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Link to original content: http://dbpedia.org/data/John_Donne.ntriples
. . . . . . . . . . . . "\u062C\u0648\u0646 \u062F\u0648\u0646"@ar . "Donne, painted by Isaac Oliver"@en . . . . . . "\u062C\u0648\u0646 \u062F\u0648\u0646 (1572 \u0645-1631 \u0645) \u0647\u0648 \u0634\u0627\u0639\u0631 \u0625\u0646\u062C\u0644\u064A\u0632\u064A. \u0643\u0627\u0646 \u062C\u0648\u0646 \u062F\u0648\u0646 \u0648\u0627\u062D\u062F\u0627\u064B \u0645\u0646 \u0623\u0628\u0631\u0632 \u0627\u0644\u0634\u0639\u0631\u0627\u0621 \u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632 \u0641\u064A \u0627\u0644\u0642\u0631\u0646 \u0627\u0644\u0633\u0627\u0628\u0639 \u0639\u0634\u0631\u060C \u0648\u0643\u0627\u062A\u0628\u0627\u064B \u0644\u0627\u0645\u0639\u0627\u064B \u0645\u0627 \u062A\u0632\u0627\u0644 \u0642\u0635\u0627\u0626\u062F\u0647 \u0627\u0644\u063A\u0632\u0644\u064A\u0629 \u0648\u062A\u0623\u0645\u0644\u0627\u062A\u0647 \u0627\u0644\u0638\u0631\u064A\u0641\u0629 \u0627\u0644\u0633\u0627\u062E\u0631\u0629 \u0648\u0627\u0644\u0645\u0631\u064A\u0631\u0629 \u062D\u062A\u0649 \u064A\u0648\u0645\u0646\u0627 \u062A\u062B\u064A\u0631 \u0627\u0644\u0627\u0647\u062A\u0645\u0627\u0645. \u0648\u0643\u0627\u0646 \u0625\u0644\u0649 \u0630\u0644\u0643 \u0643\u0627\u0647\u0646\u0627\u064B\u060C \u0648\u064F\u0635\u0641\u062A \u0645\u0648\u0627\u0639\u0638\u0647 \u0628\u0623\u0646\u0647\u0627 \u0643\u0627\u0646\u062A \u0623\u0641\u0636\u0644 \u0645\u0648\u0627\u0639\u0638 \u0627\u0644\u0642\u0631\u0646. \u0641\u0647\u064A \u062D\u0642\u0627\u064B \u062A\u0641\u064A\u0636 \u0628\u0627\u0644\u062D\u0643\u0645\u0629 \u0648\u0627\u0644\u0646\u0635\u062D \u0648\u0627\u0644\u0625\u0631\u0634\u0627\u062F \u0627\u0644\u0639\u0645\u0644\u064A\u064A\u0646\u060C \u062A\u0631\u0636\u064A \u0627\u0644\u0646\u0641\u0633 \u0648\u0627\u0644\u0641\u0643\u0631 \u0641\u064A \u0622\u0646. \u0643\u0627\u0646\u062A \u0633\u064A\u0631\u0629 \u062C\u0648\u0646 \u062F\u0648\u0646 \u0645\u062B\u064A\u0631\u0629 \u0648\u0645\u0634\u0648\u0642\u0629. \u0646\u0634\u0623 \u0648\u062A\u0631\u0639\u0631\u0639 \u0631\u0648\u0645\u0627\u0646\u064A\u0627\u060C \u0648\u0644\u0643\u0646\u0647 \u0627\u0639\u062A\u0646\u0642 \u0645\u0630\u0647\u0628 \u0627\u0644\u0643\u0646\u064A\u0633\u0629 \u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629 \u0648\u0631\u0627\u0641\u0642 \u0627\u0644\u0625\u064A\u0631\u0627\u0644."@ar . . . . . . . . "Jessopp"@en . . . "John Donne (Londres, 24 de gener de 1572 \u2194 19 de juny de 1572 - Londres, 31 de mar\u00E7 de 1631) (AFI ['d\u028Cn]) fou un poeta metaf\u00EDsic angl\u00E8s i clergue de l'Esgl\u00E9sia d'Anglaterra. El seu pensament m\u00E9s fam\u00F3s probablement \u00E9s aquell que comen\u00E7a amb \"No man is an island...\" (\"Ning\u00FA no \u00E9s una illa...\"), que cont\u00E9 la famosa frase \"(...) for whom the bells toll...\" (\"(...) Per qui toquen les campanes...\"), en qu\u00E8 unes campanades a mort s\u00F3n motiu de reflexi\u00F3 sobre la vida, per acabar afirmant que, com que ens recorden que tots hem de morir, les campanes toquen per a tothom. Hemingway agaf\u00E0 aquesta met\u00E0fora i la feu famosa als pa\u00EFsos no angl\u00F2fons posant-la de t\u00EDtol a la seva novel\u00B7la sobre la Guerra Civil espanyola."@ca . . . . . . . "John Donne (Londres, 1572ko urtarrilaren 22a - ibidem, 1631ko martxoaren 31) ingeles olerkari, militar eta idazkaria izan zen. Familia katoliko batean jaio zen, baina gerora Anglikanoko elizako apaiz ordenatu zuten. Cambridgeko Unibertsitatean ikasi zuen, baina ezin izan zen lizentziatu katolikoa zelako. Bere herentzia emakumeetan, literaturan, denbora-pasetan eta bidaietan gastatu zuen. Essexeko kondearekin eta Walter Raleighekin batera espainiarren aurka borrokatu zuen Cadizen (1596) eta Azoresen (1597)."@eu . . . "John Donne"@ga . "lawyer"@en . . "John Donne"@fr . "John Donne (* 22. Januar 1572 in London; \u2020 31. M\u00E4rz 1631 ebenda) war ein englischer Schriftsteller und der bedeutendste der metaphysischen Dichter. Sein Werk umfasst Predigten, religi\u00F6se Gedichte, \u00DCbersetzungen aus dem Lateinischen, Epigramme, Elegien, Lieder und Sonette."@de . . . . . . . . . . . . . . . . "priest"@en . "John Donne, n\u00E9 le 22 janvier 1572 \u00E0 Londres et mort dans la m\u00EAme ville le 31 mars 1631, est un po\u00E8te et pr\u00E9dicateur anglais du r\u00E8gne de Jacques Ier, consid\u00E9r\u00E9 comme le chef de file de la po\u00E9sie m\u00E9taphysique. Son \u0153uvre, d'une grande vari\u00E9t\u00E9, comprend des po\u00E8mes d'amour, des sonnets religieux, des traductions du latin, des \u00E9pigrammes, des \u00E9l\u00E9gies, des chansons et des sermons."