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Helena Rubinstein

From Wikipedia, the free encyclopedia

Helena Rubinstein
Born
Chaja Rubinstein

(1872-12-25)December 25, 1872
Kraków, Austria-Hungary (now Poland)
DiedApril 1, 1965(1965-04-01) (aged 92)
New York City, US
NationalityPolish[1]
Other namesPrincess Gourielli, Madame Helena Rubinstein, Chaja Rubinstein
Occupations
  • Businesswoman
  • philanthropist
  • art collector
  • cosmetician
Known forFounder and eponym of Helena Rubinstein Incorporated cosmetics company
Spouses
Edward William Titus
​
​
(m. 1908; div. 1938)​
Prince Artchil Gourielli-Tchkonia
​
​
(m. 1938; died 1955)​

Helena Rubinstein (born Chaja Rubinstein; December 25, 1872 – April 1, 1965)[2] was a Polish and American businesswoman, art collector, and philanthropist. A cosmetics entrepreneur, she was the founder and eponym of Helena Rubinstein Incorporated cosmetics company, which made her one of the world's richest women.[3]

Early life

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Helena Rubinstein's birth house (green) in Kraków's Kazimierz district

Rubinstein was the eldest of eight daughters[4] born to Polish Jews, "Augusta" Gitte (Gitel) Shaindel Rubinstein née Silberfeld and Naftoli Hertz "Horace" Rubinstein. Her father was a shopkeeper in Kraków, Lesser Poland, which was then occupied by Austria-Hungary following the partitions of Poland in the late 18th century. The existentialist philosopher Martin Buber was her cousin. She was also the cousin of Ruth Rappaport's mother.[5]

Move to Australia

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After refusing an arranged marriage, Rubinstein emigrated from Poland to Australia in 1896, with no money and little command of the English language.[6] Her stylish clothes and milky complexion did not pass unnoticed among the town's ladies, however, and she soon found enthusiastic buyers for the jars of beauty cream in her luggage. She spotted a market where she began to make her own. A key ingredient of the cream, lanolin, was readily at hand.

Coleraine, in the Western Victoria region, where her uncle was a shopkeeper, might have been an "awful place"[This quote needs a citation] but was home to some 75 million[citation needed] sheep that secreted abundant quantities of lanolin. These sheep were the wealth of the nation and the Western District's vast mobs of merinos produced the finest wool in the land. To disguise the lanolin's pungent odour, Rubinstein experimented with lavender, pine bark, and water lilies.

Rubinstein had a falling out with her uncle, but after a stint as a bush governess began waitressing at the Winter Garden tearooms in Melbourne. There, she found an admirer willing to stump up the funds to launch her Crème Valaze, supposedly including herbs imported "from the Carpathian Mountains".[This quote needs a citation] It cost ten pence and sold for six shillings (72 pence). Known to her customers only as Helena, Rubinstein could soon afford to open a salon in fashionable Collins Street, selling glamour as a science to customers whose skin was "diagnosed" and a suitable treatment "prescribed".[This quote needs a citation]

Sydney was next, and within five years, Australian operations were profitable enough to finance a Salon de Beauté Valaze in London. As such, Rubinstein formed one of the world's first cosmetic companies. Her business enterprise proved immensely successful and later in life, she used her enormous wealth to support charitable institutions in the fields of education, art, and health.

Rubinstein rapidly expanded her operation. In 1908, her sister Ceska assumed the Melbourne shop's operation, and with $100,000, Rubinstein moved to London and began what was to become an international enterprise. (Women at this time could not obtain bank loans, so the money was her own.)

Marriage and children – London and Paris

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In 1908, she married the Polish-born American journalist Edward William Titus in London. They had two sons, Roy Valentine Titus (London, December 12, 1909 – New York, June 18, 1989) and Horace Titus (London, April 23, 1912 – New York, May 18, 1958). They eventually moved to Paris where she opened a salon in 1912. Her husband helped with writing the publicity and set up a small publishing house, published Lady Chatterley's Lover[citation needed] and hired Samuel Putnam to translate famous model Alice Prin's (Kiki de Montparnasse) memoirs, Kiki's Memoirs.

