Directed by:
Michel GondryScreenplay:
Charlie KaufmanCinematography:
Ellen KurasComposer:
Jon BrionCast:
Jim Carrey, Kate Winslet, Kirsten Dunst, Tom Wilkinson, Mark Ruffalo, Elijah Wood, Ryan Whitney, Debbon Ayer, Thomas Jay Ryan, Jane Adams, Paulie Litt (more)VOD (3)
Plots(1)
Joel (Jim Carrey) is stunned to discover that his girlfriend Clementine (Kate Winslet) has had her memories of their tumultuous relationship erased. Out of desperation, he contacts the inventor of the process, Dr. Howard Mierzwiak (Tom Wilkinson), to have Clementine removed from his own memory. But as Joel's memories progressively disappear, he begins to rediscover his love for Clementine. From deep within the recesses of his brain, Joel attempts to escape the procedure. As Dr. Mierzwiak and his crew (Kirsten Dunst, Mark Ruffalo, Elijah Wood) chase him through the maze of his memories, it's clear that Joel just can't get Clementine out of his head. (official distributor synopsis)
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Reviews (13)
This is absolutely brilliant film. It's hard to believe that Jim Carrey would leave his comedic talent in the closet and dive into a serious role. Along with Kate Winslet, they form a harmonious couple, which initially gives you a clear sense of bliss, only to confuse you immediately afterwards. I don't know how Gondry (who the hell is that!? :D) managed to do it, but he prepared a slightly unpredictable film with many almost unbelievable plots that you will enjoy throughout the entire duration of the movie. PS: I really wouldn't have expected this (https://www.youtube.com/watch?v=KNihHGBjwvI)...90% ()
Everyone here is (rightly) praising Kaufman, but Gondry's direction, full of visual ideas and technical finesse, is just as brilliant as the script. Above all, it's to Gondry's credit that the plot puzzle doesn't fall apart like a house of cards and that the typical "Kaufman-esque" apparent chaos (it may seem so on the first viewing, but it makes perfect sense with the next screening) can be calmly absorbed the first time. In short, directorial work par excellence, which is not surprising, because a guy who has made such amazing videos for Bjork can't be second rate. I like this film more with each viewing, there is something new to find every time and it always manages to beautifully caress the soul. For me, one of the best and most original films of recent years. ()
In a word, a smart film, bolstered by a script from arguably the best and most creative contemporary Hollywood screenwriter, Andy Kaufman, and featuring clever, imaginative direction and an excellent cast. This film is reminiscent of the best Czechoslovak parodies and fantastic films of the 1970s. Playful, intelligent filmmaking. Overall impression: 85%. ()
The most unusual romantic movie I have seen. Cleverly and intelligently directed, but at times quite confusing and not entirely likeable (as a romance). From a romantic comedy, I do expect a bit more personal approach and the opportunity to go deeper, which is not the case here due to the frantic pace and complexity of the script. The film is rather cold, detached, and in a way, not very viewer-friendly. But the twist and the overall construction of the story are very original. For fans of traditionally styled, conservative romances, it will certainly not get top marks and will not be the film of the year by any means. ()
Whether I want to or not, I need to nag and criticize. The aspects of the film overshadow a certain banality and imperfection of the content... Beneath the shell of perfect visuals (the edit and camera are excellent!) and narrative magic, there is love story that is only briefly sketched psychologically and is not exceptional in any way, and it lacks depth and the hard-to-name magic that "made" Coppola's gem Lost in Translation. Carrey excels and with absolute sovereignty connects the civilian inner and exhibitionist mannerisms of his acting, and Winslet is also deeply immersed in the eccentric Clementine, but they are unable to hide the flatness of the characters and their considerable proclamation and two-dimensionality. The exclusivity of Eternal Sunshine of the Spotless Mind is aided by the superficial memory-erasing plot that allowed Gondry to play out the audio-visual drama of an escape from the inevitable oblivion that takes place almost entirely in the main character's head. The drama of the end of a relationship between two people, painful disillusionment and an irreversible return to the beginning, which overshadows all the evil that happened after it. It's not boring at all and it warms my soul, but after the film ended I had nothing left but a handful of positive impressions and a very overdone, mundane love story in an exclusive package. Nevertheless, I can only praise the ease with which Gondry et al. work with emotional shades... But I was still expecting more. ()
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