Everything, Everything

The first half will release a classic teen lemonade, where everything is standard as we know it, including the main, rather likeable, duo. (Amandla Stenberg has changed unrecognizably since the Hunger Games, and it must be said that in terms of beauty (and I thought she was beautiful in the duo). In the second half, on the other hand, I was rather disappointed that it didn't follow the established line, although the plot twist, which is simple, is also quite original and unexpected. I believe that Everything, Everything (what a bombastic name, right :D) I will watch again at some point, because besides the plot, it is a skillfully crafted dramedy that doesn't have to be ashamed of its simplicity and silliness compared to its counterparts, and one enjoys oneself quite well throughout. However, maybe deep down in my soul, I was hoping for a little more...7/10 (07/23/2017)

If I look at it with sober eyes, the romantic central plotline is kick-started far too quickly, but in the face of its authenticity, I willingly squint my eyes. The bond between Maddy and Olly contains exactly that head-over-heels infatuation where you don't need to know anything essential about the other person, yet you are unshakably certain that this love is the one. It's everything. Combined with the nostalgic mood and ingeniously filmed virtual dialogues, it simply provides no defense for sentimental individuals. (06/28/2017)

I correctly guessed the final point after the first fifteen minutes, and then I just waited for it to get there. The fact is that an interesting and highly emotional romantic drama could have arisen from this theme, if it had not been so naive and stupid, and if its main protagonist didn’t behave like a suicidal fool. The dream visualization of an SMS conversation is an interesting move, but very poorly filmed. (09/17/2017)