A Chicago advertising man must struggle to travel home from New York for Thanksgiving, with a lovable oaf of a shower-curtain-ring salesman as his only companion.A Chicago advertising man must struggle to travel home from New York for Thanksgiving, with a lovable oaf of a shower-curtain-ring salesman as his only companion.A Chicago advertising man must struggle to travel home from New York for Thanksgiving, with a lovable oaf of a shower-curtain-ring salesman as his only companion.
- Awards
- 1 nomination
- Waitress
- (as Susan Kellerman)
- Martin
- (as George O. Petrie)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaJohn Hughes, in an interview on the "Those Aren't Pillows" DVD, said he was inspired to write the film's story after an actual flight he was on from New York to Chicago. The flight was diverted to Wichita, Kansas, taking him five days to get home.
- GoofsWhen the L train is coming back to the station at the end of the movie there is an aerial view of the actual train which uses reversed footage. On the ground below you see (very quickly) a person walking backwards.
- Quotes
Car Rental Agent: [cheerfully] Welcome to Marathon, may I help you?
Neal: Yes.
Car Rental Agent: How may I help you?
Neal: You can start by wiping that fucking dumb-ass smile off your rosy fucking cheeks! Then you can give me a fucking automobile! A fucking Datsun, a fucking Toyota, a fucking Mustang, a fucking Buick! Four fucking wheels and a seat!
Car Rental Agent: I really don't care for the way you're speaking to me.
Neal: And I really don't care for the way your company left me in the middle of fucking nowhere with fucking keys to a fucking car that isn't fucking there. And I really didn't care to fucking walk down a fucking highway and across a fucking runway to get back here to have you smile in my fucking face. I want a fucking car... right... fucking... now.
[pause]
Car Rental Agent: May I see your rental agreement?
Neal: I threw it away.
Car Rental Agent: Oh, boy.
Neal: Oh, boy, what?
Car Rental Agent: [narrows her eyes] You're fucked.
- Crazy creditsAfter all the end credits, there's a shot of advertising executive William Windom in the office as in the scene in the beginning of the movie, still examining the pictures Neal Page was waiting for him to finish perusing at the staff meeting.
- Alternate versionsThe theatrical and VHS releases have the closing Paramount logo after the post-credits scene. On further releases including the DVD, the logo is edited out, and the movie ends immediately.
- SoundtracksBa-Na-Na-Bam-Boo
Written by Elizabeth Westwood, Nick Burton & Robert Andrews
Performed by Westworld
Produced by Mark Ferda
Westworld performs courtesy of BMG Records (UK) Ltd.
Scenes such as those in the Bravewood Inn are classics. The argument between Neal and Del is the turning point in the film, and it is the first time that the audience realizes that they are in for more than they thought they were. There are certain elements of tenderness, heart, agony, conflict, and heartfelt emotion in "Planes, Trains and Automobiles" that make it transcend the genre.
Steve Martin and John Candy don't just act; they embody themselves so deeply in their characters that it almost sets a standard for how comedic pairings should be. Line them up next to Chris Farley and David Spade and the differences are astronomical. Watching Steve Martin is like acting a comedian at the top of his game. Just watch his reactions. The facial reaction from Steve in response to Del's comeback in the Bravewood Inn is perfect; we understand what Neal is going through, and Steve Martin lets us know this by placing himself in a recognizable area. We also understand Del, and that is really the key to this movie: Being able to identify with both characters almost equally. How often can you say that about buddy pictures? I don't ever feel much sympathy for Chris Farley, if that means anything.
John Candy remains one of the most underrated and underwritten film comedians of all time. Offered constant mediocre scripts during the eighties and early nineties, all the way up until his death in 1994, he could make the material something more, something watchable. I recently viewed "Funny Farm," a painfully unfunny film to sit through. I imagined what John Candy could have done with Chevy Chase's role, and I found myself laughing. Why? Because John Candy can make anything watchable. Just how many times would you watch "Summer Rental" or "The Great Outdoors" if the lead actor was Jim Carrey?
There's some important content in this film, but it is never overpowered by laughs, nor vice versa. They go hand-in-hand. I come back to the Bravewood Inn argument scene. After the hilarious, ongoing insults Neal throws at Del, Del responds and says, "You wanna hurt me? Go right ahead if it makes you feel any better. I'm an easy target. Yeah, you're right, I talk too much. But I also listen too much. I could be a cold-hearted cynical like you, but I don't like to hurt people's feelings. So you go right on and think what you like about me. But I'm not changing. I - I like me. My wife likes me. My customers like me. 'Cause I'm the real deal. Whatcha see is whatcha get." It's creepy how much dramatic, emotional and truthful subtext sneaks into this film, and yet it only makes it all the better for it. "Planes, Trains and Automobiles" is my favorite Comedy, yes I know that I have said it before. But, it is a serious comedy that has both heart and is hilarious at the same time. Entertainment at it's best. And isn't that what movies are all about?
5/5 stars.
- MovieAddict2016
- Jun 1, 2004
- Permalink
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Mejor solo que mal acompañado
- Filming locations
- Batavia, New York, USA(thruway Scenes)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $15,000,000 (estimated)
- Gross US & Canada
- $49,530,280
- Opening weekend US & Canada
- $7,009,482
- Nov 29, 1987
- Gross worldwide
- $49,530,280
- Runtime1 hour 33 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1