Jeanine Basinger
Jury Co-ChairWesleyan UniversityAFI Board of Trustees
Richard Frank
Jury Co-ChairProducerAFI Board of Trustees
Debbie Allen
Actor/Director/Producer/Choreographer/ Dancer/Singer/Songwriter
Shawn Edwards
African American Film Critics Association
Cynthia Erivo
Actress/Singer/Songwriter
Bob Gazzale
American Film Institute
Mark Harris
Historian
Molly Haskell
Historian
Ann Hornaday
The Washington Post
Rian Johnson
Director/Producer/Writer
Lisa Kennedy
Critic/Journalist
Debra Lee
AFI Board of Trustees
David Mandel
Producer/Writer
Marlee Matlin
Actress/Producer
Akira Mizuta Lippit
University of Southern California
Leonard Maltin
Historian
Mary McNamara
The Los Angeles Times
Claudia Puig
Los Angeles Film Critics Association
Matt Roush
TV Guide
Maureen Ryan
Critic/Journalist
Amy Sherman-Palladino
Director/Producer/Writer
Wes Studi
Actor/Producer
Robert Thompson
Syracuse University
Peter Travers
Rolling Stone
Lulu Wang
Director/Producer/Writer
Richard Frank
Chair, AFI Jury for TelevisionProducer AFI Board of Trustees
John Amos
Actor
Aymar Jean Christian
Northwestern University
Bob Gazzale
American Film Institute
Lesli Linka Glatter
Director/Producer
L.S. Kim
University of California, Santa Cruz
Debra Lee
AFI Board of Trustees
Mary McNamara
The Los Angeles Times
Matt Roush
TV Guide
Maureen Ryan
Critic/Journalist
Ellen Seiter
University of Southern California
Betty Thomas
Actor/Director/Producer
Robert Thompson
Syracuse University
Tom Pollock
Chair, AFI Jury for Motion PicturesProducer AFI Board of Trustees
Jeanine Basinger
Wesleyan UniversityAFI Board of Trustees
Bob Gazzale
American Film Institute
Renee Graham
The Boston Globe
Mark Harris
Historian
Ann Hornaday
The Washington Post
Annette Insdorf
Historian
Callie Khouri
Director/Screenwriter/Producer
Delroy Lindo
Actor/Producer
Akira Mizuta Lippit
University of Southern California
Leonard Maltin
Historian
Amy Nicholson
NPR
Peter Travers
Rolling Stone
Courtney B. Vance
Actor/Producer
Robert Thompson
Syracuse University
Sonia Saraiya
Vanity Fair
Maureen Ryan
Critic/Journalist
Matt Roush
TV Guide
Mary McNamara
The Los Angeles Times
Debra Lee
AFI Board of Trustees
L.S. Kim
University of California, Santa Cruz
Ernest Dickerson
Director/Cinematographer
Bob Gazzale
American Film Institute
David Benioff
Director/Screenwriter/Producer
Paris Barclay
Director/Producer
Richard Frank
Chair, AFI Jury for TelevisionProducerAFI Board of Trustees
Alfre Woodard
Actor/Producer
Peter Travers
Rolling Stone
Claudia Puig
Los Angeles Film Critics Association
Amy Nicholson
NPR
Leonard Maltin
Historian
Akira Mizuta Lippit
University of Southern California
Lisa Kennedy
The Denver Post
Ann Hornaday
The Washington Post
Mark Harris
Historian
Bob Gazzale
American Film Institute
Joan Chen
Actor/Director/Screenwriter/Producer
Jeanine Basinger
Wesleyan UniversityAFI Board of Trustees
Tom Pollock
Chair, AFI Jury for Motion Pictures ProducerAFI Board of Trustees
Robert Thompson
Syracuse University
Janet Staiger
University of Texas, Austin
Maureen Ryan
Variety
Matt Roush
TV Guide
Mary McNamara
The Los Angeles Times
Debra Lee
BET Networks AFI Board of Trustees
L.S. Kim
University of California, Santa Cruz
Jennifer Getzinger
Director
Bob Gazzale
American Film Institute
Gabrielle Carteris
SAG-AFTRAAFI Board of Trustees
David Bianculli
NPR
Paris Barclay
Director/Producer
Richard Frank
Chair, AFI Jury for TelevisionProducerAFI Board of Trustees
Peter Travers
Rolling Stone
Amy Nicholson
NPR
Leonard Maltin
Historian
Lisa Kennedy
The Denver Post
Ann Hornaday
The Washington Post
Bob Gazzale
American Film Institute
Jamie Lee Curtis
Actor/Director/Producer
Jay Cassidy
Editor
Halle Berry
Actor/ProducerAFI Board of Trustees
Jeanine Basinger
Wesleyan UniversityAFI Board of Trustees
Judd Apatow*
Director/Screenwriter/Producer
Tom Pollock
Chair, AFI Jury for Motion PicturesProducer AFI Board of Trustees
Diane English
Director/Screenwriter/Producer
Robert Thompson
Syracuse University
Maureen Ryan
Variety
Matt Roush
TV Guide
Mary McNamara
The Los Angeles Times
Lori McCreary
ProducerAFI Board of Trustees
Debra Lee
BET NetworksAFI Board of Trustees
Michelle King
Screenwriter/Producer
L.S. Kim
University of California, Santa Cruz
Darnell Hunt
University of California, Los Angeles
Jon Hamm
Actor/Director/Producer
Bob Gazzale
American Film Institute
Richard Frank
Chair, AFI Jury for TelevisionProducerAFI Board of Trustees
Peter Travers
Rolling Stone
Patricia Riggen
Director
Amy Nicholson
MTV News
Rachel Morrison
Cinematographer
Leonard Maltin
Historian
Akira Mizuta Lippit
University of Southern California
Lisa Kennedy
The Denver Post
Mark Harris
Historian
Bob Gazzale
American Film Institute
Robert Benton
Director/Screenwriter
Jeanine Basinger
Wesleyan UniversityAFI Board of Trustees
Elizabeth Banks
Actor/Director/Producer
Tom Pollock
Chair, AFI Jury for Motion PicturesProducerAFI Board of Trustees
Michael Wright
DreamWorks StudiosAFI Board of Trustees
Matt Williams
Screenwriter/Producer
Robert Thompson
Syracuse University
Renee Tajima-Peña
Director/ProducerUniversity of California, Los Angeles
Ellen Seiter
University of Southern California
Maureen Ryan
Variety
Matt Roush
TV Guide
Mary McNamara
The Los Angeles Times
Michelle MacLaren
Director/Producer
Bob Gazzale
American Film Institute
Henry Louis Gates, Jr.
