ed Euridice (L. Homer, M. Rappold, L. Sparkes) 2
1913
75
Wolf-Ferrari: Le donne curiose (G. Farrar, B. Alten, R. Fornia, J. Maubourg; U.
NP Mussorgsky: Boris Godunov (in Italian) (L. Homer; P. Althouse, A. Bad, A. Didur,
L. Rothier, A. de Segurola) 4
Segurola) 1
76
28 September, same venue
Giardini, V. Bettoni) 2
Mussorgsky: Boris Godunov (in Italian) (M. Ober/L. Homer; P. Althouse, A. Bad, A.
77
8 December, same venue
Wagner: Tristan und Isolde (O. Fremstad/J. Gadski, M. Ober/L. Homer; J. Urlus/R.
1914
NP Montemezzi: Lamore dei tre re (L. Bori; E. Ferrari Fontana, P. Amato, A. Didur) 5
Wagner: Tristan und Isolde (J. Gadski, M. Ober; J. Urlus, H. Weil, K. Braun) 1
78
25 March, same venue
Rothier, A. de Segurola) 4
Caruso, P. Amato) 2
Whitehill/R. Tegani) 9
79
21 November, same venue
Mussorgsky: Boris Godunov (in Italian) (M. Ober; P. Althouse, A. Bad, A. Didur, L.
Rothier, A. de Segurola) 5
Wagner: Tristan und Isolde (J. Gadski/M. Kurt, M. Matzenauer; J. Urlus, H. Weil, K.
Braun/H. Witherspoon) 4
1915
80
19 January, Brooklyn, Academy of Music
de Segurola) 6
Montemezzi: Lamore dei tre re (L. Bori; E. Ferrari Fontana, P. Amato, A. Didur) 5
Segurola) 1
Segurola) 1
Goritz, K. Braun) 3
Montemezzi: Lamore dei tre re (L. Bori; E. Ferrari Fontana, P. Amato, A. Didur) 1
81
Mascagni: Iris (L. Bori; L. Botta, A. Scotti, A. Didur) 3
Verdi: Overture to La forza del destino; Hymn and oath-taking from Act I and Hymn and
Allor che i forti corrono from Attila; Rataplan from La forza del destino;
Overture to I vespri siciliani; Coro della Sete from I Lombardi; Hymn of the
Hymn
Rossi Morelli) 8
Montesanto) 6
82
Verdi: Falstaff (M. Farneti, I. M. Ferraris, V. Guerrini, T. Di Angelo; T. Schipa, G.
1916
Haydn: Symphony No. 101 (Clock); Elgar: Enigma Variations; Busoni: Berceuse
Beethoven: Symphony No. 6; Sibelius: En Saga; Stravinsky: 1st and 4th tableaux from
Haydn: Symphony No. 101 (Clock); Stravinsky: 1st and 4th tableaux from Petrushka;
Mancinelli: Fuga degli amanti from Scene veneziane; Franck: Intermezzo from
Martucci: Symphony No. 1; Busoni: Berceuse lgiaque; Debussy: Ftes from the
Cherubini: Overture to Medea; Martucci: Novelletta; Debussy: Ftes from the Trois
Nocturnes; Stravinsky: 1st and 4th tableaux from Petrushka; Franck: Intermezzo
83
from Rdemption; Wagner: Good Friday Spell from Parsifal; Beethoven:
Symphony No. 5
Beethoven: Symphony No. 5; Stravinsky: 1st and 4th tableaux from Petrushka; Franck:
not completed]
1917
Minuet; van Westerhout: Ma belle qui danse and Ronde damour; Mascagni:
Hymn to the Sun from Iris; Verdi: Overture to La forza del destino, Overture to
84
III of La traviata; Rossini: Overture to La gazza ladra, Overture to Semiramide,
of the Hours from La Gioconda, Prelude to Act III of Marion Delorme; Catalani:
1918
Sortilegi
Martucci: Tarantella
85
Franck: Symphony; Tommasini: Chiari di luna; Elgar: Introduction and Allegro; Berlioz:
Love Scene and Queen Mab from Romo et Juliette; Verdi (in memoriam):
Borodin: Symphony No. 2; Sibelius: The Swan of Tuonela; Svendsen: Carnival of Paris;
Vivaldi: Concerto in E minor for strings; Dvok: New World Symphony; Debussy: La
Pizzetti: Ouverture per una farsa tragic; Martucci: La canzone dei ricordi (A.
Raff: Symphony No. 3 (Im Walde); Vivaldi (trans. Nachez): Violin Concerto in A
86
degli amanti from Scene veneziane; Stravinsky: 1st and 4th Tableaux from
Petrushka
Beethoven: Symphony No. 6; Respighi: Ancient Airs and Dances; Malipiero: Pause del
Cherubini: Overture to Faniska; Zandonai: Suite, Patria lontana (A. Roessinger); Elgar:
Fireworks; Berlioz: 4th and 5th movements from the Symphonie fantastique
Saint-Sans: Symphony No. 3; Martucci: Notturno and Novelletta; Berlioz: 4th and 5th
Ducasse: Sarabande; Stravinsky: 1st and 4th Tableaux from Petrushka; Rossini:
1919
87
Mozart: Symphony No. 39 in E-flat; Beethoven: Overture No. 3 to Leonore; Roger-
Wagner: Prelude and Good Friday Spell from Parsifal; Beethoven: Symphony No. 9
14, 15, 16, and 18 June, Milan, Conservatorio G. Verdi (with Turin orchestra?)
Wagner: Prelude and Good Friday Spell from Parsifal; Beethoven: Symphony No. 9
Haydn: Symphony No. 101 (Clock); Beethoven: Overture No. 3 to Leonore; Respighi:
Haydn: Symphony No. 101 (Clock); Beethoven: Overture No. 3 to Leonore; Respighi:
Haydn: Symphony No. 101 (Clock); Beethoven: Overture No. 3 to Leonore; Respighi:
88
Haydn: Symphony No. 101 (Clock); Beethoven: Overture No. 3 to Leonore; Respighi:
1920
Enigma Variations
Beethoven: Symphony No. 6; Berlioz: Love Scene and Queen Mab from Romo et
Franck: Symphony; Berlioz: Love Scene and Queen Mab from Romo et Juliette;
Prelude and Liebestod from Tristan und Isolde; Elgar: Enigma Variations
89
Beethoven: Coriolan Overture; Borodin: Symphony No. 2; Debussy: Ibria; Wagner:
Overture to Saul
Verdi: Overture to Luisa Miller; Raff: Symphony No. 3 (Im Walde); Beethoven:
Wagner: Good Friday Spell from Parsifal, Ride of the Valkyries from Die
Walkre
Beethoven: Symphony No. 5; Wagner: Prelude and Liebestod from Tristan und Isolde;
90
Sinigaglia: Overture, Le baruffe chiozzotte; Dvok: New World Symphony; Vivaldi:
16 June, Ferrara, Teatro Comunale (same orchestra as in Padua, but what was it?)
Beethoven: Symphony No. 5; Wagner: Prelude and Liebestod from Tristan und Isolde;
ORCHESTRA)
Concerto Grosso; Debussy: Ibria; Wagner: Prelude and Liebestod from Tristan
und Isolde
91
Brahms: Symphony No. 2; Roussel: The Spiders Feast; Pizzetti: Suite, La Pisanella;
the Woods and Fields, Dance, Carnival, and Fugue from the Piedmont Suite
Ballata delle gnomidi; Debussy: Ibria; Wagner: Prelude and Liebestod from
the Woods and Fields, Dance, Carnival, and Fugue from the Piedmont Suite
Fontane di Roma; Debussy: Ibria; Wagner: Prelude and Liebestod from Tristan
92
Vivaldi: Concerto Grosso No. 8 in A minor; Beethoven: Symphony No. 5; Respighi:
Fontane di Roma; Debussy: Ibria; Wagner: Prelude and Liebestod from Tristan
und Isolde
Respighi: Ancient Airs and Dances; Lualdi: Dream Interlude from La figlia del re;
Bloch: Dance from Three Hebrew Poems; Tommasini: Serenata from Chiari di
luna; Beethoven: Symphony No. 7; Wagner: Good Friday Spell from Parsifal;
Respighi: Ancient Airs and Dances; Beethoven: Symphony No. 5; Debussy: Ibria; Pick-
Tristan und Isolde; Rossini: Overture to William Tell; Verdi: Overture to I vespri
siciliani
93
Beethoven: Symphony No. 5; Respighi: Ballata delle gnomidi; Manfredini: Christmas
Concerto Grosso; Debussy: Ibria; Wagner: Prelude and Liebestod from Tristan
und Isolde
Brahms: Symphony No. 2; Roussel: The Spiders Feast; Pizzetti: Suite, La Pisanella;
Beethoven: Symphony No. 5; Wagner: Prelude and Liebestod from Tristan und Isolde;
Roussel: The Spiders Feast; Pizzetti: Suite, La Pisanella; Strauss: Don Juan;
Verdi: Overture to I vespri siciliani; Wagner: Good Friday Spell from Parsifal;
Beethoven: Symphony No. 5; Wagner: Prelude and Liebestod from Tristan und Isolde;
Lualdi: Dream Interlude from La figlia del re; Debussy: Ibria; Ponchielli:
94
Mozart: Symphony No. 39 in E-flat; Elgar: Enigma Variations; Sinigaglia: Through
the Woods and Fields, Dance, Carnival, and Fugue from the Piedmont Suite
Ballata delle gnomidi; Debussy: Ibria; Wagner: Prelude and Liebestod from
Fontane di Roma; Debussy: Ibria; Wagner: Prelude and Liebestod from Tristan
Feast; Strauss: Don Juan; Verdi: Overture to I vespri siciliani; Rossini: Overture
to William Tell
Lualdi: Dream Interlude from La figlia del re; Bloch: Dance from Three Hebrew
95
Respighi: Ancient Airs and Dances; Wagner: Good Friday Spell from Parsifal;
21 November, Fiume, ?
Sinigaglia: Through the Woods and Fields, Dance, Carnival, and Fugue from the
Through the Woods and Fields, Dance, Carnival, and Fugue from the
Piedmont Suite Op. 36; Respighi: Fontane di Roma; Wagner: Good Friday
Spell from Parsifal; Verdi: Overture to I vespri siciliani; Wagner: Prelude and
Through the Woods and Fields, Dance, Carnival, and Fugue from the
Fontane di Roma; Debussy: Ibria; Sinigaglia: Through the Woods and Fields,
Dance, Carnival, and Fugue from the Piedmont Suite Op. 36; Wagner: Prelude
and Liebestod from Tristan und Isolde; Verdi: Overture to I vespri siciliani
96
Mozart: Symphony No. 39 in E-flat; Sinigaglia: Through the Woods and Fields, Dance,
Carnival, and Fugue from the Piedmont Suite Op. 36; Elgar: Enigma
Variations; Roussel: The Spiders Feast; Debussy: Ibria; Wagner: Prelude to Die
Meistersinger
Beethoven: Symphony No. 7; Wagner: Prelude and Liebestod from Tristan und Isolde;
William Tell
Vivaldi: Concerto Grosso No. 8 in A minor; Beethoven: Symphony No. 5; Bloch: Dance
from Three Hebrew Poems; Tommasini: Serenata from Chiari di luna; Respighi:
Through the Woods and Fields, Dance, Carnival, and Fugue from the
Piedmont Suite Op. 36; Roussel: The Spiders Feast; Wagner: Prelude and
Vivaldi: Concerto Grosso No. 8 in A minor; Beethoven: Symphony No. 5; Roussel: The
Spiders Feast; Respighi: Fontane di Roma; Wagner: Prelude and Liebestod from
97
Vivaldi: Concerto Grosso No. 8 in A minor; Beethoven: Symphony No. 5; Debussy:
Ibria; Respighi: Fontane di Roma; Wagner: Prelude and Liebestod from Tristan
und Isolde
29 December, Baltimore, ?
Ibria; Respighi: Fontane di Roma; Wagner: Prelude and Liebestod from Tristan
und Isolde
1921
Respighi: Ancient Airs and Dances; Beethoven: Symphony No. 7; Brahms: Haydn
Respighi: Ancient Airs and Dances; Beethoven: Symphony No. 7; Brahms: Haydn
98
Vivaldi: Concerto Grosso No. 8 in A minor; Beethoven: Symphony No. 5; Debussy:
Ibria; Respighi: Fontane di Roma; Wagner: Prelude and Liebestod from Tristan
und Isolde
9 January, Providence, ?
12 January, Newark, ?
17 January, Washington, ?
Ibria; Respighi: Fontane di Roma; Wagner: Prelude and Liebestod from Tristan
und Isolde
99
18 January, Richmond, ?
19 January, Washington, ?
Respighi: Ancient Airs and Dances; Beethoven: Symphony No. 7; Brahms: Haydn
the Woods and Fields, Dance, Carnival, and Fugue from the Piedmont Suite
26 January, Albany, ?
Respighi: Ancient Airs and Dances; Beethoven: Symphony No. 7; Brahms: Haydn
100
Sinigaglia: Overture, Le baruffe chiozzotte; Martucci: Notturno and Novelletta; Rossini:
Respighi: Ancient Airs and Dances; Debussy: Ibria; Strauss: Don Juan; Brahms:
Respighi: Ancient Airs and Dances; Beethoven: Symphony No. 7; Brahms: Haydn
1 February, Rochester, ?
Ibria; Respighi: Fontane di Roma; Wagner: Prelude and Liebestod from Tristan
und Isolde
Brahms: Symphony No. 2; Brahms: Haydn Variations; Strauss: Don Juan; Rossini:
4 February, Detroit, ?
101
Rossini: Overture to Il barbiere di Siviglia; Dvok: New World Symphony; De
Through the Woods and Fields, Dance, Carnival, and Fugue from the
7 February, Louisville, ?
8 February, Cincinnati, ?
13 February, Chicago, ?
Ibria; Respighi: Fontane di Roma; Wagner: Prelude and Liebestod from Tristan
und Isolde
102
Rossini: Overture to Il barbiere di Siviglia; Dvok: New World Symphony; De
Through the Woods and Fields, Dance, Carnival, and Fugue from the
17 February, Minneapolis, ?
18 February, Davenport, ?
Respighi: Ancient Airs and Dances; Beethoven: Symphony No. 7; Brahms: Haydn
Carnival, and Fugue from the Piedmont Suite Op. 36; Rossini: Overture to
William Tell; Wagner: Prelude and Liebestod from Tristan und Isolde
23 February, Wichita, ?
103
24 February, Topeka, Auditorium?
Ibria; Respighi: Fontane di Roma; Wagner: Prelude and Liebestod from Tristan
und Isolde
25 February, Omaha, ?
Brahms: Symphony No. 2; Strauss: Don Juan; Rossini: Overture to William Tell;
Ibria; Respighi: Fontane di Roma; Wagner: Prelude and Liebestod from Tristan
und Isolde
Respighi: Ancient Airs and Dances; Beethoven: Symphony No. 7; Brahms: Haydn
Respighi: Ancient Airs and Dances; Beethoven: Symphony No. 7; Brahms: Haydn
Good Friday Spell from Parsifal; Pizzetti: Suite, La Pisanella; Elgar: Enigma
Variations
104
5 March, Scranton, ?
und Isolde
16 March, Trenton, ?
Overture to Tannhuser
Ballata delle gnomidi; Lualdi: Dream Interlude from La figlia del re;
105
Overture to Tannhuser, Good Friday Spell from Parsifal, Prelude to Die
Meistersinger
Meistersinger
Respighi: Ancient Airs and Dances; Beethoven: Symphony No. 7; De Sabata: Juventus;
Rossini: Overture to William Tell; Wagner: Good Friday Spell from Parsifal;
106
Sinigaglia: Overture, Le baruffe chiozzotte; Brahms: Symphony No. 2; Pick-Mangiagalli:
Tannhuser
107
3 May, Modena, Teatro Municipale
Through the Woods and Fields, Dance, Carnival, and Fugue from the
Piedmont Suite Op. 36; Respighi: Fontane di Roma; Beethoven: Overture No. 3 to
108
Dream; Wagner: Good Friday Spell from Parsifal; Rossini: Overture to William
Tell
Notturno and Novelletta; Respighi: Ballata delle gnomidi; Wagner: Good Friday
Respighi: Fontane di Roma; Wagner: Prelude and Liebestod from Tristan und
Isolde
109
29 May, Padua, Teatro Verdi
Enigma Variations
Respighi: Ancient Airs and Dances; Beethoven: Symphony No. 7; Sinigaglia: Through
the Woods and Fields, Dance, Carnival, and Fugue from the Piedmont Suite
Op. 36; Wagner: Good Friday Spell from Parsifal; Strauss: Death and
31 May, Venice, ?
Alaleona: Due canzoni italiane (La mamma, Canzone a ballo); Rossini: Overture to
Beethoven: Symphony No. 7; Wagner: Prelude and Liebestod from Tristan und
3 June, Treviso, ?
Respighi: Ancient Airs and Dances; Beethoven: Symphony No. 7; De Sabata: Juventus;
110
Sinigaglia: Overture, Le baruffe chiozzotte; Beethoven: Symphony No. 7; Martucci:
Notturno and Novelletta; Respighi: Ballata delle gnomidi; Wagner: Good Friday
Schubert: Unfinished Symphony; Strauss: Don Quixote (G. Crepax?); Alaleona: Due
La mirra; Debussy: Nuages and Ftes from Trois Nocturnes; Wagner: Ride
Beethoven: Symphony No. 5; Wagner: Prelude and Liebestod from Tristan und Isolde;
the Woods and Fields, Dance, Carnival, and Fugue from the Piedmont Suite
and Scherzo from A Midsummer Nights Dream; Wagner: Good Friday Spell
111
from Parsifal; Beethoven: Symphony No. 7; Berlioz: Rakczy March from La
Damnation de Faust
Respighi: Ancient Airs and Dances; Beethoven: Symphony No. 7; Sinigaglia: Through
the Woods and Fields from the Piedmont Suite Op. 36; Wagner: Good Friday
Interlude from La figlia del re; Wagner: Siegfried Idyll; Strauss: Death and
Transfiguration
Schubert: Unfinished Symphony; Strauss: Don Quixote (G. Crepax?); Alaleona: Due
Ftes from Trois Nocturnes; Wagner: Ride of the Valkyries from Die
112
Schubert: Unfinished Symphony; Debussy: Nuages and Ftes from Trois
1922
Verdi: Rigoletto (T. Dal Monte, L. Bertana; G. Lauri Volpi/A. De Paolis, C. Galeffi, U.
Di Lelio/M. Gaudio) 12
Beethoven: Symphony No. 1, Symphony No. 9 (T. Dal Monte, L. Bertana; C. Alabiso, E.
Pinza)
113
Marcello: Psalm XLVII (T. Dal Monte; C. Alabiso, E. Pinza); Gluck: Overture to
Alabiso, E. Pinza)
1923
114
Verdi: Rigoletto (T. Dal Monte, L. Bertana; F. Ciniselli, C. Galeffi/R. Stracciari, C.
Walter) 4
E. Pinza, U. Di Lelio) 10
Badini) 5
Mozart: Die Zauberflte (I. Alfani Tellini, A. Sari, A. Sassone Soster; F. Ciniselli, E.
Mozart: Die Zauberflte (I. Alfani Tellini, L. Pasini, A. Sassone Soster; F. Ciniselli, E.
115
20 November, same venue
Franci, E. Pinza) 6
1924
Verdi: Falstaff (G. Dalla Rizza/L. Cannetti, I. Alfani Tellini, E. Casazza, L. Bertana; F.
116
Pizzetti: Dbora e Jale (G. Tess, E. Casazza, L. Bertana; A. Dolci, O. Pellegrini, F.
Autori, E. Pinza) 4
Badini, E. Pinza) 4
F. Autori) 4
Spell from Parsifal, Prelude and Liebestod from Tristan und Isolde
Respighi: Ancient Airs and Dances 1st suite; Beethoven: Symphony No. 5; De Sabata:
117
Wolf-Ferrari: Overture to Le donne curiose; Brahms: Symphony No. 2; Wagner: Good
No. 3 to Leonore
No. 3 to Leonore
19 June, Lucerne
No. 3 to Leonore
? Respighi: Ancient Airs and Dances 1st suite; Beethoven: Symphony No. 5; De Sabata:
No. 3 to Leonore
? Respighi: Ancient Airs and Dances 1st suite; Beethoven: Symphony No. 5; De Sabata:
118
24 June, same venue
No. 3 to Leonore
? Respighi: Ancient Airs and Dances 1st suite; Beethoven: Symphony No. 5; De Sabata:
No. 3 to Leonore
Notturno and Novelletta; Beethoven: Symphony No. 5; Wagner: Prelude and Liebestod
Concerto Grosso in D minor (presumably Op. 3 No. 11); Sinigaglia: Through the
Woods and Fields, Dance, Carnival, and Fugue from the Piedmont Suite Op.
119
15 November, Milan, Teatro alla Scala
Journet) 12
Righetti, F. Autori) 4
Puccini: Prelude to Act II of Le Villi; Prelude and Funeral Elegy from Edgar (H. Spani[,
N. De Angelis?])
1925
Boito: Mefistofele: Acts III and IV only (replacing Panizza, who had become ill) (H.
