Brick is an alcoholic ex-football player who drinks his days away and resists the affections of his wife. A reunion with his terminal father jogs a host of memories and revelations for both ... Read allBrick is an alcoholic ex-football player who drinks his days away and resists the affections of his wife. A reunion with his terminal father jogs a host of memories and revelations for both father and son.Brick is an alcoholic ex-football player who drinks his days away and resists the affections of his wife. A reunion with his terminal father jogs a host of memories and revelations for both father and son.
- Nominated for 6 Oscars
- 3 wins & 16 nominations total
Zelda Cleaver
- Sookey
- (uncredited)
Brian Corcoran
- Boy
- (uncredited)
Hugh Corcoran
- Buster
- (uncredited)
Kevin Corcoran
- Child
- (uncredited)
Patty Ann Gerrity
- Dixie
- (uncredited)
Bobby Johnson
- Pollitt Groom
- (uncredited)
Walter Merrill
- Party Guest
- (uncredited)
Deborah Miller
- Trixie
- (uncredited)
Robert 'Rusty' Stevens
- Sonny
- (uncredited)
Vince Townsend Jr.
- Lacey
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaWhen Paul Newman agreed to play the role of Brick Pollitt, he was under the impression this movie would simply adapt the original script into a screenplay. When the screenplay deviated wildly from the stage text over Tennessee Williams's objections, Newman expressed his disappointment.
- GoofsAfter Brick tries to drive away and gets stuck, Maggie goes out to him and helps him into the house through the pouring rain. Her hair is soaking wet, but the next time she is seen, it's perfectly dry and styled.
- Quotes
Harvey 'Big Daddy' Pollitt: I've got the guts to die. What I want to know is, have you got the guts to live?
- ConnectionsEdited into Hollywood: The Dream Factory (1972)
Featured review
I am studying Tennesse Williams's Cat on a Hot Tin Roof in English. It is a fabulous play, constantly entertaining and witty. I saw the film with great interest, and I was most impressed. Yes the filmmakers did tone down the sexual references and the language and some of the events are simplified or cut(ie. they suppressed Brick's supposed homosexuality) . But even with the changes, the film thanks to the stellar performances and the witty screenplay sizzles fantastically on screen. It is also very gripping and intense, like the play.
What makes the play so unique is this. Whereas directors tend to stage what they visualise in their heads when there are no stage directions to show exactly what the playwrights intend, Williams is very specific what he wants throughout. His characterisations are broad and his descriptions of everything down to the bed, which is very symbolic, are detailed. The film, like I said, is toned down, but it still retains the sizzle, wit and intensity of the play with consummate ease.
The screenplay is very witty, emotional and funny even. The direction is very good too, and respects Williams's style. The film for its time looks lovely with lovingly designed costumes and skillful cinematography. The music is great, and the editing is crisp.
Out of the performances, all of which were stellar in what is really an ensemble piece, Burl Ives stands out especially in a towering spot-on portrayal of the domineering patriarch Big Daddy, and managed to stay true to his character. Paul Newman is splendid as Brick, giving a performance of quiet intensity and broodiness. While she slightly overdid the Daddy Dawling routine, Elizabeth Taylor is deliciously catty and sexy as Maggie, and her and Newman's chemistry was evident throughout. While maybe not quite right in terms of build, Judith Anderson the brilliant actress she was is wholly convincing as Big Mamma. While loud and coarse, she is also sympathetic. Jack Carson plays Gooper well too, Madeleine Sherwood was a tad annoying as Mae, then again I never liked Mae that much in the play anyway.
There are many standout scenes, but the one that stood out for me was the scene in the rain with Big Daddy and Brick. Thanks to the contrasting personalities of the two characters and the powerful acting of Ives and Newman, it is one of the most powerful scenes in any film. It makes me wonder why Ives was so overlooked at the Academy Awards really. The final confrontation was also a highlight. All in all, Cat on a Hot Tin Roof has its minor flaws, but it is impeccably acted, atmospheric and very steamy. 9/10 Bethany Cox
What makes the play so unique is this. Whereas directors tend to stage what they visualise in their heads when there are no stage directions to show exactly what the playwrights intend, Williams is very specific what he wants throughout. His characterisations are broad and his descriptions of everything down to the bed, which is very symbolic, are detailed. The film, like I said, is toned down, but it still retains the sizzle, wit and intensity of the play with consummate ease.
The screenplay is very witty, emotional and funny even. The direction is very good too, and respects Williams's style. The film for its time looks lovely with lovingly designed costumes and skillful cinematography. The music is great, and the editing is crisp.
Out of the performances, all of which were stellar in what is really an ensemble piece, Burl Ives stands out especially in a towering spot-on portrayal of the domineering patriarch Big Daddy, and managed to stay true to his character. Paul Newman is splendid as Brick, giving a performance of quiet intensity and broodiness. While she slightly overdid the Daddy Dawling routine, Elizabeth Taylor is deliciously catty and sexy as Maggie, and her and Newman's chemistry was evident throughout. While maybe not quite right in terms of build, Judith Anderson the brilliant actress she was is wholly convincing as Big Mamma. While loud and coarse, she is also sympathetic. Jack Carson plays Gooper well too, Madeleine Sherwood was a tad annoying as Mae, then again I never liked Mae that much in the play anyway.
There are many standout scenes, but the one that stood out for me was the scene in the rain with Big Daddy and Brick. Thanks to the contrasting personalities of the two characters and the powerful acting of Ives and Newman, it is one of the most powerful scenes in any film. It makes me wonder why Ives was so overlooked at the Academy Awards really. The final confrontation was also a highlight. All in all, Cat on a Hot Tin Roof has its minor flaws, but it is impeccably acted, atmospheric and very steamy. 9/10 Bethany Cox
- TheLittleSongbird
- Nov 21, 2009
- Permalink
Details
- Release date
- Country of origin
- Language
- Also known as
- Un gato sobre el tejado caliente
- Filming locations
- Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, USA(studio: made in Hollywood, U.S.A. by)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $3,000,000 (estimated)
- Gross worldwide
- $1,872
- Runtime1 hour 48 minutes
- Color
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content