Creators:
Jesse ArmstrongComposer:
Nicholas BritellCast:
Brian Cox, Jeremy Strong, Matthew Macfadyen, Sarah Snook, Kieran Culkin, Alan Ruck, Nicholas Braun, Hiam Abbass, Natalie Gold, Mary Birdsong, Dagmara Domińczyk (more)VOD (3)
Seasons(4) / Episodes(39)
Plots(1)
Although he has no plans to step aside as the head of Waystar Royco, the international media conglomerate controlled by his family, aging patriarch Logan Roy is contemplating what the future holds. He has lingered in the limelight longer than even he thought he would, and now family members want to run the company as they see fit. Despite a best-laid succession plan, tempers flare over Logan's intentions. Kendall Roy, Logan's eldest son from his second marriage and a division president at the firm, is the heir apparent. As Kendall attempts to solidify his eventual takeover, he and the three other Roy children face a difficult choice as company control and family loyalties collide. (Warner Bros. Home Entertainment)
(more)Reviews of this series by the user Necrotongue (44)
Succession (2018)
I can't help but love a show that keeps me hooked for four seasons, despite feeling like wading through a swamp of mud, slaughterhouse remnants, and corrosive waste, without veering into unnecessary sentimentality or melodrama. It was the kind of show that had me torn between disgust and perverted joy. Even though there were moments when my brain felt like it was about to throw up, perverted joy still won. Despite the flawed and complex nature of the characters, I never found a favorite among them throughout the entire series. However, that didn't stop me from thoroughly enjoying the tumultuous lives of the dysfunctional Roy family. / Lesson learned: I wonder how people who lose their jobs and are left with only a few billion dollars in their pockets manage to get by. ()
Season 1 (2018) (S01)
After a slightly shaky start, I soon got hooked on the first season. Granted, I tend to deal with a somewhat different type of problems than how to invest my extra billions, but otherwise I was fascinated by the glimpse into the life of the snobbish "elite". Unlike similar series, Succession was more focused on the relationships in the Roy family, and I watched it with perverse joy at times. ()
Celebration (2018) (S01E01)
I'm left with mixed feelings. The theme grabbed my interest, and the cast is impressive, but the execution didn't quite hit the mark for me. As usual, I treat the pilot as an introduction to the plot and characters, so I'm hoping the story really picks up in the next episode. ()
Sh*t Show at the F**k Factory (2018) (S01E02)
Unlike most viewers, I actually enjoyed the episode. Maybe it's because I have some empathy for stroke victims, but I was thoroughly entertained by the family vultures circling the ICU. Tom's character is also growing on me — he's such an unbelievable idiot and a total sycophant. ()
Lifeboats (2018) (S01E03)
For a show with no action scenes, I’m surprisingly entertained. The script is solid, the characters are well-crafted, and the atmosphere dripping with snobbery and sycophancy is spot on. Shiobhan's and Kendall’s visits to their father were definitely highlights. ()
Sad Sack Wasp Trap (2018) (S01E04)
I was leaning towards a three-star rating until Tom caught the "deadly virus." From that moment on, his predicament had me thoroughly entertained, and I had to bump it up to four stars. I’m really enjoying the company of these characters — finding such a delightful bunch of scoundrels is rare. ()
I Went to Market (2018) (S01E05)
"Grandpa, happy Thanksgiving!" "Not for the Indians." Grandpa Ewan’s dry humor throughout the episode won me over instantly. Tom, our lovable idiot and paranoid mess, did his part too. But the real highlight was the Roy family Thanksgiving. Whenever they all gather under one roof, you know it’s going to be entertaining. Logan gets points for dealing with that spoiled brat (I mean, the very likable child with a stress-free upbringing). ()
Which Side Are You On? (2018) (S01E06)
This entire episode was all about the power struggle within the company, and I loved every bit of the moves, counter-moves, intrigues, and manipulations. If Kendall Roy weren’t such a jerk, I might have felt sorry for him at times. Fortunately, everyone here is so rotten that I don't need to feel any positive emotions toward them. Except for Siobhan — I'll forgive her for almost anything, but that's on me. ()
Austerlitz (2018) (S01E07)
As I mentioned in a previous review, whenever the entire Roy family gathers, boredom is never an option. The family therapy session was no exception. I wasn’t thrilled with how the script handled Kendall; I was hoping he’d have a few more tricks up his sleeve. On the flip side, Siobhan’s new move was a pleasant surprise and has the potential to be very interesting. ()
Prague (2018) (S01E08)
Episode eight featured Tom's bachelor party, but despite his new experiences, I was a bit bored this time. The senator's appearance on ATN caught my interest, and I was pleasantly surprised to see that I was wrong about Kendall — I had written him off too soon. ()
