Hotel Modrá hvězda
Directed by:
Martin FričCinematography:
Ferdinand PečenkaComposer:
Sláva Eman NováčekCast:
Nataša Gollová, Oldřich Nový, Adina Mandlová, Karel Černý, Theodor Pištěk, Ladislav Pešek, Jan Pivec, Antonín Novotný, Ferenc Futurista, Jára Kohout (more)Plots(1)
Zuzanka can finally stop toiling away at washing dishes at hotel Mercur after a distant aunt has bequeathed her her own hotel - Modrá hvězda. She proudly marches over to the luxury hotel in the centre of town and immediately begins to change the personnel. Because this involves the facilities belonging to a joint-stock company, which no one can inherit, she is considered insane. It comes out that her inheritance is in reality a small, shabby little hotel in the IV town district. The personnel are three unemployed youths who in this way work off the money they owe for rent. The first guest is wealthy Vladimír Rychta Rohan, whose parents spent their honeymoon in this very hotel. He wants to celebrate his wedding there, with which his fiancée Milada, who is waiting for him at the luxurious Modrá hvězda, does not concur. Given the fact that the marriage was arranged by their parents, neither Vladimír nor Milada is upset about a subsequent separation. Vladimír falls in love with the slightly old-fashioned Zuzanka and he proposes to her. Milada finds her liking in the composer František, one of the residents at Zuzanka's hotel. Because it has been possible to sort out all misunderstandings and confusion, two weddings at once may immediately take place. (official distributor synopsis)
(more)Reviews (3)
The backstage remakes bother me. Even if Frič, bred by Lamač, was in a way entitled to a remake. But Nataša couldn't act better than Anny Ondra even if she tore herself apart. Some people are good, some are not. Those who don't know what I'm talking about should watch the original from 1933.
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Another great comedy from the era now called for the nostalgic. Well, not so many people remember it now. Oldřich Nový is great again, although his character is a bit silly at the end, but the one who truly steals the show in this film is Nataša Gollová, who is simply captivating, beautiful, and adorable.
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An attempt to replicate the success of Christian by engaging the same ensemble of actors in the service of a remake of an eight-year-old German film from a similar milieu. Thus, a clearly focused commercial product that fulfills nothing more than the expectations of fans of the stars it features. The adorable Gollová, the brunette hunk Pištěk, the elegant Mandlová, the drunken Futurist, and the irrepressibly sleazy Oldřich Nový, whose smarmy rapist techniques have become to this day short of any show business.
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