Harvard University
Neal Baer
Screenwriter/ProducerAFI Board of Trustees
Richard Frank
Chair, AFI Jury for TelevisionProducerAFI Board of Trustees
Peter Travers
Rolling Stone
Emma Thomas
Producer
John Ridley
Director/Screenwriter
Carrie Rickey
The Philadelphia Inquirer
Bennett Miller
Director
Leonard Maltin
Historian
Lisa Kennedy
The Denver Post
Marshall Herskovitz
Producer/Director/ScreenwriterAFI Board of Trustees
Molly Haskell
Historian
Mark Harris
Historian
Bob Gazzale
American Film Institute
Jeanine Basinger
Wesleyan UniversityAFI Board of Trustees
Tom Pollock
Chair, AFI Jury for Motion PicturesProducerAFI Board of Trustees
Michael Wright
Michael WrightAFI Board of Trustees
Robert Thompson
Syracuse University
Chris Silbermann
ICM PartnersAFI Board of Trustees
Ellen Seiter
University of Southern California
Maureen Ryan
The Huffington Post
Matt Roush
TV Guide
Phylicia Rashad
Actor
James Poniewozik
TIME
L.S. Kim
University of California, Santa Cruz
Vince Gilligan
Producer/Director/Screenwriter
Bob Gazzale
American Film Institute
Anne Garefino
Producer
Richard Frank
Chair, AFI Jury for TelevisionProducerAFI Board of Trustees
Peter Travers
Rolling Stone Magazine
Claudia Puig
USA Today
Leonard Maltin
Historian
Akira Mizuta Lippit
University of Southern California
Matthew Libatique
Cinematographer
Kasi Lemmons
Director/Actor
Lisa Kennedy
Denver Post
Patty Jenkins
Director/Screenwriter
Marshall Herskovitz
Producer/Director/ScreenwriterAFI Board of Trustees
Mark Harris
Historian
Bob Gazzale
American Film Institute
Jeanine Basinger
Wesleyan UniversityAFI Board of Trustees
Tom Pollock
Chair, AFI Jury for Motion PicturesProducerAFI Board of Trustees
Noah Wyle
Producer/Actor
Robert Thompson
Syracuse University
Chris Silbermann
ICM PartnersAFI Board of Trustees
Ellen Seiter
University of Southern California
Maureen Ryan
The Huffington Post
Matt Roush
TV Guide Magazine
Frederick S. Pierce
AFI Board of Trustees
Jeff Nunokawa
Princeton University
Melissa Maerz
Entertainment Weekly
Bob Gazzale
American Film Institute
Dorothy Fontana
ScreenwriterSenior Lecturer, AFI Conservatory
Jon Avnet
Producer/Director/ScreenwriterAFI Board of Trustees
Richard Frank
Chair, AFI Jury for TelevisionProducerAFI Board of Trustees
Peter Travers
Rolling Stone Magazine
Claudia Puig
USA Today
Akira Mizuta Lippit
University of Southern California
Nancy Meyers
Producer/Director/Screenwriter
Leonard Maltin
Historian
Lisa Kennedy
The Denver Post
Marshall Herskovitz
Producer/Director/ScreenwriterAFI Board of Trustees
Mark Harris
Entertainment Weekly
Bob Gazzale
American Film Institute
Roman Coppola
Producer/Director/Screenwriter
Anne V. Coates
Editor
Jeanine Basinger
Wesleyan UniversityAFI Board of Trustees
Tom Pollock
Chair, AFI Jury for Motion PicturesProducerAFI Board of Trustees
Robert Thompson
Syracuse University
Janet Staiger
University of Texas at Austin
Chris Silbermann
International Creative ManagementAFI Board of Trustees
Katey Sagal
Maureen Ryan
The Huffington Post
Matt Roush
TV Guide Magazine
James Poniewozik
Time Magazine
Mary McNamara
Los Angeles Times
L.S. Kim
University of California, Los Angeles
Marta Kauffman
Producer/Screenwriter
Bob Gazzale
American Film Institute
Chris Carter
Producer/Director/Screenwriter
Richard Frank
Chair, AFI Jury for TelevisionProducerAFI Board of Trustees
Peter Travers
Rolling Stone Magazine
Octavia Spencer
Actor
Claudia Puig
USA Today
Akira Mizuta Lippit
University of Southern California
Leonard Maltin
"Leonard Maltin's Movie Guide"
Lisa Kennedy
The Denver Post
Marshall Herskovitz
Producer/Director/ScreenwriterAFI Board of Trustees
Mark Harris
Entertainment Weekly
Bob Gazzale
American Film Institute
Brad Bird
Director/Screenwriter
Angela Bassett
Actor
Jeanine Basinger
Wesleyan UniversityAFI Board of Trustees
Tom Pollock
Chair, AFI Jury for Motion PicturesProducerAFI Board of Trustees
Ken Tucker
Entertainment Weekly
Betsy Thomas
