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Link to original content: https://catalog.afi.com/Catalog/moviedetails/56543
AFI|Catalog

Arthur (1981)

PG | 97 mins | Comedy, Romance | 17 July 1981

Director:

Steve Gordon

Writer:

Steve Gordon

Producer:

Robert Greenhut

Cinematographer:

Fred Schuler

Editor:

Susan E. Morse

Production Designer:

Stephen Hendrickson

Production Company:

Orion Pictures Company
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HISTORY

       End credits include the following acknowledgements: Model trains furnished by Lionel/Fundimensions; Antique trains by Hazlet Train Shop; Select wardrobe for Dudley Moore furnished by Madonna Man; Select wardrobe for Liza Minnelli furnished by Halston; Arthur’s cars provided by Exoticar, Inc.; and Equine Services – J.C.J. Racing Stables. End credits also include the following written statement: “The producers gratefully acknowledge the cooperation of: The New York State Office for Motion Picture and Television Development, Elizabeth Forsling Harris Executive Director and Leona Johnpoll, Associate Director; Mayors Office for Motion Pictures and Television, Ed Koch, Mayor, Nancy Littlefield, Executive Director; Porsche/Audi Division Volkswagen of America.”        In an article in the 23 Oct 1979 DV, producer Charles H. Joffe stated that Arthur was originally at Paramount, but when the studio did not want to cast Dudley Moore, the production moved to Orion Pictures.        According to an item in the 30 July 1981 HR, the film opened on 17 Jul 1981 and grossed $8,161,535 in its first eleven days. An article in the 11 Aug 1981 DV reported that Arthur grossed $16,800,890 in its first twenty-four days and noted the film’s performance in its third week surpassed its second week gross, despite being in one hundred fewer theaters. Orion had expected that the film would appeal to an older audience, but positive word of mouth and Orion’s additional marketing in the second and third week helped widen the audience to include younger filmgoers. The 26 Aug 1981 DV reported the film’s thirty-eight day gross was $26,724,137. The 21 Sep 1981 LAHExam ...

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       End credits include the following acknowledgements: Model trains furnished by Lionel/Fundimensions; Antique trains by Hazlet Train Shop; Select wardrobe for Dudley Moore furnished by Madonna Man; Select wardrobe for Liza Minnelli furnished by Halston; Arthur’s cars provided by Exoticar, Inc.; and Equine Services – J.C.J. Racing Stables. End credits also include the following written statement: “The producers gratefully acknowledge the cooperation of: The New York State Office for Motion Picture and Television Development, Elizabeth Forsling Harris Executive Director and Leona Johnpoll, Associate Director; Mayors Office for Motion Pictures and Television, Ed Koch, Mayor, Nancy Littlefield, Executive Director; Porsche/Audi Division Volkswagen of America.”        In an article in the 23 Oct 1979 DV, producer Charles H. Joffe stated that Arthur was originally at Paramount, but when the studio did not want to cast Dudley Moore, the production moved to Orion Pictures.        According to an item in the 30 July 1981 HR, the film opened on 17 Jul 1981 and grossed $8,161,535 in its first eleven days. An article in the 11 Aug 1981 DV reported that Arthur grossed $16,800,890 in its first twenty-four days and noted the film’s performance in its third week surpassed its second week gross, despite being in one hundred fewer theaters. Orion had expected that the film would appeal to an older audience, but positive word of mouth and Orion’s additional marketing in the second and third week helped widen the audience to include younger filmgoers. The 26 Aug 1981 DV reported the film’s thirty-eight day gross was $26,724,137. The 21 Sep 1981 LAHExam reported the film’s gross was up to $42,646,628 and was seventh on the list of the summer’s box-office successes. An item in the 5 Mar 1982 DV reported the film grossed $85,843,513 in thirty-three weeks.        According to production notes from AMPAS library, Arthur received many nominations and awards. The film was nominated for four Academy Awards: Best Actor – Dudley Moore; Best Supporting Actor – John Gielgud; Best Screenplay – Steve Gordon; and Best Song – “Arthur’s Theme – The Best That You Can Do.” According to an article in the 1 Feb 1982 New York, controversy arose regarding the song’s eligibility for consideration. “When you get caught between the moon and New York City” was a line from another, unpublished song co-written by Peter Allen and Carole Bayer Sager. An investigation by the Academy determined that the song was eligible since the Allen/Sager song had never been published and Peter Allen was given credit with the theme song’s writers, Sager, Burt Bacharach and Christopher Cross. “The Best That You Can Do” won the Academy Award for Best Original Song, and John Gielgud won the Best Supporting Actor Academy Award. The film collected four Golden Globe Awards from the Hollywood Foreign Press Association: Best Motion Picture – Comedy or Musical; Dudley Moore for Best Motion Picture Actor – Comedy or Musical; John Gielgud for Best Motion Picture Actor in a Supporting Role; and Best Original Song from a Motion Picture. Additionally, Liza Minnelli received a Golden Globe nomination for Best Motion Picture Actress – Comedy or Musical.        The film marked Steve Gordon’s directorial debut.        An item in the 15 Oct 1987 LAHExam reported that Bud Yorkin would direct a sequel starring Moore, Minnelli and Gielgud. Arthur 2: On The Rocks was released in 1988 (see entry). Russell Brand and Helen Mirren starred in a remake of Arthur in 2011 (see entry).

