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Link to original content: https://www.newyorker.com/magazine/2017/03/20
The New Yorker March 20, 2017 Issue | The New Yorker
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The Magazine

The Style Issue

March 20, 2017

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Goings On

Classical Music

A Complex Concerto for Yo-Yo Ma

The cellist joins Alan Gilbert and the New York Philharmonic to play a new work by Esa-Pekka Salonen.
Tables for Two

Union Square Café Lives On

Danny Meyer’s flagship restaurant has moved to a new multilevel space with dramatically lit booths, cozy nooks, and a gorgeous bar.
Night Life

Nina Kraviz’s Severe but Open-Minded Techno

Kraviz, a former dentist from Siberia and one of the most celebrated figures in electronic dance music, comes to Williamsburg.
Bar Tab

Russia and Revolution at KGB Bar

During the Cold War, it was the headquarters of Little Ukraine’s semi-secret Socialist club. Now it hosts literary events almost every night.
Dance

Paul Taylor Hosts Merce Cunningham

With “Summerspace,” Cunningham was trying to cleanse his work of story and symbol. We would do well to see it in whatever form we can.
Art

The Whitney Biennial Captures the National Mood

The show’s works, by artists with roots from Milwaukee to San Juan to Tehran, convey empathy, action, rage, and reflection.

The Talk of the Town

The Financial Page

The Foreign Workers of Mar-a-Lago

The President has a dim view of extending visas to employees in the technology industry. But, when it comes to his club, it’s a different story.
The Wayward Press

The Onion Struggles to Lampoon Trump

At a headline pitch meeting, the writers of the satirical newspaper try to stay away from low-hanging fruit.
Ink

The Writer Who Uncovered the Nazis’ Drug Use

Norman Ohler, the best-selling author of “Blitzed,” visits his old New York haunts and recalls his own experiences with illicit substances.
In the Streets

A Marching Band at the March

An ad-hoc group of musicians plays morale-boosting spirituals and protest songs at rallies and demonstrations.
Comment

There Is No Deep State

The problem in Washington is not a conspiracy against the President; it’s the President himself.

Reporting & Essays

Portfolio

Fashion’s Attics

In Italy, designers maintain their own archives, used for both preservation and inspiration.
Annals of Retail

The Cool Kids Behind Opening Ceremony

With their store and their chummy collaborations, Humberto Leon and Carol Lim became New York’s resident curators of hip. Who cares that they don’t sew?
Onward and Upward with the Arts

A Protest Musical for the Trump Era

The director Alex Timbers, who specializes in shows about historical figures, has collaborated with David Byrne on the galvanizing “Joan of Arc.”
The Political Scene

Is Trump Trolling the White House Press Corps?

At daily briefings, Sean Spicer calls on young journalists from far-right sites. The mainstream media sees them as an existential threat.
Personal History

Confessions of a Watch Geek

My year of getting deep into perlage, three-quarter plates, and micro-rotors.

Shouts & Murmurs

Shouts & Murmurs

Classic Musicals, Updated

“Peoples and Other Peoples” (formerly “Guys and Dolls”), “Eliza with a ‘Z’!” (formerly “My Fair Lady”), and more.

Fiction

Fiction

The I.O.U.

The Critics

Books

Briefly Noted

“Days Without End,” “Ghachar Ghochar,” “Njinga of Angola,” and “Flâneuse.”
Books

The Illness and Insight of Robert Lowell

A new book is the first to bring clinical expertise to the poet’s case. What does it reveal about his work?
Books

Are Liberals on the Wrong Side of History?

Three new books interrogate the premises of the Enlightenment.
On Television

“Feud”: A Bittersweet Beauty

Beneath the zingers and the chain-smoking, Ryan Murphy’s latest franchise is about how skillfully patriarchy screws with women’s heads.
The Current Cinema

“Personal Shopper” and “Frantz”

Olivier Assayas’s scary movie starring Kristen Stewart, and François Ozon’s new film.

Poems

Poems

Ode to the Double “L”

Poems

Objectivity as Blanket

Cartoons

1/12

“Can someone please invent clothing that will cover both nipples?”

Cartoon Caption Contest

The Mail
Letters should be sent with the writer's name, address, and daytime phone number, via e-mail, to themail@newyorker.com. Letters may be edited for length and clarity, and may be published in any medium. We regret that, owing to the volume of correspondence, we cannot reply to every letter.