Lear (opera)
| Lear | |
|---|---|
| Opera by Aribert Reimann | |
 | |
| Librettist | Claus H. Henneberg |
| Language | German |
| Based on | King Lear by William Shakespeare |
| Premiere | 9 July 1978 |
Lear is an opera in two parts with music by the German composer Aribert Reimann, and a libretto by Claus H. Henneberg, based on Shakespeare's tragedy King Lear.
Background and performance history
[edit]Reimann wrote the title role specifically for the baritone Dietrich Fischer-Dieskau, who had suggested the subject to the composer as early as 1968. Reimann then received a commission from the Bavarian State Opera in 1975. The world premiere, in a production by Jean-Pierre Ponnelle with Fischer-Dieskau in the title role, occurred at the National Theatre Munich on 9 July 1978, with Gerd Albrecht conducting.[1]
The production was revived in Munich in 1980.[2] The US premiere, in English translation, was presented by the San Francisco Opera in June 1981, with Thomas Stewart as Lear, under Gerd Albrecht.[3][4][5] The Paris premiere took place in November 1982, in a French translation by Antoinette Becker.[6] The UK premiere was presented by English National Opera in 1989;[1][7][8] the Swedish premiere took place at the Malmö Opera on 27 April 2013 with Fredrik Zetterström as Lear.
Roles
[edit]One notable departure from operatic convention was to make the part of Lear's Fool a speaking role, rather than a sung role. In addition, compared to the Shakespeare original, the parts of Kent and Edmund, for example, have been greatly reduced.[1]
| Role[9] | Voice type[9] | Premiere cast 9 July 1978[10] (Conductor: Gerd Albrecht) |
|---|---|---|
| Lear | baritone | Dietrich Fischer-Dieskau |
| Fool | spoken role | Rolf Boysen |
| Goneril, daughter of Lear | dramatic soprano | Helga Dernesch |
| Regan, daughter of Lear | soprano | Colette Lorand |
| Cordelia, daughter of Lear | soprano | Júlia Várady |
| Duke of Albany | baritone | Hans Wilbrink |
| Duke of Cornwall | tenor | Georg Paskuda |
| King of France | bass-baritone | Karl Helm |
| Duke of Gloucester | bass-baritone | Hans Günter Nöcker |
| Edgar, son of Gloucester | tenor/countertenor | David Knutson |
| Edmund, illegitimate son of Gloucester | tenor | Werner Götz |
| Earl of Kent | tenor | Richard Holm |
| Servant | tenor | Markus Goritzki |
| Knight | spoken role | Gerhard Auer |
| Chorus: servants, guards, soldiers, Lear's and Gloucester's retinue | ||
Instrumentation
[edit]The orchestral score requires:[9]
- 3 flutes (all doubling piccolo), alto flute, bass flute, 3 oboes, English horn, 2 clarinets, bass clarinet, 2 bassoons, contrabassoon
- 6 horns, 4 trumpets, 3 trombones, tuba
- percussion6, 2 harps
- strings: 24 violins, 10 violas, 8 cellos, 6 double basses
Recordings
[edit]- 1978: Dietrich Fischer-Dieskau, Karl Helm, Hans Wilbrink, Georg Paskuda, Richard Holm, Hans Günter Nöcker, David Knutson, Werner Götz, Helga Dernesch, Colette Lorand, Júlia Várady, Rolf Boysen, Markus Gortizki, Gerhard Auer; Bavarian State Orchestra, Chorus of the Bavarian State Opera; Gerd Albrecht, conductor. Deutsche Grammophon 463 480-2 (CD reissue)[11][12]
- 2008: Wolfgang Koch, Magnus Baldvinsson, Dietrich Volle, Michael McCown, Hans-Jürgen Lazar, Johannes Martin Kränzle, Martin Wölfel, Frank van Aken, Jeanne-Michèle Charbonnet, Caroline Whisnant, Britta Stallmeister; Frankfurter Opern- und Museumsorchester, Chorus of the Frankfurt Opera, Sebastian Weigle, conductor. Oehms Classics OC 921[13]
References
[edit]- ^ a b c Graeme, Roland (2001). "Lear. Aribert Reimann". The Opera Quarterly. 17 (1): 158–161. doi:10.1093/oq/17.1.158.
- ^ Marker, Frederick J., "Theatre in Review: Lear (Aribert Reimann)" (March 1981). Theatre Journal, 33 (1): pp. 112–114.
- ^ Rockwell, John (17 June 1981). "Lear by Aribert Reimann". The New York Times. Retrieved 2007-09-06.
- ^ Walsh, Michael (29 June 1981). "Three Premieres, Three Hits". Time. Archived from the original on April 11, 2008. Retrieved 2007-09-13.
- ^ Commanday, Robert (30 September 1979). "Reimann's King Lear – Hysterical Raw Emotion". San Francisco Examiner. p. 212. Retrieved 21 May 2020 – via Newspapers.com. continued on page 214
- ^ Lieblein, Leanore, "Theatre Review" (Périclès, Prince de Tyr / Lear) (May 1983). Theatre Journal, 35 (2): pp. 262–263.
- ^ Heyworth, Peter (29 January 1989). "A Lear and a grope". The Observer. London. p. 47. Retrieved 21 May 2020 – via Newspapers.com.
- ^ Canning, Hugh (24 January 1989). "Born of the thunder storm". The Guardian. London. p. 37. Retrieved 21 May 2020 – via Newspapers.com.
- ^ a b c "Aribert Reimann – Lear". Schott Music. Retrieved 9 October 2010.
- ^ Casaglia, Gherardo (2005). "Lear, 9 July 1978". L'Almanacco di Gherardo Casaglia (in Italian).
- ^ Griffiths, Paul, Review: "Reimann. Lear" (1980). The Musical Times, 121 (1644): p. 107.
- ^ "On-line catalogue entry Reimann – Lear – Albrecht". Deutsche Grammophon. Retrieved 9 October 2010.
- ^ "On-line catalogue entry Aribert Reimann – Lear". Oehms Classics. Retrieved 9 October 2010.
Further reading
[edit]- Holden, Amanda (ed.), The New Penguin Opera Guide, New York: Penguin Putnam, 2001. ISBN 0-14-029312-4
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