Producer/Director/Screenwriter
Chris Silbermann
International Creative ManagementAFI Board of Trustees
Matt Roush
TV Guide Magazine
James Poniewozik
Time Magazine
Fred Pierce
ProducerAFI Board of Trustees
Janet Murray
Georgia Institute of Technology
Stephen Kronish
Producer/Screenwriter
Marde Gregory
University of California, Los Angeles
Tim Goodman
The Hollywood Reporter
Bob Gazzale
American Film Institute
Anna Everett
University of California, Santa Barbara
Richard Frank
Chair, AFI Jury for TelevisionProducerAFI Board of Trustees
Peter Travers
Rolling Stone Magazine
Suzanne Todd
Producer
Claudia Puig
USA Today
Diana Ossana
Producer/Screenwriter
Leonard Maltin
"Leonard Maltln's Movie Guide"
Akira Mizuta Lippit
University of Southern California
Jim Hosney
Jim Hosney
Marshall Herskovitz
Producer/Director/ScreenwriterAFI Board of Trustees
Mark Harris
Entertainment Weekly
Whoopi Goldberg
Actor
Bob Gazzale
American Film Institute
Jeanine Basinger
Wesleyan UniversityAFI Board of Trustees
AFI JURY FOR MOTION PICTURES
Tom PollockProducerChair, AFI Jury for Motion Pictures
Janet Staiger
University of Texas at Austin
John Shaffner
Academy of Television Arts & SciencesProduction DesignerAFI Board of Trustees
Maureen Ryan
AOL
Matt Roush
TV Guide Magazine
James Poniewozik
Time Magazine
Mary McNamara
Los Angeles Times
Anna McCarthy
New York University
Henry Jenkins
Henry Jenkins
Jennifer Love Hewitt
Producer/Actor
Marshall Herskovitz
Producer/Director/ScreenwriterAFI Board of Trustees
Bob Gazzale
American Film Institute
Steven Bochco
Producer/Screenwriter
Richard Frank
Chair, AFI Jury for TelevisionProducerAFI Board of Trustees
Michael Wood
Princeton University
Lisa Schwarzbaum
Entertainment Weekly
Claudia Puig
USA Today
Elvis Mitchell
THE TREATMENT
Leonard Maltin
ENTERTAINMENT TONIGHT"Leonard Maltin's Movie Guide"
Akira Mizuta Lippit
University of Southern California
Bob Gazzale
American Film Institute
Jane Gaines
Columbia University
Lee Daniels
Producer/Director
Diablo Cody
Producer/Screenwriter
Donn Cambern
Editor
Jeanine Basinger
Wesleyan University
Tom Pollock
Chair, AFI Jury for Motion PicturesProducerAFI Board of Trustees
Robert J. Thompson
Syracuse University
John Shaffner
Academy of Television Arts & Sciences
Ellen Seiter
University of Southern California
Maureen Ryan
Chicago Tribune
Matt Roush
TV Guide Magazine
CCH Pounder
Actor
Lisa Parks
University of California, Santa Barbara
David Milch
Producer/Screenwriter
Brian Lowry
Variety
L.S. Kim
University of California, Santa Cruz
Bambi Haggins
Arizona State University
Stanley Brooks
Producer
Neal Baer
Chair, AFI Jury for TelevisionProducer/Screenwriter
Lisa Schwarzbaum
Entertainment Weekly
Richard Schickel
Historian/Author/Documentary Filmmaker
Claudia Puig
USA Today
Tom Pollock
ProducerAFI Board of Trustees
Chon Noriega
University of California, Los Angeles
Elvis Mitchell
THE TREATMENT
Leonard Maltin
ENTERTAINMENT TONIGHT
Patty Jenkins
Producer/Director
Mark Harris
Entertainment Weekly/New York MagazineAuthor
Leo Braudy
University of Southern California
Dustin Lance Black
Producer/Director/Screenwriter
Sean Astin
Actor
Norman Jewison
Chair, AFI Jury for Motion PicturesProducer/Director
Tony To
Producer/Director
Beretta E. Smith-Shomade
University of Arizona
John Shaffner
Academy of Television Arts & Sciences
Ellen Seiter
University of Southern California
Matt Roush
TV Guide
Del Reisman
AFI Conservatory Screenwriter
James Poniewozik
Time Magazine
Kathleen Nolan
Actor
Mary McNamara
Los Angeles Times
Jean Picker Firstenberg
AFI President Emerita
John Caldwell
University of California, Los Angeles
Neal Baer
Producer/Screenwriter
Richard Frank
Chair, AFI Jury for TelevisionAFI Trustee Emeritus
Tom Pollock
ProducerAFI Board of Trustees
Robert Towne
Producer/Director/Screenwriter
Anne Thompson
Variety
Vivian Sobchack
AFI Trustee EmeritaUniversity of California, Los Angeles
Richard Schickel
Time Magazine
Daniel Petrie, Jr.
