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"\u041F\u0435\u0440\u0441\u043E\u043D\u0456\u0444\u0456\u043A\u0430\u0446\u0456\u044F \u0447\u0438 \u0443\u043E\u0441\u043E\u0431\u043B\u0435\u043D\u043D\u044F \u2014 \u0432\u0438\u0434 \u043C\u0435\u0442\u0430\u0444\u043E\u0440\u0438 \u2014 \u0432\u0438\u0440\u0430\u0437, \u0449\u043E \u0434\u0430\u0454 \u0443\u044F\u0432\u043B\u0435\u043D\u043D\u044F \u043F\u0440\u043E \u044F\u043A\u0438\u0439-\u043D\u0435\u0431\u0443\u0434\u044C \u043E\u0431'\u0454\u043A\u0442, \u043F\u043E\u043D\u044F\u0442\u0442\u044F \u0430\u0431\u043E \u044F\u0432\u0438\u0449\u0435 \u0448\u043B\u044F\u0445\u043E\u043C \u043D\u0430\u0434\u0430\u043D\u043D\u044F \u043D\u0435\u0432\u043B\u0430\u0441\u0442\u0438\u0432\u0438\u0445 \u0457\u043C \u043E\u0437\u043D\u0430\u043A, \u043F\u0435\u0440\u0435\u0439\u043D\u044F\u0442\u0438\u0445 \u0437 \u0436\u0438\u0432\u043E\u0457 \u043F\u0440\u0438\u0440\u043E\u0434\u0438, \u043F\u0435\u0440\u0448 \u0437\u0430 \u0432\u0441\u0435 \u2014 \u043B\u044E\u0434\u0441\u044C\u043A\u0438\u0445 \u0440\u0438\u0441 \u0456 \u044F\u043A\u043E\u0441\u0442\u0435\u0439."@uk .
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"Personification occurs when a thing or abstraction is represented as a person, in literature or art, as a type of anthropomorphic metaphor. The type of personification discussed here excludes passing literary effects such as \"Shadows hold their breath\", and covers cases where a personification appears as a character in literature, or a human figure in art. The technical term for this, since ancient Greece, is prosopopoeia. In the arts many things are commonly personified. These include numerous types of places, especially cities, countries and the four continents, elements of the natural world such as the months or Four Seasons, Four Elements, Four Winds, Five Senses, and abstractions such as virtues, especially the four cardinal virtues and seven deadly sins, the nine Muses, or death."@en .
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"La personificaci\u00F3 o prosopopeia \u00E9s una figura ret\u00F2rica que consisteix a atribuir qualitats humanes a \u00E9ssers no racionals, objectes, fen\u00F2mens naturals, etc."@ca .
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"Personifikacja"@pl .
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"Die Personifikation, Personifizierung oder fictio personae ist je nach Kontext entweder eine rhetorische Figur, die Tieren, Pflanzen, Gegenst\u00E4nden, toten Personen oder abstrakten Wesenheiten eine Stimme gibt (Prosopop\u00F6ie; von griech. \u03C0\u03C1\u03BF\u03C3\u03C9\u03C0\u03BF\u03C0\u03BF\u03B9\u03AF\u03B1 pros\u014Dpopoi\u00EDa) oder menschliche Z\u00FCge verleiht \u2013 eine k\u00FCnstlerische Darstellung von etwas Abstraktem in Gestalt einer Person \u2013 oder aber die Vorstellung von Naturgewalten als personalen Wesen im religi\u00F6sen Bereich. Im allgemeineren Sinne spricht man auch von Anthropomorphismus. Je nach Auffassung der strukturellen bzw. definitionsm\u00E4\u00DFigen Beziehungen zueinander wird auch entweder die Personifikation oder aber der Anthropomorphismus als Spezialfall der Metapher gesehen. Eine erweiterte Personifikation kann ebenso wie eine erweiterte Metapher auch als "@de .
"\u0423\u043E\u0441\u043E\u0431\u043B\u0435\u043D\u043D\u044F"@uk .