Rubinstein threw lavish dinner parties and became known for apocryphal quips, such as when an intoxicated French ambassador expressed vitriol toward Edith Sitwell and her brother Sacheverell: Vos ancêtres ont brûlé Jeanne d'Arc! Rubinstein, who knew little French, asked a guest what the ambassador had said. "He said, 'Your ancestors burned Joan of Arc.'" Rubinstein replied, "Well, someone had to do it."[7]

At another fête, Marcel Proust asked her what makeup a duchess might wear. She summarily dismissed him because "he smelt of mothballs". Rubinstein recollected later, "How was I to know he was going to be famous?"[8]

Move to the United States

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Helena Rubinstein by Paul César Helleu (1908)
Helena Rubinstein 1959 Tel Aviv Museum of Art

At the outbreak of World War I, she and Titus moved to New York City, where she opened a cosmetics salon in 1915, the forerunner of a chain throughout the country. Rubinstein opened up the boundless American market, and she skilfully used it, despite serious competitors. This was the beginning of her vicious rivalry with another notable woman of the cosmetics industry, Elizabeth Arden. Both Rubinstein and Arden, who died within 18 months of each other, were social climbers. They were both keenly aware of effective marketing and luxurious packaging, the attraction of beauticians in neat uniforms, the value of celebrity endorsements, the perceived value of overpricing and the promotion of the pseudoscience of skincare. The rivalry with Arden lasted all her life. Rubinstein said of her rival, "With her packaging and my product, we could have ruled the world."[9]

From 1917, Rubinstein took on the manufacturing and wholesale distribution of her products. The "Day of Beauty" in the various salons became a great success. The purported portrait of Rubinstein in her advertising was of a middle-age mannequin with a Gentile appearance.[citation needed]

In 1928, she sold the American business to Lehman Brothers for $7.3 million, ($127 million in 2022). After the onset of the Great Depression, she bought back the nearly worthless stock for less than $1 million and eventually increased the value of the company to $100 million, establishing salons and outlets in almost a dozen US cities. This saga, and Rubinstein's early business career, has been the subject of a recent Harvard Business School case.[10] Her subsequent spa at 715 Fifth Avenue included a restaurant, a gymnasium and rugs by painter Joan Miró. She commissioned artist Salvador Dalí to design a powder compact as well a portrait of herself in 1943, titled Princess Arthchild Gourielle-Helena Rubinstein.[11] Other artists who painted her portrait[12] were Graham Sutherland in 1957 for the Helena Rubinstein Foundation, now in the National Portrait Gallery of Australia,[13] Marie Laurencin in 1934 (now in the National Portrait Gallery (United States),[14] Raoul Dufy (1930),[15] Roberto Montenegro (1941).[16] After Rubinstein's last visit to Australia, William Dobell painted a series of eight portraits in 1957.[17][18]

Divorce and remarriage

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After her divorce, in 1938 Helena readily married Prince Artchil Gourielli-Tchkonia (sometimes spelled Courielli-Tchkonia; born in Georgia, February 18, 1895, died in New York City, November 21, 1955), whose somewhat clouded matrilinear claim to Georgian nobility stemmed from him having been born a member of the untitled noble Tchkonia family of Guria, enticing the ambitious young man to appropriate the genuine title of his grandmother, born Princess Gourielli.[19]

Gourielli-Tchkonia was 23 years younger than Rubinstein. Eager for a regal title, Rubinstein pursued the handsome man avidly and named a male cosmetics line after her youthful prized catch. Some have claimed that the marriage was a marketing ploy, including Rubinstein's being able to pass herself off as Helena Princess Gourielli.[20]

Rubinstein took a packed lunch to work and was frugal in many matters, but bought top-fashion clothing and valuable fine art and furniture. She founded the Helena Rubinstein Pavilion of Contemporary Art at the Tel Aviv Museum of Art and in 1957 she established the Helena Rubinstein Travelling Art Scholarship in Australia.[17] In 1953, she established the philanthropic Helena Rubinstein Foundation to provide funds to organizations specializing in health, medical research and rehabilitation.[21]

In 1959, Rubinstein represented the US cosmetics industry at the American National Exhibition in Moscow.

Called "Madame" by her employees, she eschewed idle chatter, continued to be active in the corporation throughout her life, even from her sick bed, and staffed the company with her relatives.[citation needed]

Death and legacy

[edit]

Rubinstein died April 1, 1965, of natural causes and was buried in Mount Olivet Cemetery in Queens.[22] Some of her estate, including African and fine art, Lucite furniture, and Victorian furniture upholstered in purple, was auctioned in 1966 at the Parke-Bernet Galleries in New York City.

One of Rubinstein's numerous sayings was: "There are no ugly women, only lazy ones."[23] A scholarly study of her exclusive beauty salons and how they blurred and influenced the conceptual boundaries at the time among fashion, art galleries, the domestic interior and versions of modernism is explored by Marie J. Clifford.[24] A feature-length documentary film, The Powder & the Glory (2009) by Ann Carol Grossman and Arnie Reisman, details the rivalry between Rubinstein and Elizabeth Arden.[9]

In her book Ugly Beauty, Ruth Brandon described her methodology:

She knew how to advertise—using 'fear copy with a bit of blah-blah'— and introduced the concept of 'problem' skin types. She also pioneered the use of pseudo-science in marketing, donning a lab coat in many advertisements, despite the fact that her only training had been a two-month tour of European skin-care facilities. She knew how to manipulate consumers' status anxiety, as well: If a product faltered initially, she would hike the price to raise the perceived value.[25]

In 1973, the company Helena Rubinstein, Inc. was sold to Colgate-Palmolive. By the 1980's the brand had faded from the US market.[26] In 1984 it was acquired by L'Oréal.[27][28] The L'Oreal takeover was to cause a good deal of scandal as company founder, Eugène Schueller, had been an enthusiastic collaborator during the war, and in its aftermath, L'Oreal became notorious for employing ex-Nazis on the run. Jacques Corrèze, who engineered the takeover, was one of these: he had been active in expropriating Jewish property in Paris.[29] The brand was re-launched in the US market in 1999 but it was unprofitable despite its having a renaissance in Asia, Europe, and South America. The US operation was closed down in 2003.[30] Since 2011, L'Oréal has been repositioning the brand as an ultra-premium skin care franchise. As of 2023, high-end Helena Rubinstein products remain unavailable in the US but are sold in international markets.[26]

The L'Oréal-UNESCO Awards for Women in Science are also known as the Helena Rubinstein Women in Science Awards.

The Helena Rubinstein Foundation, which had been established in 1953, operated through 2011, ultimately distributing nearly $130 million over the course of six decades, primarily to education, arts, and community-based organizations in New York City.[21] The foundation was a longtime supporter of children's programming for New York City's PBS affiliate WNET.

The Manhattan Jewish Museum hosted the exhibition "Helena Rubinstein: Beauty Is Power", the first museum show devoted to Rubinstein, from October 31, 2014, until March 22, 2015.[31][32]

Support for the arts

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A one-off Rubinstein Mural Prize was awarded in 1958 to Erica McGilchrist for her work in the Women's College, University of Melbourne, and a Helena Rubinstein Scholarship was awarded to Frank Hodgkinson in 1958 and Charles Blackman 1960.

The Helena Rubinstein Portrait Prize was an annual prize of £300 for portraiture by an Australian artist, and was mostly staged at the Claude Hotchin Gallery in Western Australia.[33]

[edit]

Based on Woodhead's book,[34] the 2016 musical War Paint dramatizes her rivalry with competitor Elizabeth Arden. After a run Chicago's Goodman Theatre, the show opened on Broadway at the Nederlander Theatre on April 6, 2017, starring Patti LuPone as Rubinstein and Christine Ebersole as Arden.[35]

The comedy Lip Service by the Australian dramatist John Misto chronicles the life and career of Rubinstein and her rivalry with Elizabeth Arden and Revlon[clarification needed]. Lip Service premiered April 26, 2017, at the Park Theatre in London, under the title Madame Rubinstein, before opening at Sydney's Ensemble Theatre in August of the same year. Miriam Margolyes starred as Rubinstein.[36]

See also

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References

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  1. ^ "Helena Rubinstein". Biography. Retrieved May 19, 2017.
  2. ^ Woodhead 2003, p. 14 for date of death, p. 20 for year of birth (not 1870 as stated on her gravestone: Helena Rubinstein at Find a Grave)
  3. ^ "The Beauty Merchant". Time. April 9, 1965. Archived from the original on May 10, 2012. Retrieved August 8, 2008.
  4. ^ Stonehouse, Cheryl (March 16, 2013). "Helena Rubinstein, the penniless refugee who built a cosmetics empire". Daily Express. London.
  5. ^ "Oral history interview with Ruth Rappaport". United States Holocaust Memorial Museum. Retrieved October 26, 2015.
  6. ^ Dzienkiewicz, Marta; Rzezak, Joanna; Karski, Piotr; Monod-Gayraud, Agnes (2017). Polish Pioneers: Book of Prominent Poles. Warsaw: Wydawnictwo Dwie Siostry. p. 50. ISBN 978-8-3653-4168-6. OCLC 1060750234.
  7. ^ O'Higgins, Patrick (1971). Madame: An Intimate Biography of Helena Rubinstein. Viking Press. p. 17. ISBN 978-0-6704-4530-1. Retrieved November 10, 2020.
  8. ^ Kanfer, Stefan (Summer 2004). "The Czarinas of Beauty". City Journal. Archived from the original on March 3, 2016. Retrieved August 8, 2008.
  9. ^ a b "The Powder & the Glory". Powderglory Productions.
  10. ^ Jones, Geoffrey (March 14, 2019). "How Helena Rubinstein Used Tall Tales to Turn Cosmetics into a Luxury Brand". Working Knowledge. Harvard Business School. Retrieved November 10, 2020.
  11. ^ "Salvador Dalí: Portrait of Princess Artchil Gourielli", Catalogue Raisonné of Paintings by Salvador Dalí, Fundació Gala – Salvador Dalí
  12. ^ "Twenty Portraits of Helena Rubinstein to Be Offered by Sotheby's in New York", April 8, 2011, artdaily.cc
  13. ^ "Graham Sutherland's portrait of Helena Rubinstein" by Fiona Gruber, Australian Book Review, October 25, 2016
  14. ^ "Marie Laurencin: Helena Rubinstein", National Portrait Gallery (United States); "Marie Laurencin: Portrait de Helena Rubinstein", Artnet
  15. ^ "Raoul Dufy: Portrait de Helena Rubinstein", Artnet
  16. ^ "Roberto Montenegro: Helena Rubinstein", National Portrait Gallery (United States)
  17. ^ a b Poynter, J. R. (1988). "Rubinstein, Helena (1870–1965)". Australian Dictionary of Biography. Vol. 11. Canberra: National Centre of Biography, Australian National University. ISBN 978-0-522-84459-7. ISSN 1833-7538. OCLC 70677943.
  18. ^ Eagle, Mary (1996). "Dobell, Sir William (1899–1970)". Australian Dictionary of Biography. Vol. 14. Canberra: National Centre of Biography, Australian National University. ISBN 978-0-522-84459-7. ISSN 1833-7538. OCLC 70677943.
  19. ^ Fitoussi 2013, p. 200.
  20. ^ Mrs. Astor and the Gilded Age[full citation needed]
  21. ^ a b "Helena Rubinstein Foundation to Close at Year's End". Philanthropy News Digest (Press release). November 7, 2011. Retrieved July 7, 2023.
  22. ^ Koykka, Arthur S. (1986). Project remember: a national index of gravesites of notable Americans. Reference Publications. ISBN 978-0-9172-5622-6.
  23. ^ Green, Penelope (February 15, 2004). "The Rivals". The New York Times. Retrieved August 8, 2008.
  24. ^ Clifford, Marie J. (Summer–Autumn 2003). "Helena Rubinstein's Beauty Salons, Fashion, and Modernist Display". Winterthur Portfolio. 38 (2–3): 83–108. doi:10.1086/421422. S2CID 146289495.
  25. ^ Graham, Ruth. "More Than Skin Deep", The Wall Street Journal February 5, 2011. From a review of the book Ugly Beauty: Helena Rubinstein, L'Oréal, and the Blemished History of Looking Good by Ruth Brandon
  26. ^ a b Weil, Jennifer (December 1, 2023). "Case Study: Helena Rubinstein's Roaring Comeback". Women's Wear Daily. Fairchild Publishing, LLC. Retrieved April 9, 2024.
  27. ^ Reckert, Clare M. (September 6, 1973). "Colgate Acquires Cosmetics Maker Helena Rubinstein". The New York Times. Retrieved November 10, 2020.
  28. ^ Levin, Doron P. (October 15, 1988). "L'Oreal buys Rubinstein in shrouded deal". The New York Times.
  29. ^ Brandon 2011, ch. 5: A Takeover and Three Scandals.
  30. ^ Mann, Rebecca (July 15, 2003). "L'Oréal to close Helena Rubinstein brand in the US". moodiedavittreport.com. Swansea, United Kingdom: Moodie International Limited. Retrieved April 10, 2024.
  31. ^ Rosenberg, Karen (October 30, 2014). "Celebrating Helena Rubinstein at the Jewish Museum". The New York Times.
  32. ^ "Helena Rubinstein: Beauty Is Power". The Jewish Museum.
  33. ^ McCulloch, Alan; Nodrum, Charles (1984). "Rubinstein Portrait Prize". Encyclopedia of Australian Art. Hutchinson of Australia. p. 973. ISBN 978-0-0914-8560-3.
  34. ^ Woodhead 2003.
  35. ^ Clement, Olivia (May 14, 2017). "Watch Patti LuPone and Christine Ebersole Chat War Paint on CBS Sunday Morning". Playbill. Retrieved November 10, 2020.
  36. ^ Madame Rubinstein by John Misto, thesoandsoartsclub.com. Retrieved 2 December 2021. Archived December 20, 2022, at the Wayback Machine

Sources

Further reading

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  • Alpern, Sara. "Helena Rubinstein", Jewish Women: A Comprehensive Historical Encyclopedia, Jewish Publishing Society, 2007 ISBN 978-965-90937-0-0
  • Brody, Seymour (author), Art Seiden (illustrator) (1956). Jewish Heroes & Heroines of America: 150 True Stories of American Jewish Heroism, Hollywood, Florida: Lifetime Books, 1996 ISBN 978-0-8119-0823-8
  • Trumble, Angus (2023). Helena Rubinstein: The Australian Years. La Trobe University Press. ISBN 9781760644529; with a foreword by Sarah Krasnostein
[edit]
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