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Name: Carpool
Genre: Comedy
Released: 1996
Duration: 1 min 59 s
Cast: Tom Arnold, David Paymer, Rhea Perlman, Jonathan Walker, Nathaniel Deveaux

Brief Synopsis

Franklin Laszlo is a hapless, henpecked but eager-to-please carnival owner who's taking a one-shot chance at robbery in order to salvage his business and relationship with his young son. Daniel Miller is a compulsive workaholic resentfully stuck driving the neighborhood carpool, including his own two overlooked sons, on the day of a make-or-break presentation at his advertising agency. Their paths cross in the middle of a bungled robbery when Franklin flees the site, taking Daniel and his vanful of kids as hostages and beginning a comic day-long chase.

Cast & Crew

Conrad Palmisano

Director

Tom Arnold

David Paymer

Rhea Perlman

Jonathan Walker

Nathaniel Deveaux

Film Details

MPAA Rating

Genre

Comedy

Release Date

1996

Distribution Company

WARNER BROS. PICTURES DISTRIBUTION (WBPD)

Location

Vancouver, British Columbia, Canada

Technical Specs

Duration

1h 59m

Synopsis

Directors

Conrad Palmisano

Director

Arthur Hiller

Director

Cast

Tom Arnold

David Paymer

Rhea Perlman

Jonathan Walker

Nathaniel Deveaux

Rachael Leigh Cook

Kay Arnold

Rick Poltaruk

Jack Thomas

Victor Magnussen

Michael Richard Dobson

Larry Musser

Michael Tiernan

Shawn Macdonald

Judy Kovar

Mikey Kovar

Colleen Rennison

Betty Linde

Kim Coates

Micah Gardener

William Bauer

Dolores Drake

Kathleen Freeman

Voice

Tatiana Chekhova

Obba Babatundé

Alexis Ioannidis

Jewel Staite

Justin Wilkie

Wren Roberts

John Tench

Mary Mcdonald

Julie Arnold

Rod Steiger

Victor Favrin

David Ward

Jordan Blake Warkol

Alan Van Sprang

David Kaye

Jeremy Radick

Edie Mcclurg

Voice

Ian Tracey

Miriam Flynn

Voice

Patti Allan

Myron Pechet

Stellina Rusich

Brian Arnold

Steve Billnitzer

Hiro Hauata

Crew

Film Details

MPAA Rating

Genre

Comedy

Release Date

1996

Distribution Company

WARNER BROS. PICTURES DISTRIBUTION (WBPD)

Location

Vancouver, British Columbia, Canada

Technical Specs

Duration

1h 59m

Articles

TCM Remembers - Rod Steiger

July 1, 2002

ROD STEIGER, 1925 - 2002

From the docks of New York to the rural back roads of Mississippi to the war torn Russian steppes, Rod Steiger reveled in creating some of the most overpowering and difficult men on the screen. He could be a total scoundrel, embodying Machiavelli's idiom that "it's better to be feared than loved" in the movies. But as an actor he refused to be typecast and his wide range included characters who were secretly tormented (The Pawnbroker, 1965) or loners (Run of the Arrow, 1965) or eccentrics (The Loved One, 1965).

Along with Marlon Brando, Steiger helped bring the 'Method School' from the Group Theater and Actors Studio in New York to the screens of Hollywood. The Method technique, taught by Stella Adler and Lee Strasberg, insisted on complete immersion into the character's psyche and resulted in intense, dramatic performances and performers. Steiger made his first significant screen appearance as Brando's older brother in On the Waterfront (1954). Their climatic scene together in a taxicab is one of the great moments in American cinema.

It was a short leap from playing a crooked lawyer in On the Waterfront to playing the shady boxing promoter in The Harder They Fall (1956). Based on the tragic tale of true-life fighter Primo Carnera, The Harder They Fall details the corruption behind the scenes of professional boxing bouts. Steiger is a fight manager named Nick Benko who enlists newspaperman Eddie Willis (Humphrey Bogart in his final screen appearance) to drum up publicity for a fixed prizefight. While the boxing scenes were often brutally realistic, the most powerful dramatic moments took place between Steiger and Bogart on the sidelines.

As mob boss Al Capone (1959), Steiger got to play another man you loved to hate. He vividly depicted the criminal from his swaggering early days to his pathetic demise from syphilis. In Doctor Zhivago (1965), Steiger was the only American in the international cast, playing the hateful and perverse Komarovsky. During the production of Dr. Zhivago, Steiger often found himself at odds with director David Lean. Schooled in the British tradition, Lean valued the integrity of the script and demanded that actors remain faithful to the script. Steiger, on the other hand, relied on improvisation and spontaneity. When kissing the lovely Lara (played by Julie Christie), Steiger jammed his tongue into Christie's mouth to produce the desired reaction - disgust. It worked! While it might not have been Lean's approach, it brought a grittier edge to the prestige production and made Komarovsky is a detestable but truly memorable figure.

Steiger dared audiences to dislike him. As the smalltown southern Sheriff Gillespie in In The Heat of the Night (1967), Steiger embodied all the prejudices and suspicions of a racist. When a black northern lawyer, played by Sidney Poitier, arrives on the crime scene, Gillespie is forced to recognize his fellow man as an equal despite skin color. Here, Steiger's character started as a bigot and developed into a better man. He finally claimed a Best Actor Academy Award for his performance as Sheriff Gillespie.