120
17 January, same venue
F. Autori) 6
Journet, C. Walter) 4
121
16 June, Lausanne, Cathedral
Nocturne and Scherzo from A Midsummer Nights Dream; Stravinsky: 1st and 4th
Mozart: Overture to The Magic Flute; Beethoven: Symphony No. 3; Sinigaglia: Overture,
Nights Dream; Stravinsky: 1st and 4th tableaux from Petrushka; Wagner:
Overture to Tannhuser
Haydn: Symphony No. 101 (Clock); Elgar: Enigma Variations; Debussy: Ibria;
Haydn: Clock Symphony; Elgar: Enigma Variations; Debussy: Ibria; Sibelius: The
Nocturne and Scherzo from A Midsummer Nights Dream; Stravinsky: 1st and 4th
Nocturne and Scherzo from A Midsummer Nights Dream; Stravinsky: 1st and 4th
122
29 June, Milan, Teatro alla Scala
Nocturne and Scherzo from A Midsummer Nights Dream; Stravinsky: 1st and 4th
Haydn: Symphony No. 101 (Clock); Elgar: Enigma Variations; Debussy: Ibria;
Vivaldi: Concerto Grosso in D minor (presumably Op. 3 No. 11); Beethoven: Symphony
123
Verdi: Il trovatore (M. Carena/C. Muzio, F. Anitua/E. Casazza; A. Pertile, B. Franci, F.
Autori) 5
Franci) 2
Autori) 2
1926
14 and 15 January, New York, Carnegie Hall (with New York Philharmonic)
Haydn: Symphony No. 101 (Clock); NP Respighi: Pini di Roma; Sibelius: The Swan of
124
16 January, New York, Mecca Auditorium
Haydn: Symphony No. 101 (Clock); Respighi: Pini di Roma; Sibelius: The Swan of
Bach-Abert: Prelude, Chorale, and Fugue; Mendelssohn: Nocturne and Scherzo from A
Haydn: Symphony No. 101 (Clock); Respighi: Pini di Roma; Sibelius: The Swan of
Vivaldi: Concerto Grosso in D minor (presumably Op. 3 No. 11); Beethoven: Symphony
Petrushka
Tommasini: Paesaggi toscani; Wagner: Prelude and Liebestod from Tristan und
Isolde
125
30 January, same venue
Vivaldi: Concerto Grosso in D minor (presumably Op. 3 No. 11); Haydn: Symphony No.
Vivaldi: Concerto Grosso in D minor (presumably Op. 3 No. 11); Haydn: Symphony No.
Bach-Abert: Prelude, Chorale, and Fugue; Mendelssohn: Nocturne and Scherzo from A
Martucci: Notturno and Novelletta; Wagner: Prelude and Liebestod from Tristan
und Isolde
126
27 March, same venue
Journet, C. Walter) 2
127
Beethoven: Symphonies Nos. 6 and 7
Righetti)
Righetti)
Righetti)
Verdi: Don Carlo (five-act version) (B. Scacciati, G. Cobelli; A. Trantoul, C. Galeffi, T.
Pasero, A. Marone) 6
Baccaloni, A. Righetti) 3
128
1927
1 February, New York, Metropolitan Opera House (with New York Philharmonic)
Franci, T. Pasero) 5
Baccaloni) 3
Di Lelio) 2
129
Boito: Nerone (B. Scacciati, L. Bertana; A. Trantoul, B. Franci, M. Journet) 2
Verdi: Quando le sere al placido from Luisa Miller (A. Pertile), Trio from I Lombardi
(?), Overture to Oberto, Laudi alla Vergine from the Four Sacred Pieces
Bach (arr. Mahler): Suite in B minor; Haydn: Symphony No. 88 in G; Berlioz: Love
Scene and Queen Mab from Romo et Juliette; Debussy: Prlude laprs-midi
130
16 November, same venue
Baccaloni) 4
A. Borgioli) 4
1928
26 and 27 January, New York, Carnegie Hall (with New York Philharmonic)
131
30 January, Baltimore, ?
Roma
Vivaldi: Spring from The Four Seasons (S. Guidi); Haydn: Symphony No. 88; Berlioz:
132
16 and 17 February, New York, Carnegie Hall
Vivaldi: Spring from The Four Seasons (S. Guidi); Haydn: Symphony No. 88; Ravel:
Haydn: Symphony No. 88; Elgar: Enigma Variations; Honegger: Pastorale dt and
Haydn: Symphony No. 88; Ravel: Daphnis et Chlo, Suite No. 2; Vivaldi: Spring from
Tannhuser
133
4 March, same venue
7 March, Baltimore, ?
8 March, Buffalo, ?
9 March, Pittsburgh, ?
Haydn: Symphony No. 88; Ravel: Daphnis et Chlo, Suite No. 2; De Sabata: Juventus;
134
Scarlatti-Tommasini: The Good-Humored Ladies; Saint-Sans: Symphony No. 3; Busoni:
in A minor (S. Guidi); Wagner: Good Friday Spell from Parsifal; Strauss: Till
Eulenspiegel
Vivaldi: Violin Concerto in A minor (S. Guidi); Wagner: Good Friday Spell
135
27 March, New York, Carnegie Hall
Respighi: Pini di Roma (on Philharmonic concert shared with Artur Bodanzky, Eugene
Pinza)
Pinza)
Verdi: Don Carlo (five-act version) (B. Scacciati, E. Stignani; A. Trantoul, C. Galeffi, T.
Pasero, C. Walter) 6
136
16 May, same venue
Par: Overture to Sargino; Mozart: Symphony No. 35 (Haffner); Pizzetti: Tre canzoni
Monteverdi (arr. Molinari): Sonata sopra Sancta Maria; Bach: Cantata No. 66 (L.
Schubert: Overture, Der Teufel als Hydralicus; Unfinished Symphony; Thekla (arr.
Mottl) (L. Abbrescai); Serenade Op. 135 (L. Abbrescia); Hungarian March Op. 54
Verdi: La forza del destino (B. Scacciati, E. Stignani; F. Merli, B. Franci, E. Faticanti,
T. Pasero) 9
137
28 November, same venue
Faticanti, S. Baccaloni) 3
1929
Crabb, T. Pasero) 3
21, 22, and 23 February, New York, Carnegie Hall (with Philharmonic-Symphony Orchestra of
New York)
138
28 February, 1 and 3 March, New York, Carnegie Hall
5 March, Washington, ?
6 March, Baltimore, ?
7 March, Rochester, ?
8 March, Pittsburgh, ?
Gluck: Overture to Iphignie en Aulide; Haydn: Symphony No. 101 (Clock); Pizzetti:
139
Mozart: Symphony No. 35 (Haffner); Respighi: Feste romane; Debussy: Ibria;
Gluck: Overture to Iphignie en Aulide; Haydn: Symphony No. 101 (Clock); Dukas:
140
Haydn: Symphony No. 101 (Clock); Brahms: Haydn Variations; Wagner: Good
Beethoven: Symphony No. 2, Overture No. 3 to Leonore; Wagner: Good Friday Spell
Mozart: Overture to The Magic Flute; Schumann: Cello Concerto (L. Schulz); Wagner:
Prelude and Liebestod from Tristan und Isolde, Prelude to Die Meistersinger
Verdi: Aida (G. Arangi Lombardi/E. Rethberg, E. Casazza/A. Dal Monte; A. Pertile/F.
141
Puccini: Manon Lescaut (R. Pampanini; A. Pertile, E. Badini, S. Baccaloni) 1
Verdi: Rigoletto (T. Dal Monte, M. Vasari; G. Lauri Volpi, C. Galeffi, A. Marone) 1
Righetti) 1
Verdi: Aida (G. Arangi Lombardi, A. Dal Monte; A. Pertile, C. Galeffi, A. Righetti) 1
New York)
142
Schumann: Manfred Overture; Strauss: Don Quixote (A. Wallenstein); Beethoven:
Symphony No. 7
Gtterdmmerung
Par: Overture to Sargino; Beethoven: Symphony No. 8; Franck: Les Eolides; Respighi:
Feste romane
Par: Overture to Sargino; Beethoven: Symphony No. 8; Franck: Les Eolides; Respighi:
Feste romane
Mozart: Adagio and Fugue in C minor; Brahms: Double Concerto (S. Guidi, A.
Berlioz: Harold en Italie (R. Pollain); Mozart: Adagio and Fugue in C minor;
143
Berlioz: Harold en Italie (R. Pollain); Franck: Les Eolides; Respighi: Feste romane
Gtterdmmerung
Beethoven: Coriolan Overture; Haydn: Symphony No. 88; Strauss: Ein Heldenleben
Handel: Concerto Grosso Op. 6 No. 12; WP Wetzler: Symphonic Dance from The
Basque Venus; Mozart: Masonic Funeral Music; Beethoven: Adagio from The
Meistersinger
Kodly: Psalmus Hungaricus (D. Gridley, Schola Cantorum, St. Patricks Boys
144
Beethoven: Overture No. 3 to Leonore; Mozart: Symphony No. 41 (Jupiter); Wagner:
1930
4 March, Washington, ?
5 March, Baltimore, ?
Rossini: Overture to Litaliana in Algeri; Franck: Les Eolides; Ravel: Bolro; Beethoven:
Symphony No. 3
145
9 March, same venue
Rossini: Overture to Litaliana in Algeri; Mozart: Symphony No. 41; Respighi: Fontane
di Roma; Dukas: The Sorcerers Apprentice; Wagner: Prelude and Liebestod from
Prlude laprs-midi dun faune; Berlioz: Queen Mab from Romo et Juliette;
Prlude laprs-midi dun faune; Berlioz: Queen Mab from Romo et Juliette;
146
Goossens: Sinfonietta; Strauss: Till Eulenspiegel; Boccherini: Cello Concerto in D G. 483
Prlude laprs-midi dun faune; Berlioz: Queen Mab from Romo et Juliette;
and orchestra (S. Guidi); Mendelssohn: Nocturne and Scherzo from A Midsummer
Nights Dream; Wagner: Prelude and Liebestod from Tristan und Isolde
Wagner: Prelude to Die Meistersinger, Prelude and Good Friday Spell from Parsifal,
147
Pastorale dt and Pacific 231; Bach-Respighi: Passacaglia and Fugue in C
minor
YORK
Scherzo from A Midsummer Nights Dream; Wagner: Prelude and Liebestod from
Haydn: Symphony No. 101 (Clock); Debussy: La Mer; NP Pizzetti: Rond veneziano;
Fugue in C minor
148
Rossini: Overture to Litaliana in Algeri; Schumann: Symphony No. 3; NP Pizzetti:
Haydn: Symphony No. 101 (Clock); Debussy: La Mer; Pizzetti: Rond veneziano;
Till Eulenspiegel; Wagner: Prelude and Liebestod from Tristan und Isolde
149
Haydn: Symphony No. 101 (Clock); Beethoven: Overture No. 3 to Leonore; Debussy:
Prlude laprs-midi dun faune; Berlioz: Queen Mab from Romo et Juliette;
Haydn: Symphony No. 101 (Clock); Beethoven: Overture No. 3 to Leonore; Debussy:
Prlude laprs-midi dun faune; Berlioz: Queen Mab from Romo et Juliette;
Summer Evening; Debussy: La Mer; Wagner: Prelude and Liebestod from Tristan
und Isolde
150
Weber: Overture, Ruler of the Spirits; Beethoven: Symphony No. 7; Debussy: La Mer;
Beethoven: Symphony No. 3; Brahms: Haydn Variations; Strauss: Tod und Verklrung
Beethoven: Symphony No. 3; Franck: Les Eolides; Debussy: Prlude laprs-midi dun
faune; Berlioz: Queen Mab from Romo et Juliette; Strauss: Till Eulenspiegel
Haydn: Symphony No. 101 (Clock); Elgar: Enigma Variations; Debussy: La Mer;
Goossens: Sinfonietta; Strauss: Tod und Verklrung; Franck: Les Eolides; Mussorgsky-
151
Beethoven: Symphony No. 3; Brahms: Haydn Variations; Bach-Respighi: Passacaglia
END OF TOUR
A. Kipnis) 3
Wagner: Siegfried Idyll (on Siegfried Wagner memorial concert, shared with Karl Muck
13, 14, and 16 November, New York, Carnegie Hall (with Philharmonic-Symphony Orchestra of
New York)
Symphony No. 1
Liszt: Mephisto Waltz; Liszt: Danse macabre (Paraphrase of Dies Irae) (A.
Siloti)
152
Cherubini: Overture to Anacron; Mozart: Symphony No. 35 (Haffner); Strauss: Ein
Heldenleben
Heldenleben
28 and 29 November and 1 and 3 December, Philadelphia, Academy of Music (with Philadelphia
Orchestra)
Heldenleben
Symphony No. 1
New York)
153
15 December, Philadelphia, Academy of Music
16 December, Washington, ?
17 December, Baltimore, ?
Franck: Symphony; Roussel: The Spiders Feast; Debussy: Nuages and Ftes from
154
Franck: Symphony; Roussel: The Spiders Feast; Debussy: Nuages and Ftes from
1931
Franck: Symphony; Roussel: The Spiders Feast; Debussy: Nuages and Ftes from
Rhine Journey from Gtterdmmerung, Prelude and Liebestod from Tristan und
155
Wagner: Prelude to Lohengrin, Overture to Tannhuser (Paris version), Siegfrieds
Rhine Journey from Gtterdmmerung, Prelude and Liebestod from Tristan und
Transfiguration
Symphony
10 March, Washington, ?
11 March, Baltimore, ?
156
Rossini: Overture to Il barbiere di Siviglia; Haydn: Symphony No. 88 in G; Wagner:
Act III of Lohengrin, Forest Murmurs from Siegfried, Ride of the Valkyries
Dvok: Otello Overture; Sibelius: Symphony No. 4; Strauss: Don Quixote (A.
Wallenstein)
9 April, Hartford, ?
157
Rossini: Overture to Il barbiere di Siviglia; Haydn: Symphony No. 88 in G; Wagner:
158
Wagner: Parsifal (M. Bunlet/E. Ohms; G. Graarud/F. Wolff, H. Janssen, G. Ditter, I.
New York)
Mozart: Symphony No. 29 in A; Bach: Violin Concerto in A minor (A. Busch); Franck:
dellestate
159
Mozart: Symphony No. 29 in A; Bach: Violin Concerto in A minor (A. Busch); Franck:
15 December, Washington, ?
Mozart: Symphony No. 29 in A; Bach: Violin Concerto in A minor (A. Busch); Franck:
16 December, Baltimore, ?
Mozart: Symphony No. 29 in A; Bach: Violin Concerto in A minor (A. Busch); Franck:
Cherubini: Overture to Medea; Brahms: Symphony No. 1; Strauss: Don Juan; Ravel:
Bolro
1932
Wagner: Prelude and Good Friday Spell from Parsifal; Beethoven: Symphony No. 9
17 June, Paris, Thtre des Champs-Elyses (musicians from various Paris orchestras)
Weingartner)
160
6, 7, 8, and 9 October, New York, Carnegie Hall (Philharmonic-Symphony Orchestra of New
York)
Bach-Vivaldi: Concerto for four pianos [sic] and orchestra in A minor (M. Carreras, F.
Bach-Vivaldi: Concerto for four pianos [sic] and orchestra in A minor (M. Carreras, F.
25 October, Baltimore, ?
161
Bach-Schoenberg: Prelude and Fugue in E-flat; Brahms: Symphony No. 3; Tansman:
Wagner: Overture to Der fliegende Hollnder, Siegfried Idyll, Act I Scene 3 from Die
162
Schubert: Great C-Major Symphony; Debussy: Prlude laprs-midi dun faune;
Fugue in C minor
17 November, Greenwich, ?
Beethoven: Symphony No. 6; Sibelius: The Swan of Tuonela; dIndy: Istar Variations;
Bruckner: Symphony No. 4; Viotti: Violin Concerto in A minor, Op. 22 (M. Piastro);
Beethoven: Symphony No. 3; Wagner: Act I Scene 3 from Die Walkre (E. Alsen, P.
Althouse); Wagner: Prelude and Liebestod from Tristan und Isolde (E. Alsen)
1933
Heldenleben
163
Beethoven: Symphony No. 3; Wagner: Overture to Tannhuser (Paris version); Wagner:
7 March, Washington, ?
8 March, Baltimore, ?
15 March, Hartford, ?
Heldenleben
Forest Murmurs from Siegfried, Dawn and Siegfrieds Rhine Journey from
Gtterdmmerung
164
Castelnuovo-Tedesco: Overture, The Taming of the Shrew; Mendelssohn: Symphony No.
gnomidi
165
Cherubini: Overture to Anacron; WP Castelnuovo-Tedesco: Violin Concerto No. 2
(The Prophets) (J. Heifetz); Wagner: Prelude and Good Friday Spell from
Beethoven: Overture to Egmont, Symphony No. 4; Wagner: Prelude and Good Friday
Gtterdmmerung
Hollnder
Beethoven: Overture, King Stephen; Piano Concerto No. 5 (V. Horowitz); Symphony No.
166
Pizzetti: Concerto dellestate; Respighi: Pini di Roma; Debussy: Prlude laprs-midi
dun faune; Berlioz: Queen Mab from Romo et Juliette; Dukas: The Sorcerers
Wagner: Preludes to Acts I and III of Lohengrin, Good Friday Spell from Parsifal,
Rhine Journey from Gtterdmmerung, Prelude and Liebestod from Tristan und
18 October, Paris, ?
Wagner: Preludes to Acts I and III of Lohengrin, Good Friday Spell from Parsifal,
Rhine Journey from Gtterdmmerung, Prelude and Liebestod from Tristan und
167
Cherubini: Overture to Anacron; Debussy: Prlude laprs-midi dun faune; Berlioz:
Juan; Martucci: Notturno and Novelletta; Wagner: Dawn and Siegfrieds Rhine
5 December, Copenhagen, ?
Juan; Martucci: Notturno and Novelletta; Wagner: Dawn and Siegfrieds Rhine
1934
11 and 12 January, New York, Carnegie Hall (with the Philharmonic-Symphony Orchestra of
New York)
Beethoven: Overture to Egmont, Symphony No. 1, Lento assai and Vivace from String
Symphony No. 3
168
21 January, same venue
Semiramide
Beethoven: Overture No. 1 to Leonore; Symphony No. 4; Adagio from The Creatures of
169
11 February, New York, auditorium in the RCA Building (members of the Philharmonic-
Beethoven: Overture to The Creatures of Prometheus; Wagner: Dich, teure Halle from
Ich folg dem innern Triebe from Fidelio (L. Lehmann); Mendelssohn: Scherzo
15, 16, and 18 February, New York, Carnegie Hall (with the Philharmonic-Symphony Orchestra
of New York)
Schola Cantorum)
Smetana: Overture to The Bartered Bride; Beethoven: Symphony No. 7; Debussy: Ibria;
Smetana: Overture to The Bartered Bride; Sibelius: Symphony No. 4; Debussy: Ibria;
8, 9, and 11 March
Cantorum)
14 March, Hartford, ?
170
Smetana: Overture to The Bartered Bride; Beethoven: Symphony No. 5; Mendelssohn:
Ducasse: Sarabande (Schola Cantorum); Stravinsky: 1st and 4th tableaux from
Mozart: Piano Concerti Nos. 21 (C Major) and 20 (D minor) (J. Iturbi); Brahms:
Symphony No. 2
Benvenuto Cellini
Wagner: Eine Faust-Ouvertre, Siegfried Idyll, Forest Murmurs from Siegfried; Love
Scene from Act II of Tristan und Isolde (G. Kappel, M. Telva, P. Althouse)
171
19 and 20 April, same venue
Rossini: Overture to La scala di seta; Roussel: The Spiders Feast; de Falla: El amor
Rossini: Overture to La scala di seta; Roussel: The Spiders Feast; Wagner: Siegfried
Wagner: Preludes to Acts I and III of Lohengrin, Overture to Tannhuser (Paris version),
Excerpts from Act III of Parsifal (H. Clemens, R. Bonelli, E. List; Metropolitan
Opera chorus)
Bach: Suite No. 3, Concerto for two violins in D minor (M. Piastro and R. Bolognini),
Kyrie from the Mass in B minor (Schola Cantorum), Cantata No. 209 (Non sa
che sai dolore) (E. Rethberg), Final Chorus from the St. Matthew Passion
(Schola Cantorum)
Wagner: Prelude to Die Meistersinger, Act I Scene 3 from Die Walkre (G. Kappel, P.
Althouse), Siegfrieds Death and Funeral Music and Immolation Scene from
172
Berlioz: Overture to Batrice et Bndict; Roussel: The Spiders Feast; Debussy: La Mer;
Franck: Symphony
La Mer
Forest Murmurs from Siegfried, Siegfrieds Death and Funeral Music from
Wagner: Eine Faust-Ouvertre; Preludes to Acts I and III of Lohengrin; Dich, teure
Halle from Tannhuser (L. Lehmann); Prelude and Liebestod from Tristan und
Gtterdmmerung
173
Cherubini: Overture to Anacron; Brahms: Symphony No. 3; Debussy: La Mer; Berlioz:
minor
Wagner: Eine Faust-Ouvertre; Prelude and Good Friday Spell from Parsifal; Prelude
Gtterdmmerung
laprs-midi dun faune; Berlioz: Queen Mab from Romo et Juliette; Bach-
laprs-midi dun faune; Berlioz: Queen Mab from Romo et Juliette; Wagner:
Kodly: Psalmus Hungaricus (A. von Rsler, choir from Budapest); Beethoven:
Symphony No. 9 (E. Schumann, E. Szant; A. von Rsler, R. Mayr; choir from
Budapest)
174
Kodly: Psalmus Hungaricus (A. von Rsler, choir from Budapest); Beethoven:
Symphony No. 9 (E. Schumann, E. Szantho A. von Rsler, R. Mayr; choir from
Budapest)
Wagner: Eine Faust-Ouvertre; Prelude and Good Friday Spell from Parsifal;
Chanteurs de St.-Gervais)
Wagner: Eine Faust-Ouvertre Prelude and Good Friday Spell from Parsifal,
175
Rossini: Overture to La scala di seta; Debussy: Ibria; Wagner: Prelude and Liebestod
from Tristan und Isolde; Beethoven: Symphony No. 9 (R. Mah, G. Cernay; G.
