Miss Mary is a 1957 Indian Hindi-language comedy film[1] directed by L. V. Prasad. The movie is an AVM Production and directed by L. V. Prasad. A remake of Prasad's 1955 Telugu-Tamil bilingual film Missamma / Missiamma,[2] the film stars Meena Kumari in the titular role, Kishore Kumar and Ganesh(Gemini Ganesan). The music was by Hemant Kumar with the lyrics and dialogue written by Rajendra Krishan. The songs were sung by Kishore Kumar, Lata Mangeshkar, Asha Bhosle, Geeta Dutt and Mohammed Rafi.
| Miss Mary | |
|---|---|
 Poster | |
| Directed by | L. V. Prasad |
| Written by | Rajendra Krishan (dialogues) |
| Screenplay by | Aluri Chakrapani |
| Produced by | A. V. Meiyappan |
| Starring | Meena Kumari Kishore Kumar Ganesh |
| Cinematography | T. Muthuswamy |
| Edited by | K. Shankar |
| Music by | Hemant Kumar |
Production company | |
| Distributed by | AVM Productions |
Release date |
|
| Country | India |
| Language | Hindi |
Meena Kumari, who was to later become famous for her tragedy roles meriting the sobriquet "The Tragedy Queen", acted in a few light-hearted roles in the 1950s in films such as Azaad (1955), Mem Sahib (1956), Shararat, Kohinoor (1960) and Miss Mary.[3] Miss Mary was one of the biggest hits of that year.[4] The film was dubbed in Sinhala as Ahinsaka Prayogaya.[5]
Plot
editThe story is about Arun (Ganesh), an unemployed teacher who comes across an advertisement offering a job at the Laxmi School with the proviso that only married couples need apply. He meets Miss Mary (Meena Kumari), a Christian girl who is badly in need of a job to pay off her parents' debt. Arun suggests that she pose as his wife after he witnesses her getting harassed by John (Randhir), her potential suitor to which her father owes money. They hire Nakdau (Om Prakash), a beggar-cum-conman as a servant to keep up the pretense. The school owners (Rai Saheb and his wife), are looking for their long lost daughter Laxmi (hence the Laxmi School), who went missing sixteen years ago and the only thing tying her to them is a locket and an identification mark in the form of a mole on her left foot. They employ a detective Raju (Kishore Kumar) and his sidekick Chandragupta (Maruti) to find her. Raju is an orphan brought up as a nephew by the Rai Saheb. The old couple find a resemblance in Mary to their daughter and show her a photo of Laxmi that looks like her. Mary tells them that she can't be their daughter as she was brought up in a Christian environment by Christian parents.
Mary feels bad for lying about her married status to the Rai Saheb and his wife. She and Arun start liking each other in spite of their constant bickering. The owner's other daughter and Mary's biological sister Sita (Jamuna) has a fondness for Arun which upsets Mary. There are several comic sequences involving Raju and Chandragupta. The truth is revealed about Mary being the Rai Saheb's daughter Laxmi when her foster parents arrive.[6]
Cast
edit- Meena Kumari as Laxmi / Miss Mary[7]
- Kishore Kumar as Raju[8]
- Ganesh as Arun[7]
- Jamuna as Sita[6]
- Achala Sachdev as Laxmi and Sita's mother[8]
- Jagdish Sethi as Rai Saheb, Laxmi and Sita's father[8]
- Randhir as John[6]
- Om Prakash as Nakdau[8]
- Karunanidhi as Karunanidhi
- Maruti as Chandragupta[6]
- Shivraj as a Christian priest and Laxmi's foster father[9]
- Kesari as Vaidji
Production
editB. Nagi Reddi, the producer of the original, was insistent on having L. V. Prasad direct the Hindi remake.[10] Gemini Ganesan (credited as Ganesh) reprised his role from the Tamil original Missiamma (1955) since Prasad felt that "there was no one who could do a dignified comedy in Hindi".[11] Jamuna, who was a part of both the Telugu original Missamma (1955) and Missiamma, reprised her role for the Hindi remake.[8] Kishore Kumar after spending five days idling in a hotel room, got fed up and starting cutting his hair on one side. He started cutting on the other side, and since he overdid it, he continuously cut his hair until he was called to come on set when he did not have much hair anymore.[12]