Steiger was an actor's actor. A chameleon who didn't think twice about diving into challenging roles that others would shy away from. In the Private Screenings interview he did with host Robert Osborne he admitted that Paul Muni was one of his idols because of his total immersion into his roles. Steiger said, "I believe actors are supposed to create different human beings." And Steiger showed us a rich and diverse cross section of them.

by Jeremy Geltzer & Jeff Stafford

TCM Remembers - Rod Steiger

ROD STEIGER, 1925 - 2002 From the docks of New York to the rural back roads of Mississippi to the war torn Russian steppes, Rod Steiger reveled in creating some of the most overpowering and difficult men on the screen. He could be a total scoundrel, embodying Machiavelli's idiom that "it's better to be feared than loved" in the movies. But as an actor he refused to be typecast and his wide range included characters who were secretly tormented (The Pawnbroker, 1965) or loners (Run of the Arrow, 1965) or eccentrics (The Loved One, 1965). Along with Marlon Brando, Steiger helped bring the 'Method School' from the Group Theater and Actors Studio in New York to the screens of Hollywood. The Method technique, taught by Stella Adler and Lee Strasberg, insisted on complete immersion into the character's psyche and resulted in intense, dramatic performances and performers. Steiger made his first significant screen appearance as Brando's older brother in On the Waterfront (1954). Their climatic scene together in a taxicab is one of the great moments in American cinema. It was a short leap from playing a crooked lawyer in On the Waterfront to playing the shady boxing promoter in The Harder They Fall (1956). Based on the tragic tale of true-life fighter Primo Carnera, The Harder They Fall details the corruption behind the scenes of professional boxing bouts. Steiger is a fight manager named Nick Benko who enlists newspaperman Eddie Willis (Humphrey Bogart in his final screen appearance) to drum up publicity for a fixed prizefight. While the boxing scenes were often brutally realistic, the most powerful dramatic moments took place between Steiger and Bogart on the sidelines. As mob boss Al Capone (1959), Steiger got to play another man you loved to hate. He vividly depicted the criminal from his swaggering early days to his pathetic demise from syphilis. In Doctor Zhivago (1965), Steiger was the only American in the international cast, playing the hateful and perverse Komarovsky. During the production of Dr. Zhivago, Steiger often found himself at odds with director David Lean. Schooled in the British tradition, Lean valued the integrity of the script and demanded that actors remain faithful to the script. Steiger, on the other hand, relied on improvisation and spontaneity. When kissing the lovely Lara (played by Julie Christie), Steiger jammed his tongue into Christie's mouth to produce the desired reaction - disgust. It worked! While it might not have been Lean's approach, it brought a grittier edge to the prestige production and made Komarovsky is a detestable but truly memorable figure. Steiger dared audiences to dislike him. As the smalltown southern Sheriff Gillespie in In The Heat of the Night (1967), Steiger embodied all the prejudices and suspicions of a racist. When a black northern lawyer, played by Sidney Poitier, arrives on the crime scene, Gillespie is forced to recognize his fellow man as an equal despite skin color. Here, Steiger's character started as a bigot and developed into a better man. He finally claimed a Best Actor Academy Award for his performance as Sheriff Gillespie. Steiger was an actor's actor. A chameleon who didn't think twice about diving into challenging roles that others would shy away from. In the Private Screenings interview he did with host Robert Osborne he admitted that Paul Muni was one of his idols because of his total immersion into his roles. Steiger said, "I believe actors are supposed to create different human beings." And Steiger showed us a rich and diverse cross section of them. by Jeremy Geltzer & Jeff Stafford

Quotes

Trivia

Miscellaneous Notes

Released in United States Summer August 23, 1996

Released in United States on Video December 23, 1996

The theatrical release of "Carpool" will be accompanied by the animated Looney Tunes short "Superior Duck" from veteran director Chuck Jones.

Completed shooting November 16, 1995.

Began shooting August 8, 1995.

Released in United States Summer August 23, 1996

Released in United States on Video December 23, 1996

Brief Synopsis

Cast & Crew

Conrad Palmisano

Tom Arnold

David Paymer

Rhea Perlman

Jonathan Walker

Nathaniel Deveaux

Film Details

Technical Specs

Synopsis

Directors

Conrad Palmisano

Arthur Hiller

Cast

Tom Arnold

David Paymer

Rhea Perlman

Jonathan Walker

Nathaniel Deveaux

Rachael Leigh Cook

Kay Arnold

Rick Poltaruk

Jack Thomas

Victor Magnussen

Michael Richard Dobson

Larry Musser

Michael Tiernan

Shawn Macdonald

Judy Kovar

Mikey Kovar

Colleen Rennison

Betty Linde

Kim Coates

Micah Gardener

William Bauer

Dolores Drake

Kathleen Freeman

Tatiana Chekhova

Obba Babatundé

Alexis Ioannidis

Jewel Staite

Justin Wilkie

Wren Roberts

John Tench

Mary Mcdonald

Julie Arnold

Rod Steiger

Victor Favrin

David Ward

Jordan Blake Warkol

Alan Van Sprang

David Kaye

Jeremy Radick

Edie Mcclurg

Ian Tracey

Miriam Flynn

Patti Allan

Myron Pechet

Stellina Rusich

Brian Arnold

Steve Billnitzer

Hiro Hauata

Crew

Stuart Aikins

Lawrence Albright

L Caroline Allart

Raymond Alley

Grace Anderson

Mary Andrews

Kevin Andruschak

Denny Arnold

Sandes Ashe

Ken Ashley-johnson

Scott Ateah

Ruth Atkinson

Siegfried Augustine

Paul Aulicino

Bill Babington

Charity Bailey