Wagner: Eine Faust-Ouvertre; Wagner: Prelude and Good Friday Spell from Parsifal;
Chanteurs de St.-Gervais)
Wagner: Eine Faust-Ouvertre, Prelude and Good Friday Spell from Parsifal, Prelude
1935
24, 25, 26, and 27 January, New York, Carnegie Hall (with the Philharmonic-Symphony
Bruckner: Symphony No. 7; Strauss: Dance of the Seven Veils from Salome; Bach-
Handel: Concerto Grosso Op. 6 No. 12; WP Castelnuovo-Tedesco: Cello Concerto (G.
176
2 and 3 February, same venue
Die Walkre
Wagner: Overture to Der fliegende Hollnder, Preludes to Acts I and III of Lohengrin,
Meistersinger, Siegfried Idyll, Good Friday Spell from Parsifal, Prelude and
No. 1
Brahms: Allegro molto from Serenade No. 1, Piano Concerto No. 1 (V. Horowitz),
Symphony No. 3
New York)
Beethoven: Overture to Egmont; Verdi: Pace mio Dio from La forza del destino (E.
177
to the Dance; Verdi: Ave Maria from Otello (E. Rethberg); Rossini: Overture to
Semiramide
178
Debussy: Nuages and Ftes from Trois Nocturnes, Prlude laprs-midi dun
faune, La Mer; Sonzogno: Il negro (A. Wallenstein) and Tango; Verdi: Overture
to I vespri siciliani
Wagner: Preludes to Acts I and III of Lohengrin, Siegfrieds Death and Funeral Music
Spell from Parsifal, Prelude and Liebestod from Tristan und Isolde
Cantorum)
29 April, Providence, ?
Rossini: Overture to Litaliana in Algeri; Brahms: Symphony No. 4; Strauss: Don Juan;
siciliani
Gtterdmmerung
179
Wagner: Eine Faust-Ouvertre, Siegfrieds Death and Funeral Music from
Symphony No. 4
Geminiani: Concerto Grosso Op. 3 No. 2; Debussy: La Mer; Beethoven: Symphony No.
Baumann, E. List) 4
Symphony No. 4
Handel: Concerto Grosso Op. 6 No. 12; Mendelssohn: Symphony No. 5 (Reformation);
Debussy: Nuages and Ftes from Trois Nocturnes; Wagner: Siegfried Idyll;
180
Rossini: Overture to La scala di seta; Wagner: Siegfried Idyll; Mendelssohn: Symphony
No. 5 (Reformation)
Ftes from Trois Nocturnes; Wagner: Siegfrieds Death and Funeral Music
Mozart: Masonic Funeral Music (on the death of Richard Mayr); Brahms: Tragic
Overture; A German Requiem (A. Bthy; A. Svd; Vienna State Opera chorus)
181
Schubert: Great C-Major Symphony; Verdi: Andantino, Prestissimo, Scherzo-Fuga
from the String Quartet; Saint-Sans: Danse macabre; Smetana: The Moldau;
1936
siciliani
siciliani
siciliani
23, 24, 25, and 26 January, New York, Carnegie Hall (with Philharmonic-Symphony Orchestra
of New York)
Smetana: The Moldau; Wagner: Dawn and Siegfrieds Rhine Journey from
Gtterdmmerung
182
30 and 31 January, 2 February, same venue
Bach: Brandenburg Concerto No. 2; Brahms: Piano Concerto No. 2 (R. Casadesus);
Vivaldi: Winter from The Four Seasons; NP? Roussel: Symphony No. 4; Sibelius: The
an Exhibition
Brahms: Symphony No. 2; Goldmark: 2nd, 3rd, and 4th movements from Rustic
Beethoven: Symphony No. 1, Piano Concerto No. 4 (R. Serkin); Mozart: Piano Concerto
No. 27, K. 595 (R. Serkin); Bach-Wood: Toccata and Fugue in D minor
25 February, Hartford, ?
macabre; Goldmark: 2nd, 3rd, and 4th movements from Rustic Wedding
New York)
183
Weber: Overture to Der Freischtz; Verdi: Ritorna vincitor from Aida (D. Giannini);
Saint-Sans: Danse macabre; Goldmark: 2nd, 3rd, and 4th movements from
Schola Cantorum)
Handel: Overture to Susanna; Koeluch: Andante and Allegro from String Quartet No. 2;
Fantasy
Susanna; Kozeluch: Andante and Allegro from String Quartet No. 2; Franck: Les
184
Wagner: Overture to Der fliegende Hollnder, Preludes to Acts I and III of Lohengrin,
Overture to Tannhuser (Paris version), Prelude and Liebestod from Tristan und
Isolde, Good Friday Spell from Parsifal, Ride of the Valkyries from Die
Walkre
Transfiguration
dun faune, Nuages and Ftes from Trois Nocturne, Ibria, La Damoiselle
Weber: Overture to Euryanthe; Haydn: Symphony No. 101 (Clock); Sibelius: The
185
Beethoven: Overture No. 1 to Leonore, Violin Concerto (J. Heifetz); Wagner: Prelude to
Die Meistersinger, Siegfried Idyll, Prelude and Liebestod from Tristan und Isolde,
Bizet: Overture, Patrie; Franck: Les Eolides; Berlioz: Queen Mab from Romo et
Juliette; Ravel: Daphnis et Chlo, Suite No. 2; Saint-Sans: Piano Concerto [No.
No. 1; Wagner: Prelude and Liebestod from Tristan und Isolde, Prelude to Die
Meistersinger
Brahms: Tragic Overture, A German Requiem (A. Bthy, A. Svd, chorus of the
186
28 August, same venue
Schubert: Great C-Major Symphony; Goldmark: Bridal Song, In the Garden, and
Overture to Semiramide
Baumann, C. Bissuti) 2
Semiramide
187
28 and 29 November, Vienna, Musikvereinssaal
Beethoven: Missa Solemnis (J. Vincent, K. Thorborg; K. von Pataky, A. Kipnis; State
Opera chorus)
Symphony No. 1
Symphony No. 1
26 and 27 December, Tel Aviv, Levant Fair Hall (with Palestine Orchestra)
188
Rossini: Overture to La scala di seta; Brahms: Symphony No. 2; Schubert: Unfinished
1937
Leonore
Leonore
Leonore
189
Beethoven: Symphonies Nos. 3 and 1; Rossini: Overture to La scala di seta
Meistersinger
Meistersinger
Corelli-Geminiani: Concerto Grosso No. 12; Busoni: Rond arlecchinesco (?); Ravel:
Symphony No. 1
190
28 May, same venue
Venice; Berlioz: Queen Mab from Romo et Juliette; Wagner: Prelude to Die
Meistersinger
Vivaldi: Concerto Grosso in D minor, Op. 3 No. 11; Shostakovich: Symphony No. 1;
8 June, Oxford, ?
Symphony No. 1
Damnation de Faust
191
Beethoven: Fidelio (L. Lehmann, H. Henders; H. Roswaenge, A. Jerger, A. Kipnis, C.
Bissuti) 2
Verdi: Te Deum from the Four Sacred Pieces; Messa da Requiem (Z. Kunz [Milanov], K.
and Transfiguration
Vivaldi: Concerto Grosso in D minor, Op. 3 No. 11; Beethoven: Symphony No. 6; Bizet:
192
13 October, Budapest, Varsi Sznhz (with Vienna Philharmonic)
Vivaldi: Concerto Grosso in D minor, Op. 3 No. 11; Beethoven: Symphony No. 6; Bizet:
Brahms: Tragic Overture, A German Requiem (I. Baillie; A. Svd; BBC Choral
Society)
Beethoven: Symphonies Nos. 1 and 9 (I. Baillie, M. Jarred; B. Jones, H. Williams; BBC
Choral Society)
25 December, New York, RCA Building, Studio 8H (with NBC Symphony Orchestra)
Vivaldi: Concerto Grosso in D minor, Op. 3 No. 11; Mozart: Symphony No. 40 in G
1938
Schubert: Great C-Major Symphony; Beethoven: Lento assai and Vivace from String
Mozart: Overture to The Magic Flute; Beethoven: Symphony No. 6; Saint-Sans: Danse
193
Brahms: Tragic Overture; Sibelius: Symphony No. 2; Busoni: Rondo arlecchinesco (J.
Semiramide
Beethoven: Symphonies Nos. 1 and 9 (V. Bovy, K. Thorborg; J. Peerce, E. Pinza; Schola
Cantorum)
Handel: Concerto Grosso Op. 6 No. 12; Haydn: Symphony No. 88 in G; Roussel: The
(Tarantella)
194
Wagner: Overture to Der fliegende Hollnder; Borodin: Symphony No. 2; Brahms:
Cantorum)
Tannhuser (Paris version?), Prelude and Liebestod from Tristan und Isolde,
195
Rossini: Overture to Litaliana in Algeri; Beethoven: Symphony No. 3; Brahms: Haydn
196
Rossini: Overture to Litaliana in Algeri; Beethoven: Symphony No. 4; Wagner: Preludes
Mozart: Overture to The Magic Flute; Beethoven: Symphony No. 4; Vaughan Williams:
Bach: Brandenburg Concerto No. 2; Strauss: Don Quixote (E. Feuermann); Beethoven:
Symphony No. 3
197
10 June, same venue
Symphony No. 2
15 October, New York, RCA Building, Studio 8H (with NBC Symphony Orchestra)
Fantasy
Symphony No. 5
Graener: The Flute of Sans-Souci; WP Barber: Adagio for Strings; WP Barber: Essay;
198
Beethoven: Coriolan Overture; Schubert: Symphony No. 2; Wagner: Good Friday
Wagner: Prelude to Act III of Die Meistersinger; Berlioz: Love Scene from
Romo et Juliette; Rossini: Passo a sei and Soldiers Dance from William Tell
Smetana: Overture to The Bartered Bride; Martucci: Symphony No. 1; Liszt: Orpheus;
Meistersinger
27 December, Baltimore, ?
Meistersinger
1939
199
Mozart: Symphony No. 35 (Haffner); Brahms-Rubbra: Handel Variations; Loeffler:
and Psych and Eros from Psych; Strauss: Dance of the Seven Veils from
Salome
31 January, Chicago, ?
1 February, Pittsburgh, ?
200
Weber-Berlioz: Invitation to the Dance; Wagner: Forest Murmurs from Siegfried;
Die Meistersinger
7 February, Providence, ?
Die Meistersinger
Festival Overture
Wagner: Overture to Der fliegende Hollnder, Prelude to Act III and Overture (Paris
version) to Tannhuser, Prelude and Liebestod from Tristan und Isolde, Dawn
14 March, Washington, ?
201
Respighi: Fontane di Roma; Wagner: Dawn and Siegfrieds Rhine Journey from
Beethoven: Adagio and Andante quasi allegretto from The Creatures of Prometheus,
Lento and Vivace assai from String Quartet Op. 135, Overture No. 3 to Leonore,
Society)
Beethoven: Missa Solemnis (Z. Milanov, K. Thorborg; K. von Pataky, N. Moscona; BBC
Choral Society)
202
Wagner: Eine Faust-Ouvertre; Brahms: Violin Concerto (A. Busch); Schubert:
Festival Chorus)
14 October, New York, RCA Building, Studio 8H (with NBC Symphony Orchestra)
Strong: Die Nacht; Wagner: Good Friday Spell from Parsifal, Prelude to Die
Meistersinger
203
4 November, same venue
Beethoven: Overture No. 3 to Leonore, Adagio and Allegretto from The Creatures of
Prometheus, Symphony No. 8, Lento assai and Vivace from String Quartet Op.
Beethoven: Choral Fantasy (A. Dorfman, Westminster Choir), Symphony No. 9 (J.
29 December, New York, Chatham Square Music School (with members of NBC Symphony
Schubert: Moment musical [which one?]; Johann Strauss II and Josef Strauss: Pizzicato
Polka; Shostakovich: Polka from The Golden Age; Ries: Moto perpetuo; Mozart:
1940
204
Beethoven: Overture No. 2 to Leonore; Rossini: Passo a sei and Soldiers Dance
from William Tell; Beethoven: Symphony No. 7; Wagner: Prelude and Good
Friday Spell from Parsifal; Strauss: Till Eulenspiegel; Paganini: Moto perpetuo
16 March, New York, RCA Building, Studio 8H (with NBC Symphony Orchestra)
Wagner: Parsifal excerpts: Prelude to Act I, Good Friday Spell, Prelude to Act III,
Tchaikovsky: Symphony No. 6, Suite from The Nutcracker, Romeo and Juliet Overture-
Fantasy
Elgar: Introduction and Allegro; Mozart: Symphony No. 41 (Jupiter); Dvok: Scherzo
Grieg: Holberg Suite; Sibelius: Symphony No. 4; Franck: Les Eolides; Ravel: La Valse
205
6 May, same venue
Brahms: Serenade No. 1, Piano Concerto No. 2 (V. Horowitz), Symphony No. 1
Brahms: Symphony No. 1; Beethoven: Overture to Egmont; Barber: Adagio for Strings;
Ravel: La Valse
Smetana: The Moldau; Berlioz: Queen Mab from Romo et Juliette; Wagner:
15 June, So Paulo, ?
Mozart: Overture to The Magic Flute; Brahms: Symphony No. 1; Franck: Les Eolides;
Respighi: Fontane di Roma; Wagner: Good Friday Spell from Parsifal, Prelude
to Die Meistersinger
206
Beethoven: Symphony No. 3; Strauss: Don Juan; Berlioz: Queen Mab from Romo et
Siegfried Idyll, Prelude and Liebestod from Tristan und Isolde, Forest Murmurs
Schubert: Great C-Major Symphony; Debussy: Ibria; Wagner: Preludes to Acts I and
Weber: Overture to Oberon; Brahms: Symphony No. 2; Barber: Adagio for Strings;
Ravel: La Valse
Moldau; Wagner: Prelude and Liebestod from Tristan und Isolde, Ride of the
207
Rossini: Overture to La Cenerentola; Beethoven: Symphony No. 5; Mendelssohn:
Debussy: La Mer
Wagner: Prelude and Liebestod from Tristan und Isolde, Prelude to Die
Meistersinger
8 July, So Paulo, ?
Rossini: Passo a sei and Soldiers Dance from William Tell; Wagner: Prelude
and Liebestod from Tristan und Isolde, Overture to Tannhuser; Gomes: Overture
to Il Guarany
208
10 July, same venue
Meistersinger
Verdi: Te Deum from the Four Sacred Pieces; Verdi: Messa da Requiem (Z. Milanov, B.
Homecoming, Finlandia
Westminster Choir)
1941
209
Mozart: Overture to The Magic Flute; Haydn: Symphony No. 99 in E-flat; Strauss: Ein
Heldenleben
Gluck: Overture to Iphignie en Aulide; Brahms: Symphony No. 1; Liszt: From the
Tratsch Polka
Wagner: Prelude to Act I of Lohengrin; Dich, teure Halle from Tannhuser (H.
Traubel); Act I Scene 3 from Die Walkre (H. Traubel, L. Melchior); Prelude to
Tristan und Isolde; Dawn, Duet, and Siegfrieds Rhine Journey from
Berlioz: Overture, Les Francs-Juges; Love Scene and Queen Mab from Romo
210
12 April, same venue
Beethoven: Symphony No. 6; Wagner: Prelude and Good Friday Spell from Parsifal;
Sinigaglia: Over Fields and Woods and Rustic Dance from Piedmont Suite;
Horowitz)
20 and 25 June, Buenos Aires, Teatro Coln (orchestra of Teatro Coln with extras)
Teatro Coln)
211
Wagner: Prelude to Parsifal, Dawn and Siegfrieds Rhine Journey from
6 December, New York, RCA Building, Studio 8H (with NBC Symphony Orchestra)
Beethoven: Septet; Wagner: Prelude and Good Friday Spell from Parsifal; J. Strauss II:
Barber: Adagio for Strings; Smetana: The Moldau; Dvok: New World Symphony
1942
and Finale with chorus) (F. Kirk, E. Eustis; Womens Glee Club of University of
Pennsylvania)
24 January, New York, RCA Building, Studio 8H (with NBC Symphony Orchestra)
212
Mendelssohn: Overture to A Midsummer Nights Dream; Schubert: Unfinished
14 March, New York, RCA Building, Studio 8H (with NBC Symphony Orchestra)
Bach: Air from Suite No. 3; Haydn: Symphony No. 101 (Clock); Wagner: Prelude and
22 April, New York, Carnegie Hall (with the Philharmonic-Symphony Orchestra of New York)
Choir)
213
1 May, same venue
Symphony No. 7
Westminster Choir)
19 July, New York, RCA Building, Studio 8H (with NBC Symphony Orchestra)
7, 9, and 11 October, New York, Carnegie Hall (with the Philharmonic-Symphony Orchestra of
New York)
Moscona)
1 November, New York, RCA Building, Studio 8H (with NBC Symphony Orchestra)
20, 21, and 24 November, Philadelphia, Academy of Music (with Philadelphia Orchestra)
214
Martucci: Notturno and Novelletta; Mussorgsky-Ravel: Pictures at an Exhibition;
version)
30 November, New York, Carnegie Hall (with the Philharmonic-Symphony Orchestra of New
York)
Wagner: Overture to Der fliegende Hollnder, Forest Murmurs from Siegfried, Dawn
from Gtterdmmerung (H. Traubel), Prelude and Liebestod from Tristan und
20 December, New York, RCA Building, Studio 8H (with NBC Symphony Orchestra)
1943
215
31 January, same venue
Verdi: Overture to La forza del destino, Va, pensiero from Nabucco, Trio from I
traviata, Ballabili from Otello, NP Hymn of the Nations (J. Peerce; Westminster
Choir)
Gilbert: Comedy Overture on Negro Themes; Kennan: Night Soliloquy; Griffes: The
Novelletta; Creston: Choric Dance No. 2; Wagner: Prelude and Liebestod from
Wagner: Prelude to Die Meistersinger; Creston: Choric Dance No. 2; Gilbert: Comedy
No. 2
Brahms: Symphony No. 1; Beethoven: Symphony No. 1; Wagner: Preludes to Acts I and
III of Lohengrin, Prelude and Liebestod from Tristan und Isolde, Prelude to Die
Meistersinger
4 April, New York, RCA Building, Studio 8H (with NBC Symphony Orchestra)
216
Hrold: Overture to Zampa; Rossini: Passo a sei from William Tell; Boccherini: Minuet
Act III and Polonaise from Boris Godunov; Ponchielli: Dance of the Hours
from La Gioconda; Liszt: Hugarian Rhapsody No. 2; Sousa: The Stars and
Stripes Forever
Mer
Tchaikovsky: Symphony No. 6, Suite from The Nutcracker, Piano Concerto No. 1 (V.
Horowitz)
20 June, New York, RCA Building, Studio 8H (with NBC Symphony Orchestra)
Minuet from Concerto Grosso No. 5(?); Bolzoni: Minuet in B; Debussy: Prlude
Supp: Overture to Poet and Peasant; Massenet: Scnes alsaciennes; Bolzoni: Medieval
Verdi: Overture to Luisa Miller, Quando le sere al placido from Luisa Miller (J.
Peerce), O don fatale from Don Carlo (N. Merriman), Eri tu from Un ballo in
217
maschera (F. Valentino), Pace mio Dio from La forza del destino (G. Ribla),
Bizet: La Jolie fille de Perth, Suite; LArlsienne, Suites 1 and 2; Carmen, Suite No. 1
Mozart: Overture to The Magic Flute; Haydn: Symphony No. 104 (London);
and Liebestod from Tristan und Isolde, Ride of the Valkyries from Die Walkre
Mozart: Overture to The Marriage of Figaro, Piano Concerto No. 27 (K. 595) (M.
218
1944
5 March, New York, RCA Building, Studio 8H (with NBC Symphony Orchestra)
Symphony No. 6
Symphony No. 1
Roma
Mignone: Festa da igrejas (Four Brazilian Churches); Gershwin: Piano Concerto in F (O.
