The Encyclopedia of Epic FilmsSoon after film came into existence, the term epic was used to describe productions that were lengthy, spectacular, live with action, and often filmed in exotic locales with large casts and staggering budgets. The effort and extravagance needed to mount an epic film paid off handsomely at the box office, for the genre became an immediate favorite with audiences. Epic films survived the tribulations of two world wars and the Depression and have retained the basic characteristics of size and glamour for more than a hundred years. Length was, and still is, one of the traits of the epic, though monolithic three- to four-hour spectacles like Gone with the Wind (1939) and Lawrence of Arabia (1962) have been replaced today by such franchises as the Harry Potter films and the Lord of the Rings trilogy. Although the form has evolved during many decades of existence, its central elements have been retained, refined, and modernized to suit the tastes of every new generation. The Encyclopedia of Epic Films identifies, describes, and analyzes those films that meet the criteria of the epic—sweeping drama, panoramic landscapes, lengthy adventure sequences, and, in many cases, casts of thousands. This volume looks at the wide variety of epics produced over the last century—from the silent spectacles of D. W. Griffith and biblical melodramas of Cecil B. DeMille to the historical dramas of David Lean and rollercoaster thrillers of Steven Spielberg. Each entry contains:
This volume also includes appendixes of foreign epics, superhero spectaculars, and epics produced for television, along with a list of all the directors in the book. Despite a lack of overall critical recognition and respect as a genre, the epic remains a favorite of audiences, and this book pays homage to a form of mass entertainment that continues to fill movie theaters. The Encyclopedia of Epic Films will be of interest to academics and scholars, as well as any fan of films made on a grand scale. |
Contents
1 | |
B | 69 |
C | 115 |
D | 166 |
E | 186 |
F | 198 |
G | 216 |
H | 275 |
P | 415 |
Q | 443 |
R | 447 |
S | 473 |
T | 499 |
V | 529 |
W | 536 |
SUPERHERO AND FRANCHISE EPICS | 541 |
Other editions - View all
The Encyclopedia of Epic Films Constantine Santas,James M. Wilson,Maria Maddalena Colavito,Djoymi Baker No preview available - 2014 |
Common terms and phrases
20th Century Fox action Actor Alexander American Andrew arrives ART DIRECTION Arthur asks audience Award back Barry Based battle becomes Ben-Hur Best Director Best Film Editing Best Picture Best Sound Best Supporting Bibliography BLU-RAY Caligula Captain CAST character Charles Christian Cinema CINEMATOGRAPHER Commentary crew Currently unavailable DURATION Dantes David Lean DB Notes death DeMille despite EDITOR epic film Episode escape father fight film's find Ford Frank friend George George Lucas Harry Henry hero history Hollywood human Jack James Jesus John killed King later Lawrence leaves love Martin Mary Michael minutes movie Music night novel number Paramount Pictures Peter played PRODUCER PRODUCTION DESIGN return Richard Ridley Scott Robert Robin Roman says scene Scott screen SET DECORATION ship shoots shot soldiers spectacle Spider-Man Star Steven Spielberg Stevens story takes tells tion Titanic uncredited version viewer Warner Bros Warner Home Video wife William woman world WRITERS York young