Producer/Director/Screenwriter
Elvis Mitchell
THE TREATMENT
Rick Jewell
University of Southern California
Jim Hosney
American Film Institute
Mark Harris
Entertainment WeeklyAuthor
Mary Corey
University of California, Los Angeles
Jeanine Basinger
Wesleyan University
Leonard Maltin
Chair, AFI Jury for Motion PicturesENTERTAINMENT TONIGHT
Rich Frank
Chair, AFI Jury for TelevisionAFI Board of Trustees
Dick Askin
Academy of Television Arts & SciencesAFI Board of Trustees
Neal Baer
Producer/Screenwriter
Anna Everett
University of California, Santa Barbara
Nancy Franklin
The New Yorker
Barry Garron
The Hollywood Reporter
Melissa Gilbert
Producer/Director/ActorAFI Trustee Emerita
Horace Newcomb
University of Georgia
Del Reisman
AFI ConservatoryScreenwriter
Matt Roush
TV Guide
Maureen Ryan
Chicago Tribune
Robert Thompson
Syracuse University
Ron Underwood
Producer/Director/Screenwriter
Kristal Brent Zook
Hosftra University
Gary Winick
Producer/Director
Richard Schickel
Time Magazine
Tom Pollock
AFI Board of Trustees
David Picker
ProducerAFI Trustee Emeritus
Diana Ossana
Producer/Screenwriter/Novelist
Tara McPherson
University of Southern California
Leonard Maltin
ENTERTAINMENT TONIGHT
Lawrence Kasdan
Producer/Director/ScreenwriterAFI Trustee Emeritus
Mary Corey
University of California, Los Angeles
Donn Cambern
AFI ConservatoryDirector/Editor
David Ansen
Newsweek
Frank Pierson
Chair, AFI Jury for Motion PicturesAFI ConservatoryDirector/Screenwriter
Dick Askin
Academy of Television Arts & SciencesAFI Board of Trustees
Richard Frank
Chair, AFI Jury for TelevisionAFI Board of Trustees
Steven Bochco
Producer/Screenwriter
Kevin S. Bright
Producer/Director
Paul Brownfield
Los Angeles Times
Michael Dinner
Producer/Director/Screenwriter
Barry Garron
The Hollywood Reporter
Amanda D. Lotz
University of Michigan
Brian Lowry
Variety
Tara McPherson
University of Southern California
Matt Roush
TV Guide
Vivian Sobchack
University of California, Los AngelesAFI Board of Trustees
Kristal Brent Zook
Columbia University
Robert G. Rehme
Chair, AFI Jury for Motion PicturesProducerAFI Board of Trustees
Michael Apted
Directors Guild of AmericaProducer/Director/ScreenwriterAFI Board of Trustees
Roger Birnbaum
Spyglass EntertainmentAFI Board of Trustees
Leo Braudy
University of Southern California
James L. Brooks
Producer/Director/Screenwriter
Mary Corey
University of California, Los Angeles
Jane Gaines
Duke University
Elvis Mitchell
National Public Radio
Diana Ossana
Producer/Screenwriter
David V. Picker
ProducerAFI Trustee Emeritus
Tom Pollock
ProducerAFI Board of Trustees
Kenneth Turan
Los Angeles Times
Anne Thompson
The Hollywood Reporter
Marshall Herskovitz
Chair, AFI Jury for TelevisionChair, AFI Jury for TelevisionAFI Board of Trustees
Dick Askin
Academy of Television Arts & SciencesTribune Entertainment CompanyAFI Board of Trustees
Lionel Chetwynd
Producer/Screenwriter
Mary Corey
University of California, Los Angeles
Tony Jonas
Producer
Jeffrey Kramer
Producer
Melanie McFarland
Seattle Post Intelligencer
Tara McPherson
University of Southern California
James Poniewozik
Time Magazine
Dorothea Petrie
Producer
Matt Roush
TV Guide
Del Reisman
AFI Conservatory
Robert G. Rehme
Chair, AFI Jury for Motion Pictures Producer AFI Board of Trustees
Martha Coolidge
Director
David Denby
The New Yorker
Anna Everett
University of California, Santa Barbara
Norman Jewison
Producer/Director
Tom Pollock
ProducerAFI Board of Trustees
Jay Roach
Producer/Director
Lisa Schwarzbaum
Entertainment Weekly
Vivian Sobchack
University of California, Los AngelesAFI Board of Trustees
David Thomson
Film Historian
Stephen Ujlaki
San Francisco State University
Kenneth Turan
Los Angeles Times
Laura Ziskin
Laura Ziskin
Richard Frank
Chair, AFI Jury for TelevisionThe FirmAFI Board of Trustees
Richard Askin, Jr.
Academy of Television Arts & SciencesTribune Entertainment Company AFI Board of Trustees
Neal Baer
Producer/Screenwriter
David Bianculli
The Daily News
Alex Ben Block
Television Week
Barbara Corday
Producer/Screenwriter
Mary Corey
University of California, Los Angeles
Melanie McFarland
Seattle Post-Intelligencer
Tara McPherson
University of Southern California
Janet Murray
Georgia Institute of TechnologyAFI Board of Trustees
Horace Newcomb
University of GeorgiaGeorge Foster Peabody Awards
Jerry Offsay
Producer
Matt Roush
TV Guide
Roger Ebert
Chair, AFI Jury for Motion PicturesChicago Sun-TimesEBERT & ROEPER
David Ansen
Newsweek
Jeanine Basinger
Wesleyan UniversityAFI Trustee Emerita
Leo Braudy
University of Southern California
James Cromwell
Actor
Naomi Foner
Producer/Screenwriter
Joan Micklin Silver
Director/Screenwriter
Tom Pollock
ProducerAFI Board of Trustees
Robert G. Rehme
ProducerAFI Board of Trustees
Richard Schickel
Time MagazineProducer/Director/Screenwriter
Lisa Schwarzbaum
Entertainment Weekly
Michael Wood
Princeton University
Janet Yang
Producer
Diane Werts
Newsday
Dean Valentine
Former President & CEO, UPN
Penelope Spheeris
Director
Matt Roush
TV Guide
Dorothea Petrie
Producer
Horace Newcomb
University of GeorgiaGeorge Foster Peabody Awards
Brian Lowry
Variety
Helaine Head
University of Southern California
Ted Harbert
Producer
Chuck Fries
ProducerAFI Board of Trustees
Mary Corey
University of California, Los Angeles
Irby Brown
University of Richmond
Richard Frank
Chair, AFI Jury for TelevisionIntegrated Entertainment PartnersAFI Board of Trustees
Tom Pollock
ProducerAFI Board of Trustees
Anne V. Coates
Editor
Vivian Sobchack
University of California, Los AngelesAFI Board of Trustees
Leonard Schrader
AFI ConservatoryDirector/Screenwriter
Richard Schickel
Time MagazineProducer/Director/Screenwriter
Ted Perry
Middlebury CollegeAFI Trustee Emeritus
Curtis Marez
University of Southern California
Glenn Kenny
Premiere Magazine
Kirk Honeycutt
The Hollywood Reporter
Jay Boyar
Orlando Sentinel
Jeanine Basinger
Wesleyan UniversityAFI Trustee Emerita
John Badham
Director
Leonard Maltin
Chair, AFI Jury for Motion PicturesENTERTAINMENT TONIGHT
Richard Frank
Chair, AFI Jury for Television
Neema Barnett
Director
Barbara Corday
Producer
Lesli Linka Glatter
Producer/Director
Kay McFadden
The Seattle Times
Horace Newcomb
University of GeorgiaGeorge Foster Peabody AwardsAFI Trustee Emeritus
Daniel Petrie, Jr.