Levant)
Wagner: Prelude and Good Friday Spell from Parsifal; Mendelssohn: Violin Concerto
(J. Heifetz)
219
Brahms: Symphony No. 1; Tchaikovsky: Symphony No. 6; Beethoven: Symphony No. 5
25 May, New York, Madison Square Garden (with NBC Symphony Orchestra and
Gtterdmmerung, Prelude and Liebestod from Tristan und Isolde; Verdi: Act III
City High School Chorus and Glee Clubs; NBC Symphony only), Hymn of the
25 June, New York, RCA Building, Studio 8H (with NBC Symphony Orchestra)
Haydn: Symphony No. 99 in E-flat; Franck: Les Eolides; Puccini: Minuet from Act II and
Serenade from Quartet in F, Op. 3 No. 5; Sibelius: The Swan of Tuonela; Wagner:
220
Bossi: Intermezzi goldoniani; Mozart: Symphony No. 39 in E-flat; de Falla: Ritual Fire
Dance and Dance of Terror from El amor brujo; Goldmark: In the Garden
Beethoven: Overture No. 1 to Leonore, Adagio and Allegretto from The Creatures of
Rossini: Overture to Il barbiere di Siviglia; Verdi: Va, pensiero from Nabucco, Quartet
5 November, New York, RCA Building, Studio 8H (with NBC Symphony Orchestra)
Beethoven: Overture to Egmont, Lento assai and Vivace from String Quartet Op. 135,
Beethoven: Coriolan Overture, Cavatina from String Quartet Op. 130, Allegro molto
from String Quartet Op. 59 No. 3, Piano Concerto No. 4 (R. Serkin)
221
3 December, same venue
10 December
Moscona, J. Laderoute) 1
Beethoven: Fidelio (Act II, with Overture No. 3 to Leonore) (R. Bampton, E. Steber; J.
1945
13 January, New York, Carnegie Hall (with Philharmonic Symphony Orchestra of New York)
Haydn: Symphony No. 101 (Clock); Respighi: Pini di Roma; Sibelius: The Swan of
21 January, New York, RCA Building, Studio 8H (with NBC Symphony Orchestra)
222
19 February, New York, Carnegie Hall (with NBC Symphony Orchestra)
Weber: Overture to Der Freischtz; Brahms: Piano Concerto No. 2 (V. Horowitz); Ravel:
18 March, New York, RCA Building, Studio 8H (with NBC Symphony Orchestra)
in Paris
Gluck: Act II of Orfeo ed Euridice (N. Merriman, E. Philips); Bach: Final Chorus from
8 May, New York, RCA Building, Studio 8H (with NBC Symphony Orchestra)
Foroni: Overture in C minor; Grof: Grand Canyon Suite; Berlioz: Rakczy March
223
Cherubini: Overture to Anacron; Smetana: Die Moldau; Mendelssohn: Symphony No. 5
(Reformation)
28 October, New York, RCA Building, Studio 8H (with NBC Symphony Orchestra)
Mendelssohn: Overture, The Hebrides; Berlioz: Romeo Alone Feast at the Capulets
Love Scene Queen Mab from Romo et Juliette; Glinka: Jota aragonesa
Bellini: Introduction and Druids Chorus from Norma; Verdi: Te Deum from the Four
1946
224
6 January, same venue
Wagner: Prelude to Act III of Tannhuser, Siegfried Idyll, Dawn and Siegfrieds Rhine
and Scherzo-Fuga from String Quartet, Ballabili from Otello, Overture to La forza
del destino
Puccini: La Bohme (Parts I and II) (L. Albanese, A. McKnight; J. Peerce, F. Valentino,
Puccini: La Bohme (Parts III and IV) (L. Albanese, A. McKnight; J. Peerce, F.
225
Scarlatti-Tommasini: The Good-Humored Ladies; Franck: Symphony
Rossini: Overture to La gazza ladra; Rossini: Wedding Chorus, Passo a sei, and
Soldiers Dance from William Tell; Rossini: Prayer from Mos (R. Tebaldi, J.
Nabucco; Verdi: Overture to I vespri siciliani; Verdi: Te Deum from the Four
Sacred Pieces; Puccini: Intermezzo and Act III from Manon Lescaut (M. Favero;
Pasero)
226
Kabalevsky: Overture to Colas Breugnon; Brahms: Symphony No. 4; Debussy: La Mer;
Rossini: Soldiers Dance from William Tell; Strauss: Death and Transfiguration
27 October, New York, RCA Building, Studio 8H (with NBC Symphony Orchestra)
Mozart: Overture to The Magic Flute, Divertimento in B-flat K. 287; Symphony No. 35
(Haffner)
Beethoven: Coriolan Overture, Piano Concerto No. 3 (M. Hess); Wagner: Dawn and
Verdi: La traviata (Act II Scene 2, Act III) (L. Albanese; J. Peerce, R. Merrill)
227
1947
Berlioz: Romo et Juliette (Parts 1-3 and beginning of Part 4) (G. Swarthout; J. Garris, N.
Berlioz: Romo et Juliette (end of Part 4) (G. Swarthout; J. Garris, N. Moscona); Scene 7
Franck: Symphonic interlude from Rdemption; Dukas: orchestral excerpts from Ariane
Brahms: Tragic Overture, Minuets 1 and 2 from Serenade No. 1; Symphony No. 2
Beethoven: Overture, The Consecration of the House, Adagio and Allegretto from The
228
6 April, same venue
Wagner: Prelude and Good Friday Spell from Parsifal; Act I Scene 3 from Die
NBC Symphony)
21 September, New York, RCA Building, Studio 8H (with NBC Symphony Orchestra)
Beethoven: Overture, The Consecration of the House, Lento assai and Vivace from String
Mendelssohn: Overture, Die schne Melusine; Adagio and Lento from Quintet in B-flat,
Song and Chorus, Wedding March, Chorus and Finale) (Wilhousky Chorus)
Mozart: Overture to The Marriage of Figaro, Bassoon Concerto K. 191 (L. Sharrow),
229
Prokofiev: Classical Symphony, Tchaikovsky: Symphony No. 6
Bach: Suite No. 3; Vivaldi: Violin Concerto in B-flat (M. Mischakoff); Handel: Concerto
Wolf-Ferrari: Overture to Le donne curiose; Kodly: Suite from Hry Jnos; Debussy:
La Mer
Verdi: Otello (Acts III and IV) (H. Nelli; R. Vinay, G. Valdengo)
1948
Strauss: Don Juan; Berlioz: Queen Mab from Romo et Juliette; Mussorgsky: Pictures
at an Exhibition
Haydn: Sinfonia concertante Op. 84; Mozart: Symphony No. 39 in E-flat; Beethoven:
230
13 March, same venue
Donizetti: Overture to Don Pasquale; Mancinelli: Fuga degli amanti from Scene
Wagner: Preludes to Acts I and III of Lohengrin, Overture to Tannhuser (Paris version),
Forest Murmurs from Siegfried, Dawn and Siegfrieds Rhine Journey from
Debussy: Ibria, Prlude laprs-midi dun faune, Ftes from Trois Nocturnes, La
Mer
Chorale)
Verdi: Te Deum from the Four Sacred Pieces, Messa da Requiem (H. Nelli, N. Merriman;
Boito: Prologue and Act III of Mefistofele (H. Nelli; G. Prandelli, C. Siepi); Act III
231
Rossini: Overture to La scala di seta; Schubert: Great C-Major Symphony; Verdi:
23 October, New York, RCA Building, Studio 8H (with NBC Symphony Orchestra)
Brahms: Allegro molto from Serenade No. 1, Piano Concerto No. 2 (V. Horowitz)
Symphony No. 2
Overture to Tannhuser
Mendelssohn: Overture, The Fair Melusine; Liadov: Kikimora; Strauss: Don Quixote (F.
Miller)
232
1949
Berlioz: Overture, Le Carnaval romain; Queen Mab from Romo et Juliette; Harold in
Kabalevsky: Symphony No. 2; Sibelius: En Saga; Wagner: Dawn and Siegfrieds Rhine
Beethoven: Overture, The Consecration of the House, Adagio and Allegretto from The
Verdi: Aida (Acts I and II) (H. Nelli, E. Gustavson; R. Tucker, G. Valdengo, N. Scott)
Verdi: Aida (Acts III and IV) (H. Nelli, E. Gustavson; R. Tucker, G. Valdengo, N. Scott)
233
20 April, New York, Carnegie Hall (with NBC Symphony Orchestra)
Smetana: The Moldau; Strauss: Don Juan; Wagner: Prelude to Die Meistersinger
Cenerentola; Smetana: The Moldau; Strauss: Don Juan; Verdi: I vespri siciliani
7 October, Ridgefield (Connecticut), Ridgefield High School auditorium (with members of NBC
Symphony)
Murmurs from Siegfried; Waldteufel: Skaters Waltz; Rossini: Passo a sei from
29 October, New York, RCA Building, Studio 8H (with NBC Symphony Orchestra)
Berlioz: Romeo Alone Feast at the Capulets Queen Mab from Romo et Juliette;
Debussy: La Mer
234
Beethoven: Symphony No. 2; Elgar: Enigma Variations
Suite No. 2
Giordano: Prelude to Act II of Siberia, Dance of the Moor from Il re; Puccini:
Intermezzo from Act III of Manon Lescaut; Busoni: Berceuse lgiaque and
Wagner: Prelude and Good Friday Spell from Parsifal, Dawn and Siegfrieds Rhine
1950
235
25 February, same venue
Symphony No. 6
Moldau
Dvok: New World Symphony; Dukas: The Sorcerers Apprentice; Wagner: Prelude
to Die Meistersinger
Verdi: Falstaff (Act I, Act II Part 1) (Nelli, Stich-Randall, Merriman, Elmo; Valdengo,
Verdi: Falstaff (Act II Part 2, Act III) (Nelli, Stich-Randall, Merriman, Elmo; Valdengo,
236
Rossini: Overture to Litaliana in Algeri; Beethoven: Symphony No.3; Strauss: Don
Emmett: Dixie
Moldau; Wagner: Good Friday Spell from Parsifal; Tchaikovsky: Romeo and
Juliet Overture-Fantasy
237
Wagner: Prelude to Die Meistersinger; Dvok: New World Symphony; Schubert:
William Tell
Moldau; Wagner: Good Friday Spell from Parsifal; Tchaikovsky: Romeo and
238
Rossini: Overture to La Cenerentola; Beethoven: Symphony No.3; Smetana: The
Moldau; Wagner: Good Friday Spell from Parsifal; Tchaikovsky: Romeo and
Rossini: Overture to La scala di seta; Beethoven: Symphony No. 3; Strauss: Don Juan;
Debussy: La Mer
Rossini: Overture to Litaliana in Algeri; Brahms: Symphony No. 1; Strauss: Don Juan;
Debussy: La Mer
Moldau; Wagner: Good Friday Spell from Parsifal; Tchaikovsky: Romeo and
Juliet Overture-Fantasy
239
Kabalevsky: Overture to Colas Breugnon; Tchaikovsky: Symphony No. 6; Brahms:
Colas Breugnon
Verdi: Te Deum from the Four Sacred Pieces; Messa da Requiem (R. Tebaldi, C. Elmo;
G. Prandelli, C. Siepi)
1951
Verdi: Te Deum from the Four Sacred Pieces; Messa da Requiem (H. Nelli, F. Barbieri;
to Leonore
240
17 February, same venue
Enigma Variations
Overture to Semiramide
Beethoven: Septet; Wagner: Prelude to Act III of Die Meistersinger, Dawn and
Wagner: Prelude to Act I of Lohengrin, Forest Murmurs from Siegfried, Prelude and
Liebestod from Tristan und Isolde, Siegfrieds Death and Funeral Music from
1952
241
5 January, same venue
Weber: Overture to Der Freischtz; Franck: Psych et Eros from Psych; Rossini:
and Transfiguration
Beethoven: Symphonies Nos. 1 and 9 (E. Farrell, N. Merriman; J. Peerce, N. Scott; Shaw
Chorale)
242
19 September, Milan, Teatro alla Scala (with Scala orchestra)
Wagner: Prelude to Die Meistersinger, Forest Murmurs from Siegfried, Siegfried Idyll,
Good Friday Spell from Parsifal, Siegfrieds Death and Funeral Music from
Gtterdmmerung, Prelude and Liebestod from Tristan und Isolde, Ride of the
Gluck: Overture to Iphignie en Aulide; Act II from Orfeo ed Euridice (N. Merriman, B.
1953
243
Berlioz: Overture, Le Carnaval romain; Tchaikovsky: Manfred Symphony
Schumann: Manfred Overture; Rossini: Passo a sei from William Tell; Dvok: New
World Symphony
Wagner: Prelude to Act III of Lohengrin, Siegfried Idyll, Siegfrieds Death and Funeral
Music from Gtterdmmerung, Prelude and Liebestod from Tristan und Isolde,
244
Beethoven: Missa Solemnis (L. Marshall, N. Merriman; E. Conley, J. Hines; Shaw
Chorale)
Wagner: Prelude to Act III of Tannhuser; Berlioz: Harold in Italy (C. Cooley)
1954
Verdi: Un ballo in maschera (Acts II and III) (H. Nelli, V. Haskins; J. Peerce, R.
Oberon
245
Beethoven: Overture No. 2 to Leonore, Symphony No. 6
Vivaldi: Concerto Grosso Op. 3 No. 11; Verdi: Te Deum from the Four Sacred Pieces;
Wagner: Prelude to Act I of Lohengrin, Forest Murmurs from Siegfried, Dawn and
246
ALPHABETICAL LIST OF ARTURO TOSCANINIS PUBLIC PERFORMANCES AS A
CONDUCTOR
AGUIRRE, Julin
ALALEONA, Domenico
Due canzoni italiane (La mamma, Canzone a ballo): 22.5.21, 31.5.21, 15.6.21
ATTERBERG, Kurt
Christmas Oratorio, Part II, Sinfonia (Pastorale): 25.3.97, 29.11.01, 1.12.01, 2930
31.3.28, 1.4.28
247
Concerto for four pianos [sic] and orchestra in A minor: 13141516.10.32
Passacaglia and Fugue in C minor (arr. Respighi): 1617.4.30, 6.5.30, 8.5.30, 10.5.30,
13.1.42, 22.11.47
1.2.26
BARBER, Samuel
BAZZINI, Antonio
248
Saul, Overture, 22.9.98, SeptemberOctober 1917 (arranged for band, at the front),
Concerto for violin and orchestra: 10.3.97, 12.5.00, 4.4.04, 2627.11.31, 1415
Concerto for violin, cello, piano, and orchestra (Triple Concerto): 16.4.33, 1.5.42
Consecration of the House, The, Overture: see Weihe des Hauses, Die
26.8.37, 1719.9.37
Fidelio, Concert performance in two parts: 10.12.44 (Act I), 17.12.44 (Act II, including
249
Fidelio, Overture: 30.11.00, 2.12.00, 272830.10.32, 7.11.32, 28.10.39, 1.5.42
11.2.34
(Adagio only), 11.2.34 (Overture only), 12.5.39 (Overture only), 22.5.39 (Adagio
and Andante quasi allegretto only), 21.8.39 (Overture only), 25.11.39 (Adagio
and Andante quasi allegretto only), 29.4.42 (Overture only), 5.3.44 (Overture,
Adagio, and Andante quasi allegretto), 29.10.44 (Adagio and Andante quasi
allegretto only), 16.3.47 (Adagio and Andante quasi allegretto only), 19.3.49
(Adagio and Andante quasi allegretto only), 20.4.49 (Overture only), 3.2.51
(Overture only)
Leonore, Overture No. 2: 25.2.34, 25.11.39, 21.2.40, 6.2.44, 19.11.44, 25.9.45, 7.7.46,
12.1.52, 7.3.54
Leonore, Overture No. 3: 15.5.98, 1.7.98, 11.5.99, 29.7.01(?), 27.4.02, 14.4.04, 22.2.05,
250
Missa Solemnis: 8911.3.34, 252628.4.35, 2829.11.36, 2628.5.39, 28.12.40,
22.4.42, 28.3.53
String Quartet Op. 135 (Lento assai and Vivace only): 1112.1.34, 1.1.38, 22.5.39,
22.12.51, 29.3.52
251
Symphony No. 4: 1.9.98, 2325.4.07, 814.10.26, 45141617.2.28, 1245.4.31, 2
22.3.52
252
Symphony No. 8: 14.3.97, 27.3.97 (Allegretto only), 1217.10.26, 17181920.10.29,
22.10.44, 8.11.52
Symphony No. 9: 7.9.98 (2nd and 3rd movements only), 202527.4.02, 1318.4.13, 7
Weihe des Hauses, Die (The Consecration of the House), Overture: 16.3.47, 25.10.47,
19.3.49
BELLINI, Vincenzo
Puritani, I: 18.8.94 + 3
BERLIOZ, Hector
7.7.04 + 5, 23.1.06 + 12
253
Damnation de Faust, La, Dance of the Sylphs and Rakczy March only: 2.10.98,
14.1.20
2.9.45
Romo et Juliette, excerpts: 22.3.97 (Part 2 only), 27.1.18 (Love Scene and Queen
(Love Scene only), 5.4.41 (Love Scene and Queen Mab), 4.11.45 (Romeo
Alone Feast at the Capulets Love Scene Queen Mab), 29.10.49 (Romeo
10.11.51
Symphonie fantastique: 7.7.98 (4th movement only), 6.5.99 (same), 1721.3.18 (4th and
BIZET, Georges
Arlsienne, L, Suites Nos. 1 and 2: 12.6.98 (No. 1 only), 9101310.37 (same), 19.9.43
254
Carmen: 26.12.87 + ?, 23.3.89 + 16, 30.5.89 + 6, 22.3.90 + ?, 24.4.90 + 14,
BLOCH, Ernest
BOCCHERINI, Luigi
concerto, presumably)
Quartet in D: 19.11.49
BOITO, Arrigo
BOLZONI, Giovanni
Al ruscello: 22.3.97
255
Minuet: 523.8.86, 22.11.89, 23.11.93, Sept.Oct. 1917 (arr. for band), 20.7.43
BORODIN, Alexander
BRAHMS, Johannes
Concerto No. 2 for piano and orchestra: 3031.1.36, 2.2.36, 29.8.39, 6.5.40, 19.2.45,
23.10.48
Concerto for violin, cello, and orchestra (Double Concerto): 242527.10.29, 1415
256
Gesang aus Fingal: 282930.3.35
Hungarian Dances Nos. 17, 20, and 21 (arr. Dvok): 282930.3.35, 2.7.44
13.11.48
17.1.43 (Allegro molto only), 9.3.47 (Minuets 1 and 2 only), 23.10.48 (Allegro
3.11.51, 29.9.52
257
12.2.38, 10.6.38, 27.6.40, 48.7.40, 3.1.43, 1314.2.43, 9.3.47, 6.11.48, 10.2.51,
29.9.52
1.10.52, 1.11.52
BRUCH, Max
BRUCKNER, Anton
258
Symphony No. 7: 20.12.96 (Adagio only), 4678.3.31, 24252627.1.35
BUSCH, Adolf
BUSI, Alessandro
BUSONI, Ferruccio
13.3.48, 10.12.49
BUZZI-PECCIA, Arturo
Re Harfagar: 13.12.96
CAGNONI, Antonio
CANTI, Natale
CASTELNUOVO-TEDESCO, Mario
259
Winters Tale, The, Overture: 30.11.35, 13.12.35
CATALANI, Alfredo
A Sera: 2.6.98
2829.4.00, 24.5.00, 13.2.05, Sept.Oct. 1917 (arr. for band), 21.1.39, 23.3.47,
2.8.52
3.3.07 + 4, 6.1.09 + 3
Wally, La, Prelude to Act IV: 115.9.98, 14.5.00, 13.2.05, Sept.Oct. 1917 (arr. for
CELEGA, Nicol
CHABRIER, Emmanuel
CHARPENTIER, Gustave
CHASINS, Abram
260
Parade: 8101218.4.31
CHERUBINI, Luigi
21.3.53
String Quartet No. 1 in E-flat, Scherzo only: 25.3.97, 17.3.98, 2.6.98, 27.4.99, 24.6.09,
4.4.43
CILEA, Francesco
Gloria: 15.4.07 + 1
CIMAROSA, Domenico
COPLAND, Aaron
CORELLI, Arcangelo
261
Concerto Grosso Op. 6 No. 8 (Christmas Concerto): 19.11.16
COWEN, Frederick
Symphony No. 3 (Scandinavian), 2nd and 3rd movements only: 12.12.97, 10.9.98
CRESTON, Paul
Frontiers: 25.11.45
DA VENEZIA, Franco
DEBUSSY, Claude
Danse: 13.4.40
Martyre de Saint-Sbastien, Le: 4.3.26 + 3; 161719.4.36 (La Cour des lys only)
262
9.7.40, 6710.2.42, 11.4.43, 11.2.45, 2325.5.46, 5.7.46, 2.3.47, 29.11.47,
Trois Nocturnes, Nuages and Ftes: 1522.3.06 (Nuages only), 30.4.07, 2.5.07, 7
only), 15.3.52
DE LARA, Isidore
Messaline: 7.4.01
DE LEVA, Enrico
DE SABATA, Victor
dINDY, Vincent
263
Istar Variations: 10.2.18, 1618.5.20, 7918.1.31, 13141516.10.32, 17.11.32,
10.12.36
DONIZETTI, Gaetano
Don Pasquale, Overture: 38.4.05, Sept.Oct. 1917 (arr. for band), 20.6.43, 13.3.48
DUKAS, Paul
DVOK, Antonn
264
Slavonic Dance No. 6: 1314.2.36
Symphony No. 9 (old No. 5), From the New World: 16.12.97, 7.3.98, 19.5.98, 25.9.98,
ELGAR, Edward
ENESCO, Georges
FACCIO, Franco
Amleto, Ophelias Funeral March: 17.3.98, 28.8.98, Sept.Oct. 1917 (arr. for band)
FALLA, Manuel de
El amor brujo: 12.3.28, 1920.4.34, 28.1.39, 3.9.44 (Ritual Fire Dance and Dance of
Terror only)
265
Batuque from Reisado do pastoreio: 14.5.40, 89.7.40
FORONI, Jacopo
FRANCHETTI, Alberto
Cristoforo Colombo, Nocturne from Act II: 5.6.98, 4.7.98, Sept.Oct. 1917 (arr. for
band), 14.12.40
22.6.12 + 4, 2.5.29 + 2
FRANCK, Csar
266
Psych et Eros and Sommeil de Psych from Psych: 13.1.18 (Sommeil only), 16
only)
FUCHS, Robert
GALEOTTI, Cesare
Anton: 17.2.00 + 6
GEMINIANI, Francesco
GERSHWIN, George
Overture in E: 4.5.95
GILBERT, Henry F. B.