@fr . . . . . . . . "John Donne (engelskt uttal: /\u02C8d\u028Cn/), f\u00F6dd 22 januari 1572 i London, d\u00F6d 31 mars 1631 i London, var en engelsk pr\u00E4st och poet som skrev barocklyrik. Han var dotterson till John Heywood."@sv . "Donne, John"@en . . . . . . . . "\u062C\u0648\u0646 \u062F\u0648\u0646 (1572 \u0645-1631 \u0645) \u0647\u0648 \u0634\u0627\u0639\u0631 \u0625\u0646\u062C\u0644\u064A\u0632\u064A. \u0643\u0627\u0646 \u062C\u0648\u0646 \u062F\u0648\u0646 \u0648\u0627\u062D\u062F\u0627\u064B \u0645\u0646 \u0623\u0628\u0631\u0632 \u0627\u0644\u0634\u0639\u0631\u0627\u0621 \u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632 \u0641\u064A \u0627\u0644\u0642\u0631\u0646 \u0627\u0644\u0633\u0627\u0628\u0639 \u0639\u0634\u0631\u060C \u0648\u0643\u0627\u062A\u0628\u0627\u064B \u0644\u0627\u0645\u0639\u0627\u064B \u0645\u0627 \u062A\u0632\u0627\u0644 \u0642\u0635\u0627\u0626\u062F\u0647 \u0627\u0644\u063A\u0632\u0644\u064A\u0629 \u0648\u062A\u0623\u0645\u0644\u0627\u062A\u0647 \u0627\u0644\u0638\u0631\u064A\u0641\u0629 \u0627\u0644\u0633\u0627\u062E\u0631\u0629 \u0648\u0627\u0644\u0645\u0631\u064A\u0631\u0629 \u062D\u062A\u0649 \u064A\u0648\u0645\u0646\u0627 \u062A\u062B\u064A\u0631 \u0627\u0644\u0627\u0647\u062A\u0645\u0627\u0645. \u0648\u0643\u0627\u0646 \u0625\u0644\u0649 \u0630\u0644\u0643 \u0643\u0627\u0647\u0646\u0627\u064B\u060C \u0648\u064F\u0635\u0641\u062A \u0645\u0648\u0627\u0639\u0638\u0647 \u0628\u0623\u0646\u0647\u0627 \u0643\u0627\u0646\u062A \u0623\u0641\u0636\u0644 \u0645\u0648\u0627\u0639\u0638 \u0627\u0644\u0642\u0631\u0646. \u0641\u0647\u064A \u062D\u0642\u0627\u064B \u062A\u0641\u064A\u0636 \u0628\u0627\u0644\u062D\u0643\u0645\u0629 \u0648\u0627\u0644\u0646\u0635\u062D \u0648\u0627\u0644\u0625\u0631\u0634\u0627\u062F \u0627\u0644\u0639\u0645\u0644\u064A\u064A\u0646\u060C \u062A\u0631\u0636\u064A \u0627\u0644\u0646\u0641\u0633 \u0648\u0627\u0644\u0641\u0643\u0631 \u0641\u064A \u0622\u0646. \u0643\u0627\u0646\u062A \u0633\u064A\u0631\u0629 \u062C\u0648\u0646 \u062F\u0648\u0646 \u0645\u062B\u064A\u0631\u0629 \u0648\u0645\u0634\u0648\u0642\u0629. \u0646\u0634\u0623 \u0648\u062A\u0631\u0639\u0631\u0639 \u0631\u0648\u0645\u0627\u0646\u064A\u0627\u060C \u0648\u0644\u0643\u0646\u0647 \u0627\u0639\u062A\u0646\u0642 \u0645\u0630\u0647\u0628 \u0627\u0644\u0643\u0646\u064A\u0633\u0629 \u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629 \u0648\u0631\u0627\u0641\u0642 \u0627\u0644\u0625\u064A\u0631\u0627\u0644."@ar . . . . . . . "1122735354"^^ . . . . . . . "John Donne (ur. 22 stycznia 1572 w Londynie, zm. 31 marca 1631) \u2013 czo\u0142owy poeta wczesnego angielskiego baroku, g\u0142\u00F3wny przedstawiciel nurtu poezji metafizycznej."@pl . . . . . . "John Donne"@eo . "John Donne (ur. 22 stycznia 1572 w Londynie, zm. 31 marca 1631) \u2013 czo\u0142owy poeta wczesnego angielskiego baroku, g\u0142\u00F3wny przedstawiciel nurtu poezji metafizycznej."@pl . . . . . . . "B'fhile meitifisici\u00FAil Sasanach \u00E9 John Donne n\u00F3 Dunne (1572 \u2013 31 M\u00E1rta, 1631) le linn r\u00E9imeas R\u00ED S\u00E9amus I Shasana. Bh\u00ED s\u00E9 ina dhl\u00EDod\u00F3ir agus ina eaglaiseach chomh maith."@ga . . . . . . . "Michael John Trotta's setting of Break of Day for SATB/piano/English Horn"@en . "15838"^^ . "John Donne (asi 1571 \u2013 31. b\u0159ezna 1631) byl anglick\u00FD b\u00E1sn\u00EDk a anglik\u00E1nsk\u00FD kn\u011Bz, hlavn\u00ED p\u0159edstavitel tzv. ."@cs . . "\u0414\u0436\u043E\u043D \u0414\u043E\u043D\u043D"@uk . . . . . . . . . . . . . . . . . "John Donne (Londen, 1572 \u2013 aldaar, 31 maart 1631) was een Engels metafysisch dichter, satiricus, advocaat en anglicaans priester. Zijn werk omvat sonnetten, liefdespo\u00EBzie, religieuze gedichten, Latijnse vertalingen, epigrammen, elegie\u00EBn, liederen, satirische verzen en preken. Donnes stijl wordt gekenmerkt door dramatisch realisme en sensualiteit. Zijn po\u00EBzie is levendig en maakt zowel gebruik van alledaagse woorden als van opvallende metaforen."@nl . . . . . . . . . . "--01-22"^^ . . . . . "John Donne"@es . . . . . "John Donne (/d\u028Cn/ dun; 22 Januari 1572 \u2013 31 Maret 1631) adalah seorang penyair dan rohaniwan Inggris dalam Gereja Inggris. Ia dianggap menjadi perwakilan menonjol dari ."@in . . . . . . . . . . . "John Mayra Donne (1572 \u2013 31 de mar\u00E7o de 1631) foi um poeta jacobita ingl\u00EAs, pregador e o maior representante dos poetas metaf\u00EDsicos da \u00E9poca. Sua obra \u00E9 not\u00E1vel por seu estilo sensual e realista, incluindo-se sonetos, poesia amorosa, poemas religiosos, tradu\u00E7\u00F5es do latim, epigramas, elegias, can\u00E7\u00F5es, s\u00E1tiras e serm\u00F5es. Sua poesia \u00E9 c\u00E9lebre por sua linguagem vibrante e met\u00E1fora engenhosa, especialmente quando comparada \u00E0 poesia de seus contempor\u00E2neos."