Pre-Nuptial (2018) (S01E09)
The pre-wedding gathering of the whole family at a castle promised entertainment, and it delivered. It felt like watching a pit full of venomous creatures. As with any proper wedding, this one was all about the bride, with Siobhan at the center of it all. However, most of the wedding preparations fell on Tom's shoulders. ()
Nobody Is Ever Missing (2018) (S01E10)
The wedding day might not have outshone the previous episode, but it certainly kept me entertained. Kendall, somewhat reluctantly, kicked off his planned move, leading to a series of maneuvers and counter-maneuvers full of intrigue. Plus, I learned the importance of maintaining a poker face even if a rocket explodes in Japan and that keeping a close eye on your electronic key is crucial. ()
Season 2 (2019) (S02)
I'm really glad that the second season didn't lag behind the first (it was even better), and once again it brought me a solid dose of disgust on the levels of family, corporate, and political dynamics. The twisted part of my personality came to the forefront again, and sensitive viewers should steer clear of this series like a priest avoids a brothel. From the perfect main musical motif, through the excellent script, to the fantastic performances of all the Roy family members, I was very satisfied and I'm looking forward to more. / Lesson learned: Before watching, make sure you have a bathtub or shower ready, you'll need it. 4*+ ()
The Summer Palace (2019) (S02E01)
The first episode picked up right where the previous season left off, and I couldn't be happier to dive back into the cesspool of family dynamics. Watching this show often brings to mind various unpleasant smells: overripe fruit, rotting vegetables, decaying onions, and one of the worst smells of the countryside - putrid potatoes. Yet, despite these almost horrifying impressions (or perhaps because of them), I'm genuinely thrilled with the creators' approach. Few can inundate me with such an excess of disgust and still evoke a positive reaction. / Lesson learned: Even after death, watch your penis. ()
Vaulter (2019) (S02E02)
While the family dynamics of the Roy family weren't entirely sidelined, this time they mainly served as a backdrop to the events at Waystar. And even though I'm more of a fan of the show's toxic family relationships, the focus on corporate practices didn't disappoint either. It's quite remarkable how the creators managed to keep me engaged for twelve episodes in a show where I don't particularly like anyone. Well, except for Siobhan. / Lesson learned: Watch out for outsiders. ()
Hunting (2019) (S02E03)
The Hungarian team-building was a treat. I had always thought that the purpose of team-building was to motivate people to work together but today I realized I couldn't have been more wrong. Well, as I gathered from this episode, even between your thirties and forties, it's not too late to experience trauma that might lead to bed-wetting. Quite an interesting experience. / Lesson learned: If you don't have the guts, steer clear of Europe. ()
Safe Room (2019) (S02E04)
The episode seemed quite restrained compared to the rest of this season so far. It was pretty bland and just lacked that spark on the company side and, to my disappointment, even on the family level. Up until now, the show was getting better with each episode, but now there's this sudden dip, so I'm not sure what to expect. / Lesson learned: Want to experience panic? Try the Panic Room. ()
Tern Haven (2019) (S02E05)
This time around, the creators gave me everything I felt was missing last time, so the Roy family was once again a living testament to why therapists and psychologists thrive in the United States. The meeting of both families was surely a pure delight for any cynical viewer, and the content of the relationship-emotional cesspool eerily gurgled once again. Yep, boredom definitely isn't on the menu with this series. / Lesson learned: Corpses don't get wet. ()
Argestes (2019) (S02E06)
What a ride. Not even movies where rooms are painted with the bodily fluids of various unfortunate souls give me the urge to take a shower afterward like some episodes of this show. This was a seriously intense family-business experience. Even though it unfolded in a luxurious setting with nobody losing their life, it had a far more chilling atmosphere at times than many a "horror" flick. / Lesson learned: Watch out for surprises. ()
Return (2019) (S02E07)
The seventh episode was decent overall, but for my taste, it felt a bit too calm. Except for Kendall (who brought it on himself) nobody showed any suicidal tendencies after suffering a life trauma. Sure, hopes were dashed, the family was still dysfunctional, but I felt like the creators allowed for a lighter episode to avoid therapy. / Lesson learned: Is your dad unapproachable? Talk to your mom. ()
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