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Link to original content: https://www.filmbooster.co.uk/film/358570-john-wick/
John Wick (2014) | FilmBooster.co.uk

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When a retired hit man is forced back into action by a brutal Russian mobster, he hunts down his adversaries with the ruthlessness that made him a crime underworld legend. After the sudden death of his beloved wife, John Wick receives one last gift from her, a beagle puppy named Daisy, and a note imploring him not to forget how to love. But John’s mourning is interrupted when his 1969 Boss Mustang catches the eye of sadistic thug Iosef Tarasov who breaks into his house and steals it, beating John unconscious and leaving Daisy dead. Unwittingly, they have just reawakened one of the most brutal assassins the underworld has ever seen. John’s search for his stolen vehicle takes him to a side of New York City that tourists never see, a hyper-real, super-secret criminal community, where John Wick was once the baddest guy of all. (Warner Bros. Home Entertainment)

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Reviews (21)

Isherwood 

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English The admirable purity of the genre (the filmmaking enthusiasm is gushing from it) doesn't quite match the script, which doesn't limp in motivations or dialogue (on the contrary, the simplicity is a good thing). Yet, paradoxically, I would have liked to see even more broken arms, and gunshots to the head, and overall I would have actually gone a bit harder in the fanboy exhibition because the great technical aspect encourages it like few other things. A weaker four stars. I'll be happy to watch selected moments again. ()

DaViD´82 

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English Although this is not the arrival of the Savior, but is a small salvation of dying (sub) genre. And that means something, right? And especially if you nostalgically remember the nineties, when an action movie for cinemas was not synonymous with the overflowing CGI animation about rescuing of the world by (meta) guys in T-shirts, but it was a guy's movie with unexcited ugly guys in dirty undershirts, with a gun in their hands and a stinky armpits, which were more about local survival/revenge/threat. And that's exactly the character Max Payne is ... Um, John Wick, who has no superpowers (even though his 100 + 1 headshot can be considered powers), but the ultimate motivation "you Russian bastards, you killed my puppy that my dying wife gave to me and they prevented me from mourning, so now I have to blow your brains out of your heads", which you won't beat, even if you call Mr. Chekhov from the grave to write the characters. It is simply a straightforward B-rate playful action movie of the old-fashioned type that does not suffer from a shaky camera and knows nothing about crazy editing or CGI shit. And thank God it does not take itself seriously (except for the moving introduction). ()

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Marigold 

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English Dog breeders are major assholes, especially when the Russian underworld nicknames them Baba Jaga. The screenplay is a surreal jumble from head to toe, although it does contain some pretty cool ideas (unions for hired killers). As a stunt specialist, Chad Stahelski doesn't worry about any of it and deals with what he has to work with. The dog will break your heart, Keanu looks like a reincarnation of Satan from beginning to end, and the characters are not just flat - they have been run over by a steamroller. Fortunately, the truly infernal pensive dialogues, which come off as a compilation of bad comic speech bubbles, are balanced by a fairly decent portion of foresight and even larger portions of action. Here we can see that Chad knows what he's filming (wonderfully rhythmic threshing in a disco club, where the tempo of the fight is combined with changes on the dance floor), and sometimes he even seems to have a solid command of film language (wordless collage in the exhibition, solidly-timed jokes). Unfortunately, in the dialogues, he loses his way and he absolutely fails in escalating the film (both Russian villains are worthless at their core). Here we have a completely absurd story, presented in the style of a dark fateful spectacle with a sufficient portion of foresight and an insufficient portion of self-censorship. Either you will enjoy it to the fullest as action junkies (this is what Max Payne might have been like), or you will get through it with a mixture of amusement and grimaces. At its core, it's actually a terribly dumb mess. ()

Malarkey 

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English A proper and straightforward butcher’s job which does not consider anything at all. It simply just acts. And that acting is pretty decent, which is a nice surprise as nobody would expect Keanu Reeves playing this kind of character. Well, never say never. His John Wick was an incredible performance which made me relax, forget about everything, and simply have fun for 101 minutes. ()

EvilPhoEniX 

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English There's too much hype around John Wick. It's definitely a perfect, adrenaline-powered revenge with a great Keanu Reeves, a great dark atmosphere , but it has it's pros and cons. I personally never bothered with logical flaws, but when Reeves takes down every opponent on a shot without hesitation and suddenly the main scumbag shows up within range and he can't kill him with five shots just because it would spoil the plot seems very stupid and ill thought out to me. When a movie establishes some order and rules, it should follow them. But this is only a minor complaint for me, I was more bothered by the fact that the action didn't add any innovation and was mostly the same every time just spiced up with a different headshot, from a different angle or a quick disarm. I was a bit disappointed, if I compare it with The Raid 2, where you look forward to every new action scene, because you didn't know what was coming and when it appeared on the scene you were pleasantly shocked, it doesn't work here. Maybe I'm too influenced by Asia and sound strict but that's how I feel. But there are plenty of good things here. The light humour is nice and the surprising brutality is more than juicy, but I don't feel up to a fifth star. That said, a solid 75% goes to John Wick, and it's probably the best actioner from the US this year. ()

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