267
GILLET, Ernest
GILLIS, Don
GIORDANO, Umberto
GIRARD, Narcisse
GLAZOUNOV, Alexander
GLINKA, Mikhail
268
Iphignie en Aulide, Overture: 29.6.22, 1.7.22, 12.10.25, 28.2.29, 139161724.3.29,
GNAGA, Andrea
GNECCHI, Vittorio
Cassandra: 5.12.05 + 1
GOLDMARK, Kroly
Rustic Wedding Symphony: 2227.3.97 (In the Garden only), 13.9.97 (In the
Serenade only)
GOLINELLI, Stefano
269
Salvator Rosa: 28.7.86 + ?
GOOSSENS, Eugene
GOULD, Morton
GOUNOD, Charles
GRAENER, Paul
GRIEG, Edvard
Peer Gynt, Suite No. 1: 10.3.97, [23.4.97?], 13.9.97, 17.10.98 (Solveigs Song only)
String Quartet Op. 27, Lento and Presto al saltarello: 14.7.98 (Presto al saltarello only),
13814.5.00
GROF, Ferde
270
Concerto for strings, harp, and organ, Op. 4 No. 6, Andante: 30.5.98
Concerto Grosso Op. 6 No. 12: 141517.11.29, 31.1.35, 1.2.35, 22.8.35, 19.2.38,
22.11.47
Minuet for strings (from Concerto Grosso No. ?): 2.6.09, 2329.9.11, 9.2.16, 20.6.43
HANSON, Howard
HARRIS, Roy
String Quartet Op. 3 No. 5, Serenade for strings (actually by Roman Hoffstetter): 23.8.86,
4.4.43, 27.8.44
9.4.31, 19.2.38
2.7.44, 12.3.49
271
Symphony No. 101 in D (Clock): 26.4.96, 18.5.96, 20.12.96, 7.7.98, 24.6.09, 30.1.16,
HROLD, Ferdinand
HONEGGER, Arthur
HUMPERDINCK, Engelbert
Hnsel und Gretel, Prelude: 28.8.98, 15.9.98, 27.4.00, 4.5.00, 13.1.46, 2.8.52
Knigskinder: 20.8.12 + 2
Colas Breugnon, Overture: 11.4.43, 21.1.45, 7.4.46, 2325.5.46, 5.7.46, 21.9.47, 4.3.50,
KALINNIKOV, Vassily
KENNAN, Kent
272
KODLY, Zoltn
KOELUCH, Leopold
LALO, douard
LASSEN, Eduard
LEONCAVALLO, Ruggero
Zaz: 10.11.00 + 12
LIADOV, Anatol
LISZT, Franz
Orpheus: 26.11.38
273
LOEFFLER, Charles Martin
LOZZI, Antonio
LUALDI, Adriano
LULLY, Jean-Baptiste
MACHADO, Augusto
Lauriane: 13.8.86 + ?
MANCINELLI, Luigi
MANFREDINI, Vincenzo
274
MARCELLO, Benedetto
MARTUCCI, Giuseppe
Concerto No. 2 in B-flat minor for piano and orchestra: 29.9.98, 27.4.99, 20.1.46, 17.1.53
Danza (Tarantella): 2.7.09, 1928.9.11, 30.1.16, Sept.Oct. 1917 (arr. for band), 20.1.18,
Notturno: 29.3.04, 17.6.09, 2.7.09, 12.5.16, Sept.Oct. 1917 (arr. for band), 1021.3.18,
2124.11.42, 1314.2.43
Novelletta: 17.6.09, 2.7.09, 1928.9.11, 12.3.16, 1012.5.16, Sept.Oct. 1917 (arr. for
MASCAGNI, Pietro
275
Iris: 19.1.99 + 9, 8.7.01 + 2, 18.6.03 + 2, 23.8.03, 23.6.04 + 1, 1.4.15 + 2, 30.12.23 + 8,
6.12.24 + 2, 26.12.25
MASCANZONI, Giulio
MASETTI, Umberto
Vindice: 25.2.92 + 3
MASSENET, Jules
Erinnys, Les, Suite: 23.6.98, 1.7.98, 23.10.98 (Entracte and Bacchanale only)
13.10.98
Vierge, La, Under the Linden Tree and The Last Sleep: 9.6.98
MENDELSSOHN, Felix
276
Hebrides (Fingals Cave), Overture: 4.11.45
277
Symphony No. 4 (Italian): 272830.10.32, 415.3.33, 5.2.38, 1314161720.4.38,
MEYERBEER, Giacomo
Africaine, L: 5.6.87 + ?
Dinorah: 10.11.04 + 5
MIGNONE, Francisco
Congada: 1315.6.40
MONTEMEZZI, Italo
MONTEVERDI, Claudio
MORLACCHI, Francesco
Francesca da Rimini, Overture: 15.5.98, 27.4.99, 3.4.05, Sept.Oct. 1917 (arr. for band)
MOSSOLOV, Alexander
278
MOZART, Leopold
279
Symphony No. 38 in D (Prague): 28.9.11, 10.2.18, 7.2.26, 2728.2.30, 1234
5.3.30, 4.2.39
11.3.49, 21.3.53
Zauberflte, Die (The Magic Flute), Overture: 29.9.98, 14.5.00, 1.4.29, 8.1.38, 19.5.38,
MUSSORGSKY, Modest
Lustigen Weiber von Windsor, Die (The Merry Wives of Windsor), Overture: 18.7.43
280
NOVARO, Michele
OLIVIERI, Alessio
OREFICE, Giacomo
PAER, Ferdinando
PAGANINI, Niccol
22.6.40, 3.7.40
PAISIELLO, Giovanni
PANIZZA, Ettore
PEDROLLO, Arrigo
PEROSI, Lorenzo
Mos: 16.11.01
281
Resurrezione di Lazzaro, La: 22.4.99
PICK-MANGIAGALLI, Riccardo
Sortilegi: 13.1.18
PIZZETTI, Ildebrando
PONCHIELLI, Amilcare
Gioconda, La, Dance of the Hours: Sept.Oct. 1917 (arr. for band), 4.4.43, 31.10.44,
26.7.52
Lituani, I: 5.4.03 + 2
282
Marion Delorme: 5.7.86 + ?
Marion Delorme, Prelude (or Intermezzo) to Act IV: 12.3.98, 11.7.98, 14.5.00, Sept.
PROKOFIEV, Sergei
10.11.51
PUCCINI, Giacomo
Bohme, La: 1.2.96 + 22, 6.6.96 + 11, 22.8.96 + 11, 4.11.96 + 19, 17.4.97 + ?,
Bohme, La, Concert performance in two parts: 3.2.46 (Acts I and II) and 10.2.46 (Acts
9.1.13 + 2
283
14.4.14 (Act II only), 1.5.14, 19.10.14 (Act II only), 30.11.14 + 4, 29.12.14,
29.11.25 + 3
12.5.29, 27.5.29
Manon Lescaut, Concert performance, Intermezzo and Act III: 11 and 14.5.46
Manon Lescaut, Minuet from Act II and Intermezzo from Act III: Sept.Oct. 1917
Turandot: 25.4.26 + 2
RABAUD, Henri
RACHMANINOFF, Sergei
284
Symphony No. 3 (In the Woods): 15.5.98 (Andante Dreaming and Scherzo Dance
RAVEL, Maurice
21.1.39
REINECKE, Carl H. C.
RESPIGHI, Ottorino
13.10.27, 232425.3.33
285
24.3.21, 5726.5.21, 916.6.21, 22.7.22, 13171821242729.6.24, 1314
22.3.52, 14.3.53
RIETI, Vittorio
RIMSKY-KORSAKOV, Nicolai
Scheherazade: 19.5.98
ROCCHI, Guido
Gavotte: 2224.11.89
ROGER-DUCASSE, Jean-Jules
ROSSINI, Gioacchino
Assedio di Corinto, L (The Siege of Corinth), Overture: Sept.Oct. 1917 (arr. for band),
79.1.31
286
Barbiere di Siviglia, Il, Overture: 9.2.16, Sept.Oct. 1917 (arr. for band), 6.1.18, 810
Gazza ladra, La, Overture: 12.6.98, Sept.Oct. 1917 (arr. for band), 16.10.25, 13.10.27,
Guillaume Tell (William Tell), Overture: 23.8.86, 4.5.95, 12.5.98, 2.6.98, 25.9.98,
Guillaume Tell (William Tell), Passo a sei and Soldiers Dance: 19.11.38, 21.2.40,
8.7.40, 4.4.43 (Passo a sei only), 1114.5.46 (plus Wedding Chorus), 5.7.46
(Soldiers Dance only), 7.10.49 (Passo a sei only), 5.1.52 (Passo a sei
287
[opera excerpts, unknown: 3.4.05]
Semiramide, Overture: 24.6.09, Sept.Oct. 1917 (arr. for band), 3.2.18, 131415
8.11.42, 11.11.45
ROUSSEL, Albert
RUBINSTEIN, Anton
Valse-Caprice: 21.12.40
SAINT-SANS, Charles-Camille
288
Danse macabre: 1017.5.96, 1427.3.97, 15.5.98, 4.7.98, 10.2.18, 5616.6.20,
Symphony No. 3: 14.7.98, 15.9.98, 23.10.98, 30.11.00, 2.12.00, 13.1.18, 21.3.18, 1516
24.3.46
SCHELLING, Ernest
SCHUBERT, Franz
289
Symphony No. 5: 14.3.53
2127.5.50
Symphony No. 9 (also numbered 7 and 8), Great C-Major: 19.3.96, 10.5.96, 22.10.28,
SCHUMANN, Robert
1113.3.36, 17.3.46
SGAMBATI, Giovanni
290
Concerto for piano and orchestra in G minor: 27.10.98
Symphony in D minor: 12.3.98 (Andante-serenata and Allegro con fuoco only), 16.10.98
SHOSTAKOVICH, Dmitri
12.3.44, 15.6.46
SIBELIUS, Jean
Swan of Tuonela, The: 29.3.04, 1417.4.04, 22.2.05, 2325.4.05, 2.6.05, 3.2.18, 1920
SIEGMEISTER, Elie
SINIGAGLIA, Leone
291
Baruffe chiozzotte, Le, Overture: 79.5.08, 20.1.18, 121318.6.20, 27.1.21, 51718
23.2.47
Piedmontese Dances (Allegro moderato in A and Allegro con brio in G): 14.5.05
Piedmont Suite Op. 36, Through the Woods and Fields, Dance, Carnival, and Fugue:
SMAREGLIA, Antonio
Ocena: 22.1.03 + 5
SMETANA, Bedich
26.11.38, 17.11.46
292
Negro, Il: 1718.4
Stars and Stripes Forever, The: 4.4.43, 25.5.44, 6.9.47, 7.10.49, 3527.5.50
STRAUSS, Johann II
STRAUSS, Josef
STRAUSS, Richard
293
Salome: 26.12.06 + 15
Tod und Verklrung (Death and Transfiguration): 11.4.05, 11.5.05, 2.6.05, 22.5.21,
STRAVINSKY, Igor
Petrushka, 1st and 4th tableaux: 69.2.16, 1012.5.16, 324.3.18 (twice on the 24th), 16
SVENDSEN, Johan S.
294
TANSMAN, Alexandre
TAUBERT, Karl
10.1.53
19.5.50, 21.3.53
Symphony No. 6: 25.3.97, 20.10.98 (second movement only), 29.10.38, 13.12.38, 6.4.40,
21.3.54
THOMAS, Ambroise
295
Mignon: 26.1.88 + ?, 6.3.90 + ?, 14.3.90 + 9
TOMMASINI, Vincenzo
15.6.46, 13.3.48
Chiari di luna: 19.11.16, 27.1.18, 5.11.18 (Serenata only), 19.11.20, 27.11.20 (Serenata
TOSCANINI, Arturo
TOSI, Alfonso
TRUCCO, Edoardo
VERDI, Giuseppe
296
29.8.12 (Act II only), 6.3.13, 8.12.13 + 4, 21.11.14 + 5, 20.11.23 + 9, 22.4.29 + 5,
29.5.29
Ballo in maschera, Un: 16.6.96 + 3, 11.3.03 + 12 (Toscanini did not complete the final
Battaglia di Legnano, La, Hymn and oath-taking from Act I and Hymn and Prayer from
297
Forza del destino, La: 20.10.88 + 21, 13.2.89 + ?, 22.11.92 + 3, 22.2.95 + ?, 20.4.95 + ?,
19.3.08, 17.11.28 + 8
Forza del destino, La, Overture: 8.5.98, 27.2.01, 26.7.15, Sept.Oct. 1917 (arr. for band),
Forza del destino, La, Duet, Solenne in questora and Finale of Act II: 1.2.01
Inno delle nazioni (Hymn of the Nations): 26.7.15, 31.1.43 (with emendations by
Lombardi, I: 19.11.87 + ?
Luisa Miller, Overture: 12.3.98, Sept.Oct. 1917 (arr. for band), 13.5.20, 25.7.43
27.6.50, 27.1.51
298
[opera excerpts, unknown: 8.4.05]
Quattro pezzi sacri (Four Sacred Pieces): Stabat Mater, Laudi alla Vergine, Te Deum:
262830.5.98, 16.4.99, 19.3.03 (Ave Maria and Laudi alla Vergine only),
10.10.27 (Laudi alla Vergine only), 1617.4.31 (Te Deum only), 14.8.37 (Te
Deum only), 2730.5.38, 23.11.40, 2.12.45 (Te Deum only), 1114.5.46 (Te
Deum only), 26.4.48 (Te Deum only), 2627.6.50 (Te Deum only), 27.1.51 (Te
299
Traviata, La: 2.7.86 + ?, 23.8.94 + 4, 27.7.01 + 1, 31.7.03 + 1, 28.6.06 + ?, 21.8.06,
Traviata, La, Preludes to Acts I and III: 1.2.01 x 2 (Prelude III only), 27.2.01 (Prelude III
only), 19.3.03, (Prelude to Act III only, arr. for band), 27.1.18 (Prelude to Act III
VIEUXTEMPS, Henri
VIVALDI, Antonio
Concerto Grosso in E minor for strings (presumably Op. 3 No. 4): 17.2.18
Concerto Grosso in A minor, presumably Op. 3 No. 8 (trans. S. Franko): 24.3.18 (twice),
300
Concerto Grosso in D minor (presumably Op. 3 No. 11): 30.6.24, 16.10.25, 212230
Concerto in A minor for violin and orchestra (trans. Nachez): 3.3.18, 222324.3.28
Inverno/Winter: 1314.2.36
WAGENAAR, Bernhard
WAGNER, Richard
301
25.2.39, 14.3.39, 22.2.41 (including vocal duet), 29.6.41, 24.7.41, 30.11.42,
Lohengrin, Prelude to Act I: 25.3.97, 19.3.98, 19.5.98, 12.6.98, 25.9.98, 27.1.21, 1720
Lohengrin, Prelude to Act III: 25.3.97, 15.3.31, 19.3.33, 22.4.33, 1718.10.33, 22.4.34,
302
Meistersinger, Die, Prelude to Act I: 12.12.97, 19.3.98, 23.6.98, 28.10.98, 2729
Parsifal, Good Friday Spell: 16.12.97, 30.11.00, 2.12.00, 25.4.02, 3.6.05, 19.9.11, 10
303
2831.3.29, 1617.4.30, 28.4.32, 1718.10.33, 162023.11.34, 2.12.34, 13.2.35,
Rheingold, Das, Entrance of the Gods into Valhalla: 19.3.96, 16.6.98, 7.7.98, 10.10.98,
2228.4.00, 135614.5.00
304
(Paris), 101925.5.30 (Paris), 1.6.30 (Paris), 81821.12.30 (Paris), 1117.1.31
(Paris), 16.6.37 (Paris), 5.3.38 (Paris?), 25.2.39 (Paris), 14.3.39, 23.6.40, 8.7.40,
(Paris), 20.3.48 (Paris), 4.12.48, 20.4.49 (Paris), 8.11.52 (Paris), 4.4.54 (Paris)
20.12.23 + 5, 23.7.30 + 2
Tristan und Isolde, Prelude and Liebestod: 4.4.04 (?), 13.2.05, 2325.4.05, 14.5.05, 19
305
8.7.40, 22.2.41 (Prelude only), 30.11.42 (with soprano), 1314.2.43, 24.3.43,
Tristan und Isolde, Suite (arr. Mancinelli): 1.7.98, 4.7.98 (The Ships Arrival only)
Walkre, Die, Act I, scene 3 (concert version): 227.11.32, 29.4.34, 22.2.41, 6.4.47,
20.4.49
Walkre, Die, Ride of the Valkyries: 22.3.97, 14.7.98, 20.10.98, 12.5.00, 1618.5.20, 8
WALDTEUFEL, Emil
Beherrscher der Geister, Der (The Ruler of the Spirits), Overture: 131415.3.30,
26.5.30
306
Freischtz, Der, Overture: 13.12.96, 27.3.97, 23.4.97(?), 2.10.98, 20.4.02, 12.10.25, 23
Invitation to the Dance (arr. Berlioz): 23.6.98, 25.10.98, Sept.Oct. 1917 (arr. for band),
WEPRIK, Alexander
WILLIAMS, Alberto
WOLF-FERRARI, Ermanno
ZANDONAI, Riccardo
307
Patria lontana, Suite: 17.3.18
196 composers
115 operas by 53 composers. This figure includes 21 world premieres and 35 national premieres,
the latter split among Italy, Argentina, Uruguay, France, and the United States.
Approximately 530 concert pieces by 178 composers. This tally does not include overtures or
other excerpts from operas that Toscanini conducted in their entirety; if those overtures and other
excerpts are included within his concert repertoire, the figures rise to over 600 pieces by 184
composers.
308
SELECT BIBLIOGRAPHY
Alda, Frances. Men, Women and Tenors. Boston: Houghton, Mifflin, 1937.
Allodi, Carlo (ed.). Arturo Toscanini: Parma nel centenario della nascita. Parma, 1967.
Antek, Samuel, and Robert Hupka. This Was Toscanini. New York: Vanguard, 1963.
Barbaro, Paolo (ed.). Toscanini, figure della memoria. Parma: CSAC, Universit degli Studi di
Parma, 1995.
Barblan, Guglielmo. Toscanini e la Scala. Milano: Edizioni della Scala 1972; expanded edition
Barera, Federico (M. Bagnoli, ed.). Ricordando . . . . Bologna: Vighi e Rizzoli, 1960.
Bassi, Davide (ed.). Museo Casa Natale Arturo Toscanini. Milano: Mazzotta, 2002.
Basso, Alberto. Il teatro della citt: dal 1788 al 1936. Torino: Cassa di Risparmio di Torino,
1976.
309
Bliss, Sir Arthur. As I Remember. London: Faber & Faber, 1970.
Borghi, Armando. Mezzo secolo di anarchia. Napoli: Edizioni scientifiche italiane, 1954.
Busch, Fritz. Pages from a Musicians Life, trans. M. Strachey. Westport, CT: Greenwood Press,
1953.
Busoni, Ferruccio. Letters to His Wife, trans. R. Ley. New York: Da Capo Press, 1975.
Capra, Marco, and Ivano Cavallini (eds.). Arturo Toscanini, il direttore e lartista mediatico.
Capra, Marco et al. (ed.). Arturo Toscanini vita, immagini, ritratti. Parma: Grafiche Step 2007.
Caruso, Enrico, Jr., and Andrew Farkas. Enrico Caruso: My Father and My Family. Portland,
Casella, Alfredo (F. Lombardi, ed.). La musica al tempo dellaereo e della radio. Torino: EDT,
2014.
Celli, Teodoro, and Giuseppe Pugliese. Tullio Serafin. Venezia: Corbo e Fiore, 1985.
310
Chalupt, Ren. Ravel au miroir de ses letters. Paris: Robert Laffont, 1956.
Clemens, Clara. My Husband Gabrilowitsch. New York: Harper & Brothers, 1938.
Costa, Bice Horszowski. Miecio: Ricordi di Mieczyslaw Horszowski. Genova: Erga, 2000.
Cushing, Mary W. The Rainbow Bridge. New York: G. P. Putnams Sons, 1954.
Dal Monte, Toti. Una voce nel mondo. Milano: Longanesi, 1962.
DAmico, Fedele, and R. Paumgartner, ed. La lezione di Toscanini. Firenze: Vallecchi, 1970.
Debussy, Claude (F. Lesure & D. Herlin, eds.). Correspondance. Paris: Gallimard, 2005.
Eames, Emma. Some Memories and Reflections. New York: D. Appleton, 1927.