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"Personification occurs when a thing or abstraction is represented as a person, in literature or art, as a type of anthropomorphic metaphor. The type of personification discussed here excludes passing literary effects such as \"Shadows hold their breath\", and covers cases where a personification appears as a character in literature, or a human figure in art. The technical term for this, since ancient Greece, is prosopopoeia. In the arts many things are commonly personified. These include numerous types of places, especially cities, countries and the four continents, elements of the natural world such as the months or Four Seasons, Four Elements, Four Winds, Five Senses, and abstractions such as virtues, especially the four cardinal virtues and seven deadly sins, the nine Muses, or death. In many polytheistic early religions, deities had a strong element of personification, suggested by descriptions such as \"god of\". In ancient Greek religion, and the related ancient Roman religion, this was perhaps especially strong, in particular among the minor deities. Many such deities, such as the tyches or tutelary deities for major cities, survived the arrival of Christianity, now as symbolic personifications stripped of religious significance. An exception was the winged goddess of Victory, Victoria/Nike, who developed into the visualization of the Christian angel. Generally, personifications lack much in the way of narrative myths, although classical myth at least gave many of them parents among the major Olympian deities. The iconography of several personifications \"maintained a remarkable degree of continuity from late antiquity until the 18th century\". Female personifications tend to outnumber male ones, at least until modern national personifications, many of which are male. Personifications are very common elements in allegory, and historians and theorists of personification complain that the two have been too often confused, or discussion of them dominated by allegory. Single images of personifications tend to be titled as an \"allegory\", arguably incorrectly. By the late 20th century personification seemed largely out of fashion, but the semi-personificatory superhero figures of many comic book series came in the 21st century to dominate popular cinema in a number of superhero film franchises. According to Ernst Gombrich, \"we tend to take it for granted rather than to ask questions about this extraordinary predominantly feminine population which greets us from the porches of cathedrals, crowds around our public monuments, marks our coins and our banknotes, and turns up in our cartoons and our posters; these females variously attired, of course, came to life on the medieval stage, they greeted the Prince on his entry into a city, they were invoked in innumerable speeches, they quarrelled or embraced in endless epics where they struggled for the soul of the hero or set the action going, and when the medieval versifier went out on one fine spring morning and lay down on a grassy bank, one of these ladies rarely failed to appear to him in his sleep and to explain her own nature to him in any number of lines\"."@en .
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"La personificaci\u00F3n o prosopopeya (del griego \u03C0\u03C1\u03CC\u03C3\u03C9\u03C0\u03BF\u03BD 'rostro' y \u03C0\u03BF\u03B9\u03AD\u03C9 'hacer') es un tipo de met\u00E1fora ontol\u00F3gica y una figura de estilo que consiste en atribuir propiedades humanas a un animal o a un objeto (sea concreto o abstracto), al cual se hace hablar, actuar o reaccionar como una persona. En el siguiente pasaje de Ph\u00E8dre, de Jean Racine : \u00AB Avec quelle rigueur, Destin, tu me poursuis ! \u00BB\u200B (\"\u00A1Con qu\u00E9 rigor, Destino, t\u00FA me persigues!\") se personifica al Destino en la figura de un perseguidor."@es .
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"Prosopopeia ou personifica\u00E7\u00E3o \u00E9 uma figura de linguagem que consiste em atribuir a objetos inanimados ou seres irracionais, sentimentos ou a\u00E7\u00F5es pr\u00F3prias dos seres humanos. Personifica\u00E7\u00E3o pode ser descrito como uma figura de linguagem em que um objeto ou ser vivo \u00E9 personificado, ao atribuir caracter\u00EDsticas humanas e qualidades para isso. Em outras palavras, sempre que as emo\u00E7\u00F5es, desejos, sensa\u00E7\u00F5es, gestos f\u00EDsicos e de fala s\u00E3o apresentados no contexto de um ser inanimado, a personifica\u00E7\u00E3o \u00E9 dito ter ocorrido. Atrav\u00E9s da t\u00E9cnica, descrevemos coisas inanimadas com a\u00E7\u00F5es humanas. consiste em dar a objetos ou animais sentimentos humanos."@pt .
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"Personifikace (zosobn\u011Bn\u00ED, z latiny persona, osoba) je term\u00EDn v\u00EDce v\u00FDznam\u016F."@cs .
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"Een personificatie is een vorm van beeldspraak waarbij levenloze zaken, niet-menselijke levensvormen of abstracte begrippen menselijke eigenschappen krijgen toegeschreven of waarbij ze als een (levend) persoon worden opgevoerd. De personificatie kan worden opgevat als behorend tot de 'familie' van de metaforen. De volgende zinnen bevatten elk een personificatie:"@nl .
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