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Anatol Ugorski

From Wikipedia, the free encyclopedia

In this name that follows Eastern Slavic naming customs, the patronymic is Zalmanovich and the family name is Ugorski.
Anatol Ugorski
Анатолий Угорский
Man in his fifties in a formal suit, with curly, greying hair
Ugorski in the 1990s
Born(1942-09-28)28 September 1942
Rubtsovsk, Russian SFSR, Soviet Union
Died5 September 2023(2023-09-05) (aged 80)
Lemgo, North Rhine-Westphalia, Germany
EducationLeningrad Conservatory
Occupations
  • Classical pianist
  • Academic teacher
Organizations

Anatol Ugorski (Russian: Анатолий Зальманович Угорский, romanized: Anatoliy Zal'manovich Ugorskiy, 28 September 1942 – 5 September 2023) was a Russian-born German classical pianist and academic teacher. He studied at the Leningrad Conservatory, and played works by controversial Western composers such as Schoenberg, Alban Berg, Olivier Messiaen and Pierre Boulez rather than the usual repertoire for Russian pianists. An incident at a concert of Boulez in 1968 made Soviet authorities doubt his political reliability, and they largely interrupted his career for more than ten years. In 1982, he became professor at the Leningrad Conservatory. When his daughter suffered antisemitic harassment in 1990, the family fled to East Berlin, where they lived in a refugee camp for several months. Irene Dische managed to arrange for him to record Beethoven's Diabelli Variations for Deutsche Grammophon in 1991, which launched a career of performing and recording. He became professor of the Hochschule für Musik Detmold, remaining in the post until 2007.

Life and career

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Anatol Ugorski was born in Rubtsovsk on 28 September 1942[1] into a poor family, growing up with five siblings.[2] In 1945 his parents moved to Leningrad where he attended his first school, singing and playing the xylophone. At age six, he passed selection for the music school of the Leningrad Conservatory, although he had not played piano before; he studied there until 1960.[3][4] He subsequently studied with Nadezhda Golubovskaya [ru] until 1965.[3][4] As a student he attracted attention through the interpretation of avant-garde pieces, instead of the repertoire traditionally associated with Russian pianists. In the USSR he played some of the works of then controversial Western composers such as Arnold Schoenberg, including Pierrot Lunaire, assisted by his wife, musicologist Maja Elik. He played music by Russians such as Sergei Slonimsky, Galina Ustvolskaya, Edison Denisov, Sofia Gubaidulina; the Pole Witold Lutosławski;[5] as well as Soviet premieres of music by Western composers such as Schoenberg, Alban Berg, Olivier Messiaen and Pierre Boulez.[3] In 1968, he won third prize in the George Enescu International Piano Competition.[6]

During a concert tour of Boulez in Leningrad in the autumn of 1968, in a period of relative cultural openness (shortly after the Prague Spring and the invasion of the Warsaw Pact troops), Ugorski's enthusiastic applause was interpreted as a political gesture. He was summoned by the Rectorate and suspected of being politically unreliable, because of his passion for Western contemporary music.[1][5] His career was stopped for more than ten years and he was confined to work in the provinces,[5] as accompanist of a Young Pioneers choir. Although the choir was only allowed to perform for provincial schoolchildren and in private performances within the Eastern Bloc, their concerts were well-attended.[4]

Irene Dische, an American author, comments: "In this perfect artistic freedom, he played only for himself."[7] His solo concerts became very popular. Ugorski confided that he performed his best Scarlatti concert for children in the industrial city of Asbest.[1][7] It was only in 1982, under the pressure of his artistic reputation, that he obtained a post of professor at the Leningrad Conservatory.[8]

Unlike other Jews, he had not considered emigrating,[4] but in the spring of 1990 his daughter Dina Ugorskaja, then age 16 and also a pianist and pupil of the Conservatory, suffered antisemitic harassment and felt threatened.[1][9] The Ugorski family escaped without preparation or papers for East Berlin,[7] living in a refugee camp for several months. After Irene Dische heard him play Beethoven's Diabelli Variations, she arranged for him to record them for Deutsche Grammophon in 1991;[2][1] Dische wrote the liner notes for the album.[1] Ugorski signed an exclusive contract with the label.[7]

Ugorski's international career was launched in 1992 when he was fifty years old and soon to be naturalized. His first concerts took place in the Milan Conservatory and at the Vienna Festival. He performed either solo or with orchestras such as the WDR Symphony Orchestra Cologne, the Czech Philharmonic, the Royal Concertgebouw Orchestra in Amsterdam and the Orchestre de Paris. He also regularly played at important festivals around the world, including the 1992 Salzburg Festival, where he played the Diabelli Variations, excerpts from Messiaen's Catalogue d'oiseaux, and Schubert's Wanderer-Phantasie.[10]

From 1992 to 2007, Ugorski was professor of piano at the Hochschule für Musik Detmold,[2] where he lived.[8] He stepped in once more from 2010 to 2014, when his successor, Jean-Efflam Bavouzet, was on leave.[2] Several of his students, namely Rinko Hama, Christian Petersen and his daughter Dina, became piano professors. He is remembered not only for performances but also inspired public lectures.[2] He was also a member of the jury of the ARD International Music Competition in Munich.[8]