Ente Autonomo del Teatro alla Scala, ed. Cronistoria della stagione 1928-1929. Milano: E. A.
311
Erskine, John. The Philharmonic-Symphony Society of New York: Its First Hundred Years. New
Farrar, Geraldine. Such Sweet Compulsion. New York: Greystone Press, 1938.
Ferrari, Vittorio, and Cesare Albertini. Il Teatro della Scala. Milano: Tamburini, 1921.
Fiorda, Nuccio. Arte, beghe e bizze di Toscanini. Roma: Fratelli Palombi, 1969.
Fitzgerald, Gerald (ed.). Annals of the Metropolitan Opera, 1883-1985 (2 vols.). Boston: G. K.
Fraccaroli, Arnaldo. La Scala a Vienna e a Berlino. Milano: Corriere della Sera, 1929.
Frank, Mortimer. Arturo Toscanini: The NBC Years. Portland, OR: Amadeus, 2002.
Freeman, John W., and Walfredo Toscanini. Arturo Toscanini. New York: Treves, 1987.
Geissmar, Berta. The Baton and the Jackboot. London: Hamish Hamilton, 1944.
Gilman, Lawrence. Toscanini and Great Music. New York: Farrar, 1938.
Glass, Beaumont. Lotte Lehmann. Santa Barbara, CA: Capra Press, 1988.
Haggin, B. H. (Thomas Hathaway, ed.): combined and updated edition of: Conversations with
Toscanini (1959) and The Toscanini Musicians Knew (1967). New York: Da Capo Press,
1989.
312
Heiles, Anne Mischakoff. Mischa Mischakoff. Sterling Heights, MI: Harmonie Park Press, 2006.
Ingelbrecht, D. E. The Conductors World, trans. G. Prerauer and S. Kirk. London: Peter Nevill,
1953.
Ives, Charles (Tom Owens, ed.). Selected Correspondence of Charles Ives. Berkeley: University
Kaiser, Uwe. Arturo Toscanini, musical activity 18861954. Private edition, 2016.
Kater, Michael H. Never Sang for Hitler: The Life and Times of Lotte Lehmann. Cambridge:
Klemperer, Otto (S. Stompor ed.). ber Musik und Theater. Berlin: Henschelverlag, 1982.
Labroca, Mario, and Virgilio Boccardi. Arte di Toscanini. Torino: ERI, 1966.
. My Many Lives, trans. Frances Holden. Westport, CT: Greenwood Press, 1974.
Mack Smith, Denis. Italy: A Modern History. Ann Arbor: University of Michigan Press, 1959.
313
. Mussolini. London: Weidenfeld & Nicolson, 1981.
Mahler, Alma (ed. D. Mitchell). Gustav Mahler. London: John Murray, 1973.
Mahler, Gustav (ed. A. Mahler): Briefe, 18791911. Berlin: Paul Zsolnay, 1924.
Marinelli Roscioni, Carlo. Le otto stagioni di Toscanini alla Scala, 1921-1929. Roma:
I.R.TE.M., 1993.
Marsh, Robert C. Toscanini and the Art of Conducting. New York: Collier Books, 1962.
. Toscanini and the Art of Orchestral Performance. London: George Allen & Unwin,
1956.
Meyer, Donald C. The NBC Symphony Orchestra (dissertation). Davis: University of California,
Davis, 1994.
Miracco, Renato. The Artworks Collected by / La Collezione dArte di Arturo Toscanini. Milano:
Mazzotta, 2007.
Monleone, Giovanni. I centanni del Teatro Carlo Felice. Genova: Teatro Carlo Felice, 1928.
Monteux, Doris. Its All in the Music. London: William Kimbe,r 1956.
314
Morreau, Annette. Emanuel Feuermann. New Haven, CT: Yale University Press, 2002.
OConnell, Charles. The Other Side of the Record. Westport, CT: Greenwood Press, 1970.
Ojetti, Ugo. Cose viste, Quinto tomo. Milano: Fratelli Treves, 1931.
Paderewski, I. J., and Mary Lawton. The Paderewski Memoirs. New York: Charles Scribners
Sons, 1938.
Pinza, Ezio, and R. Magidoff. Ezio Pinza. New York: Rinehart & Co., 1958.
Potter, Tully. Adolf Busch: The Life of an Honest Musician. London: Toccata Press, 2010.
2015.
(ed. S. Puccini). Giacomo Puccini lettere a Riccardo Schnabl. Milano: Emme Edizioni,
1981.
Richichi, Giuseppe. La misteriosa morte del medico di Arturo Toscanini. Roma: Gstaff, 2007.
Rieger, Eva. Friedelind Wagner, trans. C. Walton. Woodbridge, UK: Boydell, 2013.
Rodzinski, Halina. Our Two Lives. New York: Charles Scribners Sons, 1976.
315
Rolland, Romain, and Stefan Zweig. Briefwechsel. Berlin: Rtten & Loening, 1987.
Ryding, Erik, and Rebecca Pechefsky. Bruno Walter. New Haven, CT: Yale University Press,
2001.
Sachs, Harvey. Arturo Toscanini dal 1915 al 1946: Larte allombra della politica; and Eng. ed.
Arturo Toscanini from 1915 to 1946: Art in the Shadow of Politics. Torino: EDT, 1987.
Saerchinger, Csar. Artur Schnabel. New York: Dodd, Mead & Co., 1957.
Salvemini, Gaetano (ed. E. Tagliacozzo). LItalia vista dallAmerica. Milano: Feltrinelli, 1969.
, and G. La Piana. What to Do with Italy. New York: Duell, Sloan & Pearce, 1943.
Santoli, Carlo (ed.). Gabriele DAnnunzio e Arturo Toscanini Scritti. Roma: Bulzoni ,1999.
Sargeant, Winthrop. Geniuses, Goddesses and People. New York: Dutton, 1949.
316
Seltzer, George. The Professional Symphony Orchestra in the United States. Metuchen, NJ:
Selvini, Michele. Bruno Walter (3 vols.). Montagnola, Switz.: Fondazione culturale della Collina
dOro, 19992001.
Serkin, Irene Busch (ed.). Adolf Busch: Letters Pictures Memories. Walpole, NH: Arts &
Shook, Brian A. Last Stop, Carnegie Hall. Denton: University of North Texas Press, 2011.
Shore, Bernard. The Orchestra Speaks. London: Longmans, Green & Co., 1938.
Singer, Erich. Lucerne Festival von Toscanini zu Abbado. Luzern: Pro Libro, 2014.
Slezak, Leo. Meine smtlichen Werke. Reinbek bei Hamburg: Rowohlt, 1959.
Sorani, David. Giuseppe Depanis e la Societ di Concerti. Torino: Centro Studi Piemontesi,
1988.
Stefan, Paul. Arturo Toscanini, trans. L. Emery. Milano: Fratelli Bocca, 1937.
, and Robert Craft. Memories and Commentaries. Garden City, NY: Doubleday, 1960.
Taubman, Howard. The Maestro. New York: Simon & Schuster, 1951.
Tommasini, Anthony. Virgil Thomas: Composer on the Aisle. New York: W. W. Norton, 1997.
317
[Toscanini, Walter.] Arturo Toscanini: A Complete Discography. New York: RCA, 1965.
Trezzini, Lamberto, ed. Due secoli di vita musicale: Storia del Teatro Comunale di Bologna.
[Various.] Arturo Toscanini: Parma nel centenario della nascita. Parm: Step, 1967.
[Various.] Esposizione Generale in Torino, 1898: Programmi illustrate dei Concerti Orchestrali
[Various.] La Scala nel 1830 e nel 1930. Milano: Libreria editrice milanese, 1930.
[Various.] The NBC Symphony Orchestra. New York: National Broadcasting Company, 1938.
[Various.] Toscanini tra note e colori. Milano: Biblioteca di via Senato, 2007.
Vergani, Orio. Misure del tempo: Diario 1950-1959. Milano: Leonardo, 1990.
. Toscanini nella pittura di Caselli. Bergamo: Istituto italiano darti grafiche, 1953.
Vetro, Gaspare Nello. Arturo Toscanini alla Regia Scuola del Carmine in Parma. Parma:
Wagner, Friedelind, and Page Cooper. Heritage of Fire. New York: Harper & Bros., 1945.
318
Walsh, Stephen. Stravinsky, A Creative Spring: Russia and France 1882-1934. New York:
Knopf, 1999.
Weaver, William, and Simonetta Puccini, eds. The Puccini Companion. New York: W. W.
Norton, 1994.
Reichner, 1937.
Winternitz Hoeller, Susanne. Arturo Toscanini, a Photobiography. New York: Island Press,
1943.
319
NOTES
AT = Arturo Toscanini
CT = Conversation tape
NYPLPA TL = New York Public Library for the Performing Arts, Toscanini Legacy
CHAPTER I
Page
6 five or six: Gaspare Nello Vetro, I: Toscanini alla Regia Scuola del Carmine in
7 Thats all he needs: Filippo Sacchi, Toscanini. Milano: Longanesi 1960, p. 28.
9 never gave These things Once, my mother seeing those colorful: Ibid.
12 He began: Ibid.
320
15 regular and monotonous: Gaspare Nello Vetro, II: Il giovane Toscanini. Parma:
14.9.37.
23 Miss Bernau et seq.: Valerio Cervetti (ed.). 18811898: Memorie e appunti del
www.lacasadellamusica.it/ferrarini/quaderno1.htm#4
25 My teacher: CT 1.4.53.
321
CHAPTER II
Page
3139 Direct quotes of AT, from I cant follow on p. 31 through taken me seriously? on
to 2 February 1957.
42 I have found: Alfredo Catalani, letter to Signor Cortella, 5.11.86, NYPLPA TL,
4344 Direct quotes of AT are from CT 11.4.53, 22.4.53, 2.1.54, ?.1.54, 7 or 9 or 10.8.54,
28.10.55, 7.11.55.
46 You are an arrogant: Howard Taubman, The Maestro. New York: Simon &
322
47 a predetermined: Fedele DAmico and R. Paumgartner, ed. La lezione di Toscanini.
202.
48 unlimited leave: Davide Bassi, ed., Museo Casa Natale Arturo Toscanini. Milano:
51 Toscanini was really: Giulio Gatti-Casazza, Memories of the Opera. New York:
5152 Most of the information on the Voghera season was found in an article by Giuseppe
1957.
52 A heated argument: Alfredo Segre, Arturo Toscanini: The First Forty Years, in
1902.
323
56 as a young man: AT letter to Ada Mainardi, 3.7.37.
6061 Most of the direct quotes of AT on Pagliacci are from CT 9.8.54, but one about
Francesco Daddi and another about the opera in its one-act form being too long
come from a taped conversation between AT and the baritone Giuseppe Valdengo,
6.12.51.
324
66 I am really happy: Andrea Della Corte, Toscanini visto da un critico. Torino: ILTE
1958, p. 38.
68 With the exception of a quote from the Giornale di Sicilia (see the following note),
the direct quotes of AT, pp. 6871, inclusive, are taken from CT 15.11.53.
author.
73 The place he left: John W. Klein, Toscanini and Catalani: A Unique Friendship,
325
75 had to take: Florence, La nazione, 12.3.94.
75 a revelation: CT 6.2.54.
13.5.94.
77 Falstaff is a fiasco!: Franco Abbiati, Giuseppe Verdi. Milano: Ricordi 1959, Vol.
IV, p. 565.
78 asked the Maestro Piontelli left Pisa: Garibaldo Bagnolesi, article in Corriere
dellArno, 34.10.45.
79 we could close: AT letter to Enrico Polo; no date but period clear from content; in
CHAPTER III
Page
82 It was necessary: Alberto Basso, ed., Larcano incanto: Il Teatro Regio di Torino,
1895.
84 Very good, gentlemen: unidentified and undated newspaper article, NYPLPA TL,
326
85 Let me see: DAmico and Paumgartner, op. cit., p. 176.
Bohme di Giacomo Puccini, program from the 197475 season, Teatro alla Scala,
86 Ive found Toscanini: letter of Puccini to Luigi Illica, 6.1.96, in Eugenio Gara, ed.,
87 feeble here and there imitates the sound: in Enzo Siciliano, Puccini. Milano:
8990 All quotes from AT-Depanis and Turin city government correspondence from Turin,
327
9293 with the aim et seq.: Quotes from AT-Depanis correspondence from Turin,
93 a nice voice et seq.: AT letters (two) to Carla De Martini, both undated but written
on14.8.96.
8 p. 432, 5.11.96.
328
98 Tristan doesnt leave me: AT letter to Carla De Martini, ?.1.97.
2.
101 for the year to come: photocopies of document in the authors collection.
102 Mamma remembered: Renzo Allegri, Nostro Padre Arturo Toscanini, in Gente,
1.4.72.
103 Toscanini couldnt get: Marcello Ballini, Cento anni di musica nella provincia di
Vol. XXXV, Anni 197071. Bergamo: La Stamperia di Gorle. 1971, pp. 3233.
329
1045 was able to paint suffocated et seq.: miscellaneous unidentified newspaper
106 Sorry negative result: Archivio Ricordi DOC00814 189798 No. 15, p. 267, 3.3.98.
108 Maestro Toscanini et seq.: Marcello Conati, Verdi: Interviste e incontri. Torino:
108 I know that you went: Arrigo Boito to AT, undated letter, but probably 25.4.98,
108 I have a mad craving: Boito to AT, 15.5.98, (from collection that formerly
109 You are too intuitive: Boito to AT, undated letter, but probably 17.5.98, (from
CHAPTER IV
Page
112 This evening I arrive There is no society: Stendhal, Rome, Naples et Florence.
113 The orchestra will be increased: unidentified article in NYPLPA TL, Document file
L17B-1.
330
11314 Dear Maestro: Boito to AT, 1.2.98, (from collection that formerly belonged to
Walfredo Toscanini).
114 The nomination: Carlo Arner, Storia della questione della Scala, in Annuario
114 La Scala was worthy: quote in Il pianoforte, V/6, Turin, June 1924, p. 175.
115 Dear Maestro: Boito to AT, 31.7.98 (from collection that formerly belonged to
Walfredo Toscanini).
116 Signor Maestro Cavaliere: contract in NYPLPA TL, Document file L17C-1.
119 Norma opens Wednesday: letter in the archives of the Museo Teatrale alla Scala,
Milan.
Alberto, Giulio Gatti Casazza: Una vita per lopera. Varese: Zecchini Editore 2013,
p. 454.
120 If La Scala is really: in Il corno, 17.1.99, reproduced in Barblan, op. cit., p. 53.
331
121 to tear the music: Barblan, op. cit., p. 323.
121 The absolute ban: Ibid., pp. 32223 (letter of Mascagni to AT, 16.1.99).
12122 had the immediately positive: undated clipping from Lillustrazione italiana, p. 82,
122 greatly superior: Romeo Carugati in Lombardia, 20.1.99, quoted in Barblan, op.
cit., p. 45.
123 I am turning now et seq.: Archivio Ricordi, DOC00820 189798 n. 21, pp. 1012.
125 One could almost say: Enrico Carozzi, in Gazzetta teatrale italiana, 11.3.99.
125 Afterwards I regretted: Letters of Verdi to Ricordi, 1.1 and 3.2.1889, in Cesari,
332
126 Everyone was saying: CT 7.4.54.
129 The two dress rehearsals: Carla Toscanini letter to Ida Polo, no date but certainly
130 was so enthusiastic: Carla Toscanini letter to Ida Polo, no date but certainly
130 Why does he decorate: Enrico Carozzi, in Gazzetta Teatrale italiana, 28.12.99.
13132 We had begun et seq.: Teodoro Celli and Giuseppe Pugliese, Tullio Serafin.
13233 you must be the one: Puccini letter to AT, 11.3.98, in Gara, op. cit., p. 158.
333
133 ATs indirect quotes on Tosca based on CT 22.5.54.
134 no hostility: Corriere della sera, 89.4.00, quoted in Pintorno, op. cit., p. 155.
L19B-3.
134 admiration for the German orchestra: Lillustrazione italiana, 1900 pp. 32223; in
13738 the audience members: La perseveranza, 30.12.00, in Pintorno, op. cit., p. 157.
138 Maestro Toscanini swept: Il sole, 30.12.00, in Pintorno, op. cit., p. 156.
138 decided to make the tree: Maria Ida Biggi, La scenografia nei primi anni del
2008 p. 67.
13839 I have nice things: letter of Siegfried Wagner, 15.1.01, to Cosima Wagner, on
13940 Berlin, 18 January 1901: Cosima Wagner, letter to AT, in Barblan, op. cit., p. 324.
334
140 an insuperable conductor: Ibid., p. 86.
143 in the heart of the winter et seq.: Gatti-Casazza, op. cit., p. 105110.
144 looked quite ferocious: Maxim Gorky, Chaliapin. London: Columbus Books 1988,
pp. 14647.
146 I have had an awful dream: Isidor De Lara, Many Tales of Many Cities. London:
18.5.01.
147 the direct, strange: Andrs de Segurola (George R. Creegan, ed.), Through My
335
148 nervous excitement et seq.: de Segurola, op. cit., pp. 14547.
157 laughing until he cried: Celli and Pugliese (eds.), op. cit., p. 37.
158 with infinite care et seq.: Gatti-Casazza, op. cit., pp. 12829.
16162 Before starting et seq.: Celli and Pugliese (eds.), op. cit., p. 53.
163 where I cut off: Walter Toscaninis notes on an article by G. Barblan; NYPLPA
16364 into consternation and pain et seq.: AT letters to Rosina Storchio, July 1902;
16465 Write me lots Have you found company? I believe in you: Letters of Carla
Toscanini to AT, 1.9.02, 5.10.02, 12.10.02, NYPLPA TL, Document file L22A.
336
165 This isnt a city: AT letter to Enrico Polo, 1.11.02, in Biblioteca Palatina,
16869 did not appear disposed et seq.: Corriere della sera, 15.4.03.
17071 Although unwillingly: Giuseppe De Luca letter in the archives of the Museo
171 Today, in the early hours: Susana Salgado, The Teatro Sols: 50 Years of Opera,
2003, p. 105.
172 he hated dilettanti et seq. Wally Toscanini, interviewed by Harvey Sachs at Abano
Terme, 1972.
337
176 Maestro, wheres your music? et seq.: in Il pianoforte, V/6, June 1924, p. 171.
178 terribly difficult character: Enrico di San Martino, Ricordi. Roma: Danesi 1943, p.
100.
179 the whole audience: Barblan, Toscanini e la Scala, op. cit., 121.
180 Once the hot soup: Mario Medici, ed., Parma a Toscanini: Parma: Comune di
181 We reached the top: Barblan, Toscanini e la Scala, op. cit., p. 121.
181 arduous and beautiful: Barblan, Toscanini Alpinista, in Le vie dItalia, Milano:
1965, p. 60.
338
183 Siegfried creates much interest: photocopy in Walfredo Toscaninis former
collection: ATs letter to Marchesi, undated but late December 1905 or early January
1906.
184 much thinner: Carla Toscanini to AT, 26.[3.06], in NYPLPA TL, Document file
L25A-1.
18586 Ive always thought et seq.: AT letters to Ada Mainardi, 24.8.36, 10.9.36, [7.10.37].
18788 I suffered in Milan: Leonardo Bistolfi letter to AT, 5.4.06, in NYPLPA TL,
339
191 the whole opera: CT 2829.10.55.
192 part of the audience: Corriere della sera, 27.12.06, in Pintorno, op. cit., p. 176.
192 Toscanini, with a pitilessly: Richard Strauss, Die Welt um Strauss in Briefen.
193 When you see: George Szell interviewed by Harvey Sachs, 1965.
194 like a ghost: AT letter (undated but May 1907) to Giuseppe Martucci, NYPLPA
195 Wally Toscanini on her sister, Wanda: conversation with the author, 1976.
19596 the invisible orchestra: Gaetano Cesari, ed., I copialettere di Giuseppe Verdi.
19697 exploded in a volley: Frances Alda, Men, Women and Tenors. Boston: Houghton,
340
199 as much concerned: New York Times, 25.4.15.
202 acute dollaritis: in Ars et Labor, quoted in Barblan, op. cit., p. 145.
203 Casta diva: Gianandrea Gavazzeni, Il sipario rosso. Torino: Einaudi 1992, p. 79.
203 You have already: AT letter to Claude Debussy, 8.3.08, in Franois Lesure, Denis
204 I put Pellass fate: Debussy letter to AT, Ibid., no date, but after 10.3.08., p. 1074.
341
2045 brought down the house Bravo!: Ibid.
2045 the violence also ended: Perseveranza, 3.4.08, in Pintorno, op. cit., pp. 18182.
206 I do not doubt: Boito letter to Luigi Albertini, undated, in former collection of
Walfredo Toscanini.
CHAPTER V
Page
211 a perfect understanding: Emma Eames, Some Memories and Reflections. New
212 to engage the present: Henry-Louis de La Grange, Gustav Mahler: A New Life Cut
Short (19071911). Oxford and New York: Oxford University Press 2008, p. 103.
342
212 part Jewish, on his mothers side: according to statement by AT in CT 18.4.53.
213 his supreme object: Alma Mahler, Gustav Mahler (ed. D. Mitchell). London: John
214 I do not intend: Jonathan Carr, Mahler. Woodstock and New York: The Overlook
21415 Mahler had accepted: Carr, op. cit., pp. 166, 172.
215 Toscaninis decision: Jens Malte Fischer, Gustav Mahler. New Haven and London.
215 was due neither: Carr, op. cit., pp. 166, 172.