@pt . . . . . . . "Ne konfuzo kun (politika teoristo de la 20-a jarcento) John DONNE (n. la 21-an de januaro 1572, m. la 31-an de marto 1631) estis angla pastro kaj anglalingva poeto, kiu estis la unua grava el la metafizikaj poetoj."@eo . . . . "\u30B8\u30E7\u30F3\u30FB\u30C0\u30F3\uFF08John Donne, 1572\u5E74 - 1631\u5E743\u670831\u65E5\uFF09\u306F\u3001\u30A4\u30F3\u30B0\u30E9\u30F3\u30C9\u306E\u8A69\u4EBA\u3001\u8457\u4F5C\u5BB6\u3001\u5F8C\u534A\u751F\u306F\u30A4\u30F3\u30B0\u30E9\u30F3\u30C9\u56FD\u6559\u4F1A\u306E\u53F8\u796D\u3002 \u30AB\u30C8\u30EA\u30C3\u30AF\u306E\u5BB6\u306E\u751F\u307E\u308C\u3067\u3001\u30A4\u30F3\u30B0\u30E9\u30F3\u30C9\u56FD\u6559\u4F1A\u306B\u6539\u5B97\u3059\u308B\u307E\u3067\u5B97\u6559\u7684\u8FEB\u5BB3\u3092\u7D4C\u9A13\u3057\u305F\u3002\u512A\u308C\u305F\u6559\u990A\u3068\u8A69\u306E\u624D\u80FD\u306B\u3082\u304B\u304B\u308F\u3089\u305A\u3001\u9577\u304F\u8CA7\u56F0\u306E\u4E2D\u3067\u751F\u304D\u3001\u5BCC\u88D5\u306A\u53CB\u4EBA\u305F\u3061\u306B\u983C\u3089\u3056\u308B\u3092\u5F97\u306A\u304B\u3063\u305F\u30021615\u5E74\u306B\u56FD\u6559\u4F1A\u306E\u53F8\u796D\u306B\u306A\u308A\u30011621\u5E74\u306B\u30BB\u30F3\u30C8\u30FB\u30DD\u30FC\u30EB\u5927\u8056\u5802\u306E\u9996\u5E2D\u53F8\u796D\uFF08Dean of St Paul's\uFF09\u306B\u4EFB\u305C\u3089\u308C\u305F\u3002\u305D\u3046\u3044\u3063\u305F\u80CC\u666F\u304C\u30C0\u30F3\u306E\u6587\u5B66\u4F5C\u54C1\uFF08\u521D\u671F\u306E\u604B\u611B\u8A69\u30FB\u98A8\u523A\u8A69\u304B\u3089\u6669\u5E74\u306E\u5B97\u6559\u7684\u8B1B\u8A71\u306B\u81F3\u308B\u307E\u3067\uFF09\u306B\u53CD\u6620\u3057\u3066\u3044\u308B\u3068\u3044\u3046\u610F\u898B\u304C\u3042\u308B\u3002 \u5927\u80C6\u306A\u6A5F\u77E5\u3068\u8907\u96D1\u306A\u8A00\u8A9E\u3092\u99C6\u4F7F\u3057\u3001\u604B\u611B\u8A69\u3001\u5B97\u6559\u8A69\u3001\u8B1B\u8A71\u3092\u66F8\u304F\u3002\u5F62\u800C\u4E0A\u8A69\u4EBA\u306E\u5148\u99C6\u8005\u3068\u3055\u308C\u308B\u3002\u4EE3\u8868\u4F5C\u306B\u300E\u86A4\u300F\u3001\u300E\u65E5\u306E\u51FA\u300F\u3068\u3044\u3063\u305F\u5504\u3068\u30BD\u30CD\u30C3\u30C8\u3001\u300C\u6B7B\u3088\u9A55\u308B\u306A\u304B\u308C\u300D\u306E\u4E00\u7BC0\u3067\u77E5\u3089\u308C\u308B\u300E\u8056\u306A\u308B\u30BD\u30CD\u30C3\u30C810\u756A\u300F\u3084\u300E\u51A0\u300F\u3068\u3044\u3063\u305F\u5B97\u6559\u8A69\u304C\u3042\u308B\u3002T\u30FBS\u30FB\u30A8\u30EA\u30AA\u30C3\u30C8\u3089\u306B\u5F71\u97FF\u3092\u4E0E\u3048\u3001\u30D8\u30DF\u30F3\u30B0\u30A6\u30A7\u30A4\u300E\u8AB0\u304C\u305F\u3081\u306B\u9418\u306F\u9CF4\u308B\uFF08For Whom the Bell Tolls\uFF09\u300F\u306E\u30BF\u30A4\u30C8\u30EB\u306F\u30C0\u30F3\u306E\u8AAC\u6559\u306E\u4E00\u7BC0\u304B\u3089\u53D6\u3089\u308C\u3066\u3044\u308B\u3002"@ja . . "John Donne"@en . . . . . . . "John Donne"@pl . . . . . . . . "\uC874 \uB358"@ko . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Ne konfuzo kun (politika teoristo de la 20-a jarcento) John DONNE (n. la 21-an de januaro 1572, m. la 31-an de marto 1631) estis angla pastro kaj anglalingva poeto, kiu estis la unua grava el la metafizikaj poetoj."@eo . . . . . . . . . . . . . . . . . . . . . . . . . "\uC874 \uB358(\uC601\uC5B4: John Donne, 1572\uB144 1\uC6D4 24\uC77C\uC5D0\uC11C 6\uC6D4 19\uC77C \uC0AC\uC774~1631\uB144 3\uC6D4 31\uC77C)\uC2E0\uBD80\uB294 \uC131\uACF5\uD68C \uC0AC\uC81C\uC774\uC790 \uC2DC\uC778\uC774\uB2E4. \uB85C\uB9C8 \uAC00\uD1A8\uB9AD \uAC00\uC815\uC5D0\uC11C \uD0DC\uC5B4\uB098 \uC601\uAD6D \uC131\uACF5\uD68C\uB85C \uC804\uD5A5\uD560 \uB54C\uAE4C\uC9C0 \uC885\uAD50\uC801 \uBC15\uD574\uB97C \uACBD\uD5D8\uD588\uB2E4. \uB6F0\uC5B4\uB09C \uAD50\uC591\uACFC \uC6B4\uBB38\uC758 \uC7AC\uB2A5\uC5D0\uB3C4 \uBD88\uAD6C\uD558\uACE0 \uC624\uB7AB\uB3D9\uC548 \uBE48\uACE4 \uC18D\uC5D0 \uC0B4\uC544 \uBD80\uC720\uD55C \uCE5C\uAD6C\uB4E4\uC5D0\uAC8C \uC758\uC9C0\uD558\uC9C0 \uC54A\uC744 \uC218 \uC5C6\uC5C8\uB2E4. 1615\uB144\uC5D0 \uC131\uACF5\uD68C \uC131\uC9C1\uC790\uAC00 \uB418\uC5C8\uACE0, 1621\uB144\uC5D0 \uC138\uC778\uD2B8 \uD3F4 \uB300\uC131\uB2F9\uC758 \uC218\uC11D \uC0AC\uC81C\uB85C \uC784\uBA85\uB418\uC5C8\uB2E4. \uADF8\uB7F0 \uBC30\uACBD\uC774 \uC874\uB358\uC758 \uBB38\uD559 \uC791\uD488(\uCD08\uAE30\uC758 \uC5F0\uC560\uC2DC \uD48D\uC790 \uC6B4\uBB38\uC5D0\uC11C \uB9D0\uB144\uC758 \uC885\uAD50\uC801 \uC124\uBC95\uC5D0 \uC774\uB974\uAE30\uAE4C\uC9C0)\uC5D0 \uBC18\uC601\uB418\uACE0 \uC788\uB2E4. \uB300\uB2F4\uD55C \uC704\uD2B8\uC640 \uBCF5\uC7A1\uD55C \uC5B8\uC5B4\uB97C \uAD6C\uC0AC\uD558\uACE0, \uC5F0\uC560\uC2DC, \uC885\uAD50\uC2DC, \uC124\uBC95\uC744 \uC4F4\uB2E4. \uD615\uC774\uC0C1\uD559\uD30C \uC2DC\uC778\uC758 \uC120\uAD6C\uC790\uB85C \uC5EC\uACA8\uC9C4\uB2E4. \uB300\uD45C\uC791\uC5D0 \u300A\uBCBC\uB8E9\u300B, \u300A\uC77C\uCD9C\u300B\uACFC \uAC19\uC740 \uB178\uB798\uC640 \uC18C\uB124\uD2B8, \u300A\uC131\uC2A4\uB7EC\uC6B4 \uC18C\uB124\uD2B8 10\uBC88\u300B\uC774\uB098 \u300A\uAD00\u300B\uC774\uB77C\uB294 \uC885\uAD50\uC2DC\uAC00 \uC788\uB2E4. T. S. \uC5D8\uB9AC\uC5C7 \uB4F1\uC5D0 \uC601\uD5A5\uC744 \uC8FC\uC5C8\uACE0, \uD5E4\uBC0D\uC6E8\uC774\uC758 \u300A\uB204\uAD6C\uB97C \uC704\uD574 \uC885\uC740 \uC6B8\uB9AC\uB098\u300B(For Whom the Bell Tolls)\uC758 \uC81C\uBAA9\uC740 \uC874\uB358\uC758 \uC124\uAD50\uC758 \uD55C \uAD6C\uC808\uC5D0\uC11C \uB530\uC628 \uAC83\uC774\uB2E4."