iBet uBet web content aggregator. Adding the entire web to your favor.
iBet uBet web content aggregator. Adding the entire web to your favor.



Link to original content: http://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-009005.xml
Collage as Theater : Music in the Late Twentieth Century

Contents

Music in the Late Twentieth Century

COLLAGE AS THEATER

Chapter:
CHAPTER 9 After Everything
Source:
MUSIC IN THE LATE TWENTIETH CENTURY
Author(s):
Richard Taruskin

Two collageurs of the 1960s did begin to prefigure postmodernist ideas and values, however. One was George Crumb (b. 1929), a colleague of Rochberg's (from 1965) at the University of Pennsylvania, who between 1963 and 1970 composed eight works to texts by the Spanish surrealist poet Federico García Lorca (1898–1936): Night Music (1963); four books of madrigals (actually settings for solo soprano and chamber ensemble, composed between 1965 and 1969); Songs, Drones, and Refrains of Death (1968); Night of the Four Moons (1969, inspired by the Apollo 11 moon landing that year); and Ancient Voices of Children (1970).

Citation (MLA):
Richard Taruskin. "Chapter 9 After Everything." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 1 Dec. 2024. <https://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-009005.xml>.
Citation (APA):
Taruskin, R. (n.d.). Chapter 9 After Everything. In Oxford University Press, Music in the Late Twentieth Century. New York, USA. Retrieved 1 Dec. 2024, from https://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-009005.xml
Citation (Chicago):
Richard Taruskin. "Chapter 9 After Everything." In Music in the Late Twentieth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 1 Dec. 2024, from https://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-div1-009005.xml
Users without a subscription are not able to see the full content. Please, subscribe or login to access all content.