Producer/Director/ScreenwriteAFI Board of Trustees
Victoria Riskin
Writers Guild of AmericaScreenwriter
Matt Roush
TV Guide
Robert Thompson
Syracuse University
Anthony Thomopoulos
Former President, ABC EntertainmentMedia Arts Group, Inc.AFI Trustee Emeritus
Ken Tucker
Entertainment Weekly
Peter Werner
DirectorAFI Trustee Emeritus
Tom Pollock
ProducerAFI Board of Trustees
David Ansen
Newsweek
Jeanine Basinger
Chair, AFI Jury for Motion PicturesWesleyan UniversityAFI Trustee Emerita
Julie Dash
Producer/Director/Screenwriter
Lindsey Doran
Producer
Leonard Maltin
ENTERTAINMENT TONIGHT
Fay Kanin
ScreenwriterAFI Board of Trustees
Jim Hosney
Film Historian/Scholar
Ted Perry
Middlebury CollegeAFI Trustee Emeritus
Bob Rehme
ProducerAFI Board of Trustees
Carrie Rickey
The Philadelphia Inquirer
Tom Schatz
University of Texas, Austin
Saul Zaentz
Producer
Barrie Lawson Loeks
Loeks-Star Theatres
Lucy Liu
Actor
Brian Lowry
Los Angeles Times
Sidney Lumet
Director
Shirley MacLaine
Actor
Delbert Mann
Director
Todd McCarthy
Variety
Kay McFadden
The Seattle Times
Joyce Millman
Salon.com
Dennis Muren
Digital Effects Artist
Chon Noriega
University of California, Los Angeles
Beverly O’Neill
California Institute of the Arts
Ted Perry
Middlebury College
Polly Platt
Producer/Production Designer
Dale Pollock
N.C. School of the Arts
Dorothy Rabinowitz
The Wall Street Journal
Peter Rainer
New York Magazine
Ken Ralston
Digital Effects Artist
Robert Richardson
Cinematographer
Howard Rosenberg
Los Angeles Times
Laurence Rosenthal
Composer
Gena Rowlands
Actor
Leah Rozen
People Magazine
Eva Marie Saint
Actor
Edgar Scherick
Producer
Lisa Schwartzbaum
Entertainment Weekly
Jan Scott
Production Designer
John Singleton
Producer/Director/Screenwriter
Robert Sklar
New York University
Barbara Smith
American Cinematheque
Penelope Spheeris
Director
Steven Spielberg
Producer/Director/ScreenwriterAFI Board of Trustees
Rod Steiger
Actor
Jon Storm
Philadelphia Inquirer
Mary Sweeney
Producer/Screenwriter/Editor
Anne Thompson
Premiere Magazine
Robert Thompson
Syracuse University
Richard Sylbert
Production Designer
Steve Tisch
Producer
Kenneth Turan
Los Angeles TimesCinematographer
Amy Vincent
Cinematographer
Peter Werner
Director
Joanne Weintraub
Milwaukee Journal Sentinel
Michael Wilmington
Chicago Tribune
Ethel Winant
Producer
David Wolper
ProducerAFI Board of Trustees
Eugenio Zanetti
Production Designer
David Zurawik
Baltimore Sun
Hans Zimmer
Composer
Saul Zaentz
Producer
Debbie Allen
Producer/Director/ActorAFI Board of Trustees
Dede Allen
Editor
David Ansen
Newsweek
Darren Aronofsky
Director/Screenwriter
Alan Ball
Producer/Director/Screenwriter
Neema Barnette
Director
Ron Bass
Producer/Screenwriter
Robert Benton
Director/Screenwriter
Bob Boyle
Production Designer
Pieter Jan Brugge
Producer
Henry Bumstead
Production Designer
Michelle Byrd
Independent Features Project
Marcy Carsey
Producer
Mary Schmidt Campbell
NYU's Tisch School
Anne V. Coates
Editor
Richard Corliss
Time Magazine
Leslie Dilley
Production Designer
Richard Edlund
Digital Effects Artist
Nora Ephron
Producer/Director/Screenwriter
Steven Farber
Movieline
Milos Forman
Director
Stephen Gaghan
Screenwriter
Leslie Linka Glatter
Director
Jerry Goldsmith
Composer
Gary David Goldberg
Producer/Screenwriter
Tim Goodman
San Francisco Examiner
Mary Ann Grasso
National Assoc. of Theatre Owners
Christopher Guest
Director/Screenwriter/Actor
Amy Heckerling
Producer/Director/Screenwriter
Leonard Hill
Producer
Foster Hirsch
Scholar/Historian
Tina Hirsch
Editor
Winnie Holzman
Producer/Screenwriter
Kirk Honeycutt
The Hollywood Reporter
Dawn Hudson
Independent Feature Project West
Greg Hoblit
Producer/Director
Annette Insdorf
Columbia University
Mark Johnson
Producer
Spike Jonze
Director/Actor
Shirley Jones
Actor
Glenn Jordan
Producer/Director
Janusz Kamiński
Cinematographer
James Katz
Preservationist
Rita Kempley
The Washington Post
Kathleen Kennedy
ProducerAFI Board of Trustees
Callie Khouri
Screenwriter
James V. Kimsey
AFI Board of Trustees
Arnold Kopelson
Producer
Alan Ladd, Jr.
