World on Film: An IntroductionThis uniquely engaging and lively textbook provides a comprehensive introduction to international film, from the golden age of European cinema to the contemporary blockbusters of India and Asia, and the post World War II emergence of global film culture.
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Contents
21 | |
For Further Thought | 44 |
CONTENTS | 69 |
From Darkness toward Light | 108 |
The Myth of History Neorealism and Beyond | 150 |
Screening Feudalism and Modernism | 195 |
Cinema of Combination and Contradiction | 237 |
Movie Making in the Global Village | 279 |
Luis Buñuel Playing with Ideas | 292 |
Common terms and phrases
actors African American audience Awaara Bachchan beautiful beginning believe Bergman Boudu bourgeois bunraku camera characters China Chungking Express Cléo color Communist created critics director dream DYSTOPIA example explore Fanny and Alexander fantasy Fellini Figure film industry filmmakers frame France freedom German Cinema GLOBAL VILLAGE Godard hero Herzog Hollywood Hong Kong human Indian film Ingmar Ingmar Bergman international film Italy Japan Jean Jean Renoir Jia Zhangke Kurosawa lives look Luis Buñuel Marcello Mastroianni Maria mins modern montage Moolaadé narrative national film culture NATIONS MAKE MOVIES neorealism neorealist Ousmane Sembène played political problems realistic reality Renoir role Russian samurai scene screen Sembène’s Senegal sexual shot shows social society Soviet star story studio Surrealist tells theater traditional understand visual Wave wife woman women Wong WONG KAR-WAI Wong’s World on Film World War II Write an essay