Personal life and death

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Ugorski was married to the musicologist Maja Elik; their daughter Dina was born in 1973, studied piano in Leningrad, and became a piano professor in Detmold and Munich. Dina died of cancer in 2019.[11]

Ugorski died of cancer in Lemgo on 5 September 2023, at the age of 80.[1][2][6][8][12]

Recordings

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Among Ugorski's most important recordings are Messiaen's Catalogue d'oiseaux,[13] a recording earning an Echo Klassik prize in 1995,[5] and Scriabin's Piano Concerto in F-sharp minor, Op. 20, with the Chicago Symphony Orchestra directed by Boulez.[5] For this recording, Ugorski was nominated for a Grammy Award in February 2000.[14] In 2005, he and his daughter Dina Ugorskaja recorded concertos for two pianos, Bach's Concerto for two harpsichords in C minor, BWV 1060, Mozart's Piano Concerto No. 10, and Shostakovich's Concertino in A minor, Op. 94.[15] In 2010, he played the complete sonatas of Scriabin for Cavi-music. A reviewer noted that "from the suppleness of the playing here, you'd think you were listening to a teenager. The interpretation is a different story, and Ugorski's grasp of this music is clearly the result of decades of close study".[16] Ugorski also recorded Shostakovich's Piano Quintet with the Delial Quartet for Oehms Classics in 2014.[17] His complete recordings for DG were published as a set in 2018.[5][18][19]

  • Bach: Viol Sonatas BWV 1027–1029 – Yuri Kramarov, viola; Ugorski, harpsichord (1976, LP Melodiya C10 67925-26)
  • Beethoven:
    • Piano Sonata, Op. 111; Bagatelles, Op. 126; Für Elise; Rage Over a Lost Penny, Op. 129 (1992, DG 435 881-2)
    • Diabelli Variations (1991, DG) OCLC 715702162
  • Messiaen: Catalogue d'oiseaux (2003, 3CD DG) OCLC 716474039
  • Moussorgski: Pictures at an Exhibition; Stravinski, 3 movements of Petrouchka (1992, DG 435 882-2) OCLC 887764660
  • Schumann: Davidsbündlertänze, Op. 6; Schubert, Wanderer Fantasy, D.760 / Op. 15 (September 1992, DG 437 539-2) OCLC 66153796
  • Scriabin:

References

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  1. ^ a b c d e f g Brachmann, Jan (5 September 2023). "Nach innen hören". FAZ (in German). Retrieved 7 September 2023.
  2. ^ a b c d e f "Zum Tod von Prof. Anatol Ugorski". Hochschule für Musik Detmold (in German). 7 September 2023. Retrieved 8 September 2023.
  3. ^ a b c "Anatol Ugorski". Munzinger Archive (in German). 8 March 1993. Retrieved 7 September 2023.
  4. ^ a b c d "Anatol Ugorski". Beethovenfest. Archived from the original on 20 April 2016. Retrieved 20 June 2017.
  5. ^ a b c d e f Pieschacón Raphael, Teresa (5 September 2018). "Ein Künstler mit Chuzpe". concerti.de (in German). Retrieved 8 September 2023.
  6. ^ a b "Décès du pianiste Anatol Ugorski". resmusica.com (in French). 6 September 2023. Retrieved 8 September 2023.
  7. ^ a b c d Dische, Irene (1991). Beethoven: Diabelli-Variationen (liner notes) (in German). Deutsche Grammophon.
  8. ^ a b c d Neuhoff, Bernhard (5 September 2023). "Exzentriker am Klavier". Bayerischer Rundfunk (in German). Retrieved 7 September 2023.
  9. ^ Soifer, Walerij (1987). "Rettet Rußland! Schlagt die Juden!". Der Spiegel (in German). No. 34. 13525064.
  10. ^ "Anatol Ugorski". Salzburg Festival (in German). 9 August 1992. Retrieved 8 September 2023.
  11. ^ Schreiber, Sylvia (18 September 2019). "Die Zeitlosigkeit hörbar gemacht". Bayerischer Rundfunk (in German). Retrieved 8 September 2023.
  12. ^ "Anatol Ugorski obituary". The Times. 11 October 2023. Retrieved 11 October 2023.
  13. ^ Catalogue d'oiseaux on DG
  14. ^ Grammy Award Results for Anatol Ugorski
  15. ^ Walther, Alexander (July 2005). "Konzerte für zwei Klaviere". Das Orchester (in German). Retrieved 8 September 2023.
  16. ^ a b Dixon, Gavin (October 2010). "Alexander Scriabin (1872–1915) / Sonatas for piano Nos.1–10". musicweb-international.com. Retrieved 8 September 2023.
  17. ^ "Shostakovich, Dmitry – String Quartets Nos. 4 & 6 / Piano Quintet – Ugorski, Anatol / Delian Quartet". Naxos. 1993. Retrieved 8 September 2023.
  18. ^ Anatol Ugorski: Complete Recordings on Deutsche Grammophon Deutsche Grammophon
  19. ^ Anatol Ugorski: Complete Recordings on Deutsche Grammophon prestomusic.com
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