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
23 Oct 1979
---
Daily Variety
11 Aug 1981
---
Daily Variety
26 Aug 1981
---
Daily Variety
5 Mar 1982
---
Hollywood Reporter
13 Jul 1981
p. 3
Hollywood Reporter
30 Jul 1981
---
LAHExam
21 Sep 1981
---
LAHExam
15 Oct 1987
---
Los Angeles Times
17 Jul 1981
p. 1
New York
1 Feb 1982
---
New York Times
17 Jul 1981
p. 10
Variety
15 Jul 1981
p. 24
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXT
A Rollins, Joffe, Morra, Brezner Production
NAME
CREDITED AS
CREDIT
DIRECTORS
Prod mgr
1st asst dir
2d asst dir
DGA trainee
PRODUCERS
Exec prod
WRITER
PHOTOGRAPHY
Dir of photog
Still photog
Asst cam
2d asst cam
Addl photog
Gaffer
Key grip
ART DIRECTORS
Asst art dir
Asst art dir
FILM EDITORS
Asst film ed
Asst film ed
Pamela S. Arnold
Asst film ed
SET DECORATORS
Set dec
Set dec
Chief set dresser
Prop master
Const coord
Const grip
Master scenic artist
Standby scenic artist
Model railway by
COSTUMES
Cost des
Asst cost des
Bill Campbell
Ward supv
Ward supv
Ward supv
MUSIC
Mus ed
Mus rec engineer
Mus orch
Mus contractor
Flugelhorn soloist
Oboe soloist
Harmonica soloist
Vocal soloist
Piano soloist
SOUND
Supv sd ed
Asst sd ed
Apprentice sd ed
Sd mixer
Re-rec mixer
Trans Audio, Inc.
Boom man
Sd rec
MAKEUP
Makeup artist
Hairstylist
PRODUCTION MISC
Casting
Casting
Casting
Asst unit prod mgr
Scr supv
Prod coord
Asst to Mr. Gordon
Loc auditor
Extras casting
Casting, Inc.
Prod accountants
Transportation capt
Unit pub
Asst loc auditor
Vehicle consultant
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
STAND INS
Stuntman
SOURCES
SONGS
Arthur's Theme "Best That You Can Do," music and lyrics by Carole Bayer Sager, Burt Bacharach, Christopher Cross and Peter Allen, performed by Christopher Cross, produced by Michael Omartian.
PERFORMED BY
DETAILS
Release Date:
17 July 1981
Premiere Information:
Los Angeles and New York openings: 17 Jul 1981
Production Date:
began 2 Jun 1980
Copyright Info
Claimant
Date
Copyright Number
Orion Pictures Company
30 September 1981
PA115797
Physical Properties:
Sound
Color
Prints
Prints by Technicolor®
Duration(in mins):
97
MPAA Rating:
PG
Country:
United States
Language:
English
PCA No:
26382
SYNOPSIS

