Rango

Too bad I didn't see the film in the original language! Otherwise, of course, the animated fantastical West! Overall it was conceived in a nicely normal way... almost makes me wonder how a child viewer can "chew on" this. And even though perfect animation is nothing exceptional nowadays, here I am truly impressed... and that music... hmmmm. A new take on the animated film. (21/03/2011)

Spaghetti, chorizo and chilli. An excellent combination. Wackier and more mature than Pixar movies, but no less entertaining and consistent in the emotional aspect (from laughter to fear to poignancy). With its exaggeration of genre conventions, inclination toward self-reflection and numerous references to particular films, Rango soothes the mind by stupefyingly blending mainstream productions to such a degree that I at first enjoyed it and was enthusiastic about it instead of analysing why I was so enthusiastic. The last animated film that I found comparably impressive is Surf’s Up, which could be the second half of a balanced double feature alongside the “arid” Rango. 95% (12/03/2011)

The film features excellent individual elements that stand out on their own (Clint), underlined by spectacular visuals (Deakins), playful music, and a horde of allusions, quotes, and parodies. Unfortunately, the result of the aforementioned is a rather incoherent patchwork, whose issue is not so much that it dabbles in multiple genres, but rather that it lacks the real wit that might have brought (paradoxically!) a bit of childishness in Verbinski's writing, the absence of which, on the other hand, I can quite understand after the Pirates trilogy. (04/08/2011)

For the passage where this was a not holds barred spaghetti western that in each camera angle and every tone nods to its roots, Verbinski can dig Leone up from his grave and shake him be the hand as equals. The only snag is that this constantly oscillates between surrealist animated adventure for adults, packed full of references to movies that are rarely nodded at (kicking off right at the beginning with Fear and Loathing in Las Vegas, for instance), through ingenious, slapstick inspired situations in Pirates of the Caribbean style, to spaghetti western. And all of these passages separately are gems, but they don’t work together, getting in the way of each other, because each of these approaches alone are enough make (and deserve) a feature length movie of their own. So on one hand it resuscitates several dying genres (not just western or surrealist, but also intelligent, non-ridiculing parodies or pastiches and CGI animation works as such), on the other it rather wastes the potential. And you must watch it in the English language version, not so much for Depp as for Nighy and Olyphant, and the Czech subtitles are playful and inventive (although very loose) for a change OST score: 5/5 (12/03/2011)

Rango is more about episodic gems than about its story. But these gems are an avalanche of fresh ideas, paying homage to famous westerns, Robert Rodriguez movies and even Pulp Fiction. The characters of bearded lizard hombres spitting in the dust who are rendered more vividly and with greater attention to detail than Clu in Tron: Legacy are a true feast for the eyes of genre enthusiasts. Hans Zimmer’s post-Sherlock music laced with Mexican motifs spices up the comical episodes and boosts the action ones that are shot and edited better than anything you’ve seen in the best action flicks. And there are significantly more jokes aimed at adults than at kids. (08/03/2011)