@ko . . . . . "John Donne (Londres, 24 de gener de 1572 \u2194 19 de juny de 1572 - Londres, 31 de mar\u00E7 de 1631) (AFI ['d\u028Cn]) fou un poeta metaf\u00EDsic angl\u00E8s i clergue de l'Esgl\u00E9sia d'Anglaterra. El seu pensament m\u00E9s fam\u00F3s probablement \u00E9s aquell que comen\u00E7a amb \"No man is an island...\" (\"Ning\u00FA no \u00E9s una illa...\"), que cont\u00E9 la famosa frase \"(...) for whom the bells toll...\" (\"(...) Per qui toquen les campanes...\"), en qu\u00E8 unes campanades a mort s\u00F3n motiu de reflexi\u00F3 sobre la vida, per acabar afirmant que, com que ens recorden que tots hem de morir, les campanes toquen per a tothom. Hemingway agaf\u00E0 aquesta met\u00E0fora i la feu famosa als pa\u00EFsos no angl\u00F2fons posant-la de t\u00EDtol a la seva novel\u00B7la sobre la Guerra Civil espanyola."@ca . . . . . "\u7EA6\u7FF0\u00B7\u591A\u6069\uFF08\u53C8\u8B6F\u9127\u7D04\u7FF0\uFF1B\u82F1\u8A9E\uFF1AJohn Donne, 1572\u5E74\uFF0D1631\u5E743\u670831\u65E5\uFF09\u662F\u82F1\u570B\u8A79\u59C6\u65AF\u4E00\u4E16\u6642\u671F\u7684\u7384\u5B66\u6D3E\u8A69\u4EBA\uFF0C\u4ED6\u7684\u4F5C\u54C1\u5305\u62EC\u5341\u56DB\u884C\u8A69\u3001\u611B\u60C5\u8A69\u3001\u5B97\u6559\u8A69\u3001\u62C9\u4E01\u8B6F\u672C\u3001\u96CB\u8A9E\u3001\u8F13\u6B4C\u3001\u6B4C\u8A5E\u7B49\u3002"@zh . . . . . . "\u7EA6\u7FF0\u00B7\u591A\u6069\uFF08\u53C8\u8B6F\u9127\u7D04\u7FF0\uFF1B\u82F1\u8A9E\uFF1AJohn Donne, 1572\u5E74\uFF0D1631\u5E743\u670831\u65E5\uFF09\u662F\u82F1\u570B\u8A79\u59C6\u65AF\u4E00\u4E16\u6642\u671F\u7684\u7384\u5B66\u6D3E\u8A69\u4EBA\uFF0C\u4ED6\u7684\u4F5C\u54C1\u5305\u62EC\u5341\u56DB\u884C\u8A69\u3001\u611B\u60C5\u8A69\u3001\u5B97\u6559\u8A69\u3001\u62C9\u4E01\u8B6F\u672C\u3001\u96CB\u8A9E\u3001\u8F13\u6B4C\u3001\u6B4C\u8A5E\u7B49\u3002"@zh . . "\u0414\u0436\u043E\u043D \u0414\u043E\u043D\u043D (\u0430\u043D\u0433\u043B. John Donne [d\u028Cn]; \u0440\u043E\u0434. \u043C\u0435\u0436\u0434\u0443 24 \u044F\u043D\u0432\u0430\u0440\u044F \u0438 19 \u0438\u044E\u043D\u044F 1572 \u0433\u043E\u0434\u0430, \u0432\u043E\u0437\u043C\u043E\u0436\u043D\u043E 12 \u0444\u0435\u0432\u0440\u0430\u043B\u044F 1572 \u0433\u043E\u0434\u0430, \u041B\u043E\u043D\u0434\u043E\u043D \u2014 \u0443\u043C. 31 \u043C\u0430\u0440\u0442\u0430 1631 \u0433\u043E\u0434\u0430, \u0442\u0430\u043C \u0436\u0435) \u2014 \u0430\u043D\u0433\u043B\u0438\u0439\u0441\u043A\u0438\u0439 \u043F\u043E\u044D\u0442 \u0438 \u043F\u0440\u043E\u043F\u043E\u0432\u0435\u0434\u043D\u0438\u043A, \u043D\u0430\u0441\u0442\u043E\u044F\u0442\u0435\u043B\u044C \u043B\u043E\u043D\u0434\u043E\u043D\u0441\u043A\u043E\u0433\u043E \u0441\u043E\u0431\u043E\u0440\u0430 \u0421\u0432\u044F\u0442\u043E\u0433\u043E \u041F\u0430\u0432\u043B\u0430, \u043A\u0440\u0443\u043F\u043D\u0435\u0439\u0448\u0438\u0439 \u043F\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u0438\u0442\u0435\u043B\u044C \u043B\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044B \u0430\u043D\u0433\u043B\u0438\u0439\u0441\u043A\u043E\u0433\u043E \u0431\u0430\u0440\u043E\u043A\u043A\u043E (\u00AB\u043C\u0435\u0442\u0430\u0444\u0438\u0437\u0438\u0447\u0435\u0441\u043A\u0430\u044F \u0448\u043A\u043E\u043B\u0430\u00BB). \u0410\u0432\u0442\u043E\u0440 \u0440\u044F\u0434\u0430 \u043B\u044E\u0431\u043E\u0432\u043D\u044B\u0445 \u0441\u0442\u0438\u0445\u043E\u0432, \u044D\u043B\u0435\u0433\u0438\u0439, \u0441\u043E\u043D\u0435\u0442\u043E\u0432, \u044D\u043F\u0438\u0433\u0440\u0430\u043C\u043C, \u0430 \u0442\u0430\u043A\u0436\u0435 \u0440\u0435\u043B\u0438\u0433\u0438\u043E\u0437\u043D\u044B\u0445 \u043F\u0440\u043E\u043F\u043E\u0432\u0435\u0434\u0435\u0439."@ru . . . . "\u7EA6\u7FF0\u00B7\u591A\u6069"@zh . . . "\u0414\u0436\u043E\u043D \u0414\u043E\u043D\u043D (\u0430\u043D\u0433\u043B. John Donne [d\u028Cn]; \u0440\u043E\u0434. \u043C\u0435\u0436\u0434\u0443 24 \u044F\u043D\u0432\u0430\u0440\u044F \u0438 19 \u0438\u044E\u043D\u044F 1572 \u0433\u043E\u0434\u0430, \u0432\u043E\u0437\u043C\u043E\u0436\u043D\u043E 12 \u0444\u0435\u0432\u0440\u0430\u043B\u044F 1572 \u0433\u043E\u0434\u0430, \u041B\u043E\u043D\u0434\u043E\u043D \u2014 \u0443\u043C. 31 \u043C\u0430\u0440\u0442\u0430 1631 \u0433\u043E\u0434\u0430, \u0442\u0430\u043C \u0436\u0435) \u2014 \u0430\u043D\u0433\u043B\u0438\u0439\u0441\u043A\u0438\u0439 \u043F\u043E\u044D\u0442 \u0438 \u043F\u0440\u043E\u043F\u043E\u0432\u0435\u0434\u043D\u0438\u043A, \u043D\u0430\u0441\u0442\u043E\u044F\u0442\u0435\u043B\u044C \u043B\u043E\u043D\u0434\u043E\u043D\u0441\u043A\u043E\u0433\u043E \u0441\u043E\u0431\u043E\u0440\u0430 \u0421\u0432\u044F\u0442\u043E\u0433\u043E \u041F\u0430\u0432\u043B\u0430, \u043A\u0440\u0443\u043F\u043D\u0435\u0439\u0448\u0438\u0439 \u043F\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u0438\u0442\u0435\u043B\u044C \u043B\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044B \u0430\u043D\u0433\u043B\u0438\u0439\u0441\u043A\u043E\u0433\u043E \u0431\u0430\u0440\u043E\u043A\u043A\u043E (\u00AB\u043C\u0435\u0442\u0430\u0444\u0438\u0437\u0438\u0447\u0435\u0441\u043A\u0430\u044F \u0448\u043A\u043E\u043B\u0430\u00BB). \u0410\u0432\u0442\u043E\u0440 \u0440\u044F\u0434\u0430 \u043B\u044E\u0431\u043E\u0432\u043D\u044B\u0445 \u0441\u0442\u0438\u0445\u043E\u0432, \u044D\u043B\u0435\u0433\u0438\u0439, \u0441\u043E\u043D\u0435\u0442\u043E\u0432, \u044D\u043F\u0438\u0433\u0440\u0430\u043C\u043C, \u0430 \u0442\u0430\u043A\u0436\u0435 \u0440\u0435\u043B\u0438\u0433\u0438\u043E\u0437\u043D\u044B\u0445 \u043F\u0440\u043E\u043F\u043E\u0432\u0435\u0434\u0435\u0439."@ru . . . . . "English"@en . . . . "John Donne"@ca . . . . . . . . . . . "John Donne"@eu . . . . . . "1"^^ . . . . . . . . "John Donne"@en . . . . . "John Donne"@it . . . . . . . . . . . . "B'fhile meitifisici\u00FAil Sasanach \u00E9 John Donne n\u00F3 Dunne (1572 \u2013 31 M\u00E1rta, 1631) le linn r\u00E9imeas R\u00ED S\u00E9amus I Shasana. Bh\u00ED s\u00E9 ina dhl\u00EDod\u00F3ir agus ina eaglaiseach chomh maith."@ga . . . . . . . . . . . . . ""@en . . . . . . . . . . . . . "John Donne"@en . . . . . . . . . "John Donne"@de . . . . . "Satire, love poetry, elegy, sermons"@en . . . . . . . . . . . . "John Donne (engelskt uttal: /\u02C8d\u028Cn/), f\u00F6dd 22 januari 1572 i London, d\u00F6d 31 mars 1631 i London, var en engelsk pr\u00E4st och poet som skrev barocklyrik. Han var dotterson till John Heywood."@sv . "\u0414\u043E\u043D\u043D, \u0414\u0436\u043E\u043D"@ru . . . . "Love, sexuality, religion, death"@en . . . . . . . . . . . . . . . . . . . . . . "John Donne"@nl . . . . . "John Donne"@pt . . "John Donne (Londen, 1572 \u2013 aldaar, 31 maart 1631) was een Engels metafysisch dichter, satiricus, advocaat en anglicaans priester. Zijn werk omvat sonnetten, liefdespo\u00EBzie, religieuze gedichten, Latijnse vertalingen, epigrammen, elegie\u00EBn, liederen, satirische verzen en preken. Donnes stijl wordt gekenmerkt door dramatisch realisme en sensualiteit. Zijn po\u00EBzie is levendig en maakt zowel gebruik van alledaagse woorden als van opvallende metaforen."@nl . . . . . . . . "Augustus"@en . . . . . . . . "John Donne (Londres, 22 de enero de 1572 - 31 de marzo de 1631) fue el m\u00E1s importante poeta metaf\u00EDsico ingl\u00E9s de las \u00E9pocas de la reina Isabel I (Elizabeth I, en ingl\u00E9s; 1559-1603), el rey Jacobo I (James I, en ingl\u00E9s; 1603-1625) y su hijo Carlos I (Charles I, en ingl\u00E9s; 1625-1642). La poes\u00EDa metaf\u00EDsica es m\u00E1s o menos el equivalente a la poes\u00EDa conceptista del Siglo de Oro espa\u00F1ol de la que es contempor\u00E1nea. Su obra incluye: poes\u00EDa amorosa, religiosa, traducciones, epigramas, eleg\u00EDas seg\u00FAn la tradici\u00F3n de imitaci\u00F3n de los Amores de Ovidio (es decir, en realidad son poemas de amor), canciones y sermones en prosa."@es . . . . "John Donne"@sv . . . . . . . . . . . "John Donne, n\u00E9 le 22 janvier 1572 \u00E0 Londres et mort dans la m\u00EAme ville le 31 mars 1631, est un po\u00E8te et pr\u00E9dicateur anglais du r\u00E8gne de Jacques Ier, consid\u00E9r\u00E9 comme le chef de file de la po\u00E9sie m\u00E9taphysique. Son \u0153uvre, d'une grande vari\u00E9t\u00E9, comprend des po\u00E8mes d'amour, des sonnets religieux, des traductions du latin, des \u00E9pigrammes, des \u00E9l\u00E9gies, des chansons et des sermons."@fr . . . . . . . . . . . . "Poet"@en . . . "John Donne (/d\u028Cn/ DUN; 22 January 1572 \u2013 31 March 1631) was an English poet, scholar, soldier and secretary born into a recusant family, who later became a cleric in the Church of England. Under royal patronage, he was made Dean of St Paul's Cathedral in London (1621\u20131631). He is considered the preeminent representative of the metaphysical poets. His poetical works are noted for their metaphorical and sensual style and include sonnets, love poems, religious poems, Latin translations, epigrams, elegies, songs, and satires. He is also known for his sermons. Donne's style is characterised by abrupt openings and various paradoxes, ironies and dislocations. These features, along with his frequent dramatic or everyday speech rhythms, his tense syntax and his tough eloquence, were both a reaction against the smoothness of conventional Elizabethan poetry and an adaptation into English of European baroque and mannerist