BLOOD BROTHERS - V1 |
1:11 |
YBNT2 / BB |
BLOOD BROTHERS - V2a |
1:54 |
YBNT2 / BB |
BLOOD BROTHERS - V2b |
1:31 |
YBNT2 / BB |
BLOOD BROTHERS - V3a |
3:12 |
YBNT2 |
BLOOD BROTHERS - V3b |
0:47 |
BB |
BLOOD BROTHERS - V3c |
5:05 |
YBNT2 / BB |
BLOOD BROTHERS - V3d |
4:31 |
GREATEST |
BLOOD BROTHERS - V4 |
5:02 |
DDITV |
BLOOD BROTHERS - V5 |
0:50 |
BB |
BLOOD BROTHERS - V6 take 31 |
4:53 |
private |
BLOOD BROTHERS (ALTERNATE VERSION) - V7 |
3:57 |
BB: EP / MT2 |
BLOOD BROTHERS - V8 take 20 |
3:12 |
private |
BLOOD BROTHERS - V9 take 3 |
5:12 |
private |
BLOOD BROTHERS - V10 take 9 |
5:42 |
private |
BLOOD BROTHERS - V11 take 18 |
3:54 |
private |
BLOOD BROTHERS - V12 |
4:20 |
private |
BLOOD BROTHERS - V13 |
2:20 |
private |
BLOOD BROTHERS - V14 |
4:16 |
O&S |
Note: Written the night before the Greatest Hits sessions, all the above takes were recorded in early January 1995 at The Hit Factory, New York City with the E Street Band. "Blood Brothers" has many different arrangements, and it's clear that Springsteen was uncertain about which to use. V1 is a brief snippet shown in the video. V2a and V2b are slightly different mixes of the official video take. V3 (with session player Frank Pagano guesting on percussion instruments) was issued in 1995 on Greatest Hits. V4 is an alternate arrangement, and V5 is a rocking variation on the V3 arrangement. V6 (take #31) is very similar to the V3, slightly slower with small lyrical variations. V7 is the stirring "rock" version that many consider superior to V3 and was officially released as "Blood Brothers (Alternate Version)" in November 1996 on the Blood Brothers EP that was packaged with the Blood Brothers VHS.
V8 is an early work-in-progress take of the "rock" arrangement with some lyrical variation and an upfront accordion accompaniment. This arrangement does not have the a capella introduction, but instead opens with the full band and is take #20. V9 is the earliest complete take and is a different arrangement of the "rock" version with a melody very close to that of the Greatest Hits version. This take (#3) also has some lyrical variations, including "out on west end" rather than "out on the end" - a small variation that can be found in several of these versions. V10 features a quiet, downbeat arrangement and is take #9. V11 is performed by Bruce, Max, and Roy (on keyboards). This take (#18) features some lyrical variations and can perhaps be described as "Secret Garden"-ish. V12 is fascinating, and the arrangement can only be described as heavily Dylan-inspired with an organ riff that is very reminiscent of "Like A Rolling Stone". There's also plenty of harmonica and some lyrics that are unique to this arrangement. At the conclusion, Bruce says, "Well, that's the idea anyway!" This is the same arrangement found in V1. V13 is a cut work-in-progress of the Greatest Hits arrangement in a different key (D) with Bruce providing instruction and direction to the band. V14 is a stunning solo acoustic performance that is deserving of an official release.
HIGH HOPES - V1 |
3:31 |
YBNT2 |
HIGH HOPES - V2 |
4:20 |
BB: EP |
HIGH HOPES - V3 |
2:46 |
private |
HIGH HOPES - V4 |
|
uncirculating |
HIGH HOPES - V5 |
|
uncirculating |
HIGH HOPES - V6 |
4:57 |
HOPES |
Note: Song written in 1987 by Tim McConnell (aka Tim Scott). Recorded by Springsteen in January, 1995 at The Hit Factory, New York City. V1 is a brief snippet of a different recorded take, as heard in the video. V2 is the complete take officially issued on the Blood Brothers EP. V3 is an alternative, rather funky arrangement with low, almost whispered lyrics and is reminiscent of War's "Spill The Wine". The take is aborted early, with Bruce requesting a cup of tea.
Thanks to a text by Tom Morello, who was filling in for actor Steve Van Zandt on the ten-day 2013 Australian tour, Springsteen decided to open the March 16 Brisbane show with "High Hopes", the first time he has ever played it live! He also phoned Nick Didia, former Southern Tracks studio engineer, now living Down-Under at Byron Bay, 750 km from Sydney. Nick made arrangements for time at Studios 301 in Sydney the next day, as well as an evening slot for Morello at their Byron Bay branch office (running late from Brisbane). On March 17, 2013, a travel day to Sydney, the E Street Band arrived at the studio in the afternoon, recording two takes of "High Hopes" V4 and V5, and completing "Just Like Fire Would", in an unknown number of takes. The word is Morello recorded his parts at Byron Bay late into the night, but he was on time and ready next day for the opener in Sydney, with "High Hopes" still in the lineup. V6 is the final album track that opens High Hopes, featuring numerous overdubs, courtesy of co-producer Ron Aniello, recorded later that year in New York and Los Angeles. On November 19, 2013, a CD-R single, digital download and video were all released, well ahead of the January 2014 album date.
Note: Recorded at Power Station by Toby Scott on May 3–4, 1982 and considered for an early album track listing as the second song, to follow "Born In The U.S.A". According to Brian Hiatt in The Stories Behind The Songs, "Murder Incorporated" was rehearsed in Roy Bittan's living room, and a tape of that rehearsal is highly admired by Max Weinberg: "the best version I've ever heard," he told Hiatt. All of the above are different mixes of the same core recording. V1a has been in circulation for many years, and is the most commonly bootlegged version. V1b is the full recording, with hard stop ending. When compensated for speed and empty space, the recording found on track 3 of the LP 'This Hard Land' (Boss Productions) is V1c, found at correct pitch on 'Roll the Tracks', with no backing vocals in the first verse. V1d deletes the saxophone solo after the second verse, and V1e is an alternate mix, featuring Roy Bittan on piano. The officially released V1f was remixed by Bob Clearmountain in 1994 for the Greatest Hits album. It includes the saxophone solo, but fades out earlier than the outtakes, explaining the ten second difference in track length. Inclusion on a six-CD sampler dated from June 1998 indicates that the song was considered for Tracks. This is peculiar, since the original 1982 recording had already been issued at this point, and no further recordings are known.
Note: V1 was recorded for Human Touch but not utilized. In January 1995 Bruce re-recorded it at The Hit Factory, New York during his reunion with the E Street Band. V2 is a combination of two brief snippets that was shown in the Blood Brothers video. V3 is a complete, alternate take, and V4 is prefaced by recording "take #1". V5a was released as a single, and included on Greatest Hits, released February 28, 1995. V5b features strings (courtesy David Kahn) added to V5a, and released November 19, 1996 on the official Blood Brothers EP, as well as a single b-side in some countries. V5c, known as "the Jerry Maguire Remix", was produced by Matt Jones at Portland, Oregon radio station Z-100 (with permission from Springsteen/Sony) as part of a spring 1997 listener contest promotion exclusive to that station. It features dialog excerpts from the movie added on top of the instrumental sections of the regular commercial version of the song. There are also additional, brief radio station plug spots before and after the song that are heard on this promo-only CD issued on June 26, 1997.
Note: Recorded in January 1995 at The Hit Factory, New York City. V1 was aborted by Springsteen, V2 is the longer restart. V3 is the complete, officially issued take.