Producer
Martin Landau
Actor
Tom Pollock
Chair, AFI 2000 JuryAFI Board of Trustees
David Ansen
Film Journalist/Critic
Jeanine Basinger
Film Scholar
Bill Duke
AFI Board of Trustees
James Katz
Film Preservationist/Historian
Rita Kempley
Film Journalist/Critic
Michael Nesmith
AFI Board of Trustees
Thomas Schatz
Film Scholar
Vivian Sobchack
AFI Board of Trustees
Anne Thompson
Film Journalist/Critic
Saul Zaentz
Filmmaker
Steven Zaillian
Filmmaker
AFI MOVIES OF THE YEAR - OFFICIAL SELECTIONS
BEFORE THE DEVIL KNOWS YOU'RE DEAD
…is a film that races with the pulse of a young filmmaker, but is constructed with the depth and maturity of an American master at the top of his game. Sidney Lumet’s dark and intricate tale takes place in a world you will not want to enter, but the powerful screenplay by Kelly Masterson grabs you and won’t let go. The film is a grand opera of immorality and is staged exquisitely by Philip Seymour Hoffman, Ethan Hawke, Marisa Tomei and Albert Finney, whose performances fuse to form a diamond that sparkles with the dazzlement of dysfunction. Read the AFI Catalog entry
THE DIVING BELL AND THE BUTTERFLY
…is a soaring cinematic achievement, one where the transportive nature of film takes us inside the mind of a paralyzed protagonist. Director Julian Schnabel astounds in his fusion of poetry, humor and profound humanity to examine the struggle from inside the mind as the character reaches for the impossible. Janusz Kaminski’s brilliant cinematography illuminates the film’s commanding point of view, visually enveloping the audience in the deeply emotional, but remarkably unsentimental screenplay by Ronald Harwood. Adapted from an extraordinary true story, the film challenges us to look into a mirror, appreciate the fragility of our own lives and marvel at the power of the mind. Read the AFI Catalog entry
INTO THE WILD
…is a vast journey across America — and deep inside oneself. Writer/director Sean Penn’s sensitive adaptation and expansive direction brilliantly captures the exuberance and idealism of youth — and the danger of pushing love away. The story lives in the eyes of Emile Hirsch, the warm smile of Catherine Keener, and the luminous spirit of Hal Holbrook. INTO THE WILD celebrates the dreamer in all of us — and the danger of dreaming alone. Read the AFI Catalog entry
Deep inside JUNO
…is the tiny but true heartbeat of American film. Director Jason Reitman has an extraordinary control of tone, shifting sympathies and a clear respect for the fully realized characters created by screenwriter Diablo Cody. The result is a surprise in almost every scene as cliches are upended and life is celebrated at every turn. Elliot Page delivers the breakthrough performance of the year — one that embodies the comedy inherent in being a misfit and the strength that comes when facing life’s biggest challenges. Read the AFI Catalog entry
KNOCKED UP
…delivers the funniest, freshest comedy of the year. Writer/director Judd Apatow stretches the boundaries of romantic comedies by introducing one of American film’s most unlikely pairings, and then brilliantly crafts a story where moment by moment, laugh by laugh — the couple embrace each other — and the audience — in a world of humor and heart. The film marks a star turn for Katherine Heigl, who lights up the screen with every smile. Read the AFI Catalog entry
MICHAEL CLAYTON
…is pulse-quickening entertainment for both the heart and mind. Driven by a screenplay that ranks among the finest in American film, Tony Gilroy’s film astounds at every turn — each word, each scene resonating beyond their literal meanings. George Clooney shines as one of the great actors of his generation, adding a dimension to his movie star persona that harkens back to the classic roles of Humphrey Bogart — still and silent, dark and deep. Extraordinary supporting roles by Tom Wilkinson and Tilda Swinton add humor and horror to the riddles posed throughout the plot, and when the answers begin to arrive, no one is safe at the film’s surprising and spectacularly satisfying end. Read the AFI Catalog entry
NO COUNTRY FOR OLD MEN
…breathes new life — and death — into the classic American western. Joel and Ethan Coen construct the film like a steel trap, one that springs and snaps with a ferocity seldom seen in the movies. The film features a killer combination of acting talent — Josh Brolin, Tommy Lee Jones and Javier Bardem, who creates and then unleashes one of the great screen villains of our time. Driven by heart-stopping tension and pacing, the Coen Brothers’ masterful juxtaposition of savagery and innocence is a powerful tale of morality in a bleak world where a life can end with the flip of a coin. Read the AFI Catalog entry
RATATOUILLE
…is a soaring, sumptuous feast for all who love the movies. Writer/director Brad Bird continues to define himself as one of the great filmmakers of our generation, this time with the inspiring tale of a rat who aspires to be a chef. This animated gem creates environments that are so fully realized, so rich with detail, that both young and old alike will feel as though their passports have been stamped and their palates sated. At the film’s significant heart, is the relationship of artist and critic — and to celebrate their union here, AFI raises a glass of a fine French cabernet to RATATOUILLE. Read the AFI Catalog entry
THE SAVAGES
…paints an intimate portrait of America’s emotional future. Writer/director Tamara Jenkins’ richly detailed character study beautifully captures the complexity of a sibling relationship and the struggle to deal with an aging parent. Laura Linney and Philip Seymour Hoffman — two of our finest actors — portray people at an awkward moment in their lives who step backward into their heart and heroism. Intelligent and entertaining, funny and yet rigorously unsentimental, THE SAVAGES places our destiny firmly in the hands of talented artists, and, ultimately, proves the power of film in bringing us all together to celebrate life. Read the AFI Catalog entry
THERE WILL BE BLOOD
…is bravura filmmaking by one of American film’s modern masters. Paul Thomas Anderson’s epic poem of savagery, optimism and obsession is a true meditation on America. The film drills down into the dark heart of capitalism, where domination, not gain, is the ultimate goal. In a career defined by transcendent performances, Daniel Day-Lewis creates a character so rich and so towering, that “Daniel Plainview” will haunt the history of film for generations to come. Read the AFI Catalog entry
AFI TELEVISION PROGRAMS OF THE YEAR
30 ROCK
towered above America’s television comedies in 2007. A spiritual descendent of classics like THE MARY TYLER MOORE SHOW and MURPHY BROWN, the show establishes Tina Fey as one of the true talents of her generation — an artist who not only embodies a rare quality of wit and wisdom, but also exudes an unguarded awareness of the culture around her. Alec Baldwin’s spectacularly pompous presence is a welcome wonder in every scene, and together, with the quirkiest ensemble on television, 30 ROCK proves there is life in laughter — at a time when we need it most.