techniques. His early career was marked by poetry that bore immense knowledge of English society. Another important theme in Donne's poetry is the idea of true religion, something that he spent much time considering and about which he often theorised. He wrote secular poems as well as erotic and love poems. He is particularly famous for his mastery of metaphysical conceits. Despite his great education and poetic talents, Donne lived in poverty for several years, relying heavily on wealthy friends. He spent much of the money he inherited during and after his education on womanising, literature, pastimes, and travel. In 1601, Donne secretly married Anne More, with whom he had twelve children. In 1615 he was ordained Anglican deacon and then priest, although he did not want to take holy orders and only did so because the king ordered it. He also served as a member of Parliament in 1601 and in 1614."@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "\u0414\u0436\u043E\u043D \u0414\u043E\u043D\u043D (\u0430\u043D\u0433\u043B. John Donne; 22 \u0441\u0456\u0447\u043D\u044F 1572, \u041B\u043E\u043D\u0434\u043E\u043D \u2014 31 \u0431\u0435\u0440\u0435\u0437\u043D\u044F 1631) \u2014 \u0430\u043D\u0433\u043B\u0456\u0439\u0441\u044C\u043A\u0438\u0439 \u043F\u043E\u0435\u0442, \u043D\u0430\u0439\u0431\u0456\u043B\u044C\u0448\u0438\u0439 \u043F\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043D\u0438\u043A \u043C\u0435\u0442\u0430\u0444\u0456\u0437\u0438\u0447\u043D\u043E\u0433\u043E \u043D\u0430\u043F\u0440\u044F\u043C\u0443. \u0410\u0432\u0442\u043E\u0440 \u043D\u0438\u0437\u043A\u0438 \u043B\u044E\u0431\u043E\u0432\u043D\u0438\u0445 \u0432\u0456\u0440\u0448\u0456\u0432, \u0435\u043B\u0435\u0433\u0456\u0439, \u0441\u043E\u043D\u0435\u0442\u0456\u0432, \u0435\u043F\u0456\u0433\u0440\u0430\u043C, \u0430 \u0442\u0430\u043A\u043E\u0436 \u0440\u0435\u043B\u0456\u0433\u0456\u0439\u043D\u0438\u0445 \u043F\u0440\u043E\u043F\u043E\u0432\u0456\u0434\u0435\u0439."@uk . . "John Donne (/\u02C8d\u028Cn/; Londra, 22 gennaio 1572 \u2013 Londra, 31 marzo 1631) \u00E8 stato un poeta, religioso e saggista inglese, nonch\u00E9 avvocato e chierico della Chiesa d'Inghilterra. Scrisse sermoni e poemi di carattere religioso, traduzioni latine, epigrammi, elegie, canzoni, sonetti e satire. Pu\u00F2 essere considerato come il massimo rappresentante inglese della poesia metafisica durante il periodo giacomiano. La sua poetica fu nuova e vibrante per quanto riguarda il linguaggio e l'invettiva delle metafore, specie se paragonato ai suoi contemporanei. Lo stile di Donne \u00E8 caratterizzato da sequenze iniziali ex abrupto e vari paradossi, dislocazioni e significati ironici. La sua frequente drammaticit\u00E0 e i discorsi da ritmi giornalieri, la sua tesa sintassi e la sua eloquenza di pensiero furono sia una struggente reazione nei confronti dell'uniformit\u00E0 convenzionale della poetica elisabettiana sia un adattamento in inglese delle tecniche barocche e manieriste europee. Celebre il suo sermone Nessun uomo \u00E8 un'isola (meditazione XVII) citato da Ernest Hemingway in epigrafe a Per chi suona la campana, e da cui trae ispirazione un omonimo libro di Thomas Merton."@it . . "uxJ-L8tSvIM"@en . . . "1631-03-31"^^ . . . . . . "1631-03-31"^^ . . . . . . . . . . . . . . . . . . "\uC874 \uB358(\uC601\uC5B4: John Donne, 1572\uB144 1\uC6D4 24\uC77C\uC5D0\uC11C 6\uC6D4 19\uC77C \uC0AC\uC774~1631\uB144 3\uC6D4 31\uC77C)\uC2E0\uBD80\uB294 \uC131\uACF5\uD68C \uC0AC\uC81C\uC774\uC790 \uC2DC\uC778\uC774\uB2E4. \uB85C\uB9C8 \uAC00\uD1A8\uB9AD \uAC00\uC815\uC5D0\uC11C \uD0DC\uC5B4\uB098 \uC601\uAD6D \uC131\uACF5\uD68C\uB85C \uC804\uD5A5\uD560 \uB54C\uAE4C\uC9C0 \uC885\uAD50\uC801 \uBC15\uD574\uB97C \uACBD\uD5D8\uD588\uB2E4. \uB6F0\uC5B4\uB09C \uAD50\uC591\uACFC \uC6B4\uBB38\uC758 \uC7AC\uB2A5\uC5D0\uB3C4 \uBD88\uAD6C\uD558\uACE0 \uC624\uB7AB\uB3D9\uC548 \uBE48\uACE4 \uC18D\uC5D0 \uC0B4\uC544 \uBD80\uC720\uD55C \uCE5C\uAD6C\uB4E4\uC5D0\uAC8C \uC758\uC9C0\uD558\uC9C0 \uC54A\uC744 \uC218 \uC5C6\uC5C8\uB2E4. 1615\uB144\uC5D0 \uC131\uACF5\uD68C \uC131\uC9C1\uC790\uAC00 \uB418\uC5C8\uACE0, 1621\uB144\uC5D0 \uC138\uC778\uD2B8 \uD3F4 \uB300\uC131\uB2F9\uC758 \uC218\uC11D \uC0AC\uC81C\uB85C \uC784\uBA85\uB418\uC5C8\uB2E4. \uADF8\uB7F0 \uBC30\uACBD\uC774 \uC874\uB358\uC758 \uBB38\uD559 \uC791\uD488(\uCD08\uAE30\uC758 \uC5F0\uC560\uC2DC \uD48D\uC790 \uC6B4\uBB38\uC5D0\uC11C \uB9D0\uB144\uC758 \uC885\uAD50\uC801 \uC124\uBC95\uC5D0 \uC774\uB974\uAE30\uAE4C\uC9C0)\uC5D0 \uBC18\uC601\uB418\uACE0 \uC788\uB2E4. \uB300\uB2F4\uD55C \uC704\uD2B8\uC640 \uBCF5\uC7A1\uD55C \uC5B8\uC5B4\uB97C \uAD6C\uC0AC\uD558\uACE0, \uC5F0\uC560\uC2DC, \uC885\uAD50\uC2DC, \uC124\uBC95\uC744 \uC4F4\uB2E4. \uD615\uC774\uC0C1\uD559\uD30C \uC2DC\uC778\uC758 \uC120\uAD6C\uC790\uB85C \uC5EC\uACA8\uC9C4\uB2E4. \uB300\uD45C\uC791\uC5D0 \u300A\uBCBC\uB8E9\u300B, \u300A\uC77C\uCD9C\u300B\uACFC \uAC19\uC740 \uB178\uB798\uC640 \uC18C\uB124\uD2B8, \u300A\uC131\uC2A4\uB7EC\uC6B4 \uC18C\uB124\uD2B8 10\uBC88\u300B\uC774\uB098 \u300A\uAD00\u300B\uC774\uB77C\uB294 \uC885\uAD50\uC2DC\uAC00 \uC788\uB2E4. T. S. \uC5D8\uB9AC\uC5C7 \uB4F1\uC5D0 \uC601\uD5A5\uC744 \uC8FC\uC5C8\uACE0, \uD5E4\uBC0D\uC6E8\uC774\uC758 \u300A\uB204\uAD6C\uB97C \uC704\uD574 \uC885\uC740 \uC6B8\uB9AC\uB098\u300B(For Whom the Bell Tolls)\uC758 \uC81C\uBAA9\uC740 \uC874\uB358\uC758 \uC124\uAD50\uC758 \uD55C \uAD6C\uC808\uC5D0\uC11C \uB530\uC628 \uAC83\uC774\uB2E4."