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Link to original content: http://catalog.afi.com/Person/213720-Michael-Pangrazio
AFI|Catalog

AFI CATALOG OF FEATURE FILMS

THE FIRST 100 YEARS 1893–1993

Movie Title

Michael Pangrazio

31 Titles in Filmography ART DIRECTOR | SPECIAL EFFECTS

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FILMOGRAPHY

SPECIAL EFFECTS

TITLE
CREDITED AS
CREDIT
YEAR
THE EMPIRE STRIKES BACK
Matte artist, Miniature and opt eff unit
1980
DRAGONSLAYER
Matte artist, ILM
1981
RAIDERS OF THE LOST ARK
Matte artist, ILM
1981
POLTERGEIST
Matte painting supv, ILM
1982
E.T.: THE EXTRA-TERRESTRIAL
Matte painting supv, ILM
1982
RETURN OF THE JEDI
Matte painting supv, ILM
1983
STAR TREK III: THE SEARCH FOR SPOCK
Matte painting supv, ILM
1984
INDIANA JONES AND THE TEMPLE OF DOOM
Matte painting supv, ILM
1984
JOHN CARPENTER'S STARMAN
Matte painting supv, ILM
1984
EXPLORERS
Matte painting supv, ILM
1985
THE GOLDEN CHILD
Matte artist, ILM
1986
EMPIRE OF THE SUN
Addl opt eff prod by
1987
WILLOW
Matte artist, ILM
1988
PRANCER
Matte artist supv, Matte World
1989
ARACHNOPHOBIA
Matte artist supv, Matte World
1990
AVALON
Matte artist supv
1990
DARKMAN
Supv of spec visual FX, "Strack City" visual eff b
1990
ALL I WANT FOR CHRISTMAS
Matte artist supv, Matte World
1991
STAR TREK VI: THE UNDISCOVERED COUNTRY
Matte artist supv, Matte World
1991
CAPTAIN RON
Spec visual eff
1992
FAR AND AWAY
Matte artist supv, Ireland crew
1992
HOME ALONE 2: LOST IN NEW YORK
Matte painting supv, Matte World
1992
LEAVING NORMAL
Matte artist supv, Matte World
1992
BRAM STOKER'S DRACULA
Matte artist supv, Matte World
1992
BATMAN RETURNS
Visual eff supv, Matte World Visual Effects
1992
A FAR OFF PLACE
Visual eff supv, Matte World
1993
GHOST IN THE MACHINE
Visual eff supv, Matte World
1993
HOT SHOTS! PART DEUX
Matte artist supv, Matte World
1993
DEMOLITION MAN
Matte artist, Matte World
1993
HOCUS POCUS
Visual eff supv, Matte World
1993

ART DIRECTOR

TITLE
CREDITED AS
CREDIT
YEAR
KING KONG
Art dir, Weta Digital Ltd.
2005

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award
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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.