DEXTER
places its hands firmly on the throat of expectation and — minute by minute — tightens its grip until audiences begin to question their idea of morality. Michael C. Hall’s masterfully nuanced performance as Dexter breathes humanity into a monster – a killer who murders those he believes have gotten away with murder. The world through Dexter’s dark, droll and wickedly funny gaze, in many ways, defines today’s era of television — stories that are wildly ambitious, intricately told, and deeply, emotionally engaging.
EVERYBODY HATES CHRIS
came of age in 2007. Born from the life experiences of Chris Rock, who narrates the program with equal parts sweetness and sass, the show provides a very real look at growing up in America — a challenge that demands a discussion of race and class often absent from television today. EVERYBODY HATES CHRIS provides this forum for all generations and does it with great humor and humanity — both embodied by Tyler James Williams, a young man who stands tall among the talents of television.
FRIDAY NIGHT LIGHTS
scored another winning season in 2007. Hard-hitting and heartfelt, the show brings audiences together at the big game to explore issues of family, friends and faith. Each week is a celebration of small-town Texas truth, a paean to the hopes and dreams of a community that reaches for more. And each episode is a verse in an epic poem about America, its citizens driven to tackle their differences aglow in the lights of a national pastime.
LONGFORD
poses a question — “Does everyone have something good or redeeming inside them?” — and then searches for the answer in a light projected by the finest in television long-form. Impeccably scripted and directed, this telling of a true tale will echo across the ages in the performances of Jim Broadbent and Samantha Morton, who create characters of such detail that one man’s search for redemption in the darkest of souls threatens tragedy for all who crusade for an ideal.
MAD MEN
packs the punch of a three-martini lunch. This hypnotic time capsule brilliantly captures 1960s Madison Avenue, along with all the discomfort that hides in the dark corners of nostalgia. The show’s extraordinary writing, characterizations and art direction neatly package a time filtered through the haze of cigarettes and sexism, but the message is for today — that those who sell a way of life are often mad for a world that is not their own.
PUSHING DAISIES
is a whimsical, magical fairy tale that blossoms in the lavish beams of talent that emanate from Barry Sonnenfeld and his talented creative ensemble. Rooted in unrequited love and death, the show bounds with endless invention, a stunning visual palette, and a team of actors who revel in the surprises that come to life in each episode. PUSHING DAISIES is both sensual and smart — and proves that hope springs eternal for American television.
THE SOPRANOS
delivered the goods in its final season and, in doing so, cemented its place in the pantheon of American television. David Chase’s masterwork spanned eight years and raised the bar with each and every episode, inspiring not only audiences, but also a generation of artists who are creating more complex, morally ambiguous dramas. James Gandolfini and Edie Falco defied expectations with each new storyline and took their bows this year with a continuing passion for their characters that is an achievement unto itself. Though the last season was filled with great expectations, nothing prepared the world for the soaring moment of artistic inspiration that turned the lights out on television’s great American epic.
TELL ME YOU LOVE ME
pulls back the covers on “happily ever after” and offers an unblinking look at life’s most intimate moments. Both sexually explicit and emotionally resonant, the series raises questions we often don’t want answered in our own lives, and searches for the answers with a courageous visual style that sets it apart — a camera lingers, with no romantic fade-out. The show is groundbreaking for taking adult content out of the sleazy back alley of late-night cable TV and placing it squarely in the respectable neighborhood of prime-time programming — providing a rare and welcome home for our shared humanity to a topic of true conversation.
UGLY BETTY
hit its stride this season, gliding confidently down the runway and smashing stereotypes about race and ethnicity with every turn. America Ferrera shines as TV’s sweetheart, embodying the timeless triumph of geek over chic, a message and meaning more welcome than ever. Campy, catty and adorably over the top, the show’s creative ensemble flings power and prejudice aside like yesterday’s fashion to celebrate UGLY BETTY as the most beautiful of all.
MOMENTS OF SIGNIFICANCE
THE WRITERS GUILD STRIKE — ADDRESSING STORYTELLING IN THE DIGITAL FUTURE
The ongoing digital revolution has upended conventional economic models, and uncertainty abounds when attempting to project how an audience will receive its storytelling in the years to come and how creators will be paid for their work.
On November 5, the 12,000-plus members of the Writers Guild of America went on strike against the Alliance of Motion Picture and Television Producers. Though the strike is itself traumatic, it is but a part of a larger paradigm shift. At best, it may be a defining event in shaping the future.
AFI looks forward to the day when a new business model will form, and an artist’s work will rise above the numbers and continue to inform and inspire us all.
BERGMAN AND ANTONIONI — THE END OF AN ERA
Ingmar Bergman and Michelangelo Antonioni, two of the world’s most influential filmmakers, both passed away on July 30.
Bergman directed more than 50 films in a career that spanned 40 years. Classics like THE SEVENTH SEAL, WILD STRAWBERRIES, CRIES AND WHISPERS and PERSONA explore religion, death and existentialism with an unflinching honesty and eloquence.
