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Interpretation as driver for psychological creativity

Published: 03 November 2011 Publication History

Abstract

This paper describes some acts of psychological creativity as phenomena arising from changes to a situation, brought about through interpretation. It presents a way of representing a situation as a schema of concepts made up from perceptual dimensions. It shows the utility of concepts as being changed by the situation within which they are used. An example of this is described, in which the information within a concept is unchanged yet its use becomes different through salience weighting. A computational implemented example is presented as a generate-and-interpret model that produces country growth indicators and then interprets them and repeats this process. The situation, and the space of possible designs, is changed through the act of interpretation. It is suggested that interpretation can be a driver for changing situations -- something that looks like P-creativity to an outside observer.

References

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Barsalou, L.W. Abstraction as dynamic interpretation in perceptual symbol systems. In L. Gershkoff-Stowe and D. Rakison (eds), Building Object Categories. Carnegie Symposium Series, Erlbaum, NJ (2005), 389--43.
[2]
Boden, M.A. The Creative Mind: Myths and Mechanisms. Weidenfeld & Nicholson, London (1990).
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Gärdenfors, P. Conceptual Spaces: The Geometry of Thought. MIT Press, Cambridge, MA (2000).
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Gero, J.S. Situated design computing: Principles, in B.H.V. Topping (ed). Civil Engineering Computations: Tools and Techniques. Stirlingshire (2006), 25--3.
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Nosofsky, R.M. Attention, similarity, and the identification-categorization relationship. Journal of Experimental Psychology: General 15 (1986), 39--57.
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Schön, D.A. The Reflective Practitioner: How Professionals Think in Action, Basic Books, NY, (1983).
[7]
Smith, G. and Gero, J.S. What does an agent mean by being "situated"? Design Studies 26 (2005), 535--.
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Suwa, M., Gero, J.S. and Purcell, T. Unexpected discoveries and S-inventions of design requirements: Important vehicles for a design process. Design Studies 21(6) (2000), 539--567.

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    cover image ACM Conferences
    C&C '11: Proceedings of the 8th ACM conference on Creativity and cognition
    November 2011
    492 pages
    ISBN:9781450308205
    DOI:10.1145/2069618
    • General Chair:
    • Ashok K. Goel,
    • Program Chairs:
    • Fox Harrell,
    • Brian Magerko,
    • Yukari Nagai,
    • Jane Prophet

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    Association for Computing Machinery

    New York, NY, United States

    Publication History

    Published: 03 November 2011

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    Author Tags

    1. P-creativity
    2. interpretation
    3. situated cognition
    4. situated design

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    C&C '11
    Sponsor:
    C&C '11: Creativity and Cognition 2011
    November 3 - 6, 2011
    Georgia, Atlanta, USA

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    Overall Acceptance Rate 108 of 371 submissions, 29%

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