Themes and influences
editArun teaches Sita music using a piano, which was common in Hindi films of that time to signify wealth.[6]
Gemini Ganesan was credited with introducing a fresh touch of a well-groomed, sophisticated South Indian youth into the Hindi film hero persona.[13]
Soundtrack
editThe music and background score was composed by Hemant Kumar and the lyrics were penned by Rajendra Krishan.[14] All of the songs are different from the original soundtrack except for the song "Brindavan Ka Krishna Kanhaiya", which was reused from the song titled "Brindaavanamadi Andaridi" in Telugu and "Brindavanamum Nandakumaranu" in Tamil.[15]
The songs were popular, especially "Gaana Na Aaya, Bajaana Na Aaya" sung by Kishore Kumar, "Yeh Mard Bade Dilsard, Bade Bedard", "O Raat Ke Musafir Chanda Zara Bata De", "Brindavan Ka Krishna Kanhaiya" sung by Lata Mangeshkar and Mohammed Rafi.[16] Lata Mangeshkar and Asha Bhosle, who first sang together in Ladli (1949), had a duet in the film: "Sakhi Ri Sun Bole Papiha Us Paar". Asha, despite her lack of training from her father Dinanath Mangeshkar and other Ustads, was able to follow Lata ably in her sargam-taan, keeping "perfect timing".[17]
Sukhpreet Kahlon of Cinestaan wrote that "Although Kishore Kumar isn't the hero of this film, he displays his musical talent in the song "Gaana Na Aaya". With lyrics like "O My Sita" and "Paplu Papita", the song is a nutty medley of various music forms and styles, which includes the nursery rhyme "Three Blind Mice".[8]
Track listing
edit| Song | Singer(s) | Ref. |
|---|---|---|
| "Sakhi Ri Sun Bole Papiha Us Paar" | Lata Mangeshkar, Asha Bhosle | [7] |
| "Saiyan Lag Jaa Gale, Aaja Mera Dil Jale" | Lata Mangeshkar | [6] |
| "So Gaya Saara Jahan" | Lata Mangeshkar | [7] |
| "Yeh Mard Bade Dilsard Bade Bedard" (Female) | Lata Mangeshkar | [7] |
| "Yeh Mard Bade Dilsard Bade Bedard" (Male) | Mohammed Rafi | [7] |
| "Pehle Paisa Phir Bhagwaan | Mohammed Rafi | [7] |
| "Brindavan Ka Krishna Kanhaiya" | Lata Mangeshkar, Mohammed Rafi | [15] |
| "O Raat Ke Musafir Chanda Zara Bata De" | Lata Mangeshkar, Mohammed Rafi | [7] |
| "Aayi Re Ghir Ghir Pehli Pehli Baadariya | Geeta Dutt | [6] |
| "Gaana Na Aaya, Bajaana Na Aaya | Kishore Kumar | [7] |
Reception
editMeher Baba and his disciple Mehera saw the film in Pune after being recommended the film by Baba's brother Jal, who said that the film was enjoyable.[18] Despite the film's box office success, Gemini Ganesan failed to establish a career in Hindi cinema.[6]
In 2012, a critic from The Hindu wrote that "If Prasad's direction is deft, camerawork by Muthuswami, aided by set designing of Shantaram, gives you alluring pictorial moments. A large credit for the film's appeal is also because of the slick editing by K. Shankar which never allows any scene to drag. So despite a fluffy story, watch Miss Mary for all the above reasons".[7] In 2015, Deepa Gahlot in her book Take-2: 50 Films That Deserve a New Audience, wrote that "Miss Mary had a rather bold plot for 1957 – an unmarried young woman pretending to be the wife of a stranger, for the sake of a job!" and concluded that "It must have been refreshing for audiences to watch a light hearted romance. It still is".[6] In 2022, a writer from IANS wrote that "Though typecast as a tragedienne, she [Meena Kumari] could do comic roles with aplomb too as seen in films such as Miss Mary (1957), Shararat (1959) and Kohinoor (1960) but she never got much of a chance. This was perhaps her biggest tragedy".[19]
References
edit- ^ Ganti, Tejaswini (2004). Bollywood: A Guidebook to Popular Hindi Cinema. Psychology Press. p. 127. ISBN 978-0-415-28854-5. Archived from the original on 3 September 2024. Retrieved 3 September 2024.