Antonioni’s career also spanned more than 40 years, with landmark films like L’AVVENTURA, BLOWUP, LA NOTTE and THE PASSENGER, each marked by the director’s innovative approach to narrative storytelling.
Bergman and Antonioni were artists emblematic of an era–a time when audiences around the world sought out a challenging cinematic experience. The unique personal and artistic vision of these towering figures catalyzed conversations long after moviegoers left the theater and continues to inspire a generation of artists today.
iPHONE — SYMBOL OF THE EXPLODING ON-DEMAND CULTURE
Apple unveiled the iPhone in 2007, sparking a cultural frenzy. In addition to operating as a phone, camera and computer, the user-friendly iPhone allows consumers to stream and download television programs and movies. Overnight, the iPhone became a symbol of a public that demands its content where they want it and when they want it.
"WAR ON TERROR" CREATES CULTURAL SPASM
2007 marked a year when American film artists responded to the war in an attempt to create order out of chaos. Though it was largely difficult to find an audience for their stories, filmmakers marched forward in a struggle to understand — to ask questions — to demand answers.
Films like IN THE VALLEY OF ELAH, LIONS FOR LAMBS, CHARLIE WILSON’S WAR, GRACE IS GONE, A MIGHTY HEART, THE KITE RUNNER and REDACTED all wrestled with the war directly. And this emotional quandary carried into the core of other films as well — the dark brutality of THERE WILL BE BLOOD and NO COUNTRY FOR OLD MEN, and the moral questions raised by MICHAEL CLAYTON also reflect our country’s bruised and brooding times.
No other American war has inspired this deep a cinematic expression while the conflict is still taking place. Films released during World War II were supportive of the war effort, but movies dealing with the emotional, psychological and societal impact of that war, and also Korea and Vietnam, weren’t produced until years after they had ended.
Part of this new immediacy is due to the accessibility of information from the front line. Whether from an embedded journalist or an Iraqi citizen posting photos on the Internet, news about the war is plentiful, direct and personal, arriving virtually the same day it happens. Given these images and information filmmakers are driven to make sense of it all here and now and project their stories across America and around the world.
PLANET EARTH — LANDMARK PROGRAMMING IN HIGH DEFINITION
DEFINITION On March 24, the Discovery Channel presented PLANET EARTH, an 11-part series that illuminated the power of television as a unifying force in our global community and reminded viewers that, despite our differences, we all share the precious gifts of our planet.
Over five years in the making, PLANET EARTH captured breathtaking images from more than 60 countries and over 200 locations. From the forests of Eastern Russia to the Gomantong Caves in Borneo to a volcanic mountain chain at the bottom of the Atlantic Ocean, this epic visual document captured some of the world’s most remote and awe-inspiring locations and brought them into the living room.
That the series came to life in high definition crystallized a moment in the public appreciation for this welcome and wondrous technology.
THE HYPER-TABLOIDIZATION OF TV "NEWS"
2007 marked a year when traditional news became subsumed by coverage of material normally relegated to tabloid magazines.
Coverage of Paris, Nicole, Lindsay, Britney, O.J. and Anna Nicole often eclipsed news on the war, an economy in turmoil or topics of international scope or scale.
Websites like TMZ.com and PerezHilton.com attracted devoted audiences, with TMZ even spawning a half-hour television version of its Internet activity. These types of sites are fueled by the ubiquity of cell phone cameras and other recording devices that empower a “citizen paparazzi” who are aggressive and eager partners in helping to tear down pop idols.
America’s cultural obsession with scandal is not a new trend, but in 2007 the tide turned, and the nation began to drown in a sea of celebrity.
SUMMER ON CABLE REDEFINES YEAR-ROUND PROGRAMMING
In 2007, basic cable television exploded with new and inventive shows that created a seismic shift in America’s viewing habits. Summer is traditionally the season when television is dominated by reruns, but this year audiences enjoyed the premieres of DAMAGES, ARMY WIVES, SAVING GRACE, BURN NOTICE, MAD MEN and THE STARTER WIFE, and of particular note, HIGH SCHOOL MUSICAL 2, which attracted over 17 million viewers for its premiere.
Combined with these new forces in narrative fiction, cable also offered a variety of reality and documentary programs, including PLANET EARTH, MAN VS. WILD, ICE ROAD TRUCKERS, DOG THE BOUNTY HUNTER, MEERKAT MANOR and DEADLIEST CATCH.
When the avalanche of summer options met the traditional fall premiere of network offerings, the question arose — “Is there a TV season anymore?”
AFI AWARDS was created in 2000 to recognize the films and television programs which contribute to our collective cultural legacy. When placed in an historical context, these stories provide a complex, rich, visual record of our modern world. Since then, AFI AWARDS has honored 10 outstanding films and 10 outstanding TV programs deemed culturally and artistically representative of the year’s most significant achievements in the art of the moving image.
Collectively celebrating the most outstanding film and television programs of the year, AFI AWARDS 2021 honorees will be announced on December 8, 2021. The official selections will be feted at an honoree-only event on Friday, January 7, 2022, in Los Angeles. Immediately following, AFI will also launch a 20-day tribute to each honoree with new and exclusive content for the daily global audience in AFI Movie Club.
Unique in its celebration of the art form’s collaborative nature, AFI AWARDS is the only national program that honors creative teams as a whole – recognizing those in front of and behind the camera.
SELECTION CRITERIA
Honorees are selected based on works which:
- Advance the art of the moving image
- Inspire audiences and artists alike
- Enhance the rich cultural heritage of America’s art form
A UNIQUE JURY PROCESS
AFI AWARDS selections are made through AFI’s unique jury process – in which scholars, artists, critics and AFI Trustees determine the most outstanding achievements of the year.
For additional information about AFI AWARDS, contact Josh Kushins at [email protected]
AFI is a 501c3 non-profit advancing the art of the moving image by empowering storytellers and inspiring audiences