216 very neurotic: Aida Craig Truxall, ed., All Good Greetings, The Letters of
216 Mahler was a fine conductor more boorish than now the audience could hear:
CT 7.12.53, CT 1.3.55.
343
217 He conducts [Tristan]: Bruno Walter, Theme and Variations. New York: Alfred A.
219 Gentlemen: notebook in ATs hand with English-Italian vocabulary and this mini-
219 Why, it is simply He conducts on his feet lasted for more: New York Post, 20
and 24.10.08.
220 was practically in a state There were 4,000: New York Sun, 17.11.08.
221 the conductor has been: New York Evening Post, 17.11.08.
222 a bundle of concentrated: Geraldine Farrar, Such Sweet Compulsion. New York:
344
223 Outside influences: Geraldine Farrar, The Story of an American Singer, by Herself.
22324 a movement to grant: Farrar, Such Sweet Compulsion, op. cit., p. 118.
225 It would be difficult: Farrar, The Story of an American Singer, op. cit.
226 so delighted me: Geraldine Farrar letters to AT, 79.6.[14] and 8.7.[14], from
226 The Gatti-Toscanini administration: Archives of the Museo Teatrale alla Scala,
Milan.
345
230 The artistic results: New York Times, 11.4.09.
232 I have enjoyed myself: AT postcard to Enrico Polo, 12.9.09, in the Biblioteca
234 indolent: William Weaver and Simonetta Puccini (eds.), The Puccini Companion.
235 I got to know: Leo Slezak, Meine smtlichen Werke. Reinbek bei Hamburg:
23536 when I came onto the stage: Alda, op. cit., pp. 14445.
237 with electrifying sweep: Mary Watkins Cushing, The Rainbow Bridge. New York:
346
238 a fine artist: CT early March 55.
242 The musicians delegate: Gabriel Astruc, Le pavillon des fantmes. Paris: Pierre
243 I still remember: Emile Vuillermoz, Lheure de Verdi, in Candide, No. 590,
4.7.35.
347
245 My heart nearly: New York Times, 17.10.10.
247 The memory of the great: unidentified French newspaper clipping, 7.6.10.
25152 surprising number et seq.: Gabriele Dotto, Opera a quattro mani: modifiche in
251fn Toscanini quite understood: Farrar, The Story of an American Singer, op. cit.
253 the first real Bohme: New York Evening Post, 22.11.20.
348
253 of all the marvels: Metropolitan Opera Archives (name and date of newspaper have
255 the house was filled et seq.: New York Times, 11.12.10.
25556 Just here and there et seq.: New York American, 18.10.10.
Katharina und Egon Petri. Wilhelmshaven: Florian Noetzel GmbH, Verlag der
259 It was the most pleasant: Ferruccio Busoni, Letters to His Wife. New York: Da
349
262 beautiful voice et seq.: CT 12.12.53.
26263 sat down at the piano: Mario Labroca and Virgilio Boccardi, Arte di Toscanini.
263 I join my enthusiastic applause: Telegram of Giulio Ricordi to AT, undated but
263 I know how much: Telegram of Ricordi to AT, 13.6.11, as above but n. 16, p. 217.
265 induced et seq.: Gatti-Casazza letter to AT, 7.9.[11], in NYPLPA TL, Document
file L30A-2.
268 Gatti would like et seq.: AT letter to Carla Toscanini, undated but end of December
1911.
269 The common courtesy: letter dated 29.1.12, Metropolitan Opera Archives.
350
270 the Metropolitan orchestra: Haggin, op. cit., p. 68.
273 She wasnt cut out for it et seq.: CT early March 1955.
274 You are going once again: Boito note to AT, 27.11.[12].
274 I dont want to do: AT letter to Carla Toscanini, undated but early April 1912.
278 The moment has come: Gatti-Casazza letter to AT, 11.6.[13], in NYPLPA TL,
351
279 I taught La Traviata: Ibid.
Fascicolo Gru.I.1.1.703.
281 To my very dear et seq.: the copy of I copialettere given by Boito to AT is housed
282 AH! HOW WE HAVE BEEN SPOILED: New York Times, 1.6.13.
284 a lot of fun torn between: undated later from Carla Toscanini to Vittore Grubicy
352
284 The thought of an opera: New York Times, 26.4.14.
286 When all is said: Ignace J. Paderewski and Mary Lawton, The Paderewski
286 flying away sooner: AT draft of letter, presumably to Geraldine Farrar, presumably
287 long and tiring et seq.: Geraldine Farrar letter to AT, 59.6.14, my photocopy.
289 suggested the immediate: Geraldine Farrar, The Story of an American Singer, op.
cit.
29091 considered him to be: Frieda Hempel, Mein Leben dem Gesang. Berlin: Argon
353
29192 determined to present: Giovanni Martinelli, Singing Verdi, in Musical America,
March 1963.
292 For those who can distinguish: New York Evening Post, 2.4.15.
29394 Let me ask you: AT letter to Max Smith, undated by probably summer of 1915; in
295 I am happy to learn: Kahn letter to AT, August 1915; my translation of Italian
299 the heart and soul: Giovanni Martinelli interviewed by Edward Downes,
CHAPTER VI
354
Page
303 She sent me: Wally Toscanini conversation with the author, 1976.
304 Latin idealism: Mary Jane Matz, The Many Lives of Otto Kahn. New York:
305 Can you imagine: Robert Craft, ed., Stravinsky: Selected Correspondence, Vol. I.
3067 Theres a work proposal?: Delio Tessa, Toscanini a casa sua in Illustrazione
ticinese, 3.3.36, reproduced in Delio Tessa, La bella Milano. Milano: Quodlibet 2013,
p. 263.
typescript, given to tby Elena Cesari Silva; undated but clearly from 1916.
309310 documents that can justify et seq.: AT to Renzo Sonzogno, 28.7.16, photocopy of
310 Your father wants: Luigi Illica letter to Walter Toscanini, 4.8.16, in NYPLPA TL,
310 Maestro Luigi Mancinelli For the dead of Padua!: Labroca and Boccardi, op. cit.,
p. 69.
355
310 Alfredo Casellas statement: Alfredo Casella, I segreti della giara. Firenze: G. C.
310 loudly defended: Robert Craft, ed., Stravinsky: Selected Correspondence, Vol. II.
312 carrying their instruments: John R. Schindler, Isonzo: The Forgotten Sacrifice of
315 Im extremely uneasy et seq.: AT letter to Carla Toscanini, no date but November
1917.
317 I spend many hours: AT letter to Grubicy, in MART (Museo dArte Moderna e
356
319 Have you received: AT postcard to Walter Toscanini, undated but probably mid-
1918.
320 It seems that they: Dora Setti, Eleonora Duse ad Antonietta Pisa. Milano: Ceschina
322 your unemployed Pap: Giuseppe Barigazzi, La Scala racconta. Milano: Hoepli
2010 (new edition, Silvia Barigazzi and Franco Pulcini, eds.), p. 303.
323 Ive heard about Covent Garden: Vincent Seligman, Puccini Among Friends.
32425 During the finale: Della Corte, op. cit., pp. 15051.
32627 made up of the first names et seq.: Cesare Rossi, Personaggi di ieri e di oggi.
327 I compare conductors et seq.: Marinetti, op. cit., pp. 22930, 45455.
328 all the prerequisites: document in another hand but signed by AT, 25.10.19.
357
328 He took it as a joke: C. Rossi, op. cit., p. 182.
329 Your kisses: AT letter to Elsa Kurzbauer, undated but probably mid-April 1920.
331 with complete success et seq.: Photocopy of typed English translation of Gatti-
332 Toscanini La Scala Orchestra: Telegram from a Milanese agent to Otto Kahn,
33334 with some misgivings: Raffaello De Rensis, Musica vista. Milano: Ricordi 1961, p.
65.
334 and started one et seq.: Nuccio Fiorda, Arte, beghe e bizze di Toscanini. Roma:
335 Wanda was very reserved: Enzo Biagi, Incontri e addii. Milano: Rizzoli 1992, p.
399.
337 The City of life: Carlo Santoli, ed., Gabriele DAnnunzio e Arturo Toscanini:
358
33738 not even Serafin: AT letter to Carla Toscanini, 2.12.20.
338 didnt seem to suffer et seq.: Gustavo Marchesi, op. cit., p. 126.
340 the thought of possible fulfillment: Musical Courier, 9.12.20, pp. 2526.
342 I had not previously: Leopold Auer, My Long Life in Music. New York: F. A.
343 I had never seen: quote in Il pianoforte, V/6, Turin, June 1924, p. 177.
344 circuses, Masonic lodges et seq.: Fiorda, op. cit., pp. 6061.
346 after this disastrous trial: Enrico Minetti, Ricordi scaligeri. Milano, Edizioni Curci
1974, 75.
359
346 Excepting some inconveniences: De Rensis, op. cit., pp. 6566.
CHAPTER VII
Page
352 external manifestations: Il pianoforte, V/6, Turin, June 1924, pp. 16768.
353 so great was my enthusiasm: Hctor Panizza, Medio siglo de vida musical. Ensayo
354 more tense than ever: Simonetta Puccini, ed., Giacomo Puccini: Lettere a Riccardo
35556 La Scala was all a mess: DAmico and Paumgartner, op. cit., pp. 21418.
358 permission . . . from Ricordis directors: Archivio Ricordi 192324, Vol. 1, p. 43;
35859 I shall always remember: Toti Dal Monte, Una voce nel mondo. Milano: Longanesi
359 Maestro, I wouldnt et seq.: Giacomo Lauri-Volpi, Voci parallele. Napoli: Ricordi
1955, p. 21.
360
36061 full of doubt Imagine what help: Domenico Silvestrini, Aureliano Pertile.
361 instead of a routine: Ezio Pinza and Robert Magidoff, Ezio Pinza. New York:
362 each new production For Milan: NYPLPA TL, Document file L40B.
364 Are you really sure: Bruno Pizzetti, ed., Ildebrando Pizzetti: Cronologia e
36465 For me, it doesnt work: S. Puccini (ed.), op. cit., p. 209.
365 Encores are no longer permitted: Carlo Paladini, Giacomo Puccini. Firenze:
366 Toscanini is really a bad man: S. Puccini (ed.), op. cit., pp. 139140.
36768 Your music critic states: Barblan, op. cit., pp. 34547.
368 left or lost interest: Denis Mack Smith. Mussolini. London: Weidenfeld and
361
369 some fascists: Corriere della sera, 9.12.22.
370 When the opera ended: Maria Labia, Guardare indietro: Che fatica!. Verona: M.
372 Of all the theatrical: Kurt Weill letter to Ferruccio Busoni, 6.3.24, in Musik und
376 Toscanini, who had been sitting: Berta Geissmar, The Baton and the Jackboot.
378 one of the most beautiful: Labroca and Boccardi, op. cit., p. 219.
37879 He considered many voices: Labroca and Boccardi, op. cit., pp. 99100.
362
380 All force is moral force: Gaetano Salvemini, Le origini del fascismo in Italia.
[14.12.23].
381 He makes people kill themselves: Sacchi, op. cit., pp. 29899.
38182 His Excellency, Minister Gentile: AT draft of letter to Mussolini, undated, but
December 1923.
384 a press campaign and many subsequent details of the Tristan production: Walther
384 Larsn-Todsens emphatic gestures: Alceo Toni, Tristano e Isotta alla Scala, in Il
38485 to play up the symbolism et seq.: Philip A. Maxwells notes to the author.
385 we young people: Gianandrea Gavazzeni, conversation with the author, 1972.
386 Toscanini hurtled et seq.: Dal Monte, op. cit., pp. 12527.
387fn I count on: Gatti-Casazza letter to AT, 1902, NYPLPA TL, Document file L21A.
363
388 sinister et seq.: Gianni Gori and Marina Petronio (eds.), Antonio Smareglia:
389 the Tamagno et seq.: Charles Mintzer, Rosa Raisa. Boston: Northeastern University
392 may seem small et seq.: Archivio Centrale dello Stato, Roma, Direzione generale
393 Toscanini was wonderful: Irene Busch Serkin (ed.), Russell Stockman (trans.),
39394 It was an incredible: Robert Jacobson, Reverberations. London: Vision Press 1976,
p. 203.
395 Dont you hear it: G. Forzano, Lultima visita a Giacomo Puccini, in La lettura,
364
395 Toscanini has just left: Gara, op. cit., p. 555.
39596 Maestro Toscanini was very agitated et seq.: Forzano, op. cit.
396 He turned to me: Giuseppe Adami, Puccini. Milano: Fratelli Treves 1935, p. 218.
400 You think that morality: Walfredo Toscanini, conversation with the author.
400 Judge the man and the artist: AT letter to Ada Mainardi, 7.11.36.
4034 Gui, beside himself et seq.: Minetti, op. cit., pp. 7678.
405 Now that the festival: Anton Haefeli, Die Internationale Gesellschaft fr Neue
405 Are you really the same: Artur Schnabel, My Life and Music. New York: Simon &
365
406 could not consider: Ibid.
410 very happy: Carla Toscanini cable to Angelo Scandiani, 10.1.26, in Archivio
storico Teatro alla Scala, 19211931, Faldone n. 20, Titolo III, Classe 1, Fascicolo 9.
415 Toscanini was very angry: Interview with Antonino Votto by the author, 1977.
41516 Glad to announce you: Mintzer, op. cit., pp. 114 and 318 n. 6.
416 Zamboni, for the quality: DAmico and Paumgartner, op. cit., p. 210.
366
418 the audience awaited: Corriere della sera, 27.4.26.
420 Toscanini received me: Igor Stravinsky, Stravinsky. New York: Simon and
420 lost all confidence: Eric Walter White, Stravinsky. Berkeley: University of
420 astounded by the high standards: Stravinsky, op. cit., pp. 2035.
421 You always prepare et seq.: Archivio storico Teatro alla Scala, 19211931, Faldone
422 told me [. . .] how happy: Maurice Van Praag report to Clarence H. Mackay,
423 The meeting, casual: Bruno Walter, op. cit., pp. 3067.
42526 His ear for balance: Louis Fourestier in conversation with the author, 1971.
427 ripped by retire from begun to lose from his directorship: New York
American, 25.1.27.
367
428 regular conductor et seq.: New York Times, 24.5.7.
431 very bitter et seq.: Louise Varse, Varse: A Looking-Glass Diary. New York: W.
43132 since you are occupied: Archivio storico del Teatro alla Scala, 19211931, Faldone
January 1952; quoted in George Seltzer, The Professional Symphony Orchestra in the
434 some one on the stage: Chicago Tribune, picked up in Houston Daily Globe,
19.6.27.
43435 it was an altogether: Gianandrea Gavazzeni conversation with the author, 1972.
439 the day we got: Winthrop Sargeant, Geniuses, Goddesses and People. New York:
43941 Toscaninis Ideas et seq.: New York Times Magazine, 15.4.28, pp. 3 and 23.
368
441 keeps a piano: New York Telegram, 29.3.28.
445 is suffering from: quoted by Patrizia Veroli in an email to the author, 14.7.2014.
446fn You were born well: Camilla Cederna, in La nuova stampa, Turin, 24.11.54.
448fn It already seemed flawless: Lina Prokofieva in conversation with the author, 1982.
449 very unhappy: Irene Busch Serkin, op. cit., Vol. 1, p. 253.
453 A bit nervous: Edward Downes interview with Elisabeth Rethberg, Metropolitan
454 despite the storm: Labroca and Boccardi, op. cit., p. 121.
369
45463 When I travel and various other quotes, including review quotes: Arnaldo
455 From the first bar: Ernst Haeussermann, Herbert von Karajan. Gtersloh:
457 the bridges in the suburbs: Labroca and Boccardi, op. cit., p. 126.
460 One says very little: Otto Klemperer, Der Dirigent Toscanini in Das Tagebuch,
463 La Scalas performances: Ente Autonomo Teatro alla Scala, Cronistoria della
370
464 a few performances: Maurice Van Praag letter to Arthur Judson, 23.2.29, in New
464 After the triumphal: Archivio del Museo Teatrale alla Scala.
CHAPTER VIII
Page
472 I love and always have loved children: New York Times, 23.3.30.
475 At sea, the orchestra musicians et seq.: Corriere della sera, 2.5.30.
476 People were upset: Ren Chalupt, Ravel au miroir de ses lettres. Paris: Robert
371
478 serious-looking men: New York Times, 7.5.30.
479 excused the orchestra: Archivio Centrale dello Stato, Roma, Ministero dellInterno
480 neither Vienna nor the rest: New York Times, 19.5.30.
Sound, No. 24, October 1966, of an article in Neue Zeitschrift fr Musik, June 1964.
482 the maestro kept replying: Archivio Centrale dello Stato, Roma, DGPS DPP FP
484 That this has been the greatest: Sunday Times, London, 8.6.30.
372
485 formidable, formidable!: New York Times, 29.6.30.
48586 The thought that: AT letter to members of the New York Philharmonic, 4.6.30.
486 The well-known Italian: Neue Zeitschrift fr Musik, Leipzig, 27.5.03, n. 22, p. 332.
488 The chorus members: Kurt Shnlein, Erinnerungen an Siegfried Wagner und
489 Youre just like: Telephone interview with Friedelind Wagner by the author, 1987.
48990 It was a thrill: Ib Melchior. Lauritz Melchior: The Golden Years of Bayreuth. Fort
490 Hier steht: Labroca and Boccardi, op. cit., pp. 13334.
490 When King Marke says: B. H. Haggin, The Toscanini Musicians Knew. New York:
490 was a little disappointing: Labroca and Boccardi, op. cit., p. 133.
491 given us a wholly new work: Hans Lebede, Siegfried Wagner als Regisseur in
491 aversion persuade: AT, draft of note to Blandine von Blow Gravina, late July or
492 A moment later: Friedelind Wagner and Page Cooper, Heritage of Fire. New York:
492 The festival must take no notice: New York Times, 6.8.30.
373
492 performances have been so extraordinary: Sunday Times, London, 10.8.30.
493 to the level which Wagner dreamed: New York Times, 5.9.30.
494 I think I should tell you: Archivio Centrale dello Stato, Rome, Segreteria
particolare del Duce (SPD), Corrispondenza ordinaria (CO), 555 902, No. 1947922,
1.7.30.
494 Affection that binds me: AT draft of telegram to Victor De Sabata, undated but
probably 25.1.31.
495 burst into tears: Tully Potter, Adolf Busch. London: Toccata Press 2010, vol. 1, p.
445.
496 very good at turning his sails: AT letter to Carla Toscanini, 1.11.30.
498 little Sadja: AT draft of letter to Evangeline Stokowski, undated but circa 20
22.11.30.
500 I remember a solo: Haggin, The Toscanini Musicians Knew, op. cit., pp. 4445.
374
502 as the concert was nearing: New York Times, 19.1.31.
506 Where did you find et seq.: Labroca and Boccardi, op. cit., p. 136.
506 This happened a few minutes et seq.: Holographic reproduction of ATs statement
regarding the Bologna episode, spring 1931, in Barblan, op. cit., insert between pp.
51011 The lesson they wanted: Holographic reproduction, as above (Note 2 to p. 506).
511 10,000 Italians It is one year: from Archivio Centrale dello Stato, Rome, Fascist
police files.
512 the grave assault: Joseph Szigeti, With Strings Attached. New York: Knopf 1967,
pp. 34748.
512 greeted us most cordially: Clara Clemens, My Husband Gabrilowitsch, New York:
375
513 Yesterday Maestro Toscanini: Archivio Centrale dello Stato, Rome, Gabinetto
514 This morning: Archivio Centrale dello Stato, Rome, MI etc., No. 435.
516 The Scala in Milan: Berliner Zeitung am Mittag, undated clipping in NYPLPA TL,
516 to belong to the same field: Neueste Nachrichten (Leipzig), 9.6.31, quoted in New
376
51920 Wini is happy et seq.: Liselotte Schmidts file in the Richard-Wagner-Gedenksttte,
Bayreuth.
520 was somewhat tight et seq.: Liselotte Schmidts file in the Richard-Wagner-
Gedenksttte, Bayreuth.
524 echt wagnerisch et seq.: undated clipping from the Chemnitzer Tageblatt und
Anzeiger.
525 Toscanini was profoundly hurt: Letter from Eva Wagner Chamberlain to Heinz
525 boundless admiration: Letter from H. Tietjen to Eva Chamberlain, in the Richard-
Wagner-Gedenksttte, Bayreuth.
526 always as good: see note could not be found to page 523.
Gedenksttte, Bayreuth.
377
52829 both parties were absolutely absent et seq.: Bruno Zirato memorandum to Arthur
52930 I havent felt so terrific: Irene Busch Serkin, op. cit., Vol. 2, pp. 27276.
16.12.31.
531 with a sometimes workable toilet: Halina Rodzinski, Our Two Lives. New York:
531 shows significant signs: Giuseppe Richichi, La misteriosa morte del medico di
531 It seems a very bestial: Carla Toscanini letter to Bruno Zirato, 23.1.32.
532 make a donation: carbon copy of typed translation of letter, 26.4.32, from AT to
534 I send you my affectionate: postcard from AT to Alberto Rinaldi, undated but
probably 1932.
534 filled with an ardent prayer: Eva Chamberlain letter to AT, 22.3.32.