In New York City, Arthur Bach is happily drunk when Bitterman, his chauffeur, stops so that Arthur can hire a prostitute named Gloria. He takes Gloria to the Plaza Hotel for dinner and runs into disapproving relatives. The next morning, Arthur’s train set wakes them up and Hobson, his loyal butler, sends Gloria on her way so that Arthur can prepare for a meeting with his father. As Arthur lounges in his bubble bath, he asks Hobson to bring a pitcher of martinis because he cannot face his father if he is sober. Later, Stanford Bach insists that his son marry Susan Johnson, the daughter of a business acquaintance. Arthur does not love Susan and refuses. His father and grandmother, however, have decided that if Arthur does not marry Susan, they will cut him off financially and he will lose his $750 million inheritance. Arthur reluctantly agrees. His father hands Arthur his grandmother’s ring to give to Susan, the invitations are ready to go out and the wedding will be in one month. Arthur relieves his frustration by spending a lot of money in the Men’s Department at Bergdorf-Goodman’s and notices a woman shoplift a tie. A security guard also notices the theft and trails the woman. Intrigued, Arthur and Hobson follow them outside. When the security guard confronts the woman, she brazenly creates a scene. Amused, Arthur steps in and pretends they were shopping together, and he forgot to pay for the tie. The woman plays along and Arthur kisses her before telling the security guard to put the tie on his bill. ...