@ko . . . . . . . "\u30B8\u30E7\u30F3\u30FB\u30C0\u30F3"@ja . "\u30B8\u30E7\u30F3\u30FB\u30C0\u30F3\uFF08John Donne, 1572\u5E74 - 1631\u5E743\u670831\u65E5\uFF09\u306F\u3001\u30A4\u30F3\u30B0\u30E9\u30F3\u30C9\u306E\u8A69\u4EBA\u3001\u8457\u4F5C\u5BB6\u3001\u5F8C\u534A\u751F\u306F\u30A4\u30F3\u30B0\u30E9\u30F3\u30C9\u56FD\u6559\u4F1A\u306E\u53F8\u796D\u3002 \u30AB\u30C8\u30EA\u30C3\u30AF\u306E\u5BB6\u306E\u751F\u307E\u308C\u3067\u3001\u30A4\u30F3\u30B0\u30E9\u30F3\u30C9\u56FD\u6559\u4F1A\u306B\u6539\u5B97\u3059\u308B\u307E\u3067\u5B97\u6559\u7684\u8FEB\u5BB3\u3092\u7D4C\u9A13\u3057\u305F\u3002\u512A\u308C\u305F\u6559\u990A\u3068\u8A69\u306E\u624D\u80FD\u306B\u3082\u304B\u304B\u308F\u3089\u305A\u3001\u9577\u304F\u8CA7\u56F0\u306E\u4E2D\u3067\u751F\u304D\u3001\u5BCC\u88D5\u306A\u53CB\u4EBA\u305F\u3061\u306B\u983C\u3089\u3056\u308B\u3092\u5F97\u306A\u304B\u3063\u305F\u30021615\u5E74\u306B\u56FD\u6559\u4F1A\u306E\u53F8\u796D\u306B\u306A\u308A\u30011621\u5E74\u306B\u30BB\u30F3\u30C8\u30FB\u30DD\u30FC\u30EB\u5927\u8056\u5802\u306E\u9996\u5E2D\u53F8\u796D\uFF08Dean of St Paul's\uFF09\u306B\u4EFB\u305C\u3089\u308C\u305F\u3002\u305D\u3046\u3044\u3063\u305F\u80CC\u666F\u304C\u30C0\u30F3\u306E\u6587\u5B66\u4F5C\u54C1\uFF08\u521D\u671F\u306E\u604B\u611B\u8A69\u30FB\u98A8\u523A\u8A69\u304B\u3089\u6669\u5E74\u306E\u5B97\u6559\u7684\u8B1B\u8A71\u306B\u81F3\u308B\u307E\u3067\uFF09\u306B\u53CD\u6620\u3057\u3066\u3044\u308B\u3068\u3044\u3046\u610F\u898B\u304C\u3042\u308B\u3002 \u5927\u80C6\u306A\u6A5F\u77E5\u3068\u8907\u96D1\u306A\u8A00\u8A9E\u3092\u99C6\u4F7F\u3057\u3001\u604B\u611B\u8A69\u3001\u5B97\u6559\u8A69\u3001\u8B1B\u8A71\u3092\u66F8\u304F\u3002\u5F62\u800C\u4E0A\u8A69\u4EBA\u306E\u5148\u99C6\u8005\u3068\u3055\u308C\u308B\u3002\u4EE3\u8868\u4F5C\u306B\u300E\u86A4\u300F\u3001\u300E\u65E5\u306E\u51FA\u300F\u3068\u3044\u3063\u305F\u5504\u3068\u30BD\u30CD\u30C3\u30C8\u3001\u300C\u6B7B\u3088\u9A55\u308B\u306A\u304B\u308C\u300D\u306E\u4E00\u7BC0\u3067\u77E5\u3089\u308C\u308B\u300E\u8056\u306A\u308B\u30BD\u30CD\u30C3\u30C810\u756A\u300F\u3084\u300E\u51A0\u300F\u3068\u3044\u3063\u305F\u5B97\u6559\u8A69\u304C\u3042\u308B\u3002T\u30FBS\u30FB\u30A8\u30EA\u30AA\u30C3\u30C8\u3089\u306B\u5F71\u97FF\u3092\u4E0E\u3048\u3001\u30D8\u30DF\u30F3\u30B0\u30A6\u30A7\u30A4\u300E\u8AB0\u304C\u305F\u3081\u306B\u9418\u306F\u9CF4\u308B\uFF08For Whom the Bell Tolls\uFF09\u300F\u306E\u30BF\u30A4\u30C8\u30EB\u306F\u30C0\u30F3\u306E\u8AAC\u6559\u306E\u4E00\u7BC0\u304B\u3089\u53D6\u3089\u308C\u3066\u3044\u308B\u3002"@ja . . . . . "\u0414\u0436\u043E\u043D \u0414\u043E\u043D\u043D (\u0430\u043D\u0433\u043B. John Donne; 22 \u0441\u0456\u0447\u043D\u044F 1572, \u041B\u043E\u043D\u0434\u043E\u043D \u2014 31 \u0431\u0435\u0440\u0435\u0437\u043D\u044F 1631) \u2014 \u0430\u043D\u0433\u043B\u0456\u0439\u0441\u044C\u043A\u0438\u0439 \u043F\u043E\u0435\u0442, \u043D\u0430\u0439\u0431\u0456\u043B\u044C\u0448\u0438\u0439 \u043F\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043D\u0438\u043A \u043C\u0435\u0442\u0430\u0444\u0456\u0437\u0438\u0447\u043D\u043E\u0433\u043E \u043D\u0430\u043F\u0440\u044F\u043C\u0443. \u0410\u0432\u0442\u043E\u0440 \u043D\u0438\u0437\u043A\u0438 \u043B\u044E\u0431\u043E\u0432\u043D\u0438\u0445 \u0432\u0456\u0440\u0448\u0456\u0432, \u0435\u043B\u0435\u0433\u0456\u0439, \u0441\u043E\u043D\u0435\u0442\u0456\u0432, \u0435\u043F\u0456\u0433\u0440\u0430\u043C, \u0430 \u0442\u0430\u043A\u043E\u0436 \u0440\u0435\u043B\u0456\u0433\u0456\u0439\u043D\u0438\u0445 \u043F\u0440\u043E\u043F\u043E\u0432\u0456\u0434\u0435\u0439."@uk . "John Donne (Londres, 22 de enero de 1572 - 31 de marzo de 1631) fue el m\u00E1s importante poeta metaf\u00EDsico ingl\u00E9s de las \u00E9pocas de la reina Isabel I (Elizabeth I, en ingl\u00E9s; 1559-1603), el rey Jacobo I (James I, en ingl\u00E9s; 1603-1625) y su hijo Carlos I (Charles I, en ingl\u00E9s; 1625-1642). La poes\u00EDa metaf\u00EDsica es m\u00E1s o menos el equivalente a la poes\u00EDa conceptista del Siglo de Oro espa\u00F1ol de la que es contempor\u00E1nea. Su obra incluye: poes\u00EDa amorosa, religiosa, traducciones, epigramas, eleg\u00EDas seg\u00FAn la tradici\u00F3n de imitaci\u00F3n de los Amores de Ovidio (es decir, en realidad son poemas de amor), canciones y sermones en prosa."