iBet uBet web content aggregator. Adding the entire web to your favor.
iBet uBet web content aggregator. Adding the entire web to your favor.



Link to original content: http://dbpedia.org/resource/Musical_historicism
About: Musical historicism
An Entity of Type: Thing, from Named Graph: http://dbpedia.org, within Data Space: dbpedia.org

Musical historicism signifies the use in classical music of historical materials, structures, styles, techniques, media, conceptual content, etc., whether by a single composer or those associated with a particular school, movement, or period. Musical historicism also denotes a theory, doctrine, or aesthetic that emphasizes the importance of music history or in which history is seen as a standard of value or determining factor (as in performance practice).

Property Value
dbo:abstract
  • Musical historicism signifies the use in classical music of historical materials, structures, styles, techniques, media, conceptual content, etc., whether by a single composer or those associated with a particular school, movement, or period. Musical historicism also denotes a theory, doctrine, or aesthetic that emphasizes the importance of music history or in which history is seen as a standard of value or determining factor (as in performance practice). (en)
dbo:wikiPageExternalLink
dbo:wikiPageID
  • 8802497 (xsd:integer)
dbo:wikiPageLength
  • 23965 (xsd:nonNegativeInteger)
dbo:wikiPageRevisionID
  • 1110669441 (xsd:integer)
dbo:wikiPageWikiLink
dbp:reference
  • 0001-09-23 (xsd:gMonthDay)
  • 0001-12-15 (xsd:gMonthDay)
  • 0001-12-18 (xsd:gMonthDay)
  • Frisch, Walter. 2005. German Modernism: Music and the Arts. California Studies in 20th-Century Music. Berkeley, Los Angeles, and London: University of California Press. . (en)
  • Mercer-Taylor, Peter. 2004. The Cambridge Companion to Mendelssohn. Cambridge and New York: Cambridge University Press. (en)
  • Reese, Gustave. 1968. Music in the Middle Ages. New York: W. W. Norton and Company. (en)
  • Tomkins, Calvin. 1976. The Bride and the Bachelors: Five Masters of the Avant-Garde, expanded edition. New York: Penguin Books. (en)
  • Wiora, Walter 1969. Die Ausbreitung des Historismus über die Musik: Aufsätze und Diskussionen. Studien zur Musikgeschichte des 19. Jahrhunderts 14. Regensburg: G. Bosse Verlag. (en)
  • Trachtenberg, Marvin, and Isabelle Hyman. 1986. Architecture from Prehistory to Post-Modernism: The Western Tradition. New York: Harry N. Abrams. (en)
  • Carl, Robert. 2001. "Introduction: Historicism in American Music since 1980". Contemporary Music Review 20, no. 4:1–7. (en)
  • Ford, Joseph Dillon. 2003. Orpheus in the Twenty-first Century: Historicism and the Art Music Renascence. Gainesville, Florida: New Music Classics [online publisher]. (en)
  • Gardiner, Patrick L. 1995. "Historicism." The Oxford Companion to Philosophy. Oxford: Oxford University Press. (en)
  • Lindskoog, Kathryn. 1996. "In the Footsteps of Michelman". The Lewis Legacy 69 . (en)
  • Frisch, Walter. 2004. "Reger's Historicist Modernism." The Musical Quarterly 87, no. 4 : 732–48. (en)
  • Solomon, Maynard. 1995. Mozart: a Life. New York: Harper Collins. (en)
  • Toews, John Edward. 2004. Becoming Historical : Cultural Reformation and Public Memory in Early Nineteenth-century Berlin. Cambridge and New York: Cambridge University Press. (en)
  • Grout, Donald J., and Claude V. Palisca. 1996. A History of Western Music, fifth edition. New York: W. W. Norton and Company. (en)
  • Reese, Gustave. 1959. Music in the Renaissance. New York: W. W. Norton and Company. (en)
  • Roth, Michael S. 1994. Rediscovering History: Culture, Politics, and the Psyche. Stanford: Stanford University Press. (en)
  • Pablo del Pozo. 2013. "Tombeaux y lamenti (II): De lachrimae". Sineris: Revista de Música, no. 14 . (en)
  • Smith, Douglas Alton. 2002. "Hoax or Art" Lute Society of America Quarterly, : 4. (en)
  • Lippman, Edward. 1994. A History of Western Musical Aesthetics. Lincoln and London: University of Nebraska Press. (en)
  • Applegate, Celia. 2005. Bach in Berlin: Nation and Culture in Mendelssohn's Revival of the St. Matthew Passion. Cornell University Press. (en)
  • Merriam-Webster. 2003b. "Modernism" Merriam-Webster's Online Dictionary, eleventh edition. (en)
  • Dahlhaus, Carl. 1983. Foundations of Music History, translated by J. Bradford Robinson. Cambridge and New York: Cambridge University Press. (en)
  • Emerson, Ralph Waldo. 1965. "Quotation and Originality." The Portable Emerson, edited and with an introduction by Mark Van Doren. New York: The Viking Press. (en)
  • Weaver, Robert Lamar, Norma Wright Weaver, Susan Helen Parisi, Ernest Charles Harriss, and Calvin M. Bower. 2000. Music in the Theater, Church, and Villa : Essays in Honor of Robert Lamar Weaver and Norma Wright Weaver. Warren, Michigan: Harmonie Park Press. (en)