- ^ "Filmi cross-pollination: South Indian influence on 'Bollywood'". IANS. 30 April 2022. Archived from the original on 14 July 2022. Retrieved 3 September 2024 – via The Times of India.
- ^ Patel, Bhaichand (2012). Bollywood's Top 20: Superstars of Indian Cinema. Penguin Books India. pp. 131–. ISBN 978-0-670-08572-9. Retrieved 21 October 2015.
- ^ Sampath, Janani (12 June 2013). "The South-Bollywood hero brigade". The New Indian Express. Archived from the original on 2 December 2014. Retrieved 3 September 2024.
- ^ Jeyaraj, D. B. S. (November 2016). "Southern Skylark Susheela is Uncrowned Empress Of Tamil Film Songs ♫♥". D. B. S. Jeyaraj. Retrieved 3 September 2024.
- ^ a b c d e f g h i Gahlot, Deepa (2015). Take-2: 50 Films That Deserve a New Audience. Hay House. ISBN 978-93-84544-85-0. Archived from the original on 3 September 2024. Retrieved 3 September 2024.
- ^ a b c d e f g h i j Mahaan, Deepak (16 March 2012). "Miss Mary (1957)". The Hindu. Archived from the original on 8 April 2014. Retrieved 3 September 2024.
- ^ a b c d e f Kahlon, Sukhpreet. "An unconventional heroine". Cinestaan.com. Archived from the original on 22 August 2017. Retrieved 3 September 2024.
- ^ Joshi, Namrata (4 June 2017). "Character actor Shivraj passes away". The Hindu. Archived from the original on 5 June 2022. Retrieved 3 September 2024.
- ^ "Blast from the past: Missamma (1955)". The Hindu. 16 October 2014. Archived from the original on 18 October 2023. Retrieved 3 September 2024.
- ^ "#100YearsOfGeminiGanesan: Remembering the thespian Gemini Ganesan". The Times of India. 16 November 2020. Archived from the original on 17 September 2022. Retrieved 3 September 2024.
- ^ "I screamed, pretended to be crazy: Kishore Kumar". The Illustrated Weekly of India. 1985. Archived from the original on 9 August 2014. Retrieved 3 September 2024 – via The Times of India.
- ^ Raj, Ashok (2009). Hero Vol.1 - Volume 1. Hay House. ISBN 978-93-81398-02-9. Archived from the original on 3 September 2024. Retrieved 3 September 2024.
Gemini Ganesan [...] introduced in the Hindi film hero's persona a refreshing touch of a well-groomed sophisticated South Indian youth as seen in [...] Miss Mary (1957)
- ^ "Miss Mary". hindigeetmala.net. Hindi Geetmala. Archived from the original on 24 September 2015. Retrieved 21 October 2015.
- ^ a b Rangaraj, R. (26 July 2020). "When legend with baritone made music for Tamil films". The Times of India. Retrieved 3 September 2024.
- ^ Premchand, Manek (2021). Windows to the Soul: And Other Essays on Music. Notion Press. ISBN 979-8-88503-153-0. Archived from the original on 3 September 2024. Retrieved 3 September 2024.
- ^ Ranchan, Vijay (2 January 2014). Story of a Bollywood Song. Abhinav Publications. pp. 100–. GGKEY:9E306RZQTQ7. Retrieved 21 October 2015.
- ^ Fenster, David (2021). Mehera-Meher: A Divine Romance. Meher Nazar Publications. p. 178. Archived from the original on 3 September 2024. Retrieved 3 September 2024.
- ^ "On her 50th death anniversary, remembering the triple tragedies of Meena Kumari". IANS. 1 April 2022. Retrieved 3 September 2024 – via The Times of India.