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- The Holy Sonnets de John Donne, op. 35, és un cicle de cançons compost el 1945 per Benjamin Britten per a veu de tenor o soprano i piano. Va ser escrit per a ell i la seva parella de vida, el tenor , i l'estrena va ser feta per ells mateixos a la Wigmore Hall, Londres, el 22 de novembre de 1945. Britten va començar a compondre el cicle poc després de visitar els horrors comesos pels nazis al recentment alliberat camp de concentració de Bergen-Belsen. El cicle va ser enregistrat per a Decca pels intèrprets originals el novembre de 1967 a The Maltings, Snape amb John Mordler com a productor i Kenneth Wilkinson com a enginyer. El cicle consta de nou dels dinou Holy Sonets del poeta metafísic anglès John Donne (1572 – 1631). Les següents numeracions són les del manuscrit de Westmoreland de 1620, la versió més completa d'aquests sonets. 1.
* IV: Oh my blacke Soule! now thou art summoned 2.
* XIV: Batter my heart, three person'd God 3.
* III: Oh might those sighes and teares return againe 4.
* XIX: Oh, to vex me, contraryes meet in one 5.
* XIII: What if this present were the world's last night? 6.
* XVII: Since she whom I lov'd hath pay'd her last debt 7.
* VII: At the round earth's imagined corners 8.
* I: Thou hast made me, and shall thy work decay? 9.
* X: Death be not proud La cançó final, Death be not proud, és un , una de les formes musicals preferides de Britten. (ca)
- The Holy Sonnets of John Donne is a song cycle composed in 1945 by Benjamin Britten for tenor or soprano voice and piano, and published as his Op. 35. It was written for himself and his life-partner, the tenor Peter Pears, and its first performance was by them at the Wigmore Hall, London on 22 November 1945. Britten began to compose the cycle shortly after visiting, seeing the horrors of, and performing at, the liberated Nazi Bergen-Belsen concentration camp. The cycle was recorded for Decca by the original performers in November 1967 in The Maltings, Snape with John Mordler as producer and Kenneth Wilkinson as engineer. The cycle consists of settings of nine of the nineteen Holy Sonnets of the English metaphysical poet John Donne (1572–1631). The following numberings are those of the Westmoreland manuscript of 1620, the most complete version of those sonnets. 1.
* IV: "Oh my blacke Soule! now thou art summoned" 2.
* XIV: "Batter my heart, three person'd God" 3.
* III: "Oh might those sighes and teares return againe" 4.
* XIX: "Oh, to vex me, contraryes meet in one" 5.
* XIII: "What if this present were the world's last night?" 6.
* XVII: "Since she whom I lov'd hath pay'd her last debt" 7.
* VII: "At the round earth's imagined corners" 8.
* I: "Thou hast made me, and shall thy work decay?" 9.
* X: "Death be not proud" The concluding song, "Death be not proud", is a passacaglia, one of Britten's favorite musical forms. (en)
- I sonetti sacri di John Donne è un ciclo di canzoni composto nel 1945 da Benjamin Britten per voce di tenore o soprano e pianoforte, pubblicato come op. 35. (it)
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- I sonetti sacri di John Donne è un ciclo di canzoni composto nel 1945 da Benjamin Britten per voce di tenore o soprano e pianoforte, pubblicato come op. 35. (it)
- The Holy Sonnets de John Donne, op. 35, és un cicle de cançons compost el 1945 per Benjamin Britten per a veu de tenor o soprano i piano. Va ser escrit per a ell i la seva parella de vida, el tenor , i l'estrena va ser feta per ells mateixos a la Wigmore Hall, Londres, el 22 de novembre de 1945. Britten va començar a compondre el cicle poc després de visitar els horrors comesos pels nazis al recentment alliberat camp de concentració de Bergen-Belsen. La cançó final, Death be not proud, és un , una de les formes musicals preferides de Britten. (ca)
- The Holy Sonnets of John Donne is a song cycle composed in 1945 by Benjamin Britten for tenor or soprano voice and piano, and published as his Op. 35. It was written for himself and his life-partner, the tenor Peter Pears, and its first performance was by them at the Wigmore Hall, London on 22 November 1945. Britten began to compose the cycle shortly after visiting, seeing the horrors of, and performing at, the liberated Nazi Bergen-Belsen concentration camp. The concluding song, "Death be not proud", is a passacaglia, one of Britten's favorite musical forms. (en)
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- The Holy Sonnets of John Donne (ca)
- I sonetti sacri di John Donne (it)
- The Holy Sonnets of John Donne (en)
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