  • Atlas, Allan W. 2006. "Music for the Mass". In European Music, 1520–1640, edited by James Haar, 101–29. Studies in Medieval and Renaissance Music 5. Woodbridge: The Boydell Press. ; . (en)
  • Böggemann, Markus. 2007. Gesichte und Geschichte: Arnold Schönbergs musikalischer Expressionismus zwischen avant-gardistischer Kunstprogrammatik und Historismusproblem. Vienna: Lafite. (en)
  • Hailey, Christopher. 1997. "Schoenberg and the Canon". In Constructive Dissonance: Arnold Schoenberg and the Transformations of Twentieth-century Culture, edited by Juliane Brand and Christopher Hailey, 163–78. Berkeley, Los Angeles, and London: University of California Press. . (en)
  • Davies, Peter. 2006. "That Mysterious Flow." Scientific American, 16, no. 1, special edition: 6–11. Reprinted from Scientific American 287, no. 3 : 40–44, 46–47. (en)
  • MacKenzie, James C. 1995. The Text of Time: Musical Quotation and Historicism in Berio's Sinfonia. Ottawa: National Library of Canada . (en)
  • Colburn, Grant. 2007. "A New Baroque Revival." Early Music America 13, no. 2 : 36–45, 54–55. (en)
  • Oxford English Dictionary. 2012. "Historicism, n.2". Oxford English Dictionary, third edition. Oxford University Press . (en)
  • Cox, Frank. 2004. "Musical Progress? New Music and Perils of Progressivist Historicism". In The Foundations of Contemporary Composing, edited by Claus-Steffen Mahnkopf, Frank Cox, and Wolfram Schurig, 11–34. Hofheim: Wolke Verlag. . (en)
  • Zon, Bennett. 1999. Nineteenth-century British Music Studies. Aldershot [Hampshire]; Brookfield [Vermont]: Ashgate. (en)
  • Mihailovic, Alexander. 1999. Tchaikovsky and His Contemporaries : A Centennial Symposium. Westport, Connectivut: Greenwood Press. (en)
  • Beckerman, Michael. 1994. "CLASSICAL VIEW; All Right, So Maybe Haydn Didn't Write Them. So What?" New York Times . (en)
  • Mahnkopf, Claus-Steffen. 2004. The Foundations of Contemporary Composition. Hofheim: Wolke. (en)
  • Garratt, James. 2002. Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music. Cambridge: Cambridge University Press. (en)
  • Watkins, Glenn. 1994. Pyramids at the Louvre: Music, Culture, and Collage from Stravinsky to the Postmodernists. Cambridge: The Belknap Press of Harvard University Press. (en)
  • Dahlhaus, Carl. 1989. Nineteenth-Century Music, translated by J. Bradford Robinson. Berkeley, Los Angeles, and London: University of California Press. . (en)
  • Garratt, James. 2004. "Mendelssohn and the Rise of Musical Historicism." The Cambridge Companion to Mendelssohn, edited by Peter Mercer-Taylor, 55–70. Cambridge: Cambridge University Press. (en)
  • Gmeinwieser, Siegfried. 2001. "Cecilian Movement". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers. (en)
  • Popper, Karl R. 1957. The Poverty of Historicism. London: Routledge & Kegan Paul; Boston: Beacon Press. (en)
  • Bryn-Julson, Phyllis, and Paul Mathews. 2008. Inside Pierrot Lunaire: Performing the Sprechstimme in Schoenberg's Masterpiece. Lanham and Plymouth: Scarecrow Press. ; . (en)
  • Merriam-Webster. 2003a. "Historicism". Merriam-Webster's Online Dictionary, eleventh edition. (en)
  • Burkholder, J. Peter, Andreas Giger, and David C. Birchler . 1994–2007. Musical Borrowing: An Annotated Bibliography. Bloomington: Indiana School of Music. (en)
  • Frisch, Walter. 2002. "Reger's Bach and Historicist Modernism". 19th-century Music 25:296–312. (en)
  • Lenz, Eric David. 2002. "Neoclassicism in Claude Debussy's Sonate pour violoncelle et piano." DMA diss., University of Alabama. (en)
  • Headlam, David John. 1996. The Music of Alban Berg. New Haven and London: Yale University Press. . (en)
  • Cherlin, Michael. 2007. Schoenberg’s Musical Imagination. Music in the Twentieth Century. Cambridge and New York: Cambridge University Press. . (en)
  • Sachs, Klaus-Jürgen, and Carl Dahlhaus. 2001. "Counterpoint". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers. (en)
  • "Lament." 1975. Harvard Dictionary of Music, second edition, revised and enlarged. . (en)
dbp:wikiPageUsesTemplate
dcterms:subject
rdfs:comment
  • Musical historicism signifies the use in classical music of historical materials, structures, styles, techniques, media, conceptual content, etc., whether by a single composer or those associated with a particular school, movement, or period. Musical historicism also denotes a theory, doctrine, or aesthetic that emphasizes the importance of music history or in which history is seen as a standard of value or determining factor (as in performance practice). (en)
rdfs:label
  • Musical historicism (en)
owl:sameAs
prov:wasDerivedFrom
foaf:isPrimaryTopicOf
is dbo:wikiPageWikiLink of
is foaf:primaryTopic of
Powered by OpenLink Virtuoso    This material is Open Knowledge     W3C Semantic Web Technology     This material is Open Knowledge    Valid XHTML + RDFa
This content was extracted from Wikipedia and is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License