378
536 created a vacuum: AT letter to Ada Mainardi, 5.9.33.
53738 If I came [to Paris]: Letter of Winifred Wagner to AT, 7.6.32, reproduced in
Harvey Sachs, ed., Arturo Toscanini from 1915 to 1946: Art in the Shadow of
538 tired, very tired: AT letter to Carla Toscanini, undated but probably 8 or 9.11.32.
542 Not only can you use: AT letter to Berthold Neuer, 31.3.33.
544 From the half: Wagner and Cooper, op. cit., pp. 8889.
54445 Most Honored Master: Letter from Adolf Hitler to AT, 3.4.33.
545 couldnt keep still: Wagner and Cooper, op. cit., pp. 8889.
545 loyalty and good sense: Cablegram from Max Smith to Daniela Thode, 11.4.33.
379
546 I felt that: Fritz Busch, Pages from a Musicians Life. Westport, Connecticut:
54849 put Beethoven and Bach et seq.: AT letter to Ada Mainardi, 21.7.33.
553 An artist can only give: Bronislaw Huberman letter to AT, ?.6.33; quoted in
Stephen Gallup, A History of the Salzburg Festival. London: Weidenfeld & Nicolson
1987, p. 79.
380
554 I never had lived through: Haggin, The Toscanini Musicians Knew, op. cit., pp.
15455.
555 I kissed his wife: Margarita Wallmann, Les Balcons du ciel. Paris: Robert Laffont
1976, p. 68.
558 a shadow came over: Unpublished reminiscences of Iwa Aulin Voghera, who gave
381
55960 I started to play: Harold Schonberg, Horowitz. New York: Simon & Schuster 1992,
pp. 13536.
562 I finally succeeded: Gregor Piatigorsky, Cellist. Garden City, NY: Doubleday 1965,
p. 242.
56364 the conductor kept his eyes: New York Times, 23.2.30.
56465 He was always so respectful: Yehudi Menuhin interviewed by the author, 1971.
567 My refusal: Lotte Lehmann, Midway in My Song. Freeport, NY: Books for
56870 All quotes from the AT-Lotte Lehmann correspondence come from one or more of
382
Beaumont Glass, Lotte Lehmann: A Life in Opera and Song. Santa Barbara,
Michael H. Kater, Never Sang for Hitler: The Life and Times of Lotte Lehmann.
575 I would like to learn: AT letter to Ada Mainardi, undated but postmarked 19.7.34.
575 Pharisees perjurer: AT telegram to Daniela Thode and Eva Chamberlain, 22.7.34.
576 Oh! you accursed never dreamed: from AT-Lotte Lehmann correspondence,
57677 at the end et seq.: Alfredo Amman, La musica nella mia vita. Milano. Societ del
383
577 as Brahms himself: CT 1.4.53.
578 the greatest experience et seq.: Henry Hardy, ed., Isaiah Berlin: Letters 19281946.
Cambridge and New York: Cambridge University Press 2004, pp. 100, 137.
578 This Toscanini is a wonder et seq.: Stefan Zweig letters to Romain Rolland, 30.8.34
579 Toscanini was greatly taken: Lehmann, Midway in My Song, op. cit., p. 228.
580 It is beautiful: Carlo Santoli, ed., Gabriele DAnnunzio e Arturo Toscanini: Scritti.
581 To the end of his days: Lotte Lehmann, taped reminiscences of Toscanini,
58283 already present et seq.: Erich Leinsdorf. Cadenza: A Musical Career. Boston:
384
583 Of course Ive accepted: AT letter to Ada Mainardi, 23.9.34.
58384 Toscanini himself: Haggin, The Toscanini Musicians Knew, op. cit., pp. 22526.
586 My arm no longer speaks: Unpublished reminiscences of Iwa Aulin Voghera, op.
cit.
58687 divine night like one of the damned et seq.: AT letter to Ada Mainardi, 6.1.35.
58990 the orchestra is still magnificent et seq.: AT letter to Ada Mainardi, 28.1.35.
59091 What have you been doing paced the dressing room He would not trade:
385
592 imprudently had an injection: AT letter to Ada Mainardi, 19.4.35.
594 something about our achieving et seq.: Sir Adrian Boult, My Own Trumpet.
595 seems to have the power: Boult quoted in Christopher Dyment, Toscanini in
59596 much moved et seq.: Michael Kennedy, Barbirolli. London: McGibbon & Kee
1971, p. 96.
596 every departure my old and very affectionate: AT letter to Ada Mainardi,
11.6.35.
597 It is his opinion: Hans Lange letter to Bruno Zirato, 7.6.35, in New York
Philharmonic Archives.
597 seems to like now: 2nd Lange letter to Zirato, 7.6.35, Ibid.
597 how Maestro can speak: Zirato letter to Lange, 14.7.35, Ibid.
598 of course the crowd: Britten quoted in Dyment, op. cit., p. 51.
386
59899 had this reputation et seq.: Ibid., p. 52.
601 crowd around him a perpetual et seq.: Lehmann, op. cit., pp. 23133.
602 I crossed myself: Labroca and Boccardi, op. cit., pp. 14445.
602 leapt et seq.: B. H. Haggin, Viennas Great Conductors, in Encounter, July 1977,
p. 34.
6023 What a day! Zweig letter to Rolland, 3.8.35, in Rolland-Zweig, op. cit., p. 602.
603 just sat around et seq.: Leinsdorf, op. cit., pp. 4142.
603 Maestro, this evening: Labroca and Boccardi, op. cit., pp. 14445.
605 What I heard today: Allan Keiler, Marian Anderson: A Singers Journey. Urbana
387
606 very simpatica et seq.: AT letter to Ada Mainardi, 29.8.35.
606 I hope you have read: Zweig to Rolland, 13.8.35, in Rolland-Zweig, op. cit., p. 606.
607 The genius of mankind: Paul Stefan, Arturo Toscanini. New York: Blue Ribbon
6089 Have you noticed: Segreteria particolare del Duce, documento n. 4938; telephone
611 The upshot was: Irene Busch Serkin, op. cit., Vol. 2, p. 343.
612 What a brain!: Vera Newman, Ernest Newman. London: Putnam 1963, p. 150.
612 No other conductor: Zweig letter to Rolland, 7.1.36, in Rolland-Zweig, op. cit., p.
617.
614 and was told to wait: Brian A. Shook, Last Stop, Carnegie Hall. Denton, Texas.
615 Can you give me: Sam H. Shirakawa, The Devils Music Master. New York and
388
616 entirely and solely: Ibid., pp. 19093.
CHAPTER IX
Page
622 I can no longer imagine: Bruno Walter to AT, 1.6.36, in Barblan, op. cit., p. 366.
624 perhaps the last non-political: Bruno Walter to AT, 1.6.36, in Barblan, op. cit., p.
366.
624 There was no detail: Marcia Davenport, Too Strong for Fantasy. London: Collins
1968, p. 195.
389
625 Stand up straight! Taubman, op. cit., p. 215.
626 those subtle modifications: Haggin, The Toscanini Musicians Knew, op. cit., pp.
16970.
628 were from start to finish: Leinsdorf, op. cit., pp. 4546.
390
629 Ill stay until: AT letter to Ada Mainardi, 2.11.36.
630 Here and there et seq.: Haggin, The Toscanini Musicians Knew, op. cit., p. 70.
633 There are two rehearsals: Letter of Carla Toscanini to Wanda Horowitz, printed in
634 Such a thing: Jaap Stotijn, Even uitblazen. Den Haag. Albersen & Co. 1975, p. 29.
391
63536 raised in the world: Bronislaw Huberman Archive, The Felicja Blumental Music
636 magnificent farm: Letter of Carla Toscanini to Wanda Horowitz, printed in Arturo
637 sought a real knowledge: Interview with Lorand Fenyves by the author, 1971.
63738 the magnificent Cataract Hotel et seq.: AT letter to Ada Mainardi, 24.1.37.
392
644 Did you find: AT letter to Chotzinoff, 14.5.37.
645 men from many orchestras: Donald C. Meyer, The NBC Symphony Orchestra
648 After the good wishes: Stefan Zweig letter to AT, reproduced in Harvey Sachs, ed.,
Arturo Toscanini from 1915 to 1946: Art in the Shadow of Politics, p. 85.
648 but one thing: Eleonora von Mendelssohn to Rudolf Forster, undated but December
1937, in Thomas Blubacher, Gibt es etwas Schneres als Sehnsucht? Die Geschwister
Eleonora und Francesco von Mendelssohn. Berlin. Insel Verlag 2012, p. 280.
648 I am now an old man: Haggin, The Toscanini Musicians Knew, op. cit., p. 174.
393
648 the old maestro: AT letter to Chotzinoff, 14.5.37.
65253 Only the hours: Stefan Zweig to Romain Rolland, 14.5.37, Rolland-Zweig, op. cit.,
p. 655.
653 Having heard your Meistersinger: Maria Richter Loeb letter to AT, 27.8.37.
65354 How rare is the artist: Bernard Shore, The Orchestra Speaks. London: Longmans,
394
656 Ive become a victim: AT letter to Ada Mainardi, 14.6.37.
2.7.37.
661 an enemy of the regime: Press conference of 1.6.37, cited in Gallup, op. cit., p. 90.
661 good kind inclusion Salzburg Festival: Draft of AT telegram to Hans Pertner,
661 futile [. . .] because: Drafts of telegram from AT to Franz Rehrl, undated but early
July 1937.
395
662 I wish it were all over: AT letter to Ada Mainardi, 8.7.37.
662 have liked to let and he wants everything et seq.: AT letter to Ada Mainardi,
22.7.37.
663 completely absorbed et seq.: Haggin, The Toscanini Musicians Knew, op. cit., pp.
6869.
665 forgot about [Richard] Strauss: Haggin, The Toscanini Musicians Knew, op. cit.,
pp. 17172.
666 I arrived at the appointed hour: Sir Georg Solti, Memoirs. New York: Knopf 1997,
p. 34.
667 More and more obviously: Emile Vuillermoz, La saison de Salzbourg [in Revue
musicale?], 18.8.37.
668 Evviva Toscanini! ground his teeth: New York Times, 6.8.37.
396
66970 how she would do them: Haggin, The Toscanini Musicians Knew, op. cit., p. 61.
670 I cant stand saturated in rage a sort of concert: AT letter to Ada Mainardi,
16.8.37.
671 splendidly furious outburst: Joseph Roth letter to Stefan Zweig, 21.9.37 Michael
Hofmann (trans. and ed.), Joseph Roth: A Life in Letters. London: Granta 2012, p.
512.
672 has let Dr. Kerber know: AT letter to Ada Mainardi, 30(?).10.37.
67374 the poet I love best et seq.: AT letter to Ada Mainardi, 5.9.37.
67475 Do you think that I knew et seq.: AT letter to Ada Mainardi, 14.9.37.
397
675 being a countess: AT letter to Ada Mainardi, 24.9.37.
676 a phenomenon occurred: Haggin, The Toscanini Musicians Knew, op. cit., p. 158.
679 told me that for the moment: AT letter to Ada Mainardi, 24.10.37.
681 discharging numerous employees: Meyer dissertation, op. cit., pp. 7576.
398
682 friends, acquaintances: AT letter to Ada Mainardi, 22.12.37.
683 sat nervously rigid: Samuel Antek and Robert Hupka, This Was Toscanini. New
684 I work with the new orchestra et seq.: AT letter to Ada Mainardi, 25.12.37.
685 Since the modern microphone: NBC Symphony Orchestra printed program,
25.12.37.
686 I heard Toscanini: Harlow Robinson, Sergei Prokofiev. New York: Viking 1987, p.
345.
687 what Maestro thinks: Lotte Lehmann telegram to Margherita De Vecchi, 16.2.38.
688 Everyone very desperate: Elsa Kurzbauer cablegram to Carla Toscanini, 18.2.38.
399
68990 In these Borgia-like years: Gaetano Salvemini letter to AT, 18.2.38.
690 Otherwise we are forced: Salzburg Festival administration cablegram to AT, 2.3.38.
696 One thing must be said the champion of Jewish art: New York Times, 8.5.38.
697 Maestro, I am very much ashamed: Annette Morreau, Emanuel Feuermann. New
400
698 the only joys: Stefan Zweig letter to Romain Rolland, 21.6.38, in Rolland-Zweig,
699700 for your high esteem: AT draft of cablegram to Max Reinhardt, [March 1938].
700 colossal artist: Erich Singer, Lucerne Festival: Von Toscanini zu Abbado. Luzern:
70411 All of the informers reports and Italian government documents in these pages come
from the Archivio Centrale dello Stato, Rome; Ministero dellInterno (MI), Direzione
401
708 unpleasant interpretations: Carla Toscanini letter to the chief of political police,
16.9.38.
709 I wanted to say goodbye to pull the wool et seq.: AT letter to Ada Mainardi,
28.9.38.
712 was very shaken: Wanda Toscanini Horowitz letter to Mieczyslaw Horszowski,
712 and when you feel nausea: AT letter to Ada Mainardi, 4.11.38.
CHAPTER X
Page
402
716 Over a question: AT letter to Ada Mainardi, 13.10.38.
719 How are peoples nerves: Walter Toscanini letter to Margherita De Vecchi,
29.3.39.
722 This is not my tempo: Ernst Silberstein interviewed by the author, 1965.
72425 hard at work: Owen Mase, The Other Dimension, in Royal Festival Hall program
725 contact with Beethovens very mind: Dyment, op. cit., p. 169.
403
72526 settling me down: Sir Arthur Bliss, As I Remember. London: Faber and Faber 1970,
p. 116.
727 The spirit of the music: Walter Ducloux, The Day I Conducted for Toscanini, in
The Maestro, journal of the Arturo Toscanini Society, Vol. II, JanuaryDecember
72728 morning and evening: et seq.: AT letter to Ada Mainardi, 5 and 28.7.39.
728 Eleonora was staying nearby, et seq.: Blubacher, op. cit., p. 187.
728 musical instruction was wonderful: Anna-Lisa Bjrling and Andrew Farkas, Jussi.
404
735 when she came to excuse herself et seq.; Its a real joy: AT letter to Ada
Mainardi, 23.11.39.
73536 I love you as I never loved Dont lose time: AT letter to Elsa Kurzbauer,
740 into personal touch with greatness: New York Times, 3.10.43.
742 How do they have the nerve: AT letter to Ada Mainardi, 20.1.40.
74243 rivalry between the two conductors a tour by Toscanini: New York Times,
24.3.40.
743 Im afraid to listen: Reported in Amadeus magazine (Italy), Vol. 5 No. 3, May
1995, p. 34.
74346 Many technical details of the tour taken from Meyer, op. cit., pp. 23356.
746 after all, were Italian: Walfredo Toscanini in conversation with the author.
405
746 What sorrow: AT letter to Ada Mainardi, 4.9.40.
748 thirty-five men: Haggin, The Toscanini Musicians Knew, op. cit., pp. 3536.
751 How should I be able: Eva Rieger, Friedelind Wagner. Woodbridge, UK: Boydell
752 The performances are: Friedelind Wagner letter to Margherita De Vecchi, 17.7.41.
753 He writes like God: Haggin, Conversations with Toscanini, op. cit., p. 21.
754 I must say: Eleanor Roosevelt, My Day (United Feature Syndicate, Inc.), 15.1.42.
755 better known as a drunkard: Walter Toscanini letter to Samuel Chotzinoff, 27.7.42.
756 not six years: Haggin, Conversations with Toscanini, op. cit., pp. 2022.
25.3.67.
406
757 marvelous. He enters: CT 7.3.54.
75859 who strenuously fought et seq.: AT letter to Leopold Stokowski, circa 20.6.42.
760 Oh, you good Bolognese: Tito Silvio Mursino (alias Vittorio Mussolini), La
760 a young man full of fire: Horszowski Costa, op. cit., p. 318.
761 To Maestro Arturo Toscanini: Gaetano Salvemini and George [sic] La Piana, What
764 Non giusto! et seq.: Nan Merrimans account in Amadeus magazine (Italy), Vol. 5
766 From this moment on: AT letter to Count Carlo Sforza, 1.10.43.
407
767 He was a thousand times: Armando Borghi, Esilio americano, in Il mondo,
14.5.57.
773 in remembrance of: Harvey Sachs, Rubinstein: A Life. New York: Grove Press
1995, p. 271.
774 I have been near you: in Della Corte, op. cit., pp. 33738.
776 He said: Will it make: Haggin, The Toscanini Musicians Knew, op. cit., pp. 80
81.
CHAPTER XI
Page
408
785 in complete agreement: Frassati, op. cit., p. 267.
786 When I arrived in Milan et seq.: from papers left by Walfredo Toscanini.
786 We are at the end: Walter Toscanini letter to Margherita De Vecchi, 2.8.46.
788 Koussevitzky use celli: Haggin, Conversations with Toscanini, op. cit., pp. 6162.
793 prove you are not yet bored: AT letter to Carlton Cooley, 16.9.47.
793 an outstanding candidate: in H. Sachs, ed., Arturo Toscanini from 1915 to 1946
79697 You must stop: Labroca and Boccardi, op. cit., p. 201.
797 understood for the first time: Walter Toscanini letter to Margherita De Vecchi,
1.9.48.
797 eaten up a lot of money et seq.: Walter Toscanini letter to Margherita De Vecchi,
16.9.48.
409
799fn He sang the notes: CT 15.11.53.
800 much faster: AT to Leonard Bernstein, 15.10.49, in Nigel Simeone, ed., The
Leonard Bernstein Letters. New Haven and London: Yale University Press 2013, p.
262.
804 The performances all along: Antek and Hupka, op. cit., p. 101.
8045 He will kill us all: Philip Hamburger, Toscanini Train, in New Yorker, 20.5.50.
805 At ten in the morning: Antek and Hupka, op. cit., pp. 99100.
806 left a very bitter taste et seq.: fragment of AT letter to Maria Cecchini, summer
1950.
807 going from bad to worse: AT to Carla Toscanini, undated but September 1950.
410
809 I dont deserve any praise: AT draft of letter to John Howe Treder, undated but late
811 Doctors have ordered him: Walter Toscanini letter to Owen Mase, 14.2.51, in
811fn In Milan he heard a certain: Walter Toscanini letter to Carl Ebert, 29.1.51.
813 After the war: Wally Toscanini in conversation with the author, 1976.
813 And what if I do?: Richard Osborne, All in Good Time, in Records and
813 He was always extremely kind: in Amadeus (Italy), Vol. V, No. 3, May 1995, pp.
4849.
814 Unfortunately for my Carla: Draft (in Walter Toscaninis hand) of AT cablegram to
815 If it was not: Anne Mischakoff Heiles, Mischa Mischakoff. Sterling Heights,
817 Now he is the greatest figure: Henry Hardy and Jennifer Holmes (eds.), Isaiah
Berlin: Enlightening; Letters 19461960. London: Chatto & Windus 2009, pp. 258
59.
411
817 The only way: New York Times, 25.3.52.
820 I dont know anyone: Ray Vir Den letter to Walter Toscanini, ? 1952.
823 the same amount of time: Nan Merrimans account in Amadeus magazine (Italy),
412
832 But, my friend: CT ?.12.53.
833 The Maestro made a very sad impression: Horszowski Costa, op. cit., p. 369.
834 Hes a man who isnt well: CT no date, but second week of January 1954.
834 But Maestro et seq.: Haggin, The Toscanini Musicians Knew, op. cit., pp. 11819.
837 He realized that he was very old: Wally Toscanini interviewed by the author, 1972.
839 Did nothing et seq. Haggin, Conversations with Toscanini, op. cit., pp. 1035.
843 Rubinstein came off the stage: Beniamino Dal Fabbro, Musica e verit. Milano:
846 Why dont you young people: DAmico and Paumgartner., op. cit., pp. 17980.
846 Now Im all right Do you have any? et seq.: Camilla Cederna, La voce dei
413
847 I find this Callas: John Ardoin and Gerald Fitzgerald, Callas. New York: Holt,
847 That evening: Carlo Allodi, Arturo Toscanini: Parma nel centenario della nascita.
847 that at last the Falstaff idea: Walter Toscanini letter to Sandro Cicogna, 18.1.55.
848 The two engineers: AT comment at the bottom of Sandro Cicognas letter to Walter
Toscanini, 27.7.54.
848 Im warning you et seq.: Sandro Cicogna in conversation with the author, 1977.
848 Evviva Verdi!: AT comment at the bottom of Sandro Cicognas letter to Walter
Toscanini, 7.2.55.
849 bring me that plane ticket: Natale Gallini in conversation with the author, 1977.
849 I told him that La Scala: Gualtiero Trambali, Sono vecchissimo, non ne posso
850 My stay gives me: Anita Colombo letter to Sandro Cicogna, 10.5.55.
850 drastic mood swings: Walter Toscanini letter to Sandro Cicogna, 26.5.55.
851 collapse: Orio Vergani, Misure del tempo: Diario 19501959. Milano: Leonardo
1990, p. 378.
414
853 Owing to unforeseen: Cablegram from someone in Milan to AT, 24.11.56.
856 the memory of his glorious The world has lost: New York Times, 17.1.57.
863 evolutionary quality: Gianandrea Gavazzeni in conversation with the author, 1972.
864 the conduct of my life: Holographic reproduction of ATs statement regarding the
Bologna episode, spring 1931, in Barblan, op. cit., insert between pp. 360 and 361.
415