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In New York City, Arthur Bach is happily drunk when Bitterman, his chauffeur, stops so that Arthur can hire a prostitute named Gloria. He takes Gloria to the Plaza Hotel for dinner and runs into disapproving relatives. The next morning, Arthur’s train set wakes them up and Hobson, his loyal butler, sends Gloria on her way so that Arthur can prepare for a meeting with his father. As Arthur lounges in his bubble bath, he asks Hobson to bring a pitcher of martinis because he cannot face his father if he is sober. Later, Stanford Bach insists that his son marry Susan Johnson, the daughter of a business acquaintance. Arthur does not love Susan and refuses. His father and grandmother, however, have decided that if Arthur does not marry Susan, they will cut him off financially and he will lose his $750 million inheritance. Arthur reluctantly agrees. His father hands Arthur his grandmother’s ring to give to Susan, the invitations are ready to go out and the wedding will be in one month. Arthur relieves his frustration by spending a lot of money in the Men’s Department at Bergdorf-Goodman’s and notices a woman shoplift a tie. A security guard also notices the theft and trails the woman. Intrigued, Arthur and Hobson follow them outside. When the security guard confronts the woman, she brazenly creates a scene. Amused, Arthur steps in and pretends they were shopping together, and he forgot to pay for the tie. The woman plays along and Arthur kisses her before telling the security guard to put the tie on his bill. Linda Marolla introduces herself and admits she stole the tie for her father’s birthday. Arthur asks her out for dinner the following evening and has Bitterman drive her home to Queens. As the Rolls Royce pulls up outside her building, Linda asks Bitterman if he can wait until one of the neighbors has a chance to see her arrive in style and Bitterman complies. Linda’s unemployed father, Ralph, likes the tie, but is more excited to learn she has a date with a millionaire. Arthur and Linda enjoy dinner and games at an arcade, and he learns that she works as a waitress in a diner while studying acting. The next day, Arthur meets with his grandmother, Martha, and tells her he cannot marry Susan because he has met Linda. Martha says she loves him, but, if Arthur does not marry Susan, she will cut him off without a cent. She advises him to marry Susan and have an affair with Linda. That night, Linda is cooking dinner for him when Arthur calls to cancel and admits he is getting engaged that evening. Linda is upset, but it is her father who bursts into tears. Before driving to Susan’s home, Arthur checks on Hobson, who is uncharacteristically resting, but Hobson claims he just has a cold. Arthur confides that he thinks Linda is special and when Hobson makes a joke about her, Arthur gets mad and storms out. He quickly returns and apologizes for raising his voice. Hobson thinks Arthur might actually be growing up, and also apologizes for his comment about Linda. Arthur drinks and drives to the Johnson’s home, and is drunk when Burt Johnson confronts him. Burt wants Arthur to stop drinking and come work for him. He also warns Arthur to make Susan happy or Burt might kill him. Arthur drinks his way through dinner, and tries to dissuade Susan from accepting his proposal, but she will not give up. Arthur gives her the ring and cuts their date short. Arthur drunkenly shows up at Linda’s apartment in the middle of the night. He gives her a check for $100,000 but Linda refuses the money and asks him to leave. The next day, Arthur complains to Hobson about the situation. Hobson admonishes him to marry Susan, but also says that fate might help everything work out. Hobson arrives at Linda’s apartment with a dress for her, and suggests that she go to Arthur’s engagement party if she is serious about him. He tells her that he can recognize a man in love. She realizes that Hobson is a good friend and kisses him on the cheek. She also recognizes that Hobson is not feeling well and worries. Arthur is surprised to see Linda at the engagement party. They walk to the stables and Arthur admits he is going to marry Susan, but Linda is still glad that she came to the party. Susan interrupts them and Linda pretends that she came to beg Arthur for money to help pay for her husband’s gambling debts and her sick child’s operation. Susan believes her but says she did not come to spy on them, rather she received an urgent call notifying Arthur that Hobson is in the hospital. Hobson is dying and Arthur is determined to care for the man who is like a father to him. Arthur postpones the wedding and stays at Hobson’s side. He brings Hobson’s furniture to the hospital room, gives him presents and has food delivered from all the finest restaurants. Arthur also stays sober for the last month of Hobson’s life. Before he dies, Hobson tells Arthur that he can do anything he wants with his life and asks if Arthur has seen Linda recently. After Hobson’s death, Arthur gets drunk in a dive bar. The wedding is in less than five hours when Bitterman arrives to get him. Outside the church, Burt warns Stanford that if Arthur doesn’t show up, Burt will kill him. Meanwhile, Arthur, quite drunk, arrives at the diner where Linda works as a waitress. He knows he will lose his money, but proposes to her anyway and she accepts. They head to the church to tell Susan. Arthur heads through the packed church to the ante room where Susan and her wedding party are getting ready. When he calls off their wedding, she yells for her father. Burt attacks Arthur and, when Linda comes to his aid, Burt insults her, pushes her aside and hits Arthur again. As Burt grabs a knife to kill them, Martha storms in, slaps Burt and orders him not to "screw" with her. Arthur drunkenly informs the guests that the wedding is off and he will not see them again because he is going to be poor. Then he passes out. Later, Linda tends to his cuts as they talk in the almost empty church. Martha watches quietly as they declare their love for each other, but when Arthur talks about getting a job, she interrupts and declares that there has never been a “working class” Bach and there never will be. She insists that Arthur takes his $750 million, but Arthur refuses. Money has not made him happy. As Linda and Arthur start to leave, Martha insists he take the money. He ignores her and she gets in her limousine, saying she will never offer him the money again. Arthur joins Martha in her limousine for a moment, and then rejoins Linda to announce that he turned down Martha’s invitation for dinner, but did accept the money. Happily, Arthur and Linda get in the Rolls Royce and Bitterman drives them to Central Park.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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