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Class S (culture)

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Hotaru Kari (ほたる狩り, "Firefly Hunting"), illustration by Shigeru Sudō [ja], 1926

Class S (クラスS, Kurasu Esu), or S kankei,[1] abbreviated either as S or Esu (エス), is an early twentieth-century Japanese wasei-eigo term used to refer to romantic friendships between girls.[2] The term is also used to designate a genre of girl's fiction (少女小説, shōjo shōsetsu) which tells stories about the same, typically focused on senpai and kōhai relationships wherein one girl is senior in age or position to the other.[3] The "S" is an abbreviation that can stand for "sister", "shōjo" (少女, lit. young girl), "sex",[3] "schön" (German: beautiful), and "escape".[2]

Although Class S can broadly be described as a form of love between girls,[4] it is distinct from a romantic relationship or romance fiction in that it is used specifically to describe platonic relationships based on strong emotional bonds and very close friendship, rather than sex or sexual attraction.[5]

History

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Origins

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The Western novels Little Women and A Little Princess were translated into Japanese in 1906 and 1910, respectively, in order to educate the girls to become "good wives, wise mothers". These works also helped introduce the concepts of laotong, sisterhood, sentimentalism, and romance to young female audiences in Japan, with Jo of Little Women in particular becoming a prominent example of a tomboy character.[6]

Class S was also influenced by the Takarazuka Revue,[3] an all-women theater troupe established in 1914.[6] The revue featured women actors playing male roles referred to as otokoyaku (男役, lit. "male role") who would romance female characters.[7] Around this time, the term dōseiai (同性愛, "same sex love") was coined to describe butch and femme relationships, as well as relationships between two femmes, with femmes referred to as ome.[8] It was suggested in popular media of the time that the Takarazuka otokoyaku caused women in Class S relationships to become ome and persist in homosexual relationships long after it was acceptable.[3] Jennifer Robertson argues that "many females are attracted to the Takarazuka otokoyaku because she represents an exemplary female who can negotiate successfully both genders and their attendant roles and domains."[9]

The rapid creation of all-girls' schools during this period is also regarded as having contributed to Class S: by 1913, there were 213 such schools.[6]

Decline and revival

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In 1936, Class S literature was banned by the Japanese government.[10] The ban was lifted after World War II, along with restrictions on depictions of male-female romance in girls' magazines. This, combined with the closure of girls' schools in favor of co-educational schools and the mainstreaming of the free love movement, led Class S to decline as both a literary genre and a social phenomenon.[11][1]

Class S literature experienced a revival of popularity in the late 1990s. The 1998 yuri light novel series Maria-sama ga Miteru is credited with reviving the Class S genre, and is considered to be a modern equivalent to Nobuko Yoshiya's Hana Monogatari.[12]

Influence and legacy

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As a social phenomenon

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A 1911 article in Fujin Kōron claimed that between seven and eight women out of ten had experienced Class S relationships.[10]

Class S relationships were typically regarded as not a genuine expression of same-sex attraction.[6] So long as these relationships remained confined to adolescence they were regarded as normal, even spiritual.[2] This attitude would later inform contemporary perspectives on lesbianism in Japan: a tolerance towards non-sexual intimacy between girls, and the widespread belief that female homosexuality is a "phase".[13]

As literary genre

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Class S has had a significant impact on the Japanese literary tradition of depicting friendship between girls, as well as the development of Japanese lesbian literature and the yuri genre of anime and manga.[13][5]

Notable figures

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Nobuko Yoshiya, a lesbian Japanese novelist active in the Bluestocking feminist movement, is regarded as a pioneer of Class S literature.[14]

See also

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Notes

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  1. ^ a b Shamoon, Deborah (January 1, 2009). "The Second Coming of Shôjo". Heso Magazine. Archived from the original on September 24, 2014. Retrieved May 22, 2009.
  2. ^ a b c Robertson, Jennifer. Takarazuka. p. 68. Citing:
    • Hattori, Kakō; Uehara, Michikō (1925). Atarashii Kotoba no Jibiki [Dictionary of New Words] (in Japanese). Tokyo: Jitsugyō no Nihonsha. pp. 83–84.
    • Kabashima, Tadao; Hida, Yoshifumi; Yonekawa, Akihiko (1984). Meiji Taishō Shingo Zokugo Jiten [Dictionary of New Words and Colloquialisms in the Meiji and Taishō Periods] (in Japanese). Tokyo: Tōkyōdō Shuppan. p. 41. OCLC 14078498.
  3. ^ a b c d Robertson, Jennifer (August 1992). "The Politics of Androgyny in Japan: Sexuality and Subversion in the Theater and Beyond" (PDF). American Ethnologist. 19 (3) (3 ed.): 427. doi:10.1525/ae.1992.19.3.02a00010. hdl:2027.42/136411. JSTOR 645194. Archived from the original on 2020-06-20. Retrieved 2019-09-01.
  4. ^ "Proto-Yuri Novel: Otome no Minato (乙女の港) – Part 1, Introduction and Synopsis". Okazu. 2 March 2014. Archived from the original on December 17, 2018. Retrieved January 15, 2019.
  5. ^ a b "Why Is It Always Catholic Schoolgirls in Yuri". Okazu. December 18, 2018. Archived from the original on January 15, 2019. Retrieved January 15, 2019.
  6. ^ a b c d Dollase, Hiromi (2003). "Early Twentieth Century Japanese Girls' Magazine Stories: Examining Shōjo Voice in Hanamonogatari (Flower Tales)". The Journal of Popular Culture. 36 (4): 724–755. doi:10.1111/1540-5931.00043. OCLC 1754751.
  7. ^ Randall, Bill (May 15, 2003). "Three by Moto Hagio". The Comics Journal (252). Archived from the original on April 25, 2011. Retrieved 2008-01-23.
  8. ^ Robertson, Jennifer (1999). "Dying to tell: Sexuality and suicide in Imperial Japan". Signs. 25 (1): 1–35. doi:10.1086/495412. PMID 22315729. S2CID 29956565.
  9. ^ Robertson, Jennifer. Takarazuka. p. 82.
  10. ^ a b McHarry, Mark (November 2003). "Yaoi: Redrawing Male Love". The Guide. Archived from the original on April 17, 2008.
  11. ^ 藤本由香里 『私の居場所はどこにあるの？』学陽書房、1998年。ISBN 978-4313870116。
  12. ^ "Esu toiu kankei". Bishōjo gaippai! Wakamono ga hamaru Marimite world no himitsu (in Japanese). Excite. Archived from the original on 2008-02-21. Retrieved 2008-03-05.
  13. ^ a b "Women-loving Women in Modern Japan". Okazu. September 22, 2014. Archived from the original on December 6, 2011. Retrieved January 15, 2019.
  14. ^ Suzuki, Michiko (August 2006). "Writing Same-Sex Love: Sexology and Literary Representation in Yoshiya Nobuko's Early Fiction". The Journal of Asian Studies. 65 (3): 575. doi:10.1017/S0021911806001148. S2CID 162524708.

References

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