@es . . . . "John Donne (* 22. Januar 1572 in London; \u2020 31. M\u00E4rz 1631 ebenda) war ein englischer Schriftsteller und der bedeutendste der metaphysischen Dichter. Sein Werk umfasst Predigten, religi\u00F6se Gedichte, \u00DCbersetzungen aus dem Lateinischen, Epigramme, Elegien, Lieder und Sonette."@de . . . . . "John Donne"@in . . . . . . . . . . . . . . . . . "London, England"@en . . . . . . . . . . . . "John Donne (Londres, 1572ko urtarrilaren 22a - ibidem, 1631ko martxoaren 31) ingeles olerkari, militar eta idazkaria izan zen. Familia katoliko batean jaio zen, baina gerora Anglikanoko elizako apaiz ordenatu zuten. Cambridgeko Unibertsitatean ikasi zuen, baina ezin izan zen lizentziatu katolikoa zelako. Bere herentzia emakumeetan, literaturan, denbora-pasetan eta bidaietan gastatu zuen. Essexeko kondearekin eta Walter Raleighekin batera espainiarren aurka borrokatu zuen Cadizen (1596) eta Azoresen (1597). 25 urterekin idazkari izendatu zuten. Isilpean ezkondu zen Anne Morerekin, bere nagusiaren ilobarekin. Aurkitu ondoren, kaleratu egin zuten eta espetxean eman zuen denbora. Ondoren, ezkontzak estutasun ekonomikoak izan zituen, hamabi seme-alaba izan baitzituen. Ondoren, Parlamentuko kide izan zen eta Jakue I.a Ingalaterrakoa erregearen patronatua izan zuen. Bere olerkigintza modan jarri zen eta nobleziako kideei olerkiak eskaini zizkien. Erregeak eskatuta, apaiz anglikanoa eta errege kapilau izendatua izan zen. kidetzat jotzen da. Bere lanek estilo metaforiko eta sentsuala dute ezaugarri. Sonetoak, maitasun-poemak eta erlijio-poemak, latinaren itzulpenak, epigramak, elegiak, abestiak eta satirak idatzi zituen."@eu . . . . . . . . "John Donne (asi 1571 \u2013 31. b\u0159ezna 1631) byl anglick\u00FD b\u00E1sn\u00EDk a anglik\u00E1nsk\u00FD kn\u011Bz, hlavn\u00ED p\u0159edstavitel tzv. ."@cs . "50921"^^ . . . . . . "John Donne (/\u02C8d\u028Cn/; Londra, 22 gennaio 1572 \u2013 Londra, 31 marzo 1631) \u00E8 stato un poeta, religioso e saggista inglese, nonch\u00E9 avvocato e chierico della Chiesa d'Inghilterra. Scrisse sermoni e poemi di carattere religioso, traduzioni latine, epigrammi, elegie, canzoni, sonetti e satire. Pu\u00F2 essere considerato come il massimo rappresentante inglese della poesia metafisica durante il periodo giacomiano. Celebre il suo sermone Nessun uomo \u00E8 un'isola (meditazione XVII) citato da Ernest Hemingway in epigrafe a Per chi suona la campana, e da cui trae ispirazione un omonimo libro di Thomas Merton."@it . . . . "John Mayra Donne (1572 \u2013 31 de mar\u00E7o de 1631) foi um poeta jacobita ingl\u00EAs, pregador e o maior representante dos poetas metaf\u00EDsicos da \u00E9poca. Sua obra \u00E9 not\u00E1vel por seu estilo sensual e realista, incluindo-se sonetos, poesia amorosa, poemas religiosos, tradu\u00E7\u00F5es do latim, epigramas, elegias, can\u00E7\u00F5es, s\u00E1tiras e serm\u00F5es. Sua poesia \u00E9 c\u00E9lebre por sua linguagem vibrante e met\u00E1fora engenhosa, especialmente quando comparada \u00E0 poesia de seus contempor\u00E2neos. Apesar de sua boa educa\u00E7\u00E3o e seu talento para a poesia, viveu na pobreza por muitos anos, contando demasiadamente com amigos mais ricos. Em 1615, tornou-se um pastor anglicano e, em 1621, foi nomeado decano da St. Paul Cathedral, em Londres. Alguns estudiosos acreditam que as obras liter\u00E1rias de Donne refletem as seguintes tend\u00EAncias: poesia amorosa e s\u00E1tiras quando era mais jovem e serm\u00F5es religiosos em sua velhice. Outros estudiosos, tais como Helen Gardner, questiona a validade desta periodiza\u00E7\u00E3o, pois muitos de seus poemas foram publicados postumamente (1633). Exce\u00E7\u00E3o feita a Anniversaries, que foi publicado em 1612 e , publicado em 1623. Seus serm\u00E3os tamb\u00E9m s\u00E3o datados, algumas vezes de forma espec\u00EDfica, informando dia, m\u00EAs e ano."@pt . . . . . . . . . . . . . . . . . . "John Donne"@cs . . . . . . . "John Donne (/d\u028Cn/ DUN; 22 January 1572 \u2013 31 March 1631) was an English poet, scholar, soldier and secretary born into a recusant family, who later became a cleric in the Church of England. Under royal patronage, he was made Dean of St Paul's Cathedral in London (1621\u20131631). He is considered the preeminent representative of the metaphysical poets. His poetical works are noted for their metaphorical and sensual style and include sonnets, love poems, religious poems, Latin translations, epigrams, elegies, songs, and satires. He is also known for his sermons."@en . . "John Donne (/d\u028Cn/ dun; 22 Januari 1572 \u2013 31 Maret 1631) adalah seorang penyair dan rohaniwan Inggris dalam Gereja Inggris. Ia dianggap menjadi perwakilan menonjol dari ."@in . . "1572-01-22"^^ . . . . . . . .