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Jon McCormack
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- affiliation: Monash University, Sensilab, Australia
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2020 – today
- 2024
- [j18]Jon McCormack, Francesca Samsel:
Jon McCormack: Art Infused With [Artificial] Intelligence. IEEE Computer Graphics and Applications 44(2): 46-54 (2024) - [c51]Nina Rajcic, Maria Teresa Llano Rodriguez, Jon McCormack:
Towards a Diffractive Analysis of Prompt-Based Generative AI. CHI 2024: 844:1-844:15 - [c50]Jon McCormack, Maria Teresa Llano, Stephen James Krol, Nina Rajcic:
No Longer Trending on Artstation: Prompt Analysis of Generative AI Art. EvoMUSART 2024: 279-295 - [c49]Sam Trolland, Melinda Smith, Alon Ilsar, Jon McCormack:
Visual instrument co-design embracing the unique movement capabilities of a dancer with physical disability. MOCO 2024: 17 - [i31]Jon McCormack, Maria Teresa Llano, Stephen James Krol, Nina Rajcic:
No Longer Trending on Artstation: Prompt Analysis of Generative AI Art. CoRR abs/2401.14425 (2024) - [i30]Nina Rajcic, Maria Teresa Llano, Jon McCormack:
Towards A Diffractive Analysis of Prompt-Based Generative AI. CoRR abs/2403.01783 (2024) - [i29]Jon McCormack, Elliott Wilson:
Holon: a cybernetic interface for bio-semiotics. CoRR abs/2404.03894 (2024) - [i28]Lucija Ivsic, Jon McCormack, Vince Dziekan:
Transhuman Ansambl - Voice Beyond Language. CoRR abs/2405.03134 (2024) - [i27]Sam Trolland, Melinda Smith, Alon Ilsar, Jon McCormack:
Visual instrument co-design embracing the unique movement capabilities of a dancer with physical disability. CoRR abs/2406.07874 (2024) - [i26]Meng Yang, Maria Teresa Llano, Jon McCormack:
Exploring Real-Time Music-to-Image Systems for Creative Inspiration in Music Creation. CoRR abs/2407.05584 (2024) - [i25]Jon McCormack, Elliott Wilson, Nina Rajcic, Maria Teresa Llano:
Mimetic Poet. CoRR abs/2407.11984 (2024) - 2023
- [c48]Nina Rajcic, Jon McCormack:
Message Ritual: A Posthuman Account of Living with Lamp. CHI 2023: 634:1-634:16 - [c47]Jon McCormack, Camilo Cruz Gambardella, Nina Rajcic, Stephen James Krol, Maria Teresa Llano, Meng Yang:
Is Writing Prompts Really Making Art? EvoMUSART@EvoStar 2023: 196-211 - [c46]Jon McCormack, Camilo Cruz Gambardella, Stephen James Krol:
Creative Discovery using Qality-Diversity Search. GECCO Companion 2023: 747-750 - [c45]Kurt Mikolajczyk, Sam Trolland, Alon Ilsar, Jon McCormack, Sam Ferguson, Oliver Bown:
Gestural Interactions with Object-Based Audio in an Internet of Sounds Ecosystem. IS2 2023: 1-9 - [i24]Nina Rajcic, Jon McCormack:
Message Ritual: A Posthuman Account of Living with Lamp. CoRR abs/2301.10947 (2023) - [i23]Jon McCormack, Camilo Cruz Gambardella, Nina Rajcic, Stephen James Krol, Maria Teresa Llano, Meng Yang:
Is Writing Prompts Really Making Art? CoRR abs/2301.13049 (2023) - [i22]Jon McCormack, Camilo Cruz Gambardella, Stephen James Krol:
Creative Discovery using QD Search. CoRR abs/2305.04462 (2023) - 2022
- [j17]Jon McCormack, Camilo Cruz Gambardella:
Complexity and aesthetics in generative and evolutionary art. Genet. Program. Evolvable Mach. 23(4): 535-556 (2022) - [j16]Natalie Alima, Roland Snooks, Jon McCormack:
Bio Scaffolds: the orchestration of biological growth through robotic intervention. Int. J. Intell. Robotics Appl. 6(3): 522-529 (2022) - [j15]Jon McCormack, Camilo Cruz Gambardella:
Growing and Evolving 3-D Prints. IEEE Trans. Evol. Comput. 26(1): 88-99 (2022) - [c44]Stephen James Krol, Maria Teresa Llano, Jon McCormack:
Towards the Generation of Musical Explanations with GPT-3. EvoMUSART 2022: 131-147 - [c43]Jon McCormack, Camilo Cruz Gambardella:
Quality-Diversity for Aesthetic Evolution. EvoMUSART 2022: 369-384 - [c42]Sam Trolland, Alon Ilsar, Ciaran Frame, Jon McCormack, Elliott Wilson:
AirSticks 2.0: Instrument Design for Expressive Gestural Interaction. NIME 2022 - [i21]Jon McCormack, Camilo Cruz Gambardella:
Complexity and Aesthetics in Generative and Evolutionary Art. CoRR abs/2201.01470 (2022) - [i20]Jon McCormack, Camilo Cruz Gambardella:
Quality-diversity for aesthetic evolution. CoRR abs/2202.01961 (2022) - [i19]Maria Teresa Llano, Mark d'Inverno, Matthew Yee-King, Jon McCormack, Alon Ilsar, Alison Pease, Simon Colton:
Explainable Computational Creativity. CoRR abs/2205.05682 (2022) - [i18]Stephen James Krol, Maria Teresa Llano, Jon McCormack:
Towards the Generation of Musical Explanations with GPT-3. CoRR abs/2206.08264 (2022) - 2021
- [j14]Naomi Kakoschke, Rowan Page, Barbora de Courten, Antonio Verdejo-García, Jon McCormack:
Brain training with the body in mind: Towards gamified approach-avoidance training using virtual reality. Int. J. Hum. Comput. Stud. 151: 102626 (2021) - [j13]Jon McCormack, Andy Lomas:
Deep learning of individual aesthetics. Neural Comput. Appl. 33(1): 3-17 (2021) - [c41]Lucija Ivsic, Nina Rajcic, Jon McCormack, Vince Dziekan:
The Art of Point Clouds: 3D LiDAR Scanning and Photogrammetry in Science & Art. ARTECH 2021: 55:1-55:8 - [c40]Jon McCormack, Camilo Cruz Gambardella, Andy Lomas:
The Enigma of Complexity. EvoMUSART 2021: 203-217 - [i17]Jon McCormack, Camilo Cruz Gambardella, Andy Lomas:
The Enigma of Complexity. CoRR abs/2102.02332 (2021) - [i16]Camilo Cruz Gambardella, Jon McCormack:
Searching for Designs in-between. CoRR abs/2102.05864 (2021) - [i15]Jon McCormack, Camilo Cruz Gambardella:
Growing and Evolving 3D Prints. CoRR abs/2107.02976 (2021) - 2020
- [j12]Patrick Hutchings, Jon McCormack:
Adaptive Music Composition for Games. IEEE Trans. Games 12(3): 270-280 (2020) - [c39]Sojung Bahng, Ryan M. Kelly, Jon McCormack:
Reflexive VR Storytelling Design Beyond Immersion: Facilitating Self-Reflection on Death and Loneliness. CHI 2020: 1-13 - [c38]Nina Rajcic, Jon McCormack:
Mirror Ritual: An Affective Interface for Emotional Self-Reflection. CHI 2020: 1-13 - [c37]Simon Colton, Jon McCormack, Sebastian Berns, Elena Petrovskaya, Michael Cook:
Adapting and Enhancing Evolutionary Art for Casual Creation. EvoMUSART 2020: 17-34 - [c36]Jon McCormack, Andy Lomas:
Understanding Aesthetic Evaluation Using Deep Learning. EvoMUSART 2020: 118-133 - [c35]Simon Colton, Jon McCormack, Michael Cook, Sebastian Berns:
Creativity Theatre for Demonstrable Computational Creativity. ICCC 2020: 288-291 - [c34]Maria Teresa Llano, Mark d'Inverno, Matthew Yee-King, Jon McCormack, Alon Ilsar, Alison Pease, Simon Colton:
Explainable Computational Creativity. ICCC 2020: 334-341 - [c33]Simon Colton, Alison Pease, Christian Guckelsberger, Jon McCormack, Maria Teresa Llano:
On the Machine Condition and its Creative Expression. ICCC 2020: 342-349 - [c32]Sojung Bahng, Nina Rajcic, Jon McCormack, Sungeun Lee:
Sleeping Eyes: Experiencing Narcolepsy Through the Duality of Virtual Embodiment. TEI 2020: 639-645 - [c31]Nina Rajcic, Jon McCormack:
Mirror Ritual: Human-Machine Co-Construction of Emotion. TEI 2020: 697-702 - [i14]Jon McCormack, Andy Lomas:
Understanding Aesthetic Evaluation using Deep Learning. CoRR abs/2004.06874 (2020) - [i13]Nina Rajcic, Jon McCormack:
Mirror Ritual: Human-Machine Co-Construction of Emotion. CoRR abs/2004.06883 (2020) - [i12]Nina Rajcic, Jon McCormack:
Mirror Ritual: An Affective Interface for Emotional Self-Reflection. CoRR abs/2004.09685 (2020) - [i11]Jon McCormack, Benjamin Porter, James Wetter:
A scriptable, generative modelling system for dynamic 3D meshes. CoRR abs/2004.10354 (2020) - [i10]Jon McCormack, Andy Lomas:
Deep Learning of Individual Aesthetics. CoRR abs/2009.12216 (2020)
2010 – 2019
- 2019
- [j11]Colin G. Johnson, Jon McCormack, Iria Santos, Juan J. Romero Cardalda:
Understanding Aesthetics and Fitness Measures in Evolutionary Art Systems. Complex. 2019: 3495962:1-3495962:14 (2019) - [j10]Juan Romero, Colin G. Johnson, Jon McCormack:
Complex Systems in Aesthetics and Arts. Complex. 2019: 9836102:1-9836102:2 (2019) - [c30]Jon McCormack, Toby Gifford, Patrick Hutchings, Maria Teresa Llano Rodriguez, Matthew Yee-King, Mark d'Inverno:
In a Silent Way: Communication Between AI and Improvising Musicians Beyond Sound. CHI 2019: 38 - [c29]Jon McCormack, Toby Gifford, Patrick Hutchings:
Autonomy, Authenticity, Authorship and Intention in Computer Generated Art. EvoMUSART 2019: 35-50 - [c28]Dilpreet Singh, Nina Rajcic, Simon Colton, Jon McCormack:
Camera Obscurer: Generative Art for Design Inspiration. EvoMUSART 2019: 51-68 - [p2]Jon McCormack:
Creative Systems: A Biological Perspective. Computational Creativity 2019: 327-352 - [i9]Jon McCormack, Toby Gifford, Patrick Hutchings, Maria Teresa Llano Rodriguez, Matthew Yee-King, Mark d'Inverno:
In a Silent Way: Communication Between AI and Improvising Musicians Beyond Sound. CoRR abs/1902.06442 (2019) - [i8]Dilpreet Singh, Nina Rajcic, Simon Colton, Jon McCormack:
Camera Obscurer: Generative Art for Design Inspiration. CoRR abs/1903.02165 (2019) - [i7]Jon McCormack, Toby Gifford, Patrick Hutchings:
Autonomy, Authenticity, Authorship and Intention in computer generated art. CoRR abs/1903.02166 (2019) - [i6]Patrick Hutchings, Jon McCormack:
Adaptive Music Composition for Games. CoRR abs/1907.01154 (2019) - 2018
- [j9]Jon McCormack:
Improvisational creativity. Digit. Creativity 29(1): 1-4 (2018) - [j8]Toby Gifford, Shelly Knotts, Jon McCormack, Stefano Kalonaris, Matthew Yee-King, Mark d'Inverno:
Computational systems for music improvisation. Digit. Creativity 29(1): 19-36 (2018) - [c27]Lachlan Smith, Jon McCormack, Zixiang Xiong:
Augmented Reality Sandpit Simulating Ant Colonies. ICME Workshops 2018: 1 - [c26]Lachlan Smith, Jon McCormack, Zixiang Xiong:
Augmented Reality Sandpit Simulating Ant Colonies. ICME Workshops 2018: 1-6 - [c25]Andrew R. Brown, Matthew Horrigan, Arne Eigenfeldt, Toby Gifford, Daniel Field, Jon McCormack:
Interacting with Musebots. NIME 2018: 19-24 - [p1]Jon McCormack, Jonathan C. Roberts, Benjamin Bach, Carla Maria Dal Sasso Freitas, Takayuki Itoh, Christophe Hurter, Kim Marriott:
Multisensory Immersive Analytics. Immersive Analytics 2018: 57-94 - 2017
- [c24]Monika M. Schwarz, Kim Marriott, Jon McCormack:
The Mitchell Library WordCloud: Beyond Boolean Search. DocEng 2017: 39-48 - [c23]Björn Sommer, David G. Barnes, Sarah E. Boyd, Tom Chandler, Maxime Cordeil, Tobias Czauderna, Matthias Klapperstück, Karsten Klein, Toàn D. Nguyên, Hieu T. Nim, Kingsley Stephens, Dany Vohl, Stephen Jia Wang, Elliott Wilson, Yan Zhu, Jian Li, Jon McCormack, Kim Marriott, Falk Schreiber:
3D-Stereoscopic Immersive Analytics Projects at Monash University and University of Konstanz. SD&A 2017: 179-187 - [c22]Jon McCormack:
Working with Generative Systems: An Artistic Perspective. EVA 2017 - [c21]Patrick Hutchings, Jon McCormack:
Using Autonomous Agents to Improvise Music Compositions in Real-Time. EvoMUSART 2017: 114-127 - [c20]Jon McCormack:
Niche Constructing Drawing Robots. EvoMUSART 2017: 201-216 - 2016
- [j7]Stanislav Roudavski, Jon McCormack:
Post-anthropocentric creativity. Digit. Creativity 27(1): 3-6 (2016) - [c19]Jon McCormack, Mark d'Inverno:
Designing Improvisational Interfaces. ICCC 2016: 98-106 - 2015
- [c18]Mark d'Inverno, Jon McCormack:
Heroic versus Collaborative AI for the Arts. IJCAI 2015: 2138-2444 - 2014
- [c17]Jon McCormack:
Balancing Act: Variation and Utility in Evolutionary Art. EvoMUSART 2014: 26-37 - 2013
- [c16]Jon McCormack:
Aesthetics, Art, Evolution. EvoMUSART 2013: 1-12 - 2012
- [j6]Alan Dorin, Jonathan McCabe, Jon McCormack, Gordon Monro, Mitchell Whitelaw:
A framework for understanding generative art. Digit. Creativity 23(3-4): 239-259 (2012) - [j5]Taras Kowaliw, Alan Dorin, Jon McCormack:
Promoting Creative Design in Interactive Evolutionary Computation. IEEE Trans. Evol. Comput. 16(4): 523-536 (2012) - [c15]Abbas Pirnia, Jon McCormack:
Compressed Multidimensional Trees for Evolutionary Music Representation. ICMC 2012 - 2011
- [c14]Oliver Bown, Jon McCormack, Taras Kowaliw:
Ecosystemic methods for creative domains: Niche construction and boundary formation. ALIFE 2011: 132-139 - [c13]Taras Kowaliw, Jon McCormack, Alan Dorin:
An interactive electronic art system based on artificial ecosystemics. ALIFE 2011: 162-169 - 2010
- [j4]Benjamin Porter, Jon McCormack:
Developmental modelling with SDS. Comput. Graph. 34(4): 294-303 (2010) - [j3]Oliver Bown, Jon McCormack:
Taming nature: tapping the creative potential of ecosystem models in the arts. Digit. Creativity 21(4): 215-231 (2010) - [c12]Jon McCormack:
Enhancing Creativity with Niche Construction. ALIFE 2010: 525-532 - [c11]Taras Kowaliw, Jon McCormack, Alan Dorin:
Evolutionary automated recognition and characterization of an individual's artistic style. IEEE Congress on Evolutionary Computation 2010: 1-8
2000 – 2009
- 2009
- [c10]Taras Kowaliw, Alan Dorin, Jon McCormack:
An Empirical Exploration of a Definition of Creative Novelty for Generative Art. ACAL 2009: 1-10 - [c9]Oliver Bown, Jon McCormack:
Creative Agency: A Clearer Goal for Artificial Life in the Arts. ECAL (2) 2009: 254-261 - [c8]Jon McCormack, Oliver Bown:
Life's What You Make: Niche Construction and Evolutionary Art. EvoWorkshops 2009: 528-537 - [e4]Margaret A. Boden, Mark d'Inverno, Jon McCormack:
Computational Creativity: An Interdisciplinary Approach, 12.07. - 17.07.2009. Dagstuhl Seminar Proceedings 09291, Schloss Dagstuhl - Leibniz-Zentrum für Informatik, Germany 2009 [contents] - [e3]Mario Giacobini, Anthony Brabazon, Stefano Cagnoni, Gianni A. Di Caro, Anikó Ekárt, Anna Esparcia-Alcázar, Muddassar Farooq, Andreas Fink, Penousal Machado, Jon McCormack, Michael O'Neill, Ferrante Neri, Mike Preuss, Franz Rothlauf, Ernesto Tarantino, Shengxiang Yang:
Applications of Evolutionary Computing, EvoWorkshops 2009: EvoCOMNET, EvoENVIRONMENT, EvoFIN, EvoGAMES, EvoHOT, EvoIASP, EvoINTERACTION, EvoMUSART, EvoNUM, EvoSTOC, EvoTRANSLOG, Tübingen, Germany, April 15-17, 2009. Proceedings. Lecture Notes in Computer Science 5484, Springer 2009, ISBN 978-3-642-01128-3 [contents] - [i5]Margaret A. Boden, Mark d'Inverno, Jon McCormack:
09291 Abstracts Collection - Computational Creativity: an interdisciplinary approach. Computational Creativity: An Interdisciplinary Approach 2009 - [i4]Oliver Bown, Jon McCormack:
Creative Agency: A Clearer Goal for Artificial Life in the Arts. Computational Creativity: An Interdisciplinary Approach 2009 - [i3]Daniel Jones, Oliver Bown, Jon McCormack, François Pachet, Robert Michael Young, Rodney Berry, Iris Asaf, Benjamin Porter:
Stimulating creative flow through computational feedback. Computational Creativity: An Interdisciplinary Approach 2009 - [i2]Jon McCormack:
Creative Ecosystems. Computational Creativity: An Interdisciplinary Approach 2009 - [i1]Jon McCormack, Margaret A. Boden, Mark d'Inverno:
09291 Summary - Computational Creativity: an interdisciplinary approach. Computational Creativity: An Interdisciplinary Approach 2009 - 2008
- [c7]Alice C. Eldridge, Alan Dorin, Jon McCormack:
Manipulating Artificial Ecosystems. EvoWorkshops 2008: 392-401 - [c6]Jon McCormack:
Facing the Future: Evolutionary Possibilities forHuman-Machine Creativity. The Art of Artificial Evolution 2008: 417-451 - [e2]Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack:
4th International Symposium on Computational Aesthetics in Graphics, Visualization, and Imaging, CAe 2008, Lisbon, Portugal, June 18-20, 2008, Proceedings. Eurographics Association 2008, ISBN 978-3-905674-08-8 [contents] - [e1]Mario Giacobini, Anthony Brabazon, Stefano Cagnoni, Gianni Di Caro, Rolf Drechsler, Anikó Ekárt, Anna Esparcia-Alcázar, Muddassar Farooq, Andreas Fink, Jon McCormack, Michael O'Neill, Juan Romero, Franz Rothlauf, Giovanni Squillero, Sima Uyar, Shengxiang Yang:
Applications of Evolutionary Computing, EvoWorkshops 2008: EvoCOMNET, EvoFIN, EvoHOT, EvoIASP, EvoMUSART, EvoNUM, EvoSTOC, and EvoTransLog, Naples, Italy, March 26-28, 2008. Proceedings. Lecture Notes in Computer Science 4974, Springer 2008, ISBN 978-3-540-78760-0 [contents] - 2007
- [c5]Jon McCormack:
Artificial ecosystems for creative discovery. GECCO 2007: 301-307 - 2005
- [c4]Jon McCormack:
A Developmental Model for Generative Media. ECAL 2005: 88-97 - [c3]Jon McCormack:
Open Problems in Evolutionary Music and Art. EvoWorkshops 2005: 428-436 - 2004
- [c2]Jon McCormack:
Aesthetic Evolution of L-Systems Revisited. EvoWorkshops 2004: 477-488 - 2003
- [j2]Jon McCormack:
Art and the mirror of nature. Digit. Creativity 14(1): 3-22 (2003) - 2001
- [c1]Jon McCormack:
Eden: An Evolutionary Sonic Ecosystem. ECAL 2001: 133-142
1990 – 1999
- 1998
- [j1]Jon McCormack, Andrei Sherstyuk:
Creating and Rendering Convolution Surfaces. Comput. Graph. Forum 17(2): 113-120 (1998)
Coauthor Index
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last updated on 2024-10-22 20:13 CEST by the dblp team
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