The Allmusic review by Scott Yanow states "In reality, the voices were not needed (they stick out as a bit of a frivolity), but Tyner plays as strong as usual; he has yet to record an uninspired solo".[3]
- "For Tomorrow" - 6:07
- "Uptown" - 7:30
- "Rotunda" - 6:46
- "Opus" - 9:35
- "Festival in Bahia" - 10:08
- All compositions by McCoy Tyner
- Recorded in NYC, September 1, 2, 6, 7 & 8, 1977
- McCoy Tyner – piano, arrangements
- Cecil Bridgewater – trumpet (tracks 2 & 4)
- Jon Faddis – trumpet (tracks 2 & 4)
- Eddie Preston – trumpet (tracks 2 & 4)
- Ernie Royal – trumpet (tracks 2, 4 & 5)
- Dick Griffin – trombone (tracks 2 & 4)
- Janice Robinson – trombone (tracks 2 & 4)
- Charles Stephens – trombone (tracks 2 & 4)
- Earl McIntyre – trombone (tracks 2, 4 & 5)
- Joe Ford – alto saxophone (tracks 2 & 4)
- Jerry Dodgion – alto saxophone (tracks 2 & 4), flute (track 5)
- Alex Foster – tenor saxophone (tracks 2, 4 & 5)
- Ed Xiques – baritone saxophone (tracks 2 & 4), alto saxophone (track 5)
- Earl Klugh – guitar (tracks 2, 3 & 5)
- Ron Carter – bass
- Eric Gravatt – drums (tracks 2 & 4)
- Jack DeJohnette: drums (tracks 3 & 5)
- Guilherme Franco – percussion (track 5)
- Adrienne Anderson– voices (tracks 1, 3, 4 & 5)
- Benjamin Carter – voices (tracks 1, 3, 4 & 5)
- Fran Dorsey – voices (tracks 1, 3, 4 & 5)
- Bessye Ruth Scott – voices (tracks 1, 3, 4 & 5)
- Carl Scott – voices (tracks 1, 3, 4 & 5)
- Suzanne Simmons – voices (tracks 1, 3, 4 & 5)
- Joan Taylor – voices (